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Daniel Boyd (1066 KP) rated Wheelman (2017) in Movies
Oct 24, 2017 (Updated Oct 24, 2017)
Grillo is great (1 more)
Decent script
One Hell Of A Night
Wheelman is a Netflix movie that unfortunately debuted on the same date as the hotly anticipated Stephen King adaption, 1922. Though Wheelman deserves more than to be overlooked and although I didn't expect much going into it, I came away afterwards pleasantly surprised.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
Weak characters (1 more)
Mediocre ending
A haunted house thriller that could've been more
At Spring House, it’s not just a lone ghost that haunts the property—something has awoken. Almost as if the house were alive. That’s the impression I got going into The Vines, and I thought it was a unique twist to the classic haunted house story.
The book has several narrators starting with Caitlin, an heiress whom everyone loves to hate and who is taken advantage of and cheated on by her husband. Second is Nova, an educated young black woman employed at Spring that has a real chip on her shoulder. Lastly there is Blake, a homosexual male nurse that suffers from depression after witnessing the death of his lover. All of these character’s stories come together to form the mystery around Spring House.
I had a hard time really deciding how I wanted to rate this book overall. At certain points it was thrilling, I wanted to know more about the mystery surrounding Spring House and the action scenes are written in wonderful detail. On the other hand I also found myself pretty disappointed with how one dimensional many of the characters were, particularly Caitlin and Nova. I just couldn’t find myself caring much about either one of them, which made it a little bit hard to remain interested in their respective roles in the plot.
With Caitlin she didn’t seem to be such a bad person, but the hatred and scorn from the people around her have reduced her to being a shadow of a person, not much ever comes from her character. The development of her character is seemingly dropped, she’s just there, all blind anger and rage and while it’s understandable, she has little impact on, well, anything. Which was unexpected considering the book’s synopsis was about her. What is worse is that Nova isn’t too far off from Caitlin. While there is a part of me that likes how strong willed Nova is, it is kind of annoying how she is just as blinded by her own rage and prejudice. Even she is barely relevant to the plot, if I’m to be perfectly frank. It becomes obvious that the real story is about Blake and how he faces up to the past that has been haunting him for years. This is well and good and I enjoyed his story, but then all of the other characters just become filler and this was kind of a downer.
The book just took way too long to get to that point. The focus keeps shifting before the story really starts to pick up speed and it feels like it drags a bit. I also found the ending to be a little bit cheesy, it just didn’t do it for me. Overall the book was decent, Rice has a gift for description and it was entertaining for a while. I just didn’t find this one to be particularly memorable.
The book has several narrators starting with Caitlin, an heiress whom everyone loves to hate and who is taken advantage of and cheated on by her husband. Second is Nova, an educated young black woman employed at Spring that has a real chip on her shoulder. Lastly there is Blake, a homosexual male nurse that suffers from depression after witnessing the death of his lover. All of these character’s stories come together to form the mystery around Spring House.
I had a hard time really deciding how I wanted to rate this book overall. At certain points it was thrilling, I wanted to know more about the mystery surrounding Spring House and the action scenes are written in wonderful detail. On the other hand I also found myself pretty disappointed with how one dimensional many of the characters were, particularly Caitlin and Nova. I just couldn’t find myself caring much about either one of them, which made it a little bit hard to remain interested in their respective roles in the plot.
With Caitlin she didn’t seem to be such a bad person, but the hatred and scorn from the people around her have reduced her to being a shadow of a person, not much ever comes from her character. The development of her character is seemingly dropped, she’s just there, all blind anger and rage and while it’s understandable, she has little impact on, well, anything. Which was unexpected considering the book’s synopsis was about her. What is worse is that Nova isn’t too far off from Caitlin. While there is a part of me that likes how strong willed Nova is, it is kind of annoying how she is just as blinded by her own rage and prejudice. Even she is barely relevant to the plot, if I’m to be perfectly frank. It becomes obvious that the real story is about Blake and how he faces up to the past that has been haunting him for years. This is well and good and I enjoyed his story, but then all of the other characters just become filler and this was kind of a downer.
The book just took way too long to get to that point. The focus keeps shifting before the story really starts to pick up speed and it feels like it drags a bit. I also found the ending to be a little bit cheesy, it just didn’t do it for me. Overall the book was decent, Rice has a gift for description and it was entertaining for a while. I just didn’t find this one to be particularly memorable.
Movie Metropolis (309 KP) rated Everest (2015) in Movies
Jun 11, 2019
A by the numbers adventure
The 1996 Everest disaster remains one of the greatest true stories to have ever been told. From made-for-TV movies to award-winning documentaries, it appears that audiences simply cannot get enough of this tale of survival.
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Kristy H (1252 KP) rated Force of Nature (Aaron Falk #2) in Books
Mar 2, 2018
Suspenseful (2 more)
Tense and fascinating
Intricate characters
Sucks you in immediately
Aaron Falk doesn't receive the voicemail until the morning. It's mostly garbled anyway, but he feels like he hears the strains of "hurt her" at the end. He doesn't think much of it until the woman who left the message, Alice Russell, doesn't return from a corporate retreat. Alice and four of her female colleagues went into the woods together. But when the women come out--bruised and battered--Alice isn't with them. Their stories don't quite match up about what happened, either. Aaron joins the investigation about Alice's disappearance as she's related to a case he's working with his partner, Carmen. He quickly realizes that nothing is as it seems deep inside the bushland. But is Alice simply missing, or worse?
I absolutely adored Jane Harper's first Aaron Falk novel, The Dry, and was really excited to see Aaron back again. He's a wonderful, complex character. Indeed, all the characters in THE DRY were so intricate and deep. Here, I was definitely sucked into the world Harper created again. I won't lie, beyond Aaron, most of the characters in FORCE OF NATURE are not easy to like. The five women who head off on this retreat are often despicable, whiny, and just plain mean. But, as the novel continues, we learn more about their motives and what drives them to act as they do. They may still be, well, despicable and mean, but there's a reason for it. There is no unformed character in a Jane Harper novel. Each comes with a backstory and a reason for every action.
It's nearly impossible not to get sucked into this book. The chapters alternate between the present, from Aaron's point of view as he tries to unravel things, and then flip to the near-past, slowly ticking down the events of the women at the retreat. The result is a nearly unbearable suspense at times, where I found myself wanting to scream, "What happened to Alice?!!" It's a slow, tense, fascinating build as we watch things fall apart for the group--getting lost in the deep woods--and seeing events unfold from there. We also see Aaron figuring out his own chain of events. The format works quite persuasively. Even better is that we get Aaron and Carmen's financial investigation thrown in as well. It adds a nuanced layer to the plot and the overall apprehension.
Overall, I really enjoyed this one. The characters are complex, and I really liked how their intricate personal lives intertwined. I'm not sure I loved this one quite as much as THE DRY, but part of that is because you can never quite replicate the joy and surprise of discovering a new, talented author again. Nonetheless, this is a great thriller that keeps you guessing with its nuanced characters. I certainly hope Aaron will be back for a third book.
I absolutely adored Jane Harper's first Aaron Falk novel, The Dry, and was really excited to see Aaron back again. He's a wonderful, complex character. Indeed, all the characters in THE DRY were so intricate and deep. Here, I was definitely sucked into the world Harper created again. I won't lie, beyond Aaron, most of the characters in FORCE OF NATURE are not easy to like. The five women who head off on this retreat are often despicable, whiny, and just plain mean. But, as the novel continues, we learn more about their motives and what drives them to act as they do. They may still be, well, despicable and mean, but there's a reason for it. There is no unformed character in a Jane Harper novel. Each comes with a backstory and a reason for every action.
It's nearly impossible not to get sucked into this book. The chapters alternate between the present, from Aaron's point of view as he tries to unravel things, and then flip to the near-past, slowly ticking down the events of the women at the retreat. The result is a nearly unbearable suspense at times, where I found myself wanting to scream, "What happened to Alice?!!" It's a slow, tense, fascinating build as we watch things fall apart for the group--getting lost in the deep woods--and seeing events unfold from there. We also see Aaron figuring out his own chain of events. The format works quite persuasively. Even better is that we get Aaron and Carmen's financial investigation thrown in as well. It adds a nuanced layer to the plot and the overall apprehension.
Overall, I really enjoyed this one. The characters are complex, and I really liked how their intricate personal lives intertwined. I'm not sure I loved this one quite as much as THE DRY, but part of that is because you can never quite replicate the joy and surprise of discovering a new, talented author again. Nonetheless, this is a great thriller that keeps you guessing with its nuanced characters. I certainly hope Aaron will be back for a third book.
JT (287 KP) rated Trance (2013) in Movies
Mar 10, 2020
"Amnesia is bollocks.” That’s the thought of one of four crooks tasked with trying to discover the whereabouts of a Goya painting worth £25,000,000 from the memory of James McAvoy‘s character Simon.
Simon, an art auctioneer has a problem, well he has a few in Danny Boyle’s latest mind bending heist thriller, Trance. He’s addicted to gambling and in return for wiping his debts clear he agrees to help steel the Goya painting from an auction house for Franck (Vincent Cassel) and his criminal entourage.
In an aggressive and highly charged opening sequence, which sees Simon describe various methods in which paintings have been stolen before from the smash and grab of the old school era to the more high tech, the heist is well under way.
Simon is in the thick of the action as Franck and his accomplices take charge, and as Franck is making off with the painting he’s challenged by Simon who receives a knock to the head rendering his memory practically useless.
After staggering about through all the chaos he ends up in hospital having his brain drilled and drained and any short term memory with it.
With methods of torture clearly not working the gang turn their attention to another, hypnotherapy, and seek help from Elizabeth (Rosario Dawson) who attempts to guide Simon through hypnosis in an attempt to find out exactly where he left the painting.
And so begins a journey of discovery, deceit, greed and lust as everything is not what it seems and loyalties will be tested to the fullest.
Simon’s hypnotic journey takes him through the idyllic French countryside, to a church filled with stolen paintings to the slick London underworld as he tries in vein to piece together his broken memory, but what unfolds is not what he or any of us are probably expecting.
Simon, Franck and Elizabeth are all pretty interwoven as characters, it’s almost hard to work out who is playing each other off against the other, whose dream we’re in and at what level. You’ll find that you care about all three of them in a different way when something more is revealed about them.
The remaining trio of Franck’s gang are probably around for far too long than they need to be, but are removed for the final heart pounding third act, which accompanied by a brilliant soundtrack really intensifies the finale.
Trance is written by John Hodge and he’s reunited with Danny Boyle again having previously worked together on such films as Shallow Grave and Trainspotting, where at the crux of it all they too are heist films in a different guise.
Trance is well shot, Danny Boyle is in his element directing a dark, disturbing and at times a head scratching film, I’ve not had this much fun from a Boyle film since Shallow Grave.
Simon, an art auctioneer has a problem, well he has a few in Danny Boyle’s latest mind bending heist thriller, Trance. He’s addicted to gambling and in return for wiping his debts clear he agrees to help steel the Goya painting from an auction house for Franck (Vincent Cassel) and his criminal entourage.
In an aggressive and highly charged opening sequence, which sees Simon describe various methods in which paintings have been stolen before from the smash and grab of the old school era to the more high tech, the heist is well under way.
Simon is in the thick of the action as Franck and his accomplices take charge, and as Franck is making off with the painting he’s challenged by Simon who receives a knock to the head rendering his memory practically useless.
After staggering about through all the chaos he ends up in hospital having his brain drilled and drained and any short term memory with it.
With methods of torture clearly not working the gang turn their attention to another, hypnotherapy, and seek help from Elizabeth (Rosario Dawson) who attempts to guide Simon through hypnosis in an attempt to find out exactly where he left the painting.
And so begins a journey of discovery, deceit, greed and lust as everything is not what it seems and loyalties will be tested to the fullest.
Simon’s hypnotic journey takes him through the idyllic French countryside, to a church filled with stolen paintings to the slick London underworld as he tries in vein to piece together his broken memory, but what unfolds is not what he or any of us are probably expecting.
Simon, Franck and Elizabeth are all pretty interwoven as characters, it’s almost hard to work out who is playing each other off against the other, whose dream we’re in and at what level. You’ll find that you care about all three of them in a different way when something more is revealed about them.
The remaining trio of Franck’s gang are probably around for far too long than they need to be, but are removed for the final heart pounding third act, which accompanied by a brilliant soundtrack really intensifies the finale.
Trance is written by John Hodge and he’s reunited with Danny Boyle again having previously worked together on such films as Shallow Grave and Trainspotting, where at the crux of it all they too are heist films in a different guise.
Trance is well shot, Danny Boyle is in his element directing a dark, disturbing and at times a head scratching film, I’ve not had this much fun from a Boyle film since Shallow Grave.
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Darren (1599 KP) rated Formula 51 (2002) in Movies
Jun 20, 2019
Story: The 51st State starts in 1971 California where Elmo McElroy (Jackson) getting caught smoking weed losing he recently receive diploma in pharmacy. Move forward 30 years Elmo works as a drug maker for The Lizard (Meat Loaf). We learn that Dakota (Mortimer) owes The Lizard a debt which she pays off with her assassin skills. Elmo has taken it upon himself to escape The Lizard but he doesn’t get the job done, this leads to The Lizard giving Dakota a chance to clean her slate for good by sending her to kill Elmo and the drug dealer who never turned up for the deal Durant (Tomlinson).
Next we meet Felix DeSouza (Carlyle) a fellow dealer who is happy to live in Manchester while cheering for Liverpool putting him into conflict when he doesn’t need too. Felix has to deliver Elmo to Durant to help with the latest deal as Elmo brings his product to England but to keep things interesting Dakota just so happens to be Felix’s ex make the assassination attempt difficult due to the personal side.
It is up to Felix and Elmo to try and work out a deal in the city before the time runs out with Dakota trying to track down Elmo to for The Lizard. All this while determined detective Kane (Pertwee) want in on the action and to stop the deal taking place. All these factors lead to the final outcome of the film when we find out just who is playing who.
The 51st State is a film that really made me want to switch it off very early because the needless amount of swearing and aggressive toning of the language just seemed to be there because someone couldn’t think of any real words. I wasn’t the most interested in this film because of the heavy drug use either because I feel drugs over use makes people out to stupid because not everyone needs drugs but the films seems to make the point everyone does. After getting through the opening half of the film and getting used the poorly written script the story does unfold to be quite interesting. We get plenty of twists and turn along the way and the final twist does actually make you smile because of how Elmo has handled it all. (5/10)
Actor Review
Samuel L Jackson: Elmo McElroy is the most wanted chemist in the world of drugs, he decides to leave his old market behind and take his work to England where he gets stuck in the middle of a battle for power between the drug lords. Samuel does end up giving us a performance you would expect but his image if something that will shock with his kilt. (7/10)
elmo
Robert Carlyle: Felix DeSouza is the hot head Liverpool fan who works for a drug lord in the city but when things get out of hand he has to help settle the deal for Elmo and his price tickets to Liverpool v Manchester United. Robert gives the performance you would expect from the British star. (7/10)
robert
Emily Mortimer: Dakota Parker is the deadly beautiful assassin who is working off a debt from The Lizard, she has history with Felix but is working on catching Elmo for The Lizard. Emily does a good job as the assassin with a past. (7/10)
dakota
Meat Loaf: The Lizard is the American drug lord that has been double crossed by Elmo but he isn’t taking it lightly when he sends his best assassin to bring him back to complete the business deal they had going down. Meat Loaf does end up giving a performance you wouldn’t expect from the musician. (7/10)
Rhys Ifans: Iki is the local dealer who can help get the deal done in Liverpool once everything gets out of hand. He is playing both sides because he is the go to guy in the city. Rhys is one of the best over the top crazy performers in the acting work and he shows why here. (7/10)
ike
Support Cast: The 51st State has a supporting cast that includes plenty of different characters involved in the drug world that all help motive our characters.
Director Review: Ronny Yu – Ronny does try to give us a crime caper but does he need to just have the characters swearing for the sake of it. (5/10)
Action: The 51st State has a couple of fights but most of the action is almost happening. (5/10)
Crime: The 51st State puts us in a drug world well giving us a mixture of colourful characters. (8/10)
Thriller: The 51st State doesn’t pull you in as much as it should because we think everything is done and dusted early on and by the time it has changed we are not sure what to think. (6/10)
Settings: The 51st State uses the setting of Liverpool very well making everything feel like a normal day with the crime happening around it. (8/10)
Suggestion: The 51st State is one to try, I think if you are a fan of the genre you will enjoy but otherwise it might end up feeling like too much. (Try It)
Best Part: Final deal.
Worst Part: Too much needless aggressive swearing.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Early on in the credits.
Oscar Chances: No
Budget: $28 Million
Runtime: 1 Hour 33 Minutes
Tagline: In a world of shady characters and dirty deals, this is just business as usual.
Overall: This is a typical over aggressive drug filled film that has a twist that makes it more enjoyable.
https://moviesreview101.com/2015/12/11/the-51st-state-2001/
Next we meet Felix DeSouza (Carlyle) a fellow dealer who is happy to live in Manchester while cheering for Liverpool putting him into conflict when he doesn’t need too. Felix has to deliver Elmo to Durant to help with the latest deal as Elmo brings his product to England but to keep things interesting Dakota just so happens to be Felix’s ex make the assassination attempt difficult due to the personal side.
It is up to Felix and Elmo to try and work out a deal in the city before the time runs out with Dakota trying to track down Elmo to for The Lizard. All this while determined detective Kane (Pertwee) want in on the action and to stop the deal taking place. All these factors lead to the final outcome of the film when we find out just who is playing who.
The 51st State is a film that really made me want to switch it off very early because the needless amount of swearing and aggressive toning of the language just seemed to be there because someone couldn’t think of any real words. I wasn’t the most interested in this film because of the heavy drug use either because I feel drugs over use makes people out to stupid because not everyone needs drugs but the films seems to make the point everyone does. After getting through the opening half of the film and getting used the poorly written script the story does unfold to be quite interesting. We get plenty of twists and turn along the way and the final twist does actually make you smile because of how Elmo has handled it all. (5/10)
Actor Review
Samuel L Jackson: Elmo McElroy is the most wanted chemist in the world of drugs, he decides to leave his old market behind and take his work to England where he gets stuck in the middle of a battle for power between the drug lords. Samuel does end up giving us a performance you would expect but his image if something that will shock with his kilt. (7/10)
elmo
Robert Carlyle: Felix DeSouza is the hot head Liverpool fan who works for a drug lord in the city but when things get out of hand he has to help settle the deal for Elmo and his price tickets to Liverpool v Manchester United. Robert gives the performance you would expect from the British star. (7/10)
robert
Emily Mortimer: Dakota Parker is the deadly beautiful assassin who is working off a debt from The Lizard, she has history with Felix but is working on catching Elmo for The Lizard. Emily does a good job as the assassin with a past. (7/10)
dakota
Meat Loaf: The Lizard is the American drug lord that has been double crossed by Elmo but he isn’t taking it lightly when he sends his best assassin to bring him back to complete the business deal they had going down. Meat Loaf does end up giving a performance you wouldn’t expect from the musician. (7/10)
Rhys Ifans: Iki is the local dealer who can help get the deal done in Liverpool once everything gets out of hand. He is playing both sides because he is the go to guy in the city. Rhys is one of the best over the top crazy performers in the acting work and he shows why here. (7/10)
ike
Support Cast: The 51st State has a supporting cast that includes plenty of different characters involved in the drug world that all help motive our characters.
Director Review: Ronny Yu – Ronny does try to give us a crime caper but does he need to just have the characters swearing for the sake of it. (5/10)
Action: The 51st State has a couple of fights but most of the action is almost happening. (5/10)
Crime: The 51st State puts us in a drug world well giving us a mixture of colourful characters. (8/10)
Thriller: The 51st State doesn’t pull you in as much as it should because we think everything is done and dusted early on and by the time it has changed we are not sure what to think. (6/10)
Settings: The 51st State uses the setting of Liverpool very well making everything feel like a normal day with the crime happening around it. (8/10)
Suggestion: The 51st State is one to try, I think if you are a fan of the genre you will enjoy but otherwise it might end up feeling like too much. (Try It)
Best Part: Final deal.
Worst Part: Too much needless aggressive swearing.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Early on in the credits.
Oscar Chances: No
Budget: $28 Million
Runtime: 1 Hour 33 Minutes
Tagline: In a world of shady characters and dirty deals, this is just business as usual.
Overall: This is a typical over aggressive drug filled film that has a twist that makes it more enjoyable.
https://moviesreview101.com/2015/12/11/the-51st-state-2001/
Movie Metropolis (309 KP) rated Deepwater Horizon (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Disaster with feeling
“Based on true events”. I can’t think of anything more disconcerting when I sit down to watch a film. When it comes to blockbusters inspired by real-life situations, the outcome can be a poignant movie that captures the heart and emotion of the episode – a la American Sniper.
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Heather Cranmer (2721 KP) rated End of Faith in Books
Jun 7, 2018
Review taken from my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>
You know when you read a book and you don't want it to end because it feels as if it's become a part of you? End of Faith:A Novel by Rena Willemin was definitely one of those books! From page one, I was hooked!
This book is a apocalyptic/post-apocalyptic thriller. We mostly hear the story from Valentina's perspective although every now and then, we get to hear what the Prophet is thinking. Valentina is one of the few people to survive a major pandemic. One day she sees a pregnant woman in trouble, so she does what most people do. She helps her. Little does she know how important the woman was and how that action will change her life for the worse. We follow Valentina as she struggles to survive in a fight for her life.
The character of Valentina was amazing! She really felt like someone I (and probably a lot of women) could relate to. She's a very strong character, but not too strong that she doesn't seem real. Val goes from being just a normal loving wife to a hard core woman determined to fight to stay alive. I definitely felt what she was feeling at all stages throughout the book. It didn't take me long to love Val.
I loved the world building in this book. This is another element which made the book seem more real. The description of an post-apocalyptic world seemed to be bang on, well, I've never been in an post-apocalyptic world or even an apocalyptic world for that matter, but the setting in the book is what I'd imagine it to be.
The pacing of the book was done really well as well. It read brilliantly! It definitely held my attention throughout the whole book.
There wasn't one chapter where the pacing was off.
The cover definitely suits the book. A woman (I assume to be Valentina) running through a tunnel of some sort, looking behind her shoulder like she's really afraid. The colouring of the cover also has a post-apocalyptic feel to it as it gives a feeling of despair.
The title definitely suits this book especially as there is a prophet involved and what feels like a religious cult.
End of Faith:A Novel definitely made me realise just how something like this could happen especially after the scare with Bird Flu. It paints a very realistic portrait of what life could possibly be like if a pandemic of epic proportions were to happen. In fact, this book probably will have me thinking about "what if" long after this review. I'd definitely recommend this book to anyone and everyone regardless of if their a fan of post-apocalyptic fiction or not.
I was so happy to see that this book is part of a series. This means that I'll be able to feed my addiction of Valentina again!!!
You know when you read a book and you don't want it to end because it feels as if it's become a part of you? End of Faith:A Novel by Rena Willemin was definitely one of those books! From page one, I was hooked!
This book is a apocalyptic/post-apocalyptic thriller. We mostly hear the story from Valentina's perspective although every now and then, we get to hear what the Prophet is thinking. Valentina is one of the few people to survive a major pandemic. One day she sees a pregnant woman in trouble, so she does what most people do. She helps her. Little does she know how important the woman was and how that action will change her life for the worse. We follow Valentina as she struggles to survive in a fight for her life.
The character of Valentina was amazing! She really felt like someone I (and probably a lot of women) could relate to. She's a very strong character, but not too strong that she doesn't seem real. Val goes from being just a normal loving wife to a hard core woman determined to fight to stay alive. I definitely felt what she was feeling at all stages throughout the book. It didn't take me long to love Val.
I loved the world building in this book. This is another element which made the book seem more real. The description of an post-apocalyptic world seemed to be bang on, well, I've never been in an post-apocalyptic world or even an apocalyptic world for that matter, but the setting in the book is what I'd imagine it to be.
The pacing of the book was done really well as well. It read brilliantly! It definitely held my attention throughout the whole book.
There wasn't one chapter where the pacing was off.
The cover definitely suits the book. A woman (I assume to be Valentina) running through a tunnel of some sort, looking behind her shoulder like she's really afraid. The colouring of the cover also has a post-apocalyptic feel to it as it gives a feeling of despair.
The title definitely suits this book especially as there is a prophet involved and what feels like a religious cult.
End of Faith:A Novel definitely made me realise just how something like this could happen especially after the scare with Bird Flu. It paints a very realistic portrait of what life could possibly be like if a pandemic of epic proportions were to happen. In fact, this book probably will have me thinking about "what if" long after this review. I'd definitely recommend this book to anyone and everyone regardless of if their a fan of post-apocalyptic fiction or not.
I was so happy to see that this book is part of a series. This means that I'll be able to feed my addiction of Valentina again!!!
