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Chris Sawin (602 KP) rated Hush (2009) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
Zakes Abbot has a unique job. He's the guy that travels to gas stations and changes out the posters that advertise cars. His girlfriend, Beth, has tagged along for this particular trip. Their relationship is strained, to say the least, and it winds up erupting into several arguments. Just then, a white truck pulls in front of them and the door slides open for a moment to reveal a naked women chained inside before slamming down again. After doing everything within their power, they make the last stop on Zakes' trip. Zakes and Beth have their most heated argument and Beth decides to travel back to Manchester alone. As Zakes is sitting in the car, the white truck pulls up and Zakes runs inside to find Beth but can't find her. Zakes finds Beth's necklace outside as he realizes that whoever is driving that truck has just abducted his girlfriend and he'll do whatever it takes to get her back.
Hush is a thriller that is practically overflowing with suspense, which is good because that's pretty much exactly what the trailer would lead you to believe it would be. While I was watching it, I couldn't help getting this slight High Tension and Wolf Creek vibe from the film. The action doesn't take long to get rolling like in Wolf Creek, but once it starts it just snowballs into the worst situation (almost) anyone could possibly imagine. Everything that can go wrong for Zakes as he's tracking down Beth pretty much winds up happening. The guy can't seem to catch a break. The film doesn't necessarily bring anything new to the table, but it delivers in what it advertised which is all that really matters. While some situations in the film seem a bit unbelievable and the ending is a bit anticlimactic, it doesn't really take away from the overall entertainment value of the film.
Hush is not a horror film. I'll throw that out there, right now. It's a suspenseful thriller that is sure to get your heart racing at times. It's not necessarily something I'd highly recommend. It's not a bad film, but you're not going to miss anything spectacular if you skip it. It's the type of film to not expect a lot out of and then wind up finding it on demand, watching it, and being a bit surprised by it. No matter how bad someone's day is, he or she could pop this in and remind themself that it could've been a hell of a lot worse.
Hush is a thriller that is practically overflowing with suspense, which is good because that's pretty much exactly what the trailer would lead you to believe it would be. While I was watching it, I couldn't help getting this slight High Tension and Wolf Creek vibe from the film. The action doesn't take long to get rolling like in Wolf Creek, but once it starts it just snowballs into the worst situation (almost) anyone could possibly imagine. Everything that can go wrong for Zakes as he's tracking down Beth pretty much winds up happening. The guy can't seem to catch a break. The film doesn't necessarily bring anything new to the table, but it delivers in what it advertised which is all that really matters. While some situations in the film seem a bit unbelievable and the ending is a bit anticlimactic, it doesn't really take away from the overall entertainment value of the film.
Hush is not a horror film. I'll throw that out there, right now. It's a suspenseful thriller that is sure to get your heart racing at times. It's not necessarily something I'd highly recommend. It's not a bad film, but you're not going to miss anything spectacular if you skip it. It's the type of film to not expect a lot out of and then wind up finding it on demand, watching it, and being a bit surprised by it. No matter how bad someone's day is, he or she could pop this in and remind themself that it could've been a hell of a lot worse.
Gareth von Kallenbach (980 KP) rated Knock at the cabin (2023) in Movies
Feb 4, 2023
Writer/Director M. Night Shyamalan is back with his new thriller “Knock at
the Cabin” and like his earlier works; the film blends reality with
supernatural elements to put ordinary people in circumstances that are
dangerous and unnatural.
The film involves a same-sex couple named Eric (Jonathan Groff) and Andrew
(Ben Aldridge), who have taken their adopted daughter Wen (Kristen Cui),
to a secluded cabin for a relaxing vacation.
The arrival of four strangers lead by the imposing but soft-spoken Leonard
(Dave Bautista) becomes dangerous when Leonard informs them that the world
is about to end and only by choosing to sacrifice one of them can the
Apocalypse be diverted.
Leonard explains that the four had the same vision of the end of the world
and that they were drawn to save it by taking such drastic actions. They
inform their captives that they will not harm them but they will not be
allowed to leave as they must make the choice and failure to do so will
doom everyone and force the three of them to exist as the sole-survivors
of the aftermath.
Convinced that the intruders are insane; Eric and Andrew refuse the offer
and watch as one of the four captives sacrifices themselves which is soon
followed by news on the television of a massive earthquakes which resulted
in tsunamis.
Convinced it is a ruse or simply timed events to the days news; the
captives again refuse a request only to see another sacrifice followed by
more news of devastation happening around the world.
What follows is a tight thriller as Eric and Andrew learn more about their
captives and the changing world situation which forces them to confront a
world gone mad.
The film is good at setting a tone and maintaining a mild tension
throughout as the audience is left to wonder how real what is being
presented by Leonard and his associates are. I liked the fact that the
movie did not try to wrap things up nice and tidy and left the audiences
with some questions about the events as well as what would happen in the
aftermath.
Bautista gives an career-best performance and shows that his is capable of
doing more than the action-comedy genre which he has been playing to date
and I hope he continues to seek roles such as this.
While the film may not reach the levels of some of his earlier classics,
Shyamalan has crafted an entertaining film that keeps you guessing.
3.5 stars out of 5
the Cabin” and like his earlier works; the film blends reality with
supernatural elements to put ordinary people in circumstances that are
dangerous and unnatural.
The film involves a same-sex couple named Eric (Jonathan Groff) and Andrew
(Ben Aldridge), who have taken their adopted daughter Wen (Kristen Cui),
to a secluded cabin for a relaxing vacation.
The arrival of four strangers lead by the imposing but soft-spoken Leonard
(Dave Bautista) becomes dangerous when Leonard informs them that the world
is about to end and only by choosing to sacrifice one of them can the
Apocalypse be diverted.
Leonard explains that the four had the same vision of the end of the world
and that they were drawn to save it by taking such drastic actions. They
inform their captives that they will not harm them but they will not be
allowed to leave as they must make the choice and failure to do so will
doom everyone and force the three of them to exist as the sole-survivors
of the aftermath.
Convinced that the intruders are insane; Eric and Andrew refuse the offer
and watch as one of the four captives sacrifices themselves which is soon
followed by news on the television of a massive earthquakes which resulted
in tsunamis.
Convinced it is a ruse or simply timed events to the days news; the
captives again refuse a request only to see another sacrifice followed by
more news of devastation happening around the world.
What follows is a tight thriller as Eric and Andrew learn more about their
captives and the changing world situation which forces them to confront a
world gone mad.
The film is good at setting a tone and maintaining a mild tension
throughout as the audience is left to wonder how real what is being
presented by Leonard and his associates are. I liked the fact that the
movie did not try to wrap things up nice and tidy and left the audiences
with some questions about the events as well as what would happen in the
aftermath.
Bautista gives an career-best performance and shows that his is capable of
doing more than the action-comedy genre which he has been playing to date
and I hope he continues to seek roles such as this.
While the film may not reach the levels of some of his earlier classics,
Shyamalan has crafted an entertaining film that keeps you guessing.
3.5 stars out of 5
Movie Metropolis (309 KP) rated Non-Stop (2014) in Movies
Jun 11, 2019
On the wrong side of 60 you’d be forgiven for thinking that it was time for Liam Neeson to hang up his gun and move away from the cold, steely world of action films, into the fuzzy and sentimental territory of a rom-com.
Thankfully he and director Jaume Collet-Serra, who Neeson previously worked with on the disappointing thriller Unknown, have decided to continue with the action thriller theme in Taken on a Plane, sorry… Non-Stop.
Neeson plays troubled US air marshal Bill Marks as he begins a non-stop flight from New York to London, though from the outset it is obvious this will be no ordinary journey.
Marks is a man with a chequered past. From suffering with depression after the breakdown of his marriage to his subsequent alcoholism, everything seems to be utterly gloomy.
Soon after take off, Neeson’s character is sent numerous anonymous texts stating that a person on board will be killed every 20 minutes unless $150 million is transferred into a bank account.
Cue Neeson’s trademark gruff tone as he shouts about the cabin trying to discover just hr_Non-Stop_6who is behind the messages. It’s fair to say things aren’t as simple as that and Collet-Serra’s spirited direction keeps things moving with more twists than a curly-wurly.
Julianne Moore stars as Marks’s ‘seat neighbour’ and is as usual excellent but unusually bland, portraying a character that numerous other actresses could’ve fitted into quite easily – it’s a strange departure from Moore’s more deep characterisations, but she does it well despite the lack of material she’s given to work with.
The plot is well driven by the excellent cinematography, using the confined spaces of an aircraft to great effect with sweeping shots of the cabin over the heads of passengers and the use of aeroplane windows to move in and out of the fuselage.
Technology plays a huge part in Non-Stop, the constant stream of text messages that Neeson receives could have made the film fall flat, but thankfully each one is put up on the screen allowing the audience to read them in real time, rather than stopping the story dead and allowing boredom to set in.
Whilst the story and plot are first-rate, the special effects unfortunately are not such a blast. Whilst the majority of them are passable given the film’s relatively small budget of $50 million, the shots of the aircraft towards the finale are underwhelming and look like they belong in a video game, not a Hollywood blockbuster. It’s an unfortunate lapse in an otherwise very competent film.
Thankfully Neeson’s now applauded acting technique distracts from these moments enough to steer Non-Stop to a pulse-racing and very satisfying conclusion.
Overall, Non-Stop is good fun from start to finish and barely slows within its succinct running time. However, it all feels very familiar and this is a problem for its main star too. For all of Neeson’s fans this is another good notch on their bedposts – but I doubt it will bring any newcomers to his admittedly large following, meaning he runs of the risk of being typecast.
Nevertheless, apart from a few lapses in special effects and a rather bland Julianne Moore, Non-Stop is definitely worth a watch – even if there may be a sense of deja vu.
https://moviemetropolis.net/2014/03/01/non-stop-review/
Thankfully he and director Jaume Collet-Serra, who Neeson previously worked with on the disappointing thriller Unknown, have decided to continue with the action thriller theme in Taken on a Plane, sorry… Non-Stop.
Neeson plays troubled US air marshal Bill Marks as he begins a non-stop flight from New York to London, though from the outset it is obvious this will be no ordinary journey.
Marks is a man with a chequered past. From suffering with depression after the breakdown of his marriage to his subsequent alcoholism, everything seems to be utterly gloomy.
Soon after take off, Neeson’s character is sent numerous anonymous texts stating that a person on board will be killed every 20 minutes unless $150 million is transferred into a bank account.
Cue Neeson’s trademark gruff tone as he shouts about the cabin trying to discover just hr_Non-Stop_6who is behind the messages. It’s fair to say things aren’t as simple as that and Collet-Serra’s spirited direction keeps things moving with more twists than a curly-wurly.
Julianne Moore stars as Marks’s ‘seat neighbour’ and is as usual excellent but unusually bland, portraying a character that numerous other actresses could’ve fitted into quite easily – it’s a strange departure from Moore’s more deep characterisations, but she does it well despite the lack of material she’s given to work with.
The plot is well driven by the excellent cinematography, using the confined spaces of an aircraft to great effect with sweeping shots of the cabin over the heads of passengers and the use of aeroplane windows to move in and out of the fuselage.
Technology plays a huge part in Non-Stop, the constant stream of text messages that Neeson receives could have made the film fall flat, but thankfully each one is put up on the screen allowing the audience to read them in real time, rather than stopping the story dead and allowing boredom to set in.
Whilst the story and plot are first-rate, the special effects unfortunately are not such a blast. Whilst the majority of them are passable given the film’s relatively small budget of $50 million, the shots of the aircraft towards the finale are underwhelming and look like they belong in a video game, not a Hollywood blockbuster. It’s an unfortunate lapse in an otherwise very competent film.
Thankfully Neeson’s now applauded acting technique distracts from these moments enough to steer Non-Stop to a pulse-racing and very satisfying conclusion.
Overall, Non-Stop is good fun from start to finish and barely slows within its succinct running time. However, it all feels very familiar and this is a problem for its main star too. For all of Neeson’s fans this is another good notch on their bedposts – but I doubt it will bring any newcomers to his admittedly large following, meaning he runs of the risk of being typecast.
Nevertheless, apart from a few lapses in special effects and a rather bland Julianne Moore, Non-Stop is definitely worth a watch – even if there may be a sense of deja vu.
https://moviemetropolis.net/2014/03/01/non-stop-review/
Darren (1599 KP) rated Alex Cross (2012) in Movies
Jun 20, 2019
Story: Alex Cross starts with homicide detective Alex Cross (Perry) and his team Thomas (Burns) and Monica (Nichols) needing to show their skills when a new hired killer nicknamed Picasso (Fox) uses his torture and pain techniques while eliminating people.
When the team learns of the targets they must work with who they think is the main target Giles Mercier (Reno), but this has made his team the newest targets for Picasso, who makes the killings personal.
Thoughts on Alex Cross
Characters – Dr Alex Cross is a homicide detective, we have seen this character before, but this time we meet a younger version of him, before he becomes the FBI agent we know. Alex has a family and is on the way to making his big career decision, when Picasso comes into his life, Alex will need to balance his skills and rage to stop him. Picasso is a hired gun, he is one of the very best in the world, he enjoys the pain he gives and receives, he makes his mission personal and drives Alex to limits he has never been pushed before. Thomas is the partner of Alex, he is shorter tempered, but loyal to Alex. Giles Mercier seems to be the main target of Picasso mission, he is the rich man that gets what he wants.
Performances – Tyler Perry was considered a strange choice for the leading role in this movie, known mostly for comedy and taking over from Morgan Freeman, he just doesn’t reach his levels, but is good through the film. it is Matthew Fox that shines the most as the cold calculated killer that enjoys the pain. The commitment Fox showed to this role needs to be praised because of the physical change he put his body through makes him an unlikely looking threat. Edward Burn is good as the partner while not being anything special and Jean Reno will always be good in the role he takes.
Story – To step into another Alex Cross story is always going to be interesting, picking up before he became an FBI agent helps us understand what drove him to be the determined man we know. Making the story personal for Cross shows how he can balance the law and revenge in his attempts to solve the crime. The story might not reach the level of intensity is could have for a personal story, it does everything we need for an entertaining crime mystery thriller.
Action/Crime/Mystery – The action involved in the film is good, even if moments of the effects used are weak. The crime is an interesting one to watch unfold, but it takes away from the mystery because we are always on the same level of the cops, we are not feed anything to solve.
Settings – Detroit makes for a good setting, it always feels like it is a place known for the crime rates.
Scene of the Movie – Picasso introduction fight.
That Moment That Annoyed Me – The Rocket effects.
Final Thoughts – This is an easy to watch crime thriller, it does everything it needs to do and is carried by a wonderful villain performance from Fox.
Overall: Crime fans watch.
https://moviesreview101.com/2018/07/15/matthew-fox-weekend-alex-cross-2012/
When the team learns of the targets they must work with who they think is the main target Giles Mercier (Reno), but this has made his team the newest targets for Picasso, who makes the killings personal.
Thoughts on Alex Cross
Characters – Dr Alex Cross is a homicide detective, we have seen this character before, but this time we meet a younger version of him, before he becomes the FBI agent we know. Alex has a family and is on the way to making his big career decision, when Picasso comes into his life, Alex will need to balance his skills and rage to stop him. Picasso is a hired gun, he is one of the very best in the world, he enjoys the pain he gives and receives, he makes his mission personal and drives Alex to limits he has never been pushed before. Thomas is the partner of Alex, he is shorter tempered, but loyal to Alex. Giles Mercier seems to be the main target of Picasso mission, he is the rich man that gets what he wants.
Performances – Tyler Perry was considered a strange choice for the leading role in this movie, known mostly for comedy and taking over from Morgan Freeman, he just doesn’t reach his levels, but is good through the film. it is Matthew Fox that shines the most as the cold calculated killer that enjoys the pain. The commitment Fox showed to this role needs to be praised because of the physical change he put his body through makes him an unlikely looking threat. Edward Burn is good as the partner while not being anything special and Jean Reno will always be good in the role he takes.
Story – To step into another Alex Cross story is always going to be interesting, picking up before he became an FBI agent helps us understand what drove him to be the determined man we know. Making the story personal for Cross shows how he can balance the law and revenge in his attempts to solve the crime. The story might not reach the level of intensity is could have for a personal story, it does everything we need for an entertaining crime mystery thriller.
Action/Crime/Mystery – The action involved in the film is good, even if moments of the effects used are weak. The crime is an interesting one to watch unfold, but it takes away from the mystery because we are always on the same level of the cops, we are not feed anything to solve.
Settings – Detroit makes for a good setting, it always feels like it is a place known for the crime rates.
Scene of the Movie – Picasso introduction fight.
That Moment That Annoyed Me – The Rocket effects.
Final Thoughts – This is an easy to watch crime thriller, it does everything it needs to do and is carried by a wonderful villain performance from Fox.
Overall: Crime fans watch.
https://moviesreview101.com/2018/07/15/matthew-fox-weekend-alex-cross-2012/
Darren (1599 KP) rated Destroyer (2018) in Movies
Sep 13, 2019
Characters – Erin Bell is a police officer that went so deep undercover that she lost her family, 17-years-later the leader of that gang has returned, this will give the Erin a chance to make peace with this case, trying to put her addiction problems a side, Erin won’t take any abuse from anybody, she will step over the line of the law to make sure she puts an end to this case. Silas is the leader of the gang, he makes his followers do anything to prove themselves to him and will lead them in breaking the law, he has gone into hiding, with his return making him a target for Erin. Petra is one of the main followers in the gang, she is one that is still active with Silas, showing that her addiction is still controlling her life. Chris is the partner that worked with Erin in the undercover job, we see how they got to learn to work together to make themselves seem like a couple.
Performances – Nicole Kidman gives one of her career best performances ever single scene we see her committed to this role where she demands your attention unlike any performance, we have ever seen from her before. Toby Kebbell does make us believe his character is on edge and a threat through each and every scene he appears in. Tatiana Maslany and Sebastian Stan complete the main supporting cast which shows us they can step up to look strong against Kidman through the film.
Story – The story here follows a former undercover police officers that wants to make amends for her case which ended in tragedy and has made her lose out part of her life when it comes to family, turning her to her own addictions. The first thing to know about this that we have two times being viewed, it is easy to tell the two apart because of the length of Erin’s hair. As Erin is trying to locate Silas, we get the flashbacks to her interactions with the gang members as she gets to relocate them as she is searching for Silas. Away from the investigation side of the story, Erin is also trying to rebuild her relationship with her daughter one that she shattered with her problems in the past. The mix of the two stories shows us just how dysfunctional this life can become for anyone that gets too deep within the undercover job.
Action/Crime – The action in the film follows the events of the robbery, how it went down and how the escape was planned. We do enter the crime world, which sees how Erin went undercover and operated within the gang, followed by how she bent the laws to track Silas back down.
Settings – The film is set in LA which as always is a wonderful backdrop for the criminal underworld, it shows us just how crime can get done around the city without people seeing it come.
Scene of the Movie – The robbery.
That Moment That Annoyed Me – The final encounter.
Final Thoughts – This is brilliant crime thriller that shows that Nicole Kidman is one of the greatest actresses of her generation, we have a story that keeps you guessing with an anti-hero in Erin that needs to fix her life.
Overall: Gripping Tense Thriller
Performances – Nicole Kidman gives one of her career best performances ever single scene we see her committed to this role where she demands your attention unlike any performance, we have ever seen from her before. Toby Kebbell does make us believe his character is on edge and a threat through each and every scene he appears in. Tatiana Maslany and Sebastian Stan complete the main supporting cast which shows us they can step up to look strong against Kidman through the film.
Story – The story here follows a former undercover police officers that wants to make amends for her case which ended in tragedy and has made her lose out part of her life when it comes to family, turning her to her own addictions. The first thing to know about this that we have two times being viewed, it is easy to tell the two apart because of the length of Erin’s hair. As Erin is trying to locate Silas, we get the flashbacks to her interactions with the gang members as she gets to relocate them as she is searching for Silas. Away from the investigation side of the story, Erin is also trying to rebuild her relationship with her daughter one that she shattered with her problems in the past. The mix of the two stories shows us just how dysfunctional this life can become for anyone that gets too deep within the undercover job.
Action/Crime – The action in the film follows the events of the robbery, how it went down and how the escape was planned. We do enter the crime world, which sees how Erin went undercover and operated within the gang, followed by how she bent the laws to track Silas back down.
Settings – The film is set in LA which as always is a wonderful backdrop for the criminal underworld, it shows us just how crime can get done around the city without people seeing it come.
Scene of the Movie – The robbery.
That Moment That Annoyed Me – The final encounter.
Final Thoughts – This is brilliant crime thriller that shows that Nicole Kidman is one of the greatest actresses of her generation, we have a story that keeps you guessing with an anti-hero in Erin that needs to fix her life.
Overall: Gripping Tense Thriller
Siren's Surrender (Dark Tides #2)
7.0
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Never embracing her mermaid heritage, Gwen Lonike lives in the human world as the owner of a Maine...
Billie Wichkan (118 KP) rated Where The Dead Fall (DI Ridpath #2) in Books
May 22, 2019
One chance encounter, one street side murder, will change everything. The extraordinary new Ridpath crime thriller
DI Ridpath is in the process of getting his life back together when everything goes wrong.
Driving to meet his daughter, he is caught in a gruesome motorway accident, in which a near-naked man is rundown by a lorry, while fleeing from a lone gunman. As Ridpath closes Manchesters road network in search of the assailant, one question remains: why did nobody else see him?
Ridpaths investigations soon unearth a number of inconsistencies, which pulls the police force itself into question, and hint at something sinister to come.
For Manchester is on the brink of a fresh surge of violence unlike anything it has seen in decades, and Ridpath must battle this unprecedented conflict along with his own demons. One thing is for sure. There will be blood on the streets
This is the second book in the DI Tom Ridpath series. This is a really well written book that is full of action and suspense. I thought this was a great follow-up to the first book. The pacing is excellent, the main character is engaging, and I couldn't stop reading til finished.
Excellent plot and great characters,
A roller-coaster of a read, well written with a cast of well rounded characters, good and bad.
Great plot line and an ending I didnt see coming.
This book has so many twists and turns that will leave your head spinning.
Well done, roll on the next.
Would definitely recommend this this novel.
My thanks to net galley and publisher for the opportunity to review this book honestly.
DI Ridpath is in the process of getting his life back together when everything goes wrong.
Driving to meet his daughter, he is caught in a gruesome motorway accident, in which a near-naked man is rundown by a lorry, while fleeing from a lone gunman. As Ridpath closes Manchesters road network in search of the assailant, one question remains: why did nobody else see him?
Ridpaths investigations soon unearth a number of inconsistencies, which pulls the police force itself into question, and hint at something sinister to come.
For Manchester is on the brink of a fresh surge of violence unlike anything it has seen in decades, and Ridpath must battle this unprecedented conflict along with his own demons. One thing is for sure. There will be blood on the streets
This is the second book in the DI Tom Ridpath series. This is a really well written book that is full of action and suspense. I thought this was a great follow-up to the first book. The pacing is excellent, the main character is engaging, and I couldn't stop reading til finished.
Excellent plot and great characters,
A roller-coaster of a read, well written with a cast of well rounded characters, good and bad.
Great plot line and an ending I didnt see coming.
This book has so many twists and turns that will leave your head spinning.
Well done, roll on the next.
Would definitely recommend this this novel.
My thanks to net galley and publisher for the opportunity to review this book honestly.
Katie Guinn (34 KP) rated My Husband's Wife in Books
Dec 7, 2018
Lily Macdonald is a young, newly married lawyer, determined to make a fresh start and leave her secrets in the past. But her first murder case, representing a convicted killer named Joe, will threaten her happy future.
*sigh* I’m getting really burned out on “domestic thrillers,” guys. The kind that center around husbands and wives with secrets and strained relationships, that focus on the minutiae of everyday life than on any real action. The kind that likes to tout themselves as “the next Gone Girl.” Give me a good suspenseful serial killer novel, with a twisty plot and an actual likable main character!
That’s one of my biggest problems with these sorts of books, every character is just so hard to like that it’s difficult to connect with anyone or really feel invested in the story. Lily and Ed Macdonald are two people who honestly shouldn’t have married in the first place; they barely knew each other and neither of them knows how to communicate unless it’s in the form of an argument. Their nine-year-old neighbor, Carla, gains some sympathy at first as she copes with bullies and the feeling of being “different,” Unfortunately, when the story picks up more than a dozen years later, Carla hasn’t changed very much. She still thinks and acts like a child, turning out to be, in my opinion, the least likable character in the book. A note to all the thriller authors out there: it’s not a crime to write characters that people like.
I gave this one three stars because while the writing and plotting was decent, it’s ultimately a forgettable novel. Also, it’s no Gone Girl.
*sigh* I’m getting really burned out on “domestic thrillers,” guys. The kind that center around husbands and wives with secrets and strained relationships, that focus on the minutiae of everyday life than on any real action. The kind that likes to tout themselves as “the next Gone Girl.” Give me a good suspenseful serial killer novel, with a twisty plot and an actual likable main character!
That’s one of my biggest problems with these sorts of books, every character is just so hard to like that it’s difficult to connect with anyone or really feel invested in the story. Lily and Ed Macdonald are two people who honestly shouldn’t have married in the first place; they barely knew each other and neither of them knows how to communicate unless it’s in the form of an argument. Their nine-year-old neighbor, Carla, gains some sympathy at first as she copes with bullies and the feeling of being “different,” Unfortunately, when the story picks up more than a dozen years later, Carla hasn’t changed very much. She still thinks and acts like a child, turning out to be, in my opinion, the least likable character in the book. A note to all the thriller authors out there: it’s not a crime to write characters that people like.
I gave this one three stars because while the writing and plotting was decent, it’s ultimately a forgettable novel. Also, it’s no Gone Girl.
JH
Jamie Hewlett
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Gorilla thriller Inside the mind of Jamie Hewlett From the legendary Tank Girl to live-action...
The Girl Who Lived Twice
7.0
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The sixth in the Millennium series featuring THE GIRL WITH THE DRAGON TATTOO - more than 100 million...