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Gareth von Kallenbach (980 KP) rated As Above So Below (2014) in Movies
Aug 6, 2019
The film “As above so below” is part horror, part treasure adventure, and
all shaky cam. This found-footage film could also be more aptly titled as
“Lara Croft goes to hell.” The story centers around an excitable young
adventurer with a British accent named Scarlett on a search for the
mythological Philosopher’s Stone. A self-professed scholar of alchemy, she
hopes proving that the stone exists will fulfill her father’s legacy and
prove to the world that he wasn’t crazy. This search leads her and her
partners through the secret areas of the haunted catacombs of Pairs, France
into what could be hell itself. The movie starts with her traveling to Iran
for clues on the location of the Philosopher’s Stone.
The action opens without introductions which I enjoyed, as it gets right
into the action and sets the a good pace for the rest of the film. After
retrieving clues to the location of the stone and narrowly avoiding
security and a cave-in in Iran, our heroine sets off to Paris, France to
gather the rest of the crew for her adventure (the rest of our films
characters). These characters include her old friend Benji, a translator, a
group of French miscreants: Papillion (the leader), Zed and Souxie (the
Banshee, no kidding) all of whom are experts on the secret underground
catacombs. Her loyal documentarian George rounds out the crew who has
followed her around since the film’s opening shot.
Up until this point, the horror element of this film is non-existent. Once
the crew journey into the secret catacombs is when things begin to get
eerie. Plot and circumstance is good and all, but it’s a horror movie, is
it scary? Well, I wasn’t scared at all, neither was my wife whom I saw the
movie with. I’d call it more of a psychological thriller, a slight one at
that. Lots of supernatural happenings occur in the caverns akin to what
you’d find in a haunted house movie. Things like phone’s ringing
inexplicably in an area devoid of electricity and hundreds of feet below
the ground, spooky ghost like figures chanting occult hymns, and dead
drowned children. There isn’t much gore in this film, the little found is
reserved for the last 3rd of the movie. Some fear and wince inducing
moments are supplied via claustrophobia as the group squeezes themselves
through tight corridors and underwater channels. They did a pretty good job
of getting your heart racing. These scenes were reminiscent of a greater
horror entry “The Descent.” If you’ve seen that film, then you know what to
expect when it comes to the 1st person moments of claustrophobia.
Once in the catacombs what follows is a maze of twists and turns and
strange occurrences as the crew tries to solve the mystery of the hidden
Philosopher’s Stone as one by one the crew members get killed off in their
attempt to escape the demonic maze of underground tunnels. As for the
ending? Well prepare to be underwhelmed. The definitive worst part of the
film is its ending. It is so mundane and handled extremely poorly as to
come to an abrupt and seemingly rushed finish without any sense of
accomplishment or endearment to any of the characters or what they have
been through. Although they don’t all make it out alive (naturally this is
a horror film) those that do give off the impression of a group that has
just passed out of the end of a haunted house maze similar to those at the
upcoming Halloween Horror Nights at Universal Studios.
all shaky cam. This found-footage film could also be more aptly titled as
“Lara Croft goes to hell.” The story centers around an excitable young
adventurer with a British accent named Scarlett on a search for the
mythological Philosopher’s Stone. A self-professed scholar of alchemy, she
hopes proving that the stone exists will fulfill her father’s legacy and
prove to the world that he wasn’t crazy. This search leads her and her
partners through the secret areas of the haunted catacombs of Pairs, France
into what could be hell itself. The movie starts with her traveling to Iran
for clues on the location of the Philosopher’s Stone.
The action opens without introductions which I enjoyed, as it gets right
into the action and sets the a good pace for the rest of the film. After
retrieving clues to the location of the stone and narrowly avoiding
security and a cave-in in Iran, our heroine sets off to Paris, France to
gather the rest of the crew for her adventure (the rest of our films
characters). These characters include her old friend Benji, a translator, a
group of French miscreants: Papillion (the leader), Zed and Souxie (the
Banshee, no kidding) all of whom are experts on the secret underground
catacombs. Her loyal documentarian George rounds out the crew who has
followed her around since the film’s opening shot.
Up until this point, the horror element of this film is non-existent. Once
the crew journey into the secret catacombs is when things begin to get
eerie. Plot and circumstance is good and all, but it’s a horror movie, is
it scary? Well, I wasn’t scared at all, neither was my wife whom I saw the
movie with. I’d call it more of a psychological thriller, a slight one at
that. Lots of supernatural happenings occur in the caverns akin to what
you’d find in a haunted house movie. Things like phone’s ringing
inexplicably in an area devoid of electricity and hundreds of feet below
the ground, spooky ghost like figures chanting occult hymns, and dead
drowned children. There isn’t much gore in this film, the little found is
reserved for the last 3rd of the movie. Some fear and wince inducing
moments are supplied via claustrophobia as the group squeezes themselves
through tight corridors and underwater channels. They did a pretty good job
of getting your heart racing. These scenes were reminiscent of a greater
horror entry “The Descent.” If you’ve seen that film, then you know what to
expect when it comes to the 1st person moments of claustrophobia.
Once in the catacombs what follows is a maze of twists and turns and
strange occurrences as the crew tries to solve the mystery of the hidden
Philosopher’s Stone as one by one the crew members get killed off in their
attempt to escape the demonic maze of underground tunnels. As for the
ending? Well prepare to be underwhelmed. The definitive worst part of the
film is its ending. It is so mundane and handled extremely poorly as to
come to an abrupt and seemingly rushed finish without any sense of
accomplishment or endearment to any of the characters or what they have
been through. Although they don’t all make it out alive (naturally this is
a horror film) those that do give off the impression of a group that has
just passed out of the end of a haunted house maze similar to those at the
upcoming Halloween Horror Nights at Universal Studios.
Gareth von Kallenbach (980 KP) rated Source Code (2011) in Movies
Aug 7, 2019
Following upon his breakout success with the film Moon director Duncan Jones has returned with Source Code and has proven that he is not a one-hit wonder but also a talent on the rise.
The film stars Jake Gyllenhaal as Colter Stevens who, after waking up on a train, finds himself disoriented and unable to identify his travel companion, the attractive Christina Warren (Michelle Monaghan), who sits across from him eagerly discussing things they appear to have spoken about previously.
Taking a quick survey of his surroundings, Colter finds out that he is on a train heading to Chicago and that he cannot explain how he ended up where he currently is. Colter is not given much time to ponder his situation as the train is suddenly rocked by a massive explosion and he finds himself engulfed in a wall of flame. Shortly thereafter Colter awakens and finds himself upside down and strapped into what appears to be a cockpit of some sort.
A voice soon fills the cockpit, followed by the face of the woman he can’t identify on a video monitor. Unable to ascertain what is going on, a frantic Colter only recalls that he was a helicopter pilot on mission in Afghanistan. The mystery woman (Vera Farmiga) tells him that he is now part of a top-secret project that is attempting to unravel the mystery behind the bombing of the train.
Before he can ask too many questions, Colter once again finds himself back on the train with Christina and the same sequence of events occur before the train is engulfed by devastating fireball. When he once again awakens in his cockpit, Colter learns that the project he’s involved with can send him back in time 8 minutes into the body of someone on the train. He will be sent back time and time again to relive those final 8 min. in an effort to determine who is responsible for the bombing.
Despite his protests, Colter relives the events each time looking for new clues and each time ending up engulfed in the fireball and awakening in his cockpit. Eventually after numerous trips to the past Colter becomes obsessed with not only getting to the bottom of the mystery but with saving Christina to whom he is becoming attached through their numerous 8 minute interactions. Colter is also desperate to determine his exact situation as he has no memory of how he ended up in the program and finds himself not only trying to solve the mystery of the bombing, save Christina, but also fill in the gaps in his memory.
What follows is a fast-paced, character-driven adventure film that relies on the interaction’s between the two leads rather than special effects to carry the film. Gyllenhaal and Monaghan have good chemistry with each other and the film has some nice twists and turns that will keep the audience engrossed even if the concepts of time travel and temporal mechanics escape them.
Jones keeps the film moving at a brisk pace and it does not drag or overstay its welcome. Like Moon, Jones has based the film around a leading man who is facing isolation and questioning his mental state. With what could’ve been a dumbed-down action film, Jones has exceeded expectations and produced a smart and innovative action thriller with a touch of science fiction and romance thrown in, a winning combination that makes for a very enjoyable film.
The film stars Jake Gyllenhaal as Colter Stevens who, after waking up on a train, finds himself disoriented and unable to identify his travel companion, the attractive Christina Warren (Michelle Monaghan), who sits across from him eagerly discussing things they appear to have spoken about previously.
Taking a quick survey of his surroundings, Colter finds out that he is on a train heading to Chicago and that he cannot explain how he ended up where he currently is. Colter is not given much time to ponder his situation as the train is suddenly rocked by a massive explosion and he finds himself engulfed in a wall of flame. Shortly thereafter Colter awakens and finds himself upside down and strapped into what appears to be a cockpit of some sort.
A voice soon fills the cockpit, followed by the face of the woman he can’t identify on a video monitor. Unable to ascertain what is going on, a frantic Colter only recalls that he was a helicopter pilot on mission in Afghanistan. The mystery woman (Vera Farmiga) tells him that he is now part of a top-secret project that is attempting to unravel the mystery behind the bombing of the train.
Before he can ask too many questions, Colter once again finds himself back on the train with Christina and the same sequence of events occur before the train is engulfed by devastating fireball. When he once again awakens in his cockpit, Colter learns that the project he’s involved with can send him back in time 8 minutes into the body of someone on the train. He will be sent back time and time again to relive those final 8 min. in an effort to determine who is responsible for the bombing.
Despite his protests, Colter relives the events each time looking for new clues and each time ending up engulfed in the fireball and awakening in his cockpit. Eventually after numerous trips to the past Colter becomes obsessed with not only getting to the bottom of the mystery but with saving Christina to whom he is becoming attached through their numerous 8 minute interactions. Colter is also desperate to determine his exact situation as he has no memory of how he ended up in the program and finds himself not only trying to solve the mystery of the bombing, save Christina, but also fill in the gaps in his memory.
What follows is a fast-paced, character-driven adventure film that relies on the interaction’s between the two leads rather than special effects to carry the film. Gyllenhaal and Monaghan have good chemistry with each other and the film has some nice twists and turns that will keep the audience engrossed even if the concepts of time travel and temporal mechanics escape them.
Jones keeps the film moving at a brisk pace and it does not drag or overstay its welcome. Like Moon, Jones has based the film around a leading man who is facing isolation and questioning his mental state. With what could’ve been a dumbed-down action film, Jones has exceeded expectations and produced a smart and innovative action thriller with a touch of science fiction and romance thrown in, a winning combination that makes for a very enjoyable film.
Gareth von Kallenbach (980 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Aug 23, 2021
The latest film in the Marvel Cinematic Universe has arrived with “Shang Chi and The Legend of the Ten Rings”.
The film introduces audiences to Shang Chi (Simu Liu); an easygoing San Francisco resident who spends his time parking cars and hanging out with his friend Katy (Awkwafina) and her family.
Life is steady if unspectacular until he is accosted on a city bus by a group looking to take a pendant his mother gave him. When Shang Chi shocks Katy and the occupants of the bus with his martial arts abilities; he attempts to find his sister Xialing (Meng’er Zhang); who runs an underground fight club. While Xialing is estranged from her brother; their father Wenwu (Tony Chiu-Wai Leung) has conspired to bring them and their pendants before him.
Their father uses the power of sacred devices known as the Ten Rings to rule for over a thousand years and destroys all who would oppose him thanks to their power and the army he has gathered over the centuries.
Wenwu wants to revive their long-dead mother as he is convinced that she is calling to him and he wants to be with her as he was able to be a better man and forsake the power and abilities the rings offered him.
When it is learned that Wenwu plans to go to a mythical realm that their mother came from and free her or burn the place to the ground; Shang Chi must make some hard choices between family and doing what he believes is right.
What follows is an action-filled thriller with plenty of mysticism and humor. The film has a very engaging visual style that combines Asian and Western cinematic styles which results in some very engaging visuals as well as action sequences.
What really sets the film apart from many Super Hero films is that the characters have a solid base to them as they have a complexity to them in regards to their past and their motivations. Their relationships with one another are key to the film as family, honor, and justice are key elements to the film but they are not given lip service but are developed well along with their characters.
While the final act may be a bit FX heavy for some; I found it in keeping with the story and the characters and the great Sir Ben Kingsley provides some very welcome comic relief in his return as Trevor.
Awkwafina is also great as she provides some very laugh-out-loud moments but is not afraid to mix it up when the situation calls for him. Simu Liu was very enjoyable in the lead role as he performed the physical aspects of his character well but added a restrained sensitivity to his character as he is a complicated individual who is conflicted by choices he made in his youth and the ramifications of them now as an adult.
There are bonus scenes that set up future adventures well including one that will no doubt have Marvel fans heatedly debating when the film premieres.
Once again Marvel has shown why they have had such a sustained success with their films as they have done a great job again of introducing a new character to the Cinematic Universe but also connecting him to their cinematic past and future.
4 stars out of 5
The film introduces audiences to Shang Chi (Simu Liu); an easygoing San Francisco resident who spends his time parking cars and hanging out with his friend Katy (Awkwafina) and her family.
Life is steady if unspectacular until he is accosted on a city bus by a group looking to take a pendant his mother gave him. When Shang Chi shocks Katy and the occupants of the bus with his martial arts abilities; he attempts to find his sister Xialing (Meng’er Zhang); who runs an underground fight club. While Xialing is estranged from her brother; their father Wenwu (Tony Chiu-Wai Leung) has conspired to bring them and their pendants before him.
Their father uses the power of sacred devices known as the Ten Rings to rule for over a thousand years and destroys all who would oppose him thanks to their power and the army he has gathered over the centuries.
Wenwu wants to revive their long-dead mother as he is convinced that she is calling to him and he wants to be with her as he was able to be a better man and forsake the power and abilities the rings offered him.
When it is learned that Wenwu plans to go to a mythical realm that their mother came from and free her or burn the place to the ground; Shang Chi must make some hard choices between family and doing what he believes is right.
What follows is an action-filled thriller with plenty of mysticism and humor. The film has a very engaging visual style that combines Asian and Western cinematic styles which results in some very engaging visuals as well as action sequences.
What really sets the film apart from many Super Hero films is that the characters have a solid base to them as they have a complexity to them in regards to their past and their motivations. Their relationships with one another are key to the film as family, honor, and justice are key elements to the film but they are not given lip service but are developed well along with their characters.
While the final act may be a bit FX heavy for some; I found it in keeping with the story and the characters and the great Sir Ben Kingsley provides some very welcome comic relief in his return as Trevor.
Awkwafina is also great as she provides some very laugh-out-loud moments but is not afraid to mix it up when the situation calls for him. Simu Liu was very enjoyable in the lead role as he performed the physical aspects of his character well but added a restrained sensitivity to his character as he is a complicated individual who is conflicted by choices he made in his youth and the ramifications of them now as an adult.
There are bonus scenes that set up future adventures well including one that will no doubt have Marvel fans heatedly debating when the film premieres.
Once again Marvel has shown why they have had such a sustained success with their films as they have done a great job again of introducing a new character to the Cinematic Universe but also connecting him to their cinematic past and future.
4 stars out of 5
RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Gareth von Kallenbach (980 KP) rated Into the Blue (2005) in Movies
Aug 14, 2019
In the thriller Into the Blue Sam (Jessica Alba), and Jared (Paul Walker), spend a lot of time scantily clad and swimming in the clear waters in some of the most lavish locales known.
Sam is an Oceanographer and Jared spends his time trying to restore his boat in hopes of searching for lost treasure and artifacts at various spots where ships were reported to have been lost over the years. They have a simple yet happy life, and although Jared feels that the time has come for him to make something of his life.
An arrival of Bryce (Scott Caan), and his new girlfriend Amanda (Ashley Scott), who seek to have some fun and party the days away provides a distraction to Sam and Jared and before long, they are taking in the luxury of the house Bryce is using, and its lavish boat.
A series of dives eventually leads the group to a sunken plane filled with cocaine and into more danger than they can realize. Convinced they have found the fabled lost ship Jared has long sought, he fears that turning the plane in will result in the loss of his claim. The group makes a pact to keep the plane, cargo and location a secret until they can finalize their claim on the shipwreck. Before long, the need for money leads to thoughts of selling the drugs to finance a salvage operation.
A bad situation becomes even worse when the owners of the drugs become aware of what the group is up to, and seek to reclaim their lost fortune letting nothing stand in their way.
While the film is mostly Alba, Walker, and the cast lounging semi clothed in the sun, with numerous close ups of Alba swimming slowly by the camera, there are some good moments in the film. Despite the plot holes, gaps in logic, and some bad acting, the film does have some entertaining moments. The buzz on the film was largely negative prior to my screener, yet I found myself enjoying it. The final segment of the film lost much of the earlier progress as the formulaic and stale ending, complete with the stiff and drawn out action, sink what could have been a good film.
That being said, the film does make for a nice diversion, just keep your expectations low.
Sam is an Oceanographer and Jared spends his time trying to restore his boat in hopes of searching for lost treasure and artifacts at various spots where ships were reported to have been lost over the years. They have a simple yet happy life, and although Jared feels that the time has come for him to make something of his life.
An arrival of Bryce (Scott Caan), and his new girlfriend Amanda (Ashley Scott), who seek to have some fun and party the days away provides a distraction to Sam and Jared and before long, they are taking in the luxury of the house Bryce is using, and its lavish boat.
A series of dives eventually leads the group to a sunken plane filled with cocaine and into more danger than they can realize. Convinced they have found the fabled lost ship Jared has long sought, he fears that turning the plane in will result in the loss of his claim. The group makes a pact to keep the plane, cargo and location a secret until they can finalize their claim on the shipwreck. Before long, the need for money leads to thoughts of selling the drugs to finance a salvage operation.
A bad situation becomes even worse when the owners of the drugs become aware of what the group is up to, and seek to reclaim their lost fortune letting nothing stand in their way.
While the film is mostly Alba, Walker, and the cast lounging semi clothed in the sun, with numerous close ups of Alba swimming slowly by the camera, there are some good moments in the film. Despite the plot holes, gaps in logic, and some bad acting, the film does have some entertaining moments. The buzz on the film was largely negative prior to my screener, yet I found myself enjoying it. The final segment of the film lost much of the earlier progress as the formulaic and stale ending, complete with the stiff and drawn out action, sink what could have been a good film.
That being said, the film does make for a nice diversion, just keep your expectations low.
Gareth von Kallenbach (980 KP) rated Sicario: Day of the Soldado (2018) in Movies
Jul 8, 2019
The U.S.-Mexico border been a hum for human and drug trafficking, but when the cartels begin trafficking terrorist across the border the Pentagon decides enough is enough. It is time to try a different tactic. That is when agent Matt Graver (Josh Brolin) is brought in. Graver has been around the border before but also has been successful in the Middle East. He is brought in to start a war between the cartels. Graver knows that they only way to fight the cartels is to fight dirty. He knows what has worked before and he knows it will work here. He plans a daring daytime kidnapping of Isabel Reyes (Isabela Moner). She is the youngest daughter of the head of the Reyes Cartel, which Graver found out was responsible for helping certain terrorist get across the border. These particular terrorist eventually blew up a store in Kansas City. Graver flies to Columbia and enlists the help of a sicario, or assassin, Alejandro (Benicio Del Toro) and together they set out to execute the kidnapping and kick of a war of cartels. But as they soon find out even the best laid plans can go wrong south of the border.
The follow up to the critically acclaimed 2015 film Sicario, this movie is an intense action thriller. The cast is good but Del Toro is outstanding. This character really suits him. Italian director Stefano Sollima (Suburra) does a great job taking over for Denis Villeneuve (Sicario, Arrival). The story is really well done. Writer Taylor Sheridan (Sicario, Hell or High Water, Wind River) really put together a film that keeps you on the edge of your seat. The pace was good and the sound really added to the intense mood. I thought it flowed well with the first film, having the same writer helps, and it is a credit to Sollima. There were a few parts that went a little far in believability but overall it felt realistic.
Overall, the film was fast paced and as I mentioned before intense. There are a few twists and turns that keep you guess as to how it will all end. The movie earns it R rating with violence and a decent amount of blood. I enjoyed the first film and my expectations were high for this film. The story is similar enough that you feel like it connects to the first film but it stands on its own.
The follow up to the critically acclaimed 2015 film Sicario, this movie is an intense action thriller. The cast is good but Del Toro is outstanding. This character really suits him. Italian director Stefano Sollima (Suburra) does a great job taking over for Denis Villeneuve (Sicario, Arrival). The story is really well done. Writer Taylor Sheridan (Sicario, Hell or High Water, Wind River) really put together a film that keeps you on the edge of your seat. The pace was good and the sound really added to the intense mood. I thought it flowed well with the first film, having the same writer helps, and it is a credit to Sollima. There were a few parts that went a little far in believability but overall it felt realistic.
Overall, the film was fast paced and as I mentioned before intense. There are a few twists and turns that keep you guess as to how it will all end. The movie earns it R rating with violence and a decent amount of blood. I enjoyed the first film and my expectations were high for this film. The story is similar enough that you feel like it connects to the first film but it stands on its own.
Phil Leader (619 KP) rated The Noah's Ark Quest (Tyler Locke, #1) in Books
Nov 8, 2019
When engineer Tyler Locke rescues archaeologist Dilara Kenner from a helicopter crash he doesn't know whether to believe her story. She tells hum that a friend of hers was murdered by poison in front of her and that he sent her to find Locke. Since then she has been involved in accidents that she suspects are attempts to kill her too.
Initially skeptical, events (not to mention a bizarre plane crash) soon prove she is indeed correct. And that means that Locke and his friend and colleague Grant Westfield only have a few days to save the human race from destruction.
Positioned firmly in the adventure thriller mould this book is both a terrific example of the type and also refreshingly different. Locke makes a terrific heroic lead, using his engineering and scientific knowledge to gradually work out what is going on and how to stop it. He can handle himself in a fight as well, but the muscle is provided by ex-special forces Westfield. Between them they make a formiddable team - and the banter and wit between them and Kenner is so well written and natural.
The villain of the piece is suitably nasty, a sociopath masquerading as the leader of a religious cult. He shows a worrying tendency to be one step ahead of the heroes at every turn and his motives seem worryingly plausible.
The writing is taut and moves at a considerable pace. There are a number of action sequences - fights, battles, escapes and chases of all sorts - but each is written with an eye to detail and with minimal suspension of belief lending a sense of realism that keeps the whole story grounded.
The British title that I read - The Noah's Ark Quest - is I think a little misleading in that Noah's Ark itself is only of peripheral interest for the bulk of the story. The title of The Ark seems to fit a lot better, resonating as it does with both large ships and places of safety, both themes of note in the book.
This is a very impressive book and one that I thoroughly recommend to anyone who likes their thrillers fast and loud but with an undercurrent of intelligence. Morrison has a real talent for writing which deserves a much wider audience.
Rating: Some violence and some bad language but nothing gratuitous.
Initially skeptical, events (not to mention a bizarre plane crash) soon prove she is indeed correct. And that means that Locke and his friend and colleague Grant Westfield only have a few days to save the human race from destruction.
Positioned firmly in the adventure thriller mould this book is both a terrific example of the type and also refreshingly different. Locke makes a terrific heroic lead, using his engineering and scientific knowledge to gradually work out what is going on and how to stop it. He can handle himself in a fight as well, but the muscle is provided by ex-special forces Westfield. Between them they make a formiddable team - and the banter and wit between them and Kenner is so well written and natural.
The villain of the piece is suitably nasty, a sociopath masquerading as the leader of a religious cult. He shows a worrying tendency to be one step ahead of the heroes at every turn and his motives seem worryingly plausible.
The writing is taut and moves at a considerable pace. There are a number of action sequences - fights, battles, escapes and chases of all sorts - but each is written with an eye to detail and with minimal suspension of belief lending a sense of realism that keeps the whole story grounded.
The British title that I read - The Noah's Ark Quest - is I think a little misleading in that Noah's Ark itself is only of peripheral interest for the bulk of the story. The title of The Ark seems to fit a lot better, resonating as it does with both large ships and places of safety, both themes of note in the book.
This is a very impressive book and one that I thoroughly recommend to anyone who likes their thrillers fast and loud but with an undercurrent of intelligence. Morrison has a real talent for writing which deserves a much wider audience.
Rating: Some violence and some bad language but nothing gratuitous.
Gareth von Kallenbach (980 KP) rated The Man From U.N.C.L.E. (2015) in Movies
Aug 6, 2019
I have to admit, I knew nothing about The Man from U.N.C.L.E going into the movie, other than it was based on a TV show from the 60’s. It had flown under my radar for most of the year, overshadowed by highly-anticipated titles with colons, i.e., Avengers: Age of Ultron, Mad Max: Fury Road, Mission Impossible: Rogue Nation. When the screener was scheduled I was actually tempted to assign it to another reviewer. Then I watched the trailer and saw Henry Cavill (Superman) was one of the stars. At the risk of sounding shallow, that changed my mind.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
Emma @ The Movies (1786 KP) rated 12 Hour Shift (2020) in Movies
Mar 28, 2021
As the night shift starts at the hospital, a drug-addicted nurse finds herself in hot water. A simple black market organ exchange goes awry and she finds herself having to attempt to acquire new organs to save her cousin from the traffickers' wrath.
Almost immediately I was concerned with the pace of the film, it seemed to drag, which didn't really fit with what I'd envisioned from the synopsis and the trailer. I needn't have worried though as everything picked up quite quickly. The hospital makes for a great centrepiece once the action settles there, the cutting between rooms and characters kept it all moving and leaves the viewer with little time to lose interest in what's happening.
Angela Betis was a fun lead. Overworked and underpaid, Mandy is dealing with her problems the only way she knows how. Her attitude about things is all over the place and she sways wildly between what is right and wrong. Bettis manages to make Mandy relatable, particularly that look that says "people are idiots", I felt her pain. It's a great portrayal and she plays off well against all the other characters.
Mandy's ditzy cousin Regine (who inspires a lot of those aforementioned looks) is such a funny addition, she adds something light-hearted to the proceedings and I'm honestly not sure how she ever got a job trafficking organs. Having her in the film did make me think that there could have been some more humour in the mix, but the balance as it was did suit the film.
The rest of that cast were good but it might have been nice to see more of some of them. David Arquette felt underused considering the promo shots I kept seeing for it had him front and centre, and one of the original blurbs even had him as part of the main plot when that absolutely isn't the case.
12 Hour Shift is an entertaining romp and I love the way it's brought full circle. As it is it's a great thriller with some comedy thrown in. It definitely could have taken a lot more obvious humour on-board but that probably would have turned it into a very different film, and whilst almost certainly entertaining I think I would have missed not seeing this version.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/12-hour-shift-movie-review.html
Almost immediately I was concerned with the pace of the film, it seemed to drag, which didn't really fit with what I'd envisioned from the synopsis and the trailer. I needn't have worried though as everything picked up quite quickly. The hospital makes for a great centrepiece once the action settles there, the cutting between rooms and characters kept it all moving and leaves the viewer with little time to lose interest in what's happening.
Angela Betis was a fun lead. Overworked and underpaid, Mandy is dealing with her problems the only way she knows how. Her attitude about things is all over the place and she sways wildly between what is right and wrong. Bettis manages to make Mandy relatable, particularly that look that says "people are idiots", I felt her pain. It's a great portrayal and she plays off well against all the other characters.
Mandy's ditzy cousin Regine (who inspires a lot of those aforementioned looks) is such a funny addition, she adds something light-hearted to the proceedings and I'm honestly not sure how she ever got a job trafficking organs. Having her in the film did make me think that there could have been some more humour in the mix, but the balance as it was did suit the film.
The rest of that cast were good but it might have been nice to see more of some of them. David Arquette felt underused considering the promo shots I kept seeing for it had him front and centre, and one of the original blurbs even had him as part of the main plot when that absolutely isn't the case.
12 Hour Shift is an entertaining romp and I love the way it's brought full circle. As it is it's a great thriller with some comedy thrown in. It definitely could have taken a lot more obvious humour on-board but that probably would have turned it into a very different film, and whilst almost certainly entertaining I think I would have missed not seeing this version.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/12-hour-shift-movie-review.html
BookInspector (124 KP) rated The Girl Next Door in Books
Sep 24, 2020
The story is told from multiple perspectives. Clare is the murdered girl, and she is telling about her life events up to her murder. Jane is Clare’s neighbour, and an example of status, beauty, perfect family, and everybody wants to be her. DS Madeline Shaw is a police officer, investigating Clare’s death. So, we have quite an interesting mix of characters in this book, some flashy and some plain, but the combination of all makes a really great read. For me, the most interesting of all is Jane. She is very deceiving and full of surprises. Even though Jane’s character was very well delivered, some thoughts got a little repetitive at times, which didn’t increase the suspense levels for me as it supposed to but annoyed me a little instead.
I think this novel is more character driven than the plot itself. The investigation is happening, but not many clues are there to go by. The action concentrates around Jane, her family, her thoughts, and her relationship with the community. The suspense was very well kept throughout the book, and the unexpected twists and major turns made this novel a very superb read. I think that the author’s life in the countryside was very well utilized in this book. She portrayed it very well, and I could feel that small community’s spirit. The main topics discussed in this novel was the mother’s love for her children, the importance of the family’s image in a small town, a woman’s dedication to her family, etc.
Phoebe Morgan knows how to attract the reader, the novel is not only very well written but very well constructed as well. The multiple perspectives allowed to have an insight into different people’s minds, lives, and made the reading experience very pleasant, followed by short chapters, and twists and turns in all the right places. She truly knows what she is doing. The ending was unexpected and rounded up the story well, but I wasn’t very happy with the justice aspect of it. 🙂
So, to conclude, I really enjoyed this thriller, filled with very sophisticated and amusing characters and a very deceiving and knotty plot, where things are not as it seems. Do give this book a read, it is truly absorbing, and I hope you will enjoy it as much as I did.
I think this novel is more character driven than the plot itself. The investigation is happening, but not many clues are there to go by. The action concentrates around Jane, her family, her thoughts, and her relationship with the community. The suspense was very well kept throughout the book, and the unexpected twists and major turns made this novel a very superb read. I think that the author’s life in the countryside was very well utilized in this book. She portrayed it very well, and I could feel that small community’s spirit. The main topics discussed in this novel was the mother’s love for her children, the importance of the family’s image in a small town, a woman’s dedication to her family, etc.
Phoebe Morgan knows how to attract the reader, the novel is not only very well written but very well constructed as well. The multiple perspectives allowed to have an insight into different people’s minds, lives, and made the reading experience very pleasant, followed by short chapters, and twists and turns in all the right places. She truly knows what she is doing. The ending was unexpected and rounded up the story well, but I wasn’t very happy with the justice aspect of it. 🙂
So, to conclude, I really enjoyed this thriller, filled with very sophisticated and amusing characters and a very deceiving and knotty plot, where things are not as it seems. Do give this book a read, it is truly absorbing, and I hope you will enjoy it as much as I did.