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Hazel (2934 KP) rated A Plague of Traitors (Leine Basso #11) in Books
Aug 22, 2021
I have made no secret that I am a fan of D.V. Berkom's work and particularly of her books starring Leine Basso but you would think that after so many stories it would become stale. Well let me tell you that this is most certainly not the case. D.V. Berkom has a gift of creating plausible and exciting situations that keep me coming back every single time.
Once again, I have run out of words to describe how much I enjoyed this book so will just say that it is yet another action packed thriller full of tension that will have you turning the pages at quick speed (or tapping the screen!).
D.V. Berkom has a knack of creating excellent characters and this book is absolutely littered with them from the good guys to the not-so-good. Leine has to be one of my favourite characters of all time - she is strong, brave, not afraid to kick rear ends but with a soft side that is endearing and feels natural and believable.
This is part of a series but, in my opinion, it holds up extremely well as a stand-alone. There are recurring characters, and I am pleased to see the return of Derek, but the author has the ability to provide just enough information so you don't get lost but not so much that it detracts from the current story.
Yet again, this is another hit for me and I would recommend this and the rest of the series to anyone who loves a thrilling read that although contains violence, it's not over the top.
I, for one, cannot wait for the Leine's next "adventure" but I must thank D.V. Berkom for allowing me to be a member of her Advance Reader Team and for sending me a copy of "A Plague of Traitors" before the official publication date on 31-August-2021 in return for an honest, unbiased and unedited review for which I am, once again, extremely grateful.
Once again, I have run out of words to describe how much I enjoyed this book so will just say that it is yet another action packed thriller full of tension that will have you turning the pages at quick speed (or tapping the screen!).
D.V. Berkom has a knack of creating excellent characters and this book is absolutely littered with them from the good guys to the not-so-good. Leine has to be one of my favourite characters of all time - she is strong, brave, not afraid to kick rear ends but with a soft side that is endearing and feels natural and believable.
This is part of a series but, in my opinion, it holds up extremely well as a stand-alone. There are recurring characters, and I am pleased to see the return of Derek, but the author has the ability to provide just enough information so you don't get lost but not so much that it detracts from the current story.
Yet again, this is another hit for me and I would recommend this and the rest of the series to anyone who loves a thrilling read that although contains violence, it's not over the top.
I, for one, cannot wait for the Leine's next "adventure" but I must thank D.V. Berkom for allowing me to be a member of her Advance Reader Team and for sending me a copy of "A Plague of Traitors" before the official publication date on 31-August-2021 in return for an honest, unbiased and unedited review for which I am, once again, extremely grateful.
Bob Mann (459 KP) rated Unhinged (2020) in Movies
Aug 8, 2020
A courtesy tap
If you were ever going to deliberately hack-off anyone in real life, Russell Crowe would probably be low on the list. A genuine bear of a man! He looks like he could kill you with a single swipe of his clawed furry hand!
In the movie it was a certain Rachel (Caren Pistorius) who randomly crosses the ursine-one's path. She encounters his unnamed character ("Man") at traffic light. Rachel is having a bad day herself. But the unstable and unhinged man makes it his mission to show her "what a bad day really feels like".
Having had over 40 years of driving experienced, I've experienced two incidents of genuine road rage against me. One of these was in similar circumstances to Rachel's experience. By me giving slightly more than a 'courtesy tap' on the horn to a driver who cut me up. Both though were 'white-knuckles-on-the-wheel' scary experiences. So although, as a viewer, I felt a degree of irritation at Rachel's stubborn actions in the movie, it didn't seem completely 'out there'. You only need the other guy to be a psycho, and....
What follows is a thriller having a vein of dark comedy running through it. Yes, it's relatively predictable and above-average on the gore rating but nonetheless enjoyable.
The movie, of course, blends some staples of the thriller genre. Firstly there is that favorite trope of Spielberg of a malevolent force, persistently lurking in the shadows to wreak havoc at any time. (Think of those classics "Duel" and "Jaws". Blended with that is a recurring plot-point of Hitchcock movies: the every-man (in this case every-woman), in the mode of James Stewart or Cary Grant, uprooted from their hum-drum normal lives to suddenly face peril they are unequipped to deal with.
Holding that role here extremely well is Caren Pistorius as the luckless Rachel. She's only had bit parts in previous movies I've seen - "Denial", "Mortal Engines" and "The Light Between Oceans". But here she gets a starring role, up front and central, and I thought she pulled it off really well. She also gets to deliver the best line in the film in the violent and bloody denouement! A leading actress I would like to see more of for sure.
The star-power evident here though is Crowe. His portrayal as the steely-eyed unhinged psychopath is beautifully and believably done. A scene in a diner is especially chilling, featuring Jimmi Simpson as the unfortunate Andy, Rachel's divorce lawyer. (If, like me, you were desperately trying to place the actor, Simpson played the young 'good-guy' tourist in the brilliant first season of "Westworld".)
Unhinged is nicely penned and, in the main, nicely directed. With the pen is Carl Ellsworth, who's sparse career has delivered chillers such as "Disturbia" and "The Last House on the Left". And although we've been in this sort of stalker territory numerous times before, the script of "Unhinged" delivers some nice twists. For example, the dangers inherent in "Find My Friends" style tracking apps. One negative though for me is the rising body-count of "innocents". It gave me the slightly icky feeling I felt when the jumbo jet is crashed in "Die Hard 2".
Keeping up the pace is German director Derrick Borte, someone new to me. The car chases incorporated into the action are tense (reminiscent sometimes of "Baby Driver") and well-shot (by Irish cinematographer Brendan Galvin). There are the occasional "oh, really!!" moments, that a more experienced director might have chosen to excise. But on the whole, this is a taut little thriller, wisely sticking to a 90 minute running time, and never losing my interest.
Although formulaic, and at times extremely violent for a '15' certificate, "Unhinged" made a welcome and entertaining return for me to the multiplex after the Covid break.
(For the full graphical review, please check it out here - https://bob-the-movie-man.com/2020/08/08/one-manns-movies-film-review-unhinged-2020/).
In the movie it was a certain Rachel (Caren Pistorius) who randomly crosses the ursine-one's path. She encounters his unnamed character ("Man") at traffic light. Rachel is having a bad day herself. But the unstable and unhinged man makes it his mission to show her "what a bad day really feels like".
Having had over 40 years of driving experienced, I've experienced two incidents of genuine road rage against me. One of these was in similar circumstances to Rachel's experience. By me giving slightly more than a 'courtesy tap' on the horn to a driver who cut me up. Both though were 'white-knuckles-on-the-wheel' scary experiences. So although, as a viewer, I felt a degree of irritation at Rachel's stubborn actions in the movie, it didn't seem completely 'out there'. You only need the other guy to be a psycho, and....
What follows is a thriller having a vein of dark comedy running through it. Yes, it's relatively predictable and above-average on the gore rating but nonetheless enjoyable.
The movie, of course, blends some staples of the thriller genre. Firstly there is that favorite trope of Spielberg of a malevolent force, persistently lurking in the shadows to wreak havoc at any time. (Think of those classics "Duel" and "Jaws". Blended with that is a recurring plot-point of Hitchcock movies: the every-man (in this case every-woman), in the mode of James Stewart or Cary Grant, uprooted from their hum-drum normal lives to suddenly face peril they are unequipped to deal with.
Holding that role here extremely well is Caren Pistorius as the luckless Rachel. She's only had bit parts in previous movies I've seen - "Denial", "Mortal Engines" and "The Light Between Oceans". But here she gets a starring role, up front and central, and I thought she pulled it off really well. She also gets to deliver the best line in the film in the violent and bloody denouement! A leading actress I would like to see more of for sure.
The star-power evident here though is Crowe. His portrayal as the steely-eyed unhinged psychopath is beautifully and believably done. A scene in a diner is especially chilling, featuring Jimmi Simpson as the unfortunate Andy, Rachel's divorce lawyer. (If, like me, you were desperately trying to place the actor, Simpson played the young 'good-guy' tourist in the brilliant first season of "Westworld".)
Unhinged is nicely penned and, in the main, nicely directed. With the pen is Carl Ellsworth, who's sparse career has delivered chillers such as "Disturbia" and "The Last House on the Left". And although we've been in this sort of stalker territory numerous times before, the script of "Unhinged" delivers some nice twists. For example, the dangers inherent in "Find My Friends" style tracking apps. One negative though for me is the rising body-count of "innocents". It gave me the slightly icky feeling I felt when the jumbo jet is crashed in "Die Hard 2".
Keeping up the pace is German director Derrick Borte, someone new to me. The car chases incorporated into the action are tense (reminiscent sometimes of "Baby Driver") and well-shot (by Irish cinematographer Brendan Galvin). There are the occasional "oh, really!!" moments, that a more experienced director might have chosen to excise. But on the whole, this is a taut little thriller, wisely sticking to a 90 minute running time, and never losing my interest.
Although formulaic, and at times extremely violent for a '15' certificate, "Unhinged" made a welcome and entertaining return for me to the multiplex after the Covid break.
(For the full graphical review, please check it out here - https://bob-the-movie-man.com/2020/08/08/one-manns-movies-film-review-unhinged-2020/).
Gareth von Kallenbach (980 KP) rated The Little Things (2021) in Movies
Jan 26, 2021
Academy Award Winners Denzel Washington, Jared Leto, and Remi Malik star in the new thriller “The Little Things” and combine to make very gripping and memorable performances.
The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.
The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.
Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.
Jim Baxter (Remi Malik) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case. Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.
When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.
As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.
As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.
Aside from the strong performances and engaging story what makes “The Little Things” work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think are right and does not attempt to wrap things up nice and tidy.
The film uses the element of doubt to not only drive the story but the actions of the characters which underscores that an element of uncertainty exists in some investigations and in with the resources available to police at the time; things are not always certain.
The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.
4.5 stars out of 5
The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.
The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.
Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.
Jim Baxter (Remi Malik) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case. Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.
When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.
As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.
As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.
Aside from the strong performances and engaging story what makes “The Little Things” work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think are right and does not attempt to wrap things up nice and tidy.
The film uses the element of doubt to not only drive the story but the actions of the characters which underscores that an element of uncertainty exists in some investigations and in with the resources available to police at the time; things are not always certain.
The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.
4.5 stars out of 5
Bob Mann (459 KP) rated Jack Reacher: Never Go Back (2016) in Movies
Sep 29, 2021
I’m a big fan of Tom Cruise. He is a real old-fashioned film star, generous with his fans on the red carpet and with real star power at the box office. And I can happily sit down in front of just about any one of his DVD’s time and time again and still enjoy it. Unlike many critics, I even enjoyed his last outing as Jack Reacher.
Unfortunately, and it pains me to say this but, his latest outing – “Jack Reacher: Never Go Back” – is a bit dull.
Lee Child’s Reacher has many years before turned his back on his military past and wanders the country as a drifter righting wrongs outside of the law. In this film, his military past again makes a major (“No, ex-Major”) intrusion into his life. Potential love interest Major Susan Turner (Colbie Smulders, from the “Avengers” world) is arrested on trumped-up espionage charges and Cruise sets out to clear her name. Along the way he accidentally (and rather too conveniently for the plot) discovers that a paternity suit has been filed against him and Reacher confronts the rebellious and light-fingered teenager Samantha (Danika Yarosh, aged 18 playing 15).
Unfortunately the big-cheeses involved in the international arms skulduggery are determined to tie up each and every loose end in their intrigue, and that includes Reacher, Turner and young Samantha by association. Needless to say, the villains – led by a one-man killing machine (Patrick Heusinger) – haven’t counted on Reacher’s ‘particular set of skills’.
My problem with the film (after an entertaining opening) is that the screenplay lumbers from standard thriller set-piece to standard thriller set-piece in a highly predictable way. It’s as if the scripts from 20 different films have been stuck in a blender. Shadowy arms dealing shenanigans: check; Cute teenager in peril: check; Gun fight on a dockside: check; Rooftop chase: check.
Are all the individual set-pieces decently done? Yes, sure. But the combination of these bits of action tapas really don’t add up to a satisfying meal. The story arc is almost non-existent as there is no suspense in the ‘investigation’: the plot is all pretty well laid out for you.
Where there is some fun to be had is in the play-off between the born-leader Reacher and the born-leader Turner, both trying to be top-dog in the decision making. The romantic connection between the leads seems almost plausible despite their 20 (TWENTY!) year age difference: this is more down to how incredibly good Cruise still looks at age 54 (damn him!). Turner makes a good female role-model right up to the point where there is a confrontation in a hotel room and Turner backs down: despite Cruise being the “hero” it would have been nice for female equality for this face-off to have gone the other way.
The director is Edward Zwick, who helmed Cruise’s more interesting movie “The Last Samurai”.
The trailer started off well and then progressed into general mediocrity. Unfortunately – for me at least – the film lived up to the trailer. Watchable, but not memorable.
Unfortunately, and it pains me to say this but, his latest outing – “Jack Reacher: Never Go Back” – is a bit dull.
Lee Child’s Reacher has many years before turned his back on his military past and wanders the country as a drifter righting wrongs outside of the law. In this film, his military past again makes a major (“No, ex-Major”) intrusion into his life. Potential love interest Major Susan Turner (Colbie Smulders, from the “Avengers” world) is arrested on trumped-up espionage charges and Cruise sets out to clear her name. Along the way he accidentally (and rather too conveniently for the plot) discovers that a paternity suit has been filed against him and Reacher confronts the rebellious and light-fingered teenager Samantha (Danika Yarosh, aged 18 playing 15).
Unfortunately the big-cheeses involved in the international arms skulduggery are determined to tie up each and every loose end in their intrigue, and that includes Reacher, Turner and young Samantha by association. Needless to say, the villains – led by a one-man killing machine (Patrick Heusinger) – haven’t counted on Reacher’s ‘particular set of skills’.
My problem with the film (after an entertaining opening) is that the screenplay lumbers from standard thriller set-piece to standard thriller set-piece in a highly predictable way. It’s as if the scripts from 20 different films have been stuck in a blender. Shadowy arms dealing shenanigans: check; Cute teenager in peril: check; Gun fight on a dockside: check; Rooftop chase: check.
Are all the individual set-pieces decently done? Yes, sure. But the combination of these bits of action tapas really don’t add up to a satisfying meal. The story arc is almost non-existent as there is no suspense in the ‘investigation’: the plot is all pretty well laid out for you.
Where there is some fun to be had is in the play-off between the born-leader Reacher and the born-leader Turner, both trying to be top-dog in the decision making. The romantic connection between the leads seems almost plausible despite their 20 (TWENTY!) year age difference: this is more down to how incredibly good Cruise still looks at age 54 (damn him!). Turner makes a good female role-model right up to the point where there is a confrontation in a hotel room and Turner backs down: despite Cruise being the “hero” it would have been nice for female equality for this face-off to have gone the other way.
The director is Edward Zwick, who helmed Cruise’s more interesting movie “The Last Samurai”.
The trailer started off well and then progressed into general mediocrity. Unfortunately – for me at least – the film lived up to the trailer. Watchable, but not memorable.
BankofMarquis (1832 KP) rated Amsterdam (2022) in Movies
Nov 21, 2022
Weak First Half Gives Way To Strong Second Half
There are certain Directors working today that gain such a reputation that most Major Movie Stars clamor to be in their films - no matter how big (or small) their part is. Quentin Tarantino, Wes Anderson and Christopher Nolan all come to mind. And, for some reason, David O. Russell is in that camp as well.
The latest film from this cinematic auteur, AMSTERDAM, is jam-packed with stars from Christian Bale to John David Washington to Margot Robbie, Robert DeNiro, Zoe Saldana, Rami Malek, Andrea Riseborough, Chris Rock, Michael Shannon, Michael Myers, Timothy Olyphant, Any-Taylor Joy and even Taylor Swift show up to play part in this drama/thriller/comedy that takes a real life event and gives it the David O. Russell touch.
And…what is the David O. Russell touch? It is - for better or for worse - a skewed perspective of the goings-on in the film, commenting on the action while driving a narrative forward. On the one hand, he is liked by many actors for he let’s them improvise and work through their performances. However, on the other hand, if he is not getting what he wants, he is also known as a antagonistic Director as he has had on-set feuds with George Clooney, Lilly Tomlin and Amy Adams. But…on the other hand…he has been nominated for Best Director 3x and quite a few of his actors (Bale, Adams, Cooper, Jennifer Lawrence, etc.) have been nominated for an Oscar.
For AMSTERDAM the film’s tone and intention meander for the 1st half of the movie - as do the performances - before settling into a crackerjack thriller/murder-mystery/espionage film.
And that’s too bad for many will be turned off by the 1st half - the meandering is detrimental to the audience’s enjoyment - it feels like a series of “acting scenes” and not a coherent grouping of scenarios leading to a plot. This will turn many off - and will have them turning off the film - before it settles down and becomes good.
As is often the case with Russell’s films, the performances are good (Washington), better (Robbie) and best (Bale, channelling his inner Peter Faulk) while the other actors support the 3 leads in surprising ways. If nothing else, see this movie to watch all of these wonderful performers plying their craft. Of course, you’ll be saying to yourself “that’s wonderfully acted” for you won’t be immersed into the people, emotions or the plot at the beginning.
And that is Russell’s issue. If he could have settled on the tone and focus of the 2nd half of the film in the first half, he’d have himself another Oscar contending film. But, as it were, it’s an interesting curiosity - one that will have you entertained for a few hours, but will leave you scratching your head longing for “what could have been”.
Letter Grade: B (“C” for the first half, “A” for the 2nd half)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The latest film from this cinematic auteur, AMSTERDAM, is jam-packed with stars from Christian Bale to John David Washington to Margot Robbie, Robert DeNiro, Zoe Saldana, Rami Malek, Andrea Riseborough, Chris Rock, Michael Shannon, Michael Myers, Timothy Olyphant, Any-Taylor Joy and even Taylor Swift show up to play part in this drama/thriller/comedy that takes a real life event and gives it the David O. Russell touch.
And…what is the David O. Russell touch? It is - for better or for worse - a skewed perspective of the goings-on in the film, commenting on the action while driving a narrative forward. On the one hand, he is liked by many actors for he let’s them improvise and work through their performances. However, on the other hand, if he is not getting what he wants, he is also known as a antagonistic Director as he has had on-set feuds with George Clooney, Lilly Tomlin and Amy Adams. But…on the other hand…he has been nominated for Best Director 3x and quite a few of his actors (Bale, Adams, Cooper, Jennifer Lawrence, etc.) have been nominated for an Oscar.
For AMSTERDAM the film’s tone and intention meander for the 1st half of the movie - as do the performances - before settling into a crackerjack thriller/murder-mystery/espionage film.
And that’s too bad for many will be turned off by the 1st half - the meandering is detrimental to the audience’s enjoyment - it feels like a series of “acting scenes” and not a coherent grouping of scenarios leading to a plot. This will turn many off - and will have them turning off the film - before it settles down and becomes good.
As is often the case with Russell’s films, the performances are good (Washington), better (Robbie) and best (Bale, channelling his inner Peter Faulk) while the other actors support the 3 leads in surprising ways. If nothing else, see this movie to watch all of these wonderful performers plying their craft. Of course, you’ll be saying to yourself “that’s wonderfully acted” for you won’t be immersed into the people, emotions or the plot at the beginning.
And that is Russell’s issue. If he could have settled on the tone and focus of the 2nd half of the film in the first half, he’d have himself another Oscar contending film. But, as it were, it’s an interesting curiosity - one that will have you entertained for a few hours, but will leave you scratching your head longing for “what could have been”.
Letter Grade: B (“C” for the first half, “A” for the 2nd half)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Ryan Hill (152 KP) rated Captain America: The Winter Soldier (2014) in Movies
May 10, 2019
Chris Evan as Steve Rogers/Captain America
Scarlett Johansson as Black Widow
Sebastian stan as Bucky Barnes/The winter soldier
The rest of the cast
Fury's car chase
The elevator scene (1 more)
The highway fight scene
Cap and Bucky's final fight
Cap and Bucky's relationship
The political intrigue
Antony Mackie as Falcon
"i'm with you till the end of the line"
Man 2014 sure was a fantastic year for Marvel! Not only did we get Guardians of the Galaxy, but also Captain America the Winter Soldier, a film that I honestly didn’t really appreciate all that much when I first saw it, as back then I wasn’t all that interested in the plots of these films more then I was just seeing the cool characters and fight scenes. But upon rewatching this I was legitimately blown away by how jaw dropping good this was, because not only is this an amazing movie that completely surpasses the first film on every level with it’s excellent story and standout action sequences, but also serves as a great action thriller, and surprisingly, a political satire that reflects the corruption that lies in our very own government. And sure Jon Favreau and Joss Whedon did great jobs with their inclusions in the franchise, but the Russo brothers just absolutely nailed it with this film.
And what makes Winter Soldier so good and entertaining, is it’s extremely captivating story. I was so invested in it that I couldn’t take my eyes off of the screen, I focused and paid attention to every line of dialogue that was said by these characters, as well as every easter egg and reference, which trust me, there are a lot of! This film also features a ton of different twists and turns which on my first viewing way back in 2014, really had me shocked, and though rewatching it five years later doesn’t at all have the same impact on me that it once did, it still is highly entertaining, and some scenes do actually still hold that element of surprise with their abrupt sequences. And while technically they’re not in that jump scare category, the were some parts of the movie that really caught me off guard and made my heart stop for a moment. One aspect about this movie that I thought was very interesting and added a sense of realism to the plot, was the political satire that was excellently interwoven into the storyline of the movie, and like I said, really made the film feel very grounded because it reflects all of the corruption lying within our very own government, and for Captain America to want to expose that and put a stop to it really when you think about it lines up perfectly with Steve’s very patriotic attitude and outlook. I mean he’s Captain America for crying out loud!
All of the performances in this film are absolutely phenomenal! Chris Evans, Scarlet Johansson, Robert Redford, Sebastian Stan, as well as Anthony Mackie. And if that’s not good enough we’ve got freaking Samuel L. Jackson reprising he role as Nick Fury. What more could you possibly ask for in terms of casting, I mean seriously! There is not a single bad or bland performance, and everyone gets to shine with their own great and memorable moments. But for me the standout of this movie is Sebastian Stan as the Winter Soldier. Holy crap! This is the definition of a badass villain, and he owns every scene he is in. Whenever he shows up on screen and starts taking down guys your heart just starts beating faster and faster, and I was on the edge of my seat when watching the nail biting action scenes he shows up in. So gold star to the Russo brothers for not giving us another two dimensional baddie just there to be evil, as well as being a typical MCU villain. Yeah I’m looking at you Darren Cross! Overall just fantastic performances.
The action scenes in this movie are amazing, and you can really tell that the filmmakers as well as the Russos really put a lot of effort in these sequences, as they are choreographed and shot so well, and the way the directors move the camera really adds a whole other intense and exhilarating edge to these already intense scenes. The highway scene in particular is probably one of, if not the best part of the movie, I mean it’s just perfection, and that’s mainly because of the excellent choreography and directing, that Joe and Anthony Russo definitely put a lot of time into getting just right. And they not only did it right, they did it masterfully! Henry Jackman’s score for the film is so good as well, and it may just be in my top ten favorite soundtracks of all time. And the Winter Soldier’s theme is just downright fantastic as well as absolutely terrifying!
So that’s my review. This is a film that really surpassed my low expectations when rewatching this for the first time in a few years. And with it’s great storyline and characters, as well as it’s amazing performances and action sequences, which kept me enthralled and entertained the entire time, Winter Soldier proves that it is not just a great Captain America movie, or MCU addition, and that it is just an amazing film in general.
And what makes Winter Soldier so good and entertaining, is it’s extremely captivating story. I was so invested in it that I couldn’t take my eyes off of the screen, I focused and paid attention to every line of dialogue that was said by these characters, as well as every easter egg and reference, which trust me, there are a lot of! This film also features a ton of different twists and turns which on my first viewing way back in 2014, really had me shocked, and though rewatching it five years later doesn’t at all have the same impact on me that it once did, it still is highly entertaining, and some scenes do actually still hold that element of surprise with their abrupt sequences. And while technically they’re not in that jump scare category, the were some parts of the movie that really caught me off guard and made my heart stop for a moment. One aspect about this movie that I thought was very interesting and added a sense of realism to the plot, was the political satire that was excellently interwoven into the storyline of the movie, and like I said, really made the film feel very grounded because it reflects all of the corruption lying within our very own government, and for Captain America to want to expose that and put a stop to it really when you think about it lines up perfectly with Steve’s very patriotic attitude and outlook. I mean he’s Captain America for crying out loud!
All of the performances in this film are absolutely phenomenal! Chris Evans, Scarlet Johansson, Robert Redford, Sebastian Stan, as well as Anthony Mackie. And if that’s not good enough we’ve got freaking Samuel L. Jackson reprising he role as Nick Fury. What more could you possibly ask for in terms of casting, I mean seriously! There is not a single bad or bland performance, and everyone gets to shine with their own great and memorable moments. But for me the standout of this movie is Sebastian Stan as the Winter Soldier. Holy crap! This is the definition of a badass villain, and he owns every scene he is in. Whenever he shows up on screen and starts taking down guys your heart just starts beating faster and faster, and I was on the edge of my seat when watching the nail biting action scenes he shows up in. So gold star to the Russo brothers for not giving us another two dimensional baddie just there to be evil, as well as being a typical MCU villain. Yeah I’m looking at you Darren Cross! Overall just fantastic performances.
The action scenes in this movie are amazing, and you can really tell that the filmmakers as well as the Russos really put a lot of effort in these sequences, as they are choreographed and shot so well, and the way the directors move the camera really adds a whole other intense and exhilarating edge to these already intense scenes. The highway scene in particular is probably one of, if not the best part of the movie, I mean it’s just perfection, and that’s mainly because of the excellent choreography and directing, that Joe and Anthony Russo definitely put a lot of time into getting just right. And they not only did it right, they did it masterfully! Henry Jackman’s score for the film is so good as well, and it may just be in my top ten favorite soundtracks of all time. And the Winter Soldier’s theme is just downright fantastic as well as absolutely terrifying!
So that’s my review. This is a film that really surpassed my low expectations when rewatching this for the first time in a few years. And with it’s great storyline and characters, as well as it’s amazing performances and action sequences, which kept me enthralled and entertained the entire time, Winter Soldier proves that it is not just a great Captain America movie, or MCU addition, and that it is just an amazing film in general.
Sarah (7798 KP) rated Ava (2020) in Movies
Jan 5, 2021
Dull and unoriginal
Ava is a 2020 spy action thriller directed by Tate Taylor and starring Jessica Chastain. It follows Ava (Chastain), an assassin working for a shadowy organisation who soon becomes hunted by her own, led by the mysterious Simon (Colin Farrell). Between missions and death threats, Ava is aided by her handler Duke (John Malkovich) while she attempts to resolve some long held family issues with her mother (Geena Davis), sister (Jess Weixler) and ex (Common).
From the outset, Ava appears to be like your typical female assassin style film – a loud, stylish electro/techno soundtrack overlaying an assassination featuring wigs, stylish clothes and cars and every other spy cliché you’d come to expect from a film like this. The only truly original and enjoyable thing in this opening scene is Ioan Gruffudd’s shady businessman, who looks like he’s having a whale of a time relishing playing a bad guy for a change. However what you don’t see coming with Ava after this initial scene is that instead of being a full on action film, it turns into a family melodrama with a few fight scenes thrown in almost as an afterthought.
Ava is a characterless film full of clichés, and lacking in any personality whatsoever. The spy and action elements, when we eventually see them that is, are entirely unoriginal and have been done so much better in any other spy film you could think of. The fight scenes are surprisingly dull and the camera work only results in highlighting how staged and choreographed the scenes are, they just don’t look real. It isn’t helped by all of the family drama either, with a large number of conversational dialogue scenes taking over the majority of the short but feels so long run time. It wouldn’t be too bad if these were scripted well but I’m afraid like everything else in this film, the script is lacklustre and clichéd.
Character development is poor and banal too, with the majority of the spy related characters lacking in any form of personality or likability. Ava herself is the worst, she reminded me of a personality-less robot who has no depth or emotions, no matter how much the opening credits scene or family interactions try to tell us otherwise. This film has really done it’s stellar cast a huge injustice and gives them absolutely nothing to work with.
Even the plot suffers from a complete absence of originality and seems to have been kept as vague as possible, whether on purpose or because the writers just couldn’t be bothered I’m not sure. The shadowy organisation that Ava, Duke and Simon all work for is never identified or discussed in any real detail. All we learn about them is that they employ assassins to make hits on possibly shady people, with no further elaboration on why or what these people have done wrong, which Ava herself seems fascinated about as we see her questioning her victims as they’re about to die. I’m all for creating a mysterious atmosphere giving away just enough to keep us intrigued, but I’m afraid this doesn’t work for Ava as it just comes across as lazy and complacent with sloppy writing.
I couldn’t help but compare Ava to Atomic Blonde, another female led assassin film that is worlds apart from this. Ava is lacking in everything that made Atomic Blonde - a fun watch, with style, substance and some brutal (but well executed) fight scenes - and I really wish Ava had followed the same formula as at least this would have made it watchable. As it is, it’s a completely dull and clichéd spy film lacking in pretty much everything.
From the outset, Ava appears to be like your typical female assassin style film – a loud, stylish electro/techno soundtrack overlaying an assassination featuring wigs, stylish clothes and cars and every other spy cliché you’d come to expect from a film like this. The only truly original and enjoyable thing in this opening scene is Ioan Gruffudd’s shady businessman, who looks like he’s having a whale of a time relishing playing a bad guy for a change. However what you don’t see coming with Ava after this initial scene is that instead of being a full on action film, it turns into a family melodrama with a few fight scenes thrown in almost as an afterthought.
Ava is a characterless film full of clichés, and lacking in any personality whatsoever. The spy and action elements, when we eventually see them that is, are entirely unoriginal and have been done so much better in any other spy film you could think of. The fight scenes are surprisingly dull and the camera work only results in highlighting how staged and choreographed the scenes are, they just don’t look real. It isn’t helped by all of the family drama either, with a large number of conversational dialogue scenes taking over the majority of the short but feels so long run time. It wouldn’t be too bad if these were scripted well but I’m afraid like everything else in this film, the script is lacklustre and clichéd.
Character development is poor and banal too, with the majority of the spy related characters lacking in any form of personality or likability. Ava herself is the worst, she reminded me of a personality-less robot who has no depth or emotions, no matter how much the opening credits scene or family interactions try to tell us otherwise. This film has really done it’s stellar cast a huge injustice and gives them absolutely nothing to work with.
Even the plot suffers from a complete absence of originality and seems to have been kept as vague as possible, whether on purpose or because the writers just couldn’t be bothered I’m not sure. The shadowy organisation that Ava, Duke and Simon all work for is never identified or discussed in any real detail. All we learn about them is that they employ assassins to make hits on possibly shady people, with no further elaboration on why or what these people have done wrong, which Ava herself seems fascinated about as we see her questioning her victims as they’re about to die. I’m all for creating a mysterious atmosphere giving away just enough to keep us intrigued, but I’m afraid this doesn’t work for Ava as it just comes across as lazy and complacent with sloppy writing.
I couldn’t help but compare Ava to Atomic Blonde, another female led assassin film that is worlds apart from this. Ava is lacking in everything that made Atomic Blonde - a fun watch, with style, substance and some brutal (but well executed) fight scenes - and I really wish Ava had followed the same formula as at least this would have made it watchable. As it is, it’s a completely dull and clichéd spy film lacking in pretty much everything.
BankofMarquis (1832 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Mar 13, 2019 (Updated Mar 13, 2019)
Excellent acting from Bardem and (especially) Cruz
I have always liked, but not loved, the English language movies that Penelope Cruz and Javier Bardem have been a part of. Part of the issue, I think, is that even though they are dynamic, charismatica and GOOD LOOKING screen presences that embody the very definitioni of the term "MOVIE STAR", they are working in a language that is not their native language, so something, I think, gets lost in translation. So, it was with some excitement that I checked out the Spanish language thriller EVERYBODY KNOWS (Spanish Title: TODOS LO SOBEN).
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
JT (287 KP) rated Dead Man Down (2013) in Movies
Mar 10, 2020
If you’re looking for a film that is as dark and disturbing as The Girl with the Dragon Tattoo, you might be a little disappointed here.
Only a little however, director Niels Arden Oplev’s first English language feature produces effective results in what is a very good revenge thriller. Colin Farrell plays gangland enforcer Victor who during a shoot out saves the life of his boss Alphonse (Howard) who is being tormented by an unknown hell bent on making his life uncomfortable.
Victor has his own agenda, getting as close to Alphonse as possible before exacting revenge for the murder of his wife and daughter years earlier. On the surface it looks like any bog standard Hollywood revenge thriller but dig a little deeper and therein lies an intricate story that weaves its way through to an explosive finale.
Oplev brings back Dragon Tattoo star Noomi Rapace and gives her a darker character, (one that she’ll be able to relate with) who has a past that has scared her, both inside and out, she’s after some revenge of her own. Comparisons will be drawn to her most famous female lead, Lisbeth Salander.
Rapace plays Beatrice, a lonely individual who lives with her slightly deaf mother Valentine (Isabelle Huppert) who has a penchant for cooking and Tupperware and it would be argued her talents are wasted in this. Beatrice blackmails Victor when she catches him knocking off a gang member in his apartment, and tells him that she’ll go to he police unless he helps her kill someone from her past.
Despite coming across as a revenge-actioner in the trailers the film itself has a lot more going for it than that, there is so much more to the story than just cracking heads and explosions. Beatrice’s pain at being scarred by a drunk diver who all but got away leaves her encased in worry and self pity, while Valentine does her best to push her back out into the world.
The relationship between Victor and Beatrice is cagey at first, but this isn’t an initial romance that is going to blossom with them walking off into the sunset together, not at the beginning anyway. It is hard to tell who really wants what and its more about the coming together of two lost souls whose first thought in life is revenge, leaving everything else to come second.
The on screen chemistry between the two lead protagonists is believable, Farrell is steely eyed and strong and Rapace conveys herself with devilish intrigue while at the same time giving off a sense of vulnerability. Terrance Howard is slick and does a decent job, although I could think of a number of other actors who probably could have pulled off the character with a great deal more menace.
The action is pretty good, the highlight being the pulsating last 15 minutes which to be honest was well worth the admission price alone. There was what I would call a ‘copout’ moment at the end, and after everything that Farrell had gone through I would have thought more attention would have been centered on that, instead I left feeling slightly short changed.
It’s a solid film from Niels Arden Oplev with some great acting and a finale that will leave you gasping for an encore.
Only a little however, director Niels Arden Oplev’s first English language feature produces effective results in what is a very good revenge thriller. Colin Farrell plays gangland enforcer Victor who during a shoot out saves the life of his boss Alphonse (Howard) who is being tormented by an unknown hell bent on making his life uncomfortable.
Victor has his own agenda, getting as close to Alphonse as possible before exacting revenge for the murder of his wife and daughter years earlier. On the surface it looks like any bog standard Hollywood revenge thriller but dig a little deeper and therein lies an intricate story that weaves its way through to an explosive finale.
Oplev brings back Dragon Tattoo star Noomi Rapace and gives her a darker character, (one that she’ll be able to relate with) who has a past that has scared her, both inside and out, she’s after some revenge of her own. Comparisons will be drawn to her most famous female lead, Lisbeth Salander.
Rapace plays Beatrice, a lonely individual who lives with her slightly deaf mother Valentine (Isabelle Huppert) who has a penchant for cooking and Tupperware and it would be argued her talents are wasted in this. Beatrice blackmails Victor when she catches him knocking off a gang member in his apartment, and tells him that she’ll go to he police unless he helps her kill someone from her past.
Despite coming across as a revenge-actioner in the trailers the film itself has a lot more going for it than that, there is so much more to the story than just cracking heads and explosions. Beatrice’s pain at being scarred by a drunk diver who all but got away leaves her encased in worry and self pity, while Valentine does her best to push her back out into the world.
The relationship between Victor and Beatrice is cagey at first, but this isn’t an initial romance that is going to blossom with them walking off into the sunset together, not at the beginning anyway. It is hard to tell who really wants what and its more about the coming together of two lost souls whose first thought in life is revenge, leaving everything else to come second.
The on screen chemistry between the two lead protagonists is believable, Farrell is steely eyed and strong and Rapace conveys herself with devilish intrigue while at the same time giving off a sense of vulnerability. Terrance Howard is slick and does a decent job, although I could think of a number of other actors who probably could have pulled off the character with a great deal more menace.
The action is pretty good, the highlight being the pulsating last 15 minutes which to be honest was well worth the admission price alone. There was what I would call a ‘copout’ moment at the end, and after everything that Farrell had gone through I would have thought more attention would have been centered on that, instead I left feeling slightly short changed.
It’s a solid film from Niels Arden Oplev with some great acting and a finale that will leave you gasping for an encore.
Bob Mann (459 KP) rated Honest Thief (2020) in Movies
Dec 3, 2020
Chemistry between Neeson and Walsh (1 more)
Great cinematography around a scenic Boston
As discussed in my One Mann's Movies review of "Cold Pursuit", Liam Neeson has had a rather rocky PR road of late. But - unlike Kevin Spacey - he is clearly not being put on the naughty step by Hollywood, since he is filming/announced for five other features at the time of writing. His latest release - "Honest Thief" - has Mark Williams directing and co-writing (with Steve Allrich), and sees Neeson back on VERY familiar territory in an exciting and sometimes violent thriller.
The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.
There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).
The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.
The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.
All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.
Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.
For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!
Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.
(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)
The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.
There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).
The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.
The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.
All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.
Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.
For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!
Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.
(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)
