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Bob Mann (459 KP) rated Molly's Game (2017) in Movies
Sep 29, 2021
Wordy but entertaining.
You can never accuse Aaron Sorkin of skimping on his words. Sorkin is of course the award-winning writer of “The West Wing” but on the big screen he has also written many classics: “A Few Good Men”; “The Social Network” and “Steve Jobs” for example. Here he also makes his directorial debut in a movie about the true-life turbulent career of Olympic wannabe skier Molly Bloom.
Bloom is played by Jessica Chastain, from films such as “Zero Dark Thirty” and “Miss Sloane” (one of my films of the year last year). Chastain’s roles as an actress are often quite cold and calculating, as suits her demeanour. As such her characters are not often easy to warm to in movies (and as such, my wife is not a fan).
Taking the piste. Molly in her younger ski-centric role.
Here as Molly Bloom she is as equally driven as in “Miss Sloane“, but the drive is learned from her father (Kevin Costner), bullying her to be the best she can be at skiing in a highly competitive family. Forced out of the skiing business (for reasons I won’t spoil), she takes a “gap year” from law school that turns into a “gap life” after she falls into the slightly shady business of running poker nights for LA’s rich elite. It’s here that Chastain’s Bloom is able to show a gentler and more compassionate side, trying to talk some of her clients (who invariably fall in love with her) off the ledge of their gambling addiction.
Chris O’Dowd as one of the punter’s in deep.
Sorkin’s script (based on Molly’s own autobiography, I should add) does a really nice job of cutting backwards and forwards through Molly’s timeline to drill into motivations and her mental state, and in doing so he pulls out an award-winning (or at least Golden-Globe award-nominating) performance from Chastain in the process. Also very effective though is Kevin Costner (“Hidden Figures“, “Man of Steel“), who is quietly building an impressive portfolio of supporting actor roles. Here he rather dials in his “tough and aloof guy” performance until the park bench scene (below) where he surprises in a good way.
Benches with wolves. Kevin Costner impressive as Molly’s hard-line father.
It’s also a blessed relief to find a decent vehicle to showcase the undoubted talents of Britain’s Idris Elba – an actor who has been woefully served by rubbish such as “Bastille Day“, rather lame sequels like “Star Trek: Beyond” or minor roles such as in “Thor: Ragnarok“. Here he can really get his teeth into the role of Molly’s lawyer, with a multi-layered character that reveals a little – but not too much of – his back-story to leave you with intriguing questions.
An indecisive Charlie Jaffey (Idris Elba) can make his mind up about Molly (Jessica Chastain).
So it’s a good film, but an intelligent watch that mandates your attention. The script is sufficiently dense and wordy that it requires significant concentration: this is not a “park your brain at the door” type of ‘Michael Bay film’. (As such, while it remains a recommended watch, I’m not sure it would be one that would necessarily make my DVD list for repeat watchings).
Michael Cera (centre) as the mysterious but powerful “Player X”; a Hollywood actor, but who is he supposed to be? (Answers on a postcard!).
But again, I must comment on what an amazing year this is turning out to be for women in film. Less #Me-too and more #She-do! Once again, here is a movie where a confident woman is firmly in the driving seat, and while powerful men try to bring her down, it is not them that succeeds. (The studio bill for talent in the past year must be a LOT less than it was the year before! #don’tshootme #topicalhumour #CarrieGracey). #TimesUp.
Bloom is played by Jessica Chastain, from films such as “Zero Dark Thirty” and “Miss Sloane” (one of my films of the year last year). Chastain’s roles as an actress are often quite cold and calculating, as suits her demeanour. As such her characters are not often easy to warm to in movies (and as such, my wife is not a fan).
Taking the piste. Molly in her younger ski-centric role.
Here as Molly Bloom she is as equally driven as in “Miss Sloane“, but the drive is learned from her father (Kevin Costner), bullying her to be the best she can be at skiing in a highly competitive family. Forced out of the skiing business (for reasons I won’t spoil), she takes a “gap year” from law school that turns into a “gap life” after she falls into the slightly shady business of running poker nights for LA’s rich elite. It’s here that Chastain’s Bloom is able to show a gentler and more compassionate side, trying to talk some of her clients (who invariably fall in love with her) off the ledge of their gambling addiction.
Chris O’Dowd as one of the punter’s in deep.
Sorkin’s script (based on Molly’s own autobiography, I should add) does a really nice job of cutting backwards and forwards through Molly’s timeline to drill into motivations and her mental state, and in doing so he pulls out an award-winning (or at least Golden-Globe award-nominating) performance from Chastain in the process. Also very effective though is Kevin Costner (“Hidden Figures“, “Man of Steel“), who is quietly building an impressive portfolio of supporting actor roles. Here he rather dials in his “tough and aloof guy” performance until the park bench scene (below) where he surprises in a good way.
Benches with wolves. Kevin Costner impressive as Molly’s hard-line father.
It’s also a blessed relief to find a decent vehicle to showcase the undoubted talents of Britain’s Idris Elba – an actor who has been woefully served by rubbish such as “Bastille Day“, rather lame sequels like “Star Trek: Beyond” or minor roles such as in “Thor: Ragnarok“. Here he can really get his teeth into the role of Molly’s lawyer, with a multi-layered character that reveals a little – but not too much of – his back-story to leave you with intriguing questions.
An indecisive Charlie Jaffey (Idris Elba) can make his mind up about Molly (Jessica Chastain).
So it’s a good film, but an intelligent watch that mandates your attention. The script is sufficiently dense and wordy that it requires significant concentration: this is not a “park your brain at the door” type of ‘Michael Bay film’. (As such, while it remains a recommended watch, I’m not sure it would be one that would necessarily make my DVD list for repeat watchings).
Michael Cera (centre) as the mysterious but powerful “Player X”; a Hollywood actor, but who is he supposed to be? (Answers on a postcard!).
But again, I must comment on what an amazing year this is turning out to be for women in film. Less #Me-too and more #She-do! Once again, here is a movie where a confident woman is firmly in the driving seat, and while powerful men try to bring her down, it is not them that succeeds. (The studio bill for talent in the past year must be a LOT less than it was the year before! #don’tshootme #topicalhumour #CarrieGracey). #TimesUp.
BankofMarquis (1832 KP) rated The Prestige (2006) in Movies
Mar 22, 2018
Underrated and underseen gem
Along with INSOMNIA, the 2006 film that Nolan directed, THE PRESTIGE is probably one of his least known and least viewed films and that is too bad for it is a wonderful motion picture that proves he is a strong director with a strong vision.
Dubbed "The Warring Magicians" film, THE PRESTIGE stars Christian Bale and Hugh Jackman as two 19th Century Magicians who are...well...at war with each other. Of course, they started out as partners, but soon became enemies, each trying to out do each other and to discover the other magician's secrets.
Cleverly written by Nolan and his frequent collaborator, his brother Jonathan Nolan - and based on the novel by Christopher Priest, THE PRESTIGE will keep you guessing throughout, trying to figure out "how they did it" and are constantly being surprised by double turns, back stabbing and second guessing.
Bale, by this time in his career, has established himself as a powerful actor - and he shines here. Joining Bale is Nolan regular Michael Caine as the mentor of the two magicians, a young-ish Scarlett Johannsen as a a woman who falls in love with both of them (of course) and Rebecca Hall and Piper Perabo as Bale's and Jackman's wives, respectively. But...the surprise to me in this film when I first saw it - and again when I recently re-viewed it - is the performance of Hugh Jackman. This film shows that Jackman is more than just Wolverine - that dude can act. As a magician, he is showing glimpses of being "THE GREATEST SHOWMAN" (but that is another movie for another day) and more than holds his own against a fierce Bale. Finally...special notice needs to be made to the actor who portrays inventor Nikola Tesla - perfectly cast in this role is Ziggy Stardust himself, David Bowie. It's a shame that Bowie did not act in more films for he captures the screen in the brief appearances he makes in this film.
As for Nolan - he is now coming into his own as a Director. The action is fast paced, the twists and turns are "honestly" played, the composition of the pictures on the screen are interesting and beautiful to look at and I walked away satisfied.
If you haven't seen THE PRESTIGE (or if you haven't seen it in awhile) - check this one out. You'll be glad you did.
Letter Grade: A (and...that's a surprise to me, I figured it would be a B+/A- film)
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
Dubbed "The Warring Magicians" film, THE PRESTIGE stars Christian Bale and Hugh Jackman as two 19th Century Magicians who are...well...at war with each other. Of course, they started out as partners, but soon became enemies, each trying to out do each other and to discover the other magician's secrets.
Cleverly written by Nolan and his frequent collaborator, his brother Jonathan Nolan - and based on the novel by Christopher Priest, THE PRESTIGE will keep you guessing throughout, trying to figure out "how they did it" and are constantly being surprised by double turns, back stabbing and second guessing.
Bale, by this time in his career, has established himself as a powerful actor - and he shines here. Joining Bale is Nolan regular Michael Caine as the mentor of the two magicians, a young-ish Scarlett Johannsen as a a woman who falls in love with both of them (of course) and Rebecca Hall and Piper Perabo as Bale's and Jackman's wives, respectively. But...the surprise to me in this film when I first saw it - and again when I recently re-viewed it - is the performance of Hugh Jackman. This film shows that Jackman is more than just Wolverine - that dude can act. As a magician, he is showing glimpses of being "THE GREATEST SHOWMAN" (but that is another movie for another day) and more than holds his own against a fierce Bale. Finally...special notice needs to be made to the actor who portrays inventor Nikola Tesla - perfectly cast in this role is Ziggy Stardust himself, David Bowie. It's a shame that Bowie did not act in more films for he captures the screen in the brief appearances he makes in this film.
As for Nolan - he is now coming into his own as a Director. The action is fast paced, the twists and turns are "honestly" played, the composition of the pictures on the screen are interesting and beautiful to look at and I walked away satisfied.
If you haven't seen THE PRESTIGE (or if you haven't seen it in awhile) - check this one out. You'll be glad you did.
Letter Grade: A (and...that's a surprise to me, I figured it would be a B+/A- film)
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
Daniel Boyd (1066 KP) rated Mile 22 (2018) in Movies
Sep 20, 2018 (Updated Sep 20, 2018)
The Movie Equivelant of a Shrug
I saw Mile 22 last night and when I got in my dad asked me how it was. I replied with a simple shrug and that is honestly the best way to sum up this movie. It's not bad and it's not great. The worst thing about that is that Peter Berg and Mark Wahlberg have worked together 3 times prior to this movie and all 3 times have resulted in fantastic movies, not mediocre ones like this. I was looking forward to this going in knowing that it was Berg and Wahlberg working together again and I have really liked everything else they have made together, (especially Patriot's Day,) but this is unfortunately the worst film that they have made together so far, but it's still not awful.
The best thing about this film is definitely Iko Uwais. Whenever we get to see him doing his thing on screen, it is electrifying. The issue here though is the way that Jacques Jouffret decided to shoot these sequences is choppy and incoherent at times. Why would you cast one of the best fight choreographers in the world in your movie and then every time he get to fight onscreen, you decided to shake the camera about and make 10+ jump-cuts in the space of a few minutes?
Rhonda Rousey is in the movie too and surprisingly I didn't cringe every time she spoke and instead felt that she did a pretty decent job with what she was given. Lauren Cohen was fine too, we all know that she can do a pretty solid American accent at this point because of her work on The Walking Dead. Wahlberg is perfectly serviceable here too, he has been better in other things, but he also been far worse. It is hard to waste an actor like John Malkovich in a film and yet they manage it here, literally any actor could have played his role.
The end is also pretty rubbish. There is a flimsy twist followed by a sequel tease and then the credits abruptly appear. They are clearly aiming for a sequel, but it would have been nice if they could have tied this movie up a bit better first.
Overall, this is an okay action flick with some cool stunts that doesn't live up to what it could have been and ends too abruptly. There are some cool stunts and satisfying kills in the film, but they could have been shot a lot better.
The best thing about this film is definitely Iko Uwais. Whenever we get to see him doing his thing on screen, it is electrifying. The issue here though is the way that Jacques Jouffret decided to shoot these sequences is choppy and incoherent at times. Why would you cast one of the best fight choreographers in the world in your movie and then every time he get to fight onscreen, you decided to shake the camera about and make 10+ jump-cuts in the space of a few minutes?
Rhonda Rousey is in the movie too and surprisingly I didn't cringe every time she spoke and instead felt that she did a pretty decent job with what she was given. Lauren Cohen was fine too, we all know that she can do a pretty solid American accent at this point because of her work on The Walking Dead. Wahlberg is perfectly serviceable here too, he has been better in other things, but he also been far worse. It is hard to waste an actor like John Malkovich in a film and yet they manage it here, literally any actor could have played his role.
The end is also pretty rubbish. There is a flimsy twist followed by a sequel tease and then the credits abruptly appear. They are clearly aiming for a sequel, but it would have been nice if they could have tied this movie up a bit better first.
Overall, this is an okay action flick with some cool stunts that doesn't live up to what it could have been and ends too abruptly. There are some cool stunts and satisfying kills in the film, but they could have been shot a lot better.
BankofMarquis (1832 KP) rated Rain Man (1988) in Movies
Jun 11, 2020
Hoffman and Cruise pair well together
Some films grow over time, some diminish and others are unfairly maligned. I feel that such is the case with 1988's RAINMAN, the film that won 4 Oscars including Best Director, Actor and Picture. I, too, thought that this film might be "cringe-worthy" in the harsh light of 2020, so it was with some trepidation that we fired it up as my wife's choice for "Secret Cinema" in our house.
I need not have worried for this film, it's themes and performances hold up very, very well more than 30 years later.
Starring Dustin Hoffman and Tom Cruise, RAINMAN tells the story of selfish, self-absorbed, high flying Charlie Babbitt who is shocked to discover that he did not inherit the estate of his estranged father - it went to his brother, Raymond (who Charlie knew nothing about). Finding out that Raymond is autistic, Charlie kidnaps Raymond, figuring he could con his way to his Father's fortune.
The first, most surprising, part of this film is the wonderful chemistry between Cruise and Hoffman. They play off each other very well and seem to have a natural rapport. Hoffman, of course, won the Oscar for Best Actor that year - and it is well deserved, even though some claim that his characterization of Raymond is a "gimmick". I think that is not giving the character - and the performance - it's due, for I found (on this rewatch) that Hoffman's portrayal of Raymond is layered, sensitive and sincere. He builds a character that you want to root for.
The surprise of this film is Cruise's performance as Charlie Babbitt. At the beginning he is playing the "yuppie" jerk quite well - focused only on himself - and his possessions and the money he can make, Charlie is not very likable and is, if I must confess, a bit one-dimensional to start. But something happens along the cross-country road trip that Charlie takes Raymond on - his character (and Cruise's performance) grows and shapes into a fully three-dimensional person that has good traits and bad traits. It is one of Cruise's finest performances - and it is a shame that it was not rewarded with an Oscar nomination.
Director Barry Levinson (Director of the under-rated gem DINER) does a nice job keeping the pace - and the mood - of the film moving forward. This could easily have devolved into an over-sentimental and "schmaltzy" feel good flick, Levinson finds the right balance to make this a "feel good" film.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
I need not have worried for this film, it's themes and performances hold up very, very well more than 30 years later.
Starring Dustin Hoffman and Tom Cruise, RAINMAN tells the story of selfish, self-absorbed, high flying Charlie Babbitt who is shocked to discover that he did not inherit the estate of his estranged father - it went to his brother, Raymond (who Charlie knew nothing about). Finding out that Raymond is autistic, Charlie kidnaps Raymond, figuring he could con his way to his Father's fortune.
The first, most surprising, part of this film is the wonderful chemistry between Cruise and Hoffman. They play off each other very well and seem to have a natural rapport. Hoffman, of course, won the Oscar for Best Actor that year - and it is well deserved, even though some claim that his characterization of Raymond is a "gimmick". I think that is not giving the character - and the performance - it's due, for I found (on this rewatch) that Hoffman's portrayal of Raymond is layered, sensitive and sincere. He builds a character that you want to root for.
The surprise of this film is Cruise's performance as Charlie Babbitt. At the beginning he is playing the "yuppie" jerk quite well - focused only on himself - and his possessions and the money he can make, Charlie is not very likable and is, if I must confess, a bit one-dimensional to start. But something happens along the cross-country road trip that Charlie takes Raymond on - his character (and Cruise's performance) grows and shapes into a fully three-dimensional person that has good traits and bad traits. It is one of Cruise's finest performances - and it is a shame that it was not rewarded with an Oscar nomination.
Director Barry Levinson (Director of the under-rated gem DINER) does a nice job keeping the pace - and the mood - of the film moving forward. This could easily have devolved into an over-sentimental and "schmaltzy" feel good flick, Levinson finds the right balance to make this a "feel good" film.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated A United Kingdom (2017) in Movies
Sep 29, 2021
“In to Africa”.
I managed to miss this film when it was first shown at the end of 2016. And what a shame as it would have UNDOUBTEDLY made my “Films of the Year” list.
Directed by Amma Asante (“Belle”) this is the true tale of a real-life fairy story, featuring a handsome prince and his love, who can never be his princess thanks to the Machievellian schemings of court-do-gooders and bureaucrats.
The prince in this case is Seretse Kham (David Oyelowo, “Selma“) , heir to the throne of Bechuanaland (now Botswana), who meets and falls in love with a lowly white Lloyd’s of London clerk Ruth Williams (Rosamund Pike, “Gone Girl“, “The World’s End“). The plot has many parallels with that of another film from earlier this year: “Loving” with Ruth Negga and Joel Edgerton. As an inter-racial couple in 1947 this is taboo enough, but the fact that Kham is soon to be king in a country bordering the apartheid tinderkeg that is South Africa blows the affair up to be a diplomatic crisis.
Concern in the corridors of power for Prime Minister Atlee (Anton Lesser) being faced up to by the couple’s supporter – a young Anthony Wedgewood Benn (Jack Lowden).
Defying the officials he marries his true love, driving a wedge between both his own uncle (Vusi Kunene ) and sister (Terry Pheto) and making Ruth an outcast in both countries. As things turn from bad to worse, can true love conquer all their adversities?
Just everything about this film delights. Oyelowo and Pike – always a safe pair of hands – add real emotional depth to their roles. Their relationship feels natural and loving without either of them trying too hard. The estrangement of Ruth from her parents (particularly her father played by Nicholas Lyndhurst) is truly touching.
Another star turn is Harry Potter alumni Tom Felton, playing Rufus Lancaster – a weaselly and very unpleasant local official. I have a prediction…. that in 30 year’s time, the young Potter actor that will be the ‘Ian McKellen of his day’ (that is, a world recognized great actor… not necessarily gay!) will be Felton.
Sam McCurdy (“The Descent”) delivers cinematography of Africa that is vibrant (to be fair, for anyone lucky enough to visit Africa will know, cameras just love the place) and the John Barry-esque music by Patrick Doyle (“Murder on the Orient Express“) is pitch perfect for the mood.
When it says “Based on a true story” it means it: the real family.
A beautifully crafted film that older viewers will just love.
Directed by Amma Asante (“Belle”) this is the true tale of a real-life fairy story, featuring a handsome prince and his love, who can never be his princess thanks to the Machievellian schemings of court-do-gooders and bureaucrats.
The prince in this case is Seretse Kham (David Oyelowo, “Selma“) , heir to the throne of Bechuanaland (now Botswana), who meets and falls in love with a lowly white Lloyd’s of London clerk Ruth Williams (Rosamund Pike, “Gone Girl“, “The World’s End“). The plot has many parallels with that of another film from earlier this year: “Loving” with Ruth Negga and Joel Edgerton. As an inter-racial couple in 1947 this is taboo enough, but the fact that Kham is soon to be king in a country bordering the apartheid tinderkeg that is South Africa blows the affair up to be a diplomatic crisis.
Concern in the corridors of power for Prime Minister Atlee (Anton Lesser) being faced up to by the couple’s supporter – a young Anthony Wedgewood Benn (Jack Lowden).
Defying the officials he marries his true love, driving a wedge between both his own uncle (Vusi Kunene ) and sister (Terry Pheto) and making Ruth an outcast in both countries. As things turn from bad to worse, can true love conquer all their adversities?
Just everything about this film delights. Oyelowo and Pike – always a safe pair of hands – add real emotional depth to their roles. Their relationship feels natural and loving without either of them trying too hard. The estrangement of Ruth from her parents (particularly her father played by Nicholas Lyndhurst) is truly touching.
Another star turn is Harry Potter alumni Tom Felton, playing Rufus Lancaster – a weaselly and very unpleasant local official. I have a prediction…. that in 30 year’s time, the young Potter actor that will be the ‘Ian McKellen of his day’ (that is, a world recognized great actor… not necessarily gay!) will be Felton.
Sam McCurdy (“The Descent”) delivers cinematography of Africa that is vibrant (to be fair, for anyone lucky enough to visit Africa will know, cameras just love the place) and the John Barry-esque music by Patrick Doyle (“Murder on the Orient Express“) is pitch perfect for the mood.
When it says “Based on a true story” it means it: the real family.
A beautifully crafted film that older viewers will just love.
Scott Tostik (389 KP) rated A Nightmare on Elm Street (2010) in Movies
Sep 5, 2017
Most of the cast (1 more)
Jackie Earl Haley
Reimaging folk, not remake
I know I'm probably going to catch heat for this from self proclaimed horror movie God's. But, I enjoyed this movie.
With a few exceptions. ROONEY MARA WHAT THE HELL ARE YOU EVEN DOING IN THIS FILM!!!! Her dry and unimpressive portrayal of Nancy, a role made iconic by Heather Langenkamp, nearly destroyed this movie for me.
But along came Jackie Earl Haley. An amazing character actor who attacked the role of Freddy Krueger and honestly made him dark, destructive and truly demonic again. While he may not be Robert Englund, Haley made Freddy scary again. No more with the cracking jokes, no more fun. Just rage, destruction and murder.
And that's what you want in an iconic horror character.
Who cares if he's not 6ft 4.
Who cares if he's not funny.
That's the point of a reimagining.
Platinum Dunes did it well with Texas Chainsaw Massacre. As far as I'm concerned they did it fairly well with Friday the 13th.
And IMHO, they did it well with this movie.
Everything needs an update to evolve these days. And that includes even the most iconic horror movie characters.
With a few exceptions. ROONEY MARA WHAT THE HELL ARE YOU EVEN DOING IN THIS FILM!!!! Her dry and unimpressive portrayal of Nancy, a role made iconic by Heather Langenkamp, nearly destroyed this movie for me.
But along came Jackie Earl Haley. An amazing character actor who attacked the role of Freddy Krueger and honestly made him dark, destructive and truly demonic again. While he may not be Robert Englund, Haley made Freddy scary again. No more with the cracking jokes, no more fun. Just rage, destruction and murder.
And that's what you want in an iconic horror character.
Who cares if he's not 6ft 4.
Who cares if he's not funny.
That's the point of a reimagining.
Platinum Dunes did it well with Texas Chainsaw Massacre. As far as I'm concerned they did it fairly well with Friday the 13th.
And IMHO, they did it well with this movie.
Everything needs an update to evolve these days. And that includes even the most iconic horror movie characters.
Sarah (7800 KP) rated Brooklyn Nine-Nine - Season 1 in TV
Feb 18, 2019
Hilarious
I usually avoid comedy shows, mostly because I have a very discerning/picky sense of humour and I've never really been able to get into most mainstream comedy shows (Friends, Big Bang etc). Whilst Brooklyn Nine-Nine probably isn't quite mainstream, it's by far the funniest show I've seen in a long time.
Andy Samberg is a writing genius, and a great actor too. I can't imagine anyone else playing Peralta as well as he does. Andre Braugher too is brilliantly deadpan as the Captain, and even Terry Crews is pretty funny. This is such a smart, witty and funny show, and I love that the humour is deadpan and just adult enough without bordering on crude or too childish. I'm also so happy that this show doesn't rely on the usual cheesy canned laughter that comes with sitcoms, and it's all the better off for it. This isn't a typical formulaic cop show, but you wouldn't expect it. Most of the plots are entirely irrelevant but there is at least a lot of character development over the course of the series.
I'm only one series in but I can't get enough of this show. I haven't laughed out loud like this in forever!
Andy Samberg is a writing genius, and a great actor too. I can't imagine anyone else playing Peralta as well as he does. Andre Braugher too is brilliantly deadpan as the Captain, and even Terry Crews is pretty funny. This is such a smart, witty and funny show, and I love that the humour is deadpan and just adult enough without bordering on crude or too childish. I'm also so happy that this show doesn't rely on the usual cheesy canned laughter that comes with sitcoms, and it's all the better off for it. This isn't a typical formulaic cop show, but you wouldn't expect it. Most of the plots are entirely irrelevant but there is at least a lot of character development over the course of the series.
I'm only one series in but I can't get enough of this show. I haven't laughed out loud like this in forever!
Fred (860 KP) rated Bumblebee (2018) in Movies
Mar 16, 2019
G1 Transformers (2 more)
The opening scene on Cybertron
You got the touch!
The stupid "Bumblebee has no voice" crap (1 more)
John Cena is a horrible actor
Robot in disguise
I love the Transformers. I've been a fan since the original cartoon in 1984 & the original comic book run from Marvel. I've loved just about every show & every movie. Yes, they have had their faults, but for pure enjoyment, I loved them too. But now that I've seen Bumblebee, I know that they could have been a lot better.
Yes, this is easily the best of the live-action films. Let's just start by saying G1 versions. That should be enough, but even the story is better than the others. Sure, it's not very original & in one scene there's even a homage (rip off) of the Iron Giant. But it's great entertainment. The action is great, it's funny, but not silly like the others. I like John Cena, when I can see him, but he's terrible in this.But I can overlook it. The Rock has nothing to worry about. My main complaint is they make Bumblebee mute again. So stupid & annoying. Why? What's it bring to the story? Absolutely nothing.
I actually can't wait for the next installment & hope it continues this line instead of the last one.
Yes, this is easily the best of the live-action films. Let's just start by saying G1 versions. That should be enough, but even the story is better than the others. Sure, it's not very original & in one scene there's even a homage (rip off) of the Iron Giant. But it's great entertainment. The action is great, it's funny, but not silly like the others. I like John Cena, when I can see him, but he's terrible in this.But I can overlook it. The Rock has nothing to worry about. My main complaint is they make Bumblebee mute again. So stupid & annoying. Why? What's it bring to the story? Absolutely nothing.
I actually can't wait for the next installment & hope it continues this line instead of the last one.
Sam (74 KP) rated Where am I Now?: True Stories of Girlhood and Accidental Fame in Books
Mar 27, 2019
I think I actually expected this to be one of those books that I sort of like but don’t really go mad on but I was wrong.
I always wanted to find out more about the actor behind Matilda and this really gave me the dose I needed.
Mara Wilson is brutally honest about how her acting career when she was younger took its toll on her mental health and even goes into detail about all of the mental health issues she has had. I loved how honest she is – she doesn’t try to sugar-coat it or turn her memoir into a self-help book. Instead she says everything as it is and exactly how it felt for her.
I loved reading about her friendships with other actors, especially Danny DeVito and Robin Williams. I’d previously heard quite a bit about her friendship with Danny DeVito and was really interested in how much he had looked after her while she was working on Matilda.
The only reason that it didn’t make it to five stars from me is that I hoped for a bit more on Matilda, but she seemed to glaze over it a lot.
Overall though, it’s a really interesting read and definitely worth picking up.
I always wanted to find out more about the actor behind Matilda and this really gave me the dose I needed.
Mara Wilson is brutally honest about how her acting career when she was younger took its toll on her mental health and even goes into detail about all of the mental health issues she has had. I loved how honest she is – she doesn’t try to sugar-coat it or turn her memoir into a self-help book. Instead she says everything as it is and exactly how it felt for her.
I loved reading about her friendships with other actors, especially Danny DeVito and Robin Williams. I’d previously heard quite a bit about her friendship with Danny DeVito and was really interested in how much he had looked after her while she was working on Matilda.
The only reason that it didn’t make it to five stars from me is that I hoped for a bit more on Matilda, but she seemed to glaze over it a lot.
Overall though, it’s a really interesting read and definitely worth picking up.
Madbatdan82 (341 KP) rated Santa Clarita Diet - Season 1 in TV
Apr 14, 2019
A comedy with bite
My wife watched this when it first came out and I didn't bother. Kinda looked like a lame rom com. That was until I caught the end of a season 3 episode she was watching and laughed my arse off. So I went and watched season 1 in 2 days - its soooooo good. IRS the story of a nice suburban family Drew Barrymore & Timothy Olyphant with their teenage daughter. They are real estate agents and have a good if simple life. This all changes when Barrymore, after feeling a bit unwell, vomits (A Lot) during a house viewing. So much so she dies however then comes back to life - except shes now undead and can only eat human flesh. The star of the show is Olyphant. He has never really been a comedic actor but he is hilarious as Joel coming to terms with his wife's new condition and (trying) to help her find food is brilliant. Also there is a lot of really good gore. Like REALLY good and is often unexpected which adds to the comedy. At 30 mins an episode this is perfect for binge watching and will leave you hungry for more!!