"An odd one and another charity shop purchase actually, and another one that would be played at house parties. The musicianship on it is incredible. It's not the best recorded record, and a lot of things were redubbed apparently, and not massively well reviewed from what I can gather. The first half of the tour had been Spiders From Mars and then he came back with the artwork for Young Americans and he was moving towards things all the time. It's the tour that's featured in Cracked Actor - although I hadn't seen that when I first heard the album. I remember watching him come out across the crowd on a crane on the phone and that was amazing. He's got some amazing musicians on it too, with Michael Kamen who was the MD on it, and he's a legend, so that alone was great. And the most incredible piano parts too. Apparently the story goes that there was a mutiny backstage when the management hadn't told the musicians that they were doing a live recording and would only be paying them the standard $70 fee for a performance. And so they all said that they weren't going on, and so 20 minutes before they went on they agreed to $500 and I wonder if you can hear that incentive in the performance. For some reason I really noticed the band on that record and they really stand out."

"Carol Reed was a brilliant director and a sweet man, but he was not a one-man band like David Lean; he required a strong, patient producer who loved him, as my Uncle Alex did, and a gifted screenwriter, which Alex found for him in the novelist Graham Greene, as well as an art director of genius—my father. He was at his best surrounded by talented people who loved him, who were virtual family, and that shows in his best films, Odd Man Out, The Fallen Idol, and The Third Man. One unusual aspect of Carol’s gifts was that he was among the rare directors good at working with children—go watch The Third Man and you will be astonished at the brilliant inclusion of the ghastly little boy who accuses Holly Martins of murder. Most of the great directors hate working with animals or children, but Carol—himself the illegitimate son of the great Edwardian actor and theatrical producer Sir Herbert Beerbohm Tree—had a natural sympathy and understanding of children. He was in fact childlike himself—hence his choice, later in life, to make a film of the musical Oliver!—and this shows in his direction of Bobby Henrey in this, another of those English films in which good manners manage to hide passion and even murder, except in the alarmingly clear view of a child. Ralph Richardson, dear Ralph, is at his best in the role of the butler."