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JT (287 KP) rated King of Devil's Island (2011) in Movies
Mar 10, 2020
Any story about rebelling against the system is generally going to get an audience, people love an underdog story and King of Devil’s Island is a chilling one, in almost the literal sense.
Erling (Helstad) is a troubled individual and when he makes the journey to the island of Bastoy his stay is not going to be a pleasant one, but one of hardship and manual labour. Under the watchful eye of Bestyreren (the ever brilliant Skarsgård) he has to follow the rules or face punishment in the worst form possible, and that’s after trying to battle the freezing Nordic winters.
Even when he is read the rules the only thing on his mind is escape, failed attempts only bring more pain and misery. Inside he manages to share a bond with some of the other boys, but those who have been there for longer know the rules and rarely step out of line.
Along the way he is forced to deal with the harsh reality of the situation, and when Bestyreren let’s the return of vicious guard Bråthen back into the borstal the revolt begins. The Norwegian surroundings are an unforgiving place especially in this environment as Erling finds out the hard way, in one punishment he is made to move massive rocks from one spot on the ground to the other.
There is a sense that Bestyreren’s motives are for the good of the boys he presides over, he is harsh but fair and if anything he has empathy for them although he doesn’t show it. Turning them from outcast delinquents into responsible men.
The acting is solid, Skarsgård is always a commendable actor and turns in a decent performance, Benjamin Helstad also does a great job for someone quite unknown in world cinema. But Holst captures the essence for the need to survive and break the so called chains, it’s a powerful film, but then most Norwegian films that I have seen lately have been like that.
Erling (Helstad) is a troubled individual and when he makes the journey to the island of Bastoy his stay is not going to be a pleasant one, but one of hardship and manual labour. Under the watchful eye of Bestyreren (the ever brilliant Skarsgård) he has to follow the rules or face punishment in the worst form possible, and that’s after trying to battle the freezing Nordic winters.
Even when he is read the rules the only thing on his mind is escape, failed attempts only bring more pain and misery. Inside he manages to share a bond with some of the other boys, but those who have been there for longer know the rules and rarely step out of line.
Along the way he is forced to deal with the harsh reality of the situation, and when Bestyreren let’s the return of vicious guard Bråthen back into the borstal the revolt begins. The Norwegian surroundings are an unforgiving place especially in this environment as Erling finds out the hard way, in one punishment he is made to move massive rocks from one spot on the ground to the other.
There is a sense that Bestyreren’s motives are for the good of the boys he presides over, he is harsh but fair and if anything he has empathy for them although he doesn’t show it. Turning them from outcast delinquents into responsible men.
The acting is solid, Skarsgård is always a commendable actor and turns in a decent performance, Benjamin Helstad also does a great job for someone quite unknown in world cinema. But Holst captures the essence for the need to survive and break the so called chains, it’s a powerful film, but then most Norwegian films that I have seen lately have been like that.
JT (287 KP) rated The Time Traveler's Wife (2009) in Movies
Mar 10, 2020
It’s hard to do something different with romance these days. Girl meets boy or vice versa. Boy falls in love with girl or vice versa. So every now and then it needs to do something a little different in order to give it a unique twist.
Patrick Swayze and Demi Moore had Ghost, Sandra Bullock and Keanu Reeves, The Lake House so The Time Traveller’s Wife had to go one step further. Special collections librarian Henry DeTamble (Eric Bana) has a genetic anomaly that allows him to time travel; however, he is not able to control the moment or the destiny of his voyages.
The film is based on the novel by Audrey Niffenegger and not having read the book it’s hard to say whether or not the film did it justice? That said, it’s elegantly shot and Bana and fellow on screen love interest Clare (Rachel McAdams) seem perfectly suited to their roles.
Bana is a likeable actor and has been portrayed in some pretty powerful films including Chopper, Black Hawk Down and Munich
A man who only has the love for one woman but is unable to control his ability in disappearing, he is desperate to find a cure and won’t let anything stand in his way. The time travelling plot is a little stupid. Henry is unable to control when he goes but always seems to pop up in similar places both in the past and the future, and always naked?
In the beginning he visits his wife Clare on more than one occasion as a child and as she grows older. Certainly it’s a better directed film than the Butterfly Effect in which Ashton Kutcher time travelled more often than a gas meter reader pops into your house.
The Time Traveller’s Wife is a film with nagging questions and at times head scratching conclusions but this is a love story of beauty, and for that it’s worth a watch.
Patrick Swayze and Demi Moore had Ghost, Sandra Bullock and Keanu Reeves, The Lake House so The Time Traveller’s Wife had to go one step further. Special collections librarian Henry DeTamble (Eric Bana) has a genetic anomaly that allows him to time travel; however, he is not able to control the moment or the destiny of his voyages.
The film is based on the novel by Audrey Niffenegger and not having read the book it’s hard to say whether or not the film did it justice? That said, it’s elegantly shot and Bana and fellow on screen love interest Clare (Rachel McAdams) seem perfectly suited to their roles.
Bana is a likeable actor and has been portrayed in some pretty powerful films including Chopper, Black Hawk Down and Munich
A man who only has the love for one woman but is unable to control his ability in disappearing, he is desperate to find a cure and won’t let anything stand in his way. The time travelling plot is a little stupid. Henry is unable to control when he goes but always seems to pop up in similar places both in the past and the future, and always naked?
In the beginning he visits his wife Clare on more than one occasion as a child and as she grows older. Certainly it’s a better directed film than the Butterfly Effect in which Ashton Kutcher time travelled more often than a gas meter reader pops into your house.
The Time Traveller’s Wife is a film with nagging questions and at times head scratching conclusions but this is a love story of beauty, and for that it’s worth a watch.
JT (287 KP) rated Starred Up (2014) in Movies
Mar 16, 2020
Violent and to the point (1 more)
Great acting
Prison Isn't Suppoed To Be A Holiday Camp
Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
Gareth von Kallenbach (980 KP) rated A Million Ways to Die in the West (2014) in Movies
Aug 6, 2019
In 2012, comedy writer/director/actor Seth MacFarlane created and introduced the world to basically a “live action” episode of his hit show Family Guy with the film Ted. I originally thought that film looked stupid. However as absurd as it was, it was still hilarious. Something about a talking “grown up” Teddy Bear was charming enough, but also required you to completely suspend disbelief and just go with whatever ridiculousness what was shown on screen. It was the success of that film that caused me to have higher expectations for MacFarlane’s new film A Million Ways to Die in the West. Sadly, he is a victim of his own success.
Seth MacFarlane takes on the “leading man” role this time around and unfortunately, he is not a leading man. His constant diatribes about how the west can kill you are delivered in his typical long-winded over intelligent style. Only they feel out of place as the rest of the characters and film do not take themselves remotely serious. Truthfully, I found myself not caring about him at all and was more interested in the other characters. Neil Patrick Harris is a standout as a “mustache man” who steals MacFarlane’s girlfriend and the rest of the cast pull off their cookie cutter western characters well.
That is not to say that this film is not funny. It has its funny parts. However they are far between and few are memorable. Because they try to play this movie a bit more “straight” than Ted, it just doesn’t work as well. Perhaps it is because we have seen it all from MacFarlane before and it is just more of the same.
In the end, if you are a MacFarlane fan and go into this film will medium to low expectations, you won’t be disappointed and will probably enjoy this film. But if you are looking for the next best comedy of the summer or something to make you constantly laugh, best you go check out Neighbors as this film is not near as funny.
Seth MacFarlane takes on the “leading man” role this time around and unfortunately, he is not a leading man. His constant diatribes about how the west can kill you are delivered in his typical long-winded over intelligent style. Only they feel out of place as the rest of the characters and film do not take themselves remotely serious. Truthfully, I found myself not caring about him at all and was more interested in the other characters. Neil Patrick Harris is a standout as a “mustache man” who steals MacFarlane’s girlfriend and the rest of the cast pull off their cookie cutter western characters well.
That is not to say that this film is not funny. It has its funny parts. However they are far between and few are memorable. Because they try to play this movie a bit more “straight” than Ted, it just doesn’t work as well. Perhaps it is because we have seen it all from MacFarlane before and it is just more of the same.
In the end, if you are a MacFarlane fan and go into this film will medium to low expectations, you won’t be disappointed and will probably enjoy this film. But if you are looking for the next best comedy of the summer or something to make you constantly laugh, best you go check out Neighbors as this film is not near as funny.
Gareth von Kallenbach (980 KP) rated Lawless (2012) in Movies
Aug 7, 2019
Prohibition means profit to the bootlegging Bondurant brothers, until a new deputy appears wanting a cut of the action. When the family, led by oldest brother Forrest (Tom Hardy), refuses, it ignites a pattern of violent lawless retribution between the corrupt local authorities and the moonshine-selling brothers.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
Star Girl: Beauty Queen
Games, Entertainment and Stickers
7.0
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Pose, act, and sing your way to the top in the world of A-list celebrities! Become a fashion icon in...
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