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David McK (3557 KP) rated I, Robot (2004) in Movies
Oct 30, 2022
I think it was Isaac Asimov who came up with the 3 laws of Robotics, as follows:
1.A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2. A robot must obey the orders given to it by human beings, except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.
That's the starting point for this movie, which sees Technophobic 2035 cop Del Spooner (Will Smith) convinced that a robot has just carried out a murder - something which, by those laws, should be impossible for it to do.
The film then takes in the concept of free will and consciousness, all - as an action thriller - wrapped up in a mystery and with a few helpings of what I'm going to call 'wham blam' action
Surprisingly enjoyable.
1.A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2. A robot must obey the orders given to it by human beings, except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.
That's the starting point for this movie, which sees Technophobic 2035 cop Del Spooner (Will Smith) convinced that a robot has just carried out a murder - something which, by those laws, should be impossible for it to do.
The film then takes in the concept of free will and consciousness, all - as an action thriller - wrapped up in a mystery and with a few helpings of what I'm going to call 'wham blam' action
Surprisingly enjoyable.
Caffeinated Fae (464 KP) rated Red Dragon (Hannibal Lecter #1) in Books
Jul 10, 2018
I really wish I read this when I was in high school. This book really would have been right up my alley. The story was so complex that I would have devoured it within days. This would have been one of those books that I stayed up late reading under my covers. However, reading this book showed me how much I have changed & how my tastes in books have changed as well. Personally I am not a huge fan of mysteries. I find them dull, and typically I avoid them. The weird thing is that I love mystery thrillers. I have always found them fascinating especially if it is a psychological thriller.
Red Dragon is that psychological thriller that is sure to keep you on the edge of your seat once you get passed the half way mark. The beginning of the book dragged for me. I would have loved more of an action packed thriller vs. a mystery turned thriller. Though the first half was essential for establishing characters I truly felt that it dragged. I'm typically used to a book that jolts you into the action instead of taking a lazy river ride to a waterfall. I want the rapids. So, due to the first half, it took me forever to finish. One thing that I really liked about the first half was how much it messed with my mind. Honestly I had trouble reading it before I went to bed simply because of the dreams it created at night. I had to make sure every door and window was locked before I went to bed simply to help sooth my mind so that I could get some sleep.
Though the story dragged for the first half, the second half made up for it. I found myself entranced by the thriller aspect of the writing & loved how complex the story truly was. It has been years since I last watched Red Dragon (the movie) so at times the story felt fresh and new. It was weird, sexual in strange spots, and honestly something that I have never read before. Thomas Harris was able to create a serial killer that will make you cringe, sympathize with, and wish they were dead all at different moments. It was fascinating to read.
All in all, I enjoyed the book. It isn't my favorite book but it was an interesting read that makes me yearn to watch the movies again. I probably will not continue on in the series but I'm happy that I did take the time to read it.
Red Dragon is that psychological thriller that is sure to keep you on the edge of your seat once you get passed the half way mark. The beginning of the book dragged for me. I would have loved more of an action packed thriller vs. a mystery turned thriller. Though the first half was essential for establishing characters I truly felt that it dragged. I'm typically used to a book that jolts you into the action instead of taking a lazy river ride to a waterfall. I want the rapids. So, due to the first half, it took me forever to finish. One thing that I really liked about the first half was how much it messed with my mind. Honestly I had trouble reading it before I went to bed simply because of the dreams it created at night. I had to make sure every door and window was locked before I went to bed simply to help sooth my mind so that I could get some sleep.
Though the story dragged for the first half, the second half made up for it. I found myself entranced by the thriller aspect of the writing & loved how complex the story truly was. It has been years since I last watched Red Dragon (the movie) so at times the story felt fresh and new. It was weird, sexual in strange spots, and honestly something that I have never read before. Thomas Harris was able to create a serial killer that will make you cringe, sympathize with, and wish they were dead all at different moments. It was fascinating to read.
All in all, I enjoyed the book. It isn't my favorite book but it was an interesting read that makes me yearn to watch the movies again. I probably will not continue on in the series but I'm happy that I did take the time to read it.
LeftSideCut (3776 KP) rated Those Who Wish Me Dead (2021) in Movies
May 20, 2021
Those Who Wish Me Dead is a pretty solid, if straightforward thriller that hugely benefits from it's top class cast.
Angelina Jolie is always a pleasure, whether she's starring in big dumb action movies, or award baiting material. Her character is someone we've seen countless times before - a no nonsense badass with a tragic backstory who gets a shot at redemption - but she does it predictably well.
Jon Bernthal is great as usual, as is Nicholas Hoult. Aidan Gillen also stars, and makes for a suitably nasty piece of shit. Medina Senghore gets my vote for best "pregnant lady you absolutely wouldn't fuck with". This ensemble cast elevates TWWMD above it's standard thriller trappings, with an excellent Finn Little at the centre of it all.
The firewatch/smoke jumper setting is also a huge positive. It makes for some hugely entertaining set pieces, and a plethora of gorgeous vista shots.
My main criticism is the pacing. When things finally kick off, it's pretty unrelenting, but it takes a while to get there, forcing us to spend a little too much time with unlikable douchey side characters, and the climactic scene almost feels like a mid-runtime moment. It definitely felt like there should have been more.
Overall though, TWWMD is a competent and easily watchable thriller from the unquestionably talented Taylor Sheridan, and was a great choice for my first cinema trip of 2021 (so good to be back!)
Angelina Jolie is always a pleasure, whether she's starring in big dumb action movies, or award baiting material. Her character is someone we've seen countless times before - a no nonsense badass with a tragic backstory who gets a shot at redemption - but she does it predictably well.
Jon Bernthal is great as usual, as is Nicholas Hoult. Aidan Gillen also stars, and makes for a suitably nasty piece of shit. Medina Senghore gets my vote for best "pregnant lady you absolutely wouldn't fuck with". This ensemble cast elevates TWWMD above it's standard thriller trappings, with an excellent Finn Little at the centre of it all.
The firewatch/smoke jumper setting is also a huge positive. It makes for some hugely entertaining set pieces, and a plethora of gorgeous vista shots.
My main criticism is the pacing. When things finally kick off, it's pretty unrelenting, but it takes a while to get there, forcing us to spend a little too much time with unlikable douchey side characters, and the climactic scene almost feels like a mid-runtime moment. It definitely felt like there should have been more.
Overall though, TWWMD is a competent and easily watchable thriller from the unquestionably talented Taylor Sheridan, and was a great choice for my first cinema trip of 2021 (so good to be back!)
Sarah (7800 KP) rated The Rhythm Section (2019) in Movies
Nov 29, 2020
An average thriller
The Rhythm Section is a 2020 action thriller based on a book of the same name written by Mark Burnell. Directed by Reed Moreno, it stars Blake Lively as Stephanie Patrick, a young woman bent on revenge against the terrorists who orchestrated a plane crash that killed her entire family.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
Dean (6927 KP) rated The Shallows (2016) in Movies
Aug 4, 2017
Beautiful location (2 more)
Good Sfx
The Cgi for the Shark was great
A decent Shark thriller
A good film with a battle of wits and survival. The Beach location is beautiful, shot at Lord Howe Island off the coast of Australia, and the Sfx were good in most scenes. I was impressed with the Cgi for the Shark, it looked more realistic than many other Shark films over the past 20 years. It is one big mean Shark, although some of the action scenes are a bit over the top. Overall a good film for a simple premise. On the DVD you get extras on Shark attacks, the location for the Beach scenes, and how they designed the Shark.
Dean (6927 KP) rated The Adjustment Bureau (2011) in Movies
Feb 10, 2018
This was a good entertaining film, with some great actors, cool SFX and a decent story. However personally I feel the comparisons of Bourne Identity crossed with Inception is very misleading. If anything this is a romantic film with a bit of Sci-Fi and witty dialogue thrown in. The SFX towards the end is a tiny bit similar to Inception and other than Matt Damon starring and being on the run that's all it has in common with the Bourne Identity. If anything it reminded more of Serendipity, a film about fate, chance and destiny when it comes to love. Still a very good film to watch but it's not all out action or a thriller.
Imogen SB (4507 KP) created a post in Smashbomb Council
Dec 9, 2019
Rig
Book
A fast-moving, filmic and violent SF thriller, perfect for fans of Jack Campbell. A meeting of The...
Dean (6927 KP) rated Ad Astra (2019) in Movies
Jul 25, 2020
Looks great (1 more)
Design of the sets and technology shown
Very slow at times (1 more)
Incredibly simple plot, message
Disappointing
A little surprised at the high ratings for this, definitely one critic's and audience disagree on. 84% v 40% on Rotten tomatoes. It's a well made film and the look and feel is great, with a strong cast. Other than impressive visuals and sets there isn't much depth to it. It's slow with barely any action and by the end it's one of those films that will make you think oh is that it? when the credits roll. I would recommend @Moon (2009) over this for a great space set thriller.
Licence To Kill (1989)
6.7
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Sixteenth Bond movie. Bond and Felix Leiter, en route to Leiter's wedding, capture drug baron Franz...
The name's Bond - James Bond