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Kelly (279 KP) rated Spartacus - Season 1 in TV
Dec 21, 2018
Gladiators (1 more)
Great fighting scenes
Much better than the 1960 film
Who would have thought that the story of Spartacus could have been made raunchy for a modern audience, but Starz did this really well. The general facts around the slave rebellion against the Romans, led by the former gladiator Spartacus are limited, however Starz used what information there was and filled in the rest to create a believable version of the tale.
I know that around the release of the series, there was a lot of talk about the use of CGI in the show, mainly during the battle scenes, with the appearance of animated blood splatters/slashes, similar to that shown in the film 300. This use seemed to have divided the audience into either ‘love it’ or ‘hate it’. Personally, I feel that this was the unique selling point of the show- something different that we are not used to on the TV screen, I felt it helped made the show more watchable.
For me Andy Whitfield made Spartacus (and his loss was noticed in the later series of the show). His love towards wife Sura is clear throughout series one, and gave us a believable reason as to why he allowed himself to be manipulated by Batiatus. He was also supported by a number of well cast actors including Manu Bennett (Crixus) and Peter Mensah (Oenomaus), by the end of the series, we find that we really care about these characters.
The reason that I have not rated the show higher, is the casting of John Hannah as Batiatus. John Hannah is a good actor, but I felt the role was not suited to him. To me, Batiatus needed to be a little crueler and more angry, at the end of the day, he was profit and power hungry, and willing to give the lives of men in order to pay the cost of his personal success. There were times, when I did not believe that this was what John Hannah was portrayed, and there was an awkwardness around some of his scenes (particularly those where there were a lot of swearing).
Overall, despite the odd flaw, I really enjoyed watching Spartacus (and have happily purchased the complete box set for re-watching in future) .
I know that around the release of the series, there was a lot of talk about the use of CGI in the show, mainly during the battle scenes, with the appearance of animated blood splatters/slashes, similar to that shown in the film 300. This use seemed to have divided the audience into either ‘love it’ or ‘hate it’. Personally, I feel that this was the unique selling point of the show- something different that we are not used to on the TV screen, I felt it helped made the show more watchable.
For me Andy Whitfield made Spartacus (and his loss was noticed in the later series of the show). His love towards wife Sura is clear throughout series one, and gave us a believable reason as to why he allowed himself to be manipulated by Batiatus. He was also supported by a number of well cast actors including Manu Bennett (Crixus) and Peter Mensah (Oenomaus), by the end of the series, we find that we really care about these characters.
The reason that I have not rated the show higher, is the casting of John Hannah as Batiatus. John Hannah is a good actor, but I felt the role was not suited to him. To me, Batiatus needed to be a little crueler and more angry, at the end of the day, he was profit and power hungry, and willing to give the lives of men in order to pay the cost of his personal success. There were times, when I did not believe that this was what John Hannah was portrayed, and there was an awkwardness around some of his scenes (particularly those where there were a lot of swearing).
Overall, despite the odd flaw, I really enjoyed watching Spartacus (and have happily purchased the complete box set for re-watching in future) .
Leigh J (71 KP) rated Doom Asylum (1987) in Movies
Nov 8, 2019
It's SO BAD... that it's actually quite good.
Contains spoilers, click to show
I honestly don't even know where to start with Doom Asylum. The dialogue is absolutely terrible and will leave you scratching your head (for example, a girl says to her Boyfriend "can I call you Mom?"... what?!), the acting is cringeworthy...I mean, it has to be bad if Kristin Davis (Sex in the City) is the best actor on the set and the Killer is confusing, to say the least.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Phillip McSween (751 KP) rated Dolemite Is My Name (2019) in Movies
Feb 11, 2020
Perfect Score With No Shame
Dolemite is My Name follows the story of Rudy Ray Moore (Eddie Murphy) and his rise to fame with the creation of his legendary character Dolemite.
Acting: 10
Beginning: 10
The first five minutes involves a hilarious scene of Rudy trying to get his record played by a DJ (played by Snoop Dogg) who only puts on the hits. It’s a great introduction to the character and his plight. Beautiful way to get things kicked off.
Characters: 10
Rudy would be enough to score this category a ten on his own. His charisma oozes onto the screen, only matched by his never-quit attitude. It’s no wonder he quickly became one of my favorite protagonists in film. Dolemite is My Name doesn’t stop there as each character brings a fun, unique flare to the film. You’ll get to see Wesley Snipes playing the role of actor/director D’Urville Martin. With all the craziness going on throughout the movie, D’Urville remains unamused and his lack of enthusiasm adds a hilarious punch to the film. I also thoroughly enjoyed characters Jerry Jones (Keegan Michael-Key) and Lady Reed (Da’Vine Joy Randolph).
Cinematography/Visuals: 10
Conflict: 10
Rudy is trying to get a movie off the ground with little money and resources. It feels like everywhere he turns, a new problem arises. The ensuing shakeups keeps things interesting and keeps Rudy advancing the story. Everything crazy that can possibly happen throughout the filming of his movie absolutely does and it’s fun to watch how things unfold.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
From albums to movies, you get to see every nuance of Rudy’s journey as the story progresses. Varying other side stories keep things interesting while not deviating too much as to slow the overall pace down. Every little piece works perfectly.
Resolution: 10
Great wrap to the movie that makes you appreciate Rudy even more. It’s both a culmination for all Rudy’s hard work and the true definition of who he is as a person. I appreciate its simplicity and finality, not overstaying its welcome.
Overall: 100
Call me crazy, but at the time of this review, Dolemite is my Name holds the ninth spot in my All-Time Top Ten List. It has everything you want in a movie from funny to heart. Hands-down, it is the best biopic I’ve seen.
Acting: 10
Beginning: 10
The first five minutes involves a hilarious scene of Rudy trying to get his record played by a DJ (played by Snoop Dogg) who only puts on the hits. It’s a great introduction to the character and his plight. Beautiful way to get things kicked off.
Characters: 10
Rudy would be enough to score this category a ten on his own. His charisma oozes onto the screen, only matched by his never-quit attitude. It’s no wonder he quickly became one of my favorite protagonists in film. Dolemite is My Name doesn’t stop there as each character brings a fun, unique flare to the film. You’ll get to see Wesley Snipes playing the role of actor/director D’Urville Martin. With all the craziness going on throughout the movie, D’Urville remains unamused and his lack of enthusiasm adds a hilarious punch to the film. I also thoroughly enjoyed characters Jerry Jones (Keegan Michael-Key) and Lady Reed (Da’Vine Joy Randolph).
Cinematography/Visuals: 10
Conflict: 10
Rudy is trying to get a movie off the ground with little money and resources. It feels like everywhere he turns, a new problem arises. The ensuing shakeups keeps things interesting and keeps Rudy advancing the story. Everything crazy that can possibly happen throughout the filming of his movie absolutely does and it’s fun to watch how things unfold.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
From albums to movies, you get to see every nuance of Rudy’s journey as the story progresses. Varying other side stories keep things interesting while not deviating too much as to slow the overall pace down. Every little piece works perfectly.
Resolution: 10
Great wrap to the movie that makes you appreciate Rudy even more. It’s both a culmination for all Rudy’s hard work and the true definition of who he is as a person. I appreciate its simplicity and finality, not overstaying its welcome.
Overall: 100
Call me crazy, but at the time of this review, Dolemite is my Name holds the ninth spot in my All-Time Top Ten List. It has everything you want in a movie from funny to heart. Hands-down, it is the best biopic I’ve seen.
JT (287 KP) rated I'm Still Here (2010) in Movies
Mar 10, 2020
This film, is it, was it real, or was it in effect a massive hoax concocted by Phoenix and Affleck? Well, it has been revealed that it was the latter, and to be fair after watching it you’d have to be a total fool to actually believe that one of Hollywood’s brightest talents would jack it all in to become a rapper.
As far as performances go this is one of Joaquin’s best, and all he had to do was grow a grizzly beard, smoke a lot and write some of the most ridiculous rap lyrics ever! But if this is genuine satire then he put his heart and sole into it!
When he was interviewed by David Letterman (who had no idea the whole thing was a hoax) Phoenix looked like a shadow of his former self
Chewing gum, and slopped in his chair he was totally unresponsive to the abuse he was getting, and back stage vented his anger. The more outrageous scenes are the ones that create the most hilarious and deliver the shocking impacts, such as sniffing coke from the bosom of a prostitute, to having his face shat on by a so called friend.
What is the most cringe-worthy to watch is Phoenix’s pitiful attempts at rapping, the bloke has about as much musical talent as Jedward and he gets his fair share of heckles, in each venue that he some how manages to get a gig for.
“I’ve got a million dollars in the bank, what have you got!?” comes Pheonix’s response, and then he proceeds to hurl himself into the crowd fists swinging, followed by violent vomiting.
To think that a man of P Diddy’s calibre would even consider letting some disheveled tramp off the street play him tracks from his demo is unbelievable in itself. Diddy’s eyes say it all as he asks Phoenix to skip on to the next one, continually starring down the camera in sheer disbelief!
There is not a lot to suggest that an actor such as this would just suddenly melt down, of course we don’t deny the pressures in Hollywood might cause few to sink to a lowest ebb, but Affleck succeeds in making this a shocking and truly hilarious stunt.
As far as performances go this is one of Joaquin’s best, and all he had to do was grow a grizzly beard, smoke a lot and write some of the most ridiculous rap lyrics ever! But if this is genuine satire then he put his heart and sole into it!
When he was interviewed by David Letterman (who had no idea the whole thing was a hoax) Phoenix looked like a shadow of his former self
Chewing gum, and slopped in his chair he was totally unresponsive to the abuse he was getting, and back stage vented his anger. The more outrageous scenes are the ones that create the most hilarious and deliver the shocking impacts, such as sniffing coke from the bosom of a prostitute, to having his face shat on by a so called friend.
What is the most cringe-worthy to watch is Phoenix’s pitiful attempts at rapping, the bloke has about as much musical talent as Jedward and he gets his fair share of heckles, in each venue that he some how manages to get a gig for.
“I’ve got a million dollars in the bank, what have you got!?” comes Pheonix’s response, and then he proceeds to hurl himself into the crowd fists swinging, followed by violent vomiting.
To think that a man of P Diddy’s calibre would even consider letting some disheveled tramp off the street play him tracks from his demo is unbelievable in itself. Diddy’s eyes say it all as he asks Phoenix to skip on to the next one, continually starring down the camera in sheer disbelief!
There is not a lot to suggest that an actor such as this would just suddenly melt down, of course we don’t deny the pressures in Hollywood might cause few to sink to a lowest ebb, but Affleck succeeds in making this a shocking and truly hilarious stunt.
JT (287 KP) rated In Time (2011) in Movies
Mar 10, 2020
I wanted to like this, I really did, but it was a film that failed to go anywhere, and time just slipped away to the end credits. Justin Timberlake is a likeable character, and more favourable as an actor I would say, although he’s certainly got a decent voice as we all know – here, he was singing a bit flat.
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
Gareth von Kallenbach (980 KP) rated Elvis & Nixon (2016) in Movies
Aug 6, 2019
Elvis Presley has always been a mystery to me. I never understood the fascination around him and the length at which his fans adore him. Growing up in the south, his image and legend permeated throughout the culture and made it impossible to criticize him or his music. He was infallible. Nixon, on the other hand, is universally loathed for having a Presidential administration built on division and corruption. Through one bold idea, on the part of Presley, they cross paths. Elvis and Nixon, sounds as though it would be perfect for an 80s sitcom, however, the reality of this interaction is put on display through this film. In total, the film is fun in that it gives a bit of insight as to what their interaction may have been like, given their personalities and styles, however, there is a lack of depth with anyone in the film. Michael Shannon’s (Midnight Special, Man of Steel) portrayal of Elvis comes off as wooden and lacking any personality.
I felt as though I was watching an impersonator on screen rather an actor portraying a character. Kevin Spacey (House of Cards) plays a strong Nixon in which you feel a little bit of sympathy for the President considering the circumstances that he finds himself in toward the end of his first term. Unfortunately, due to his character Frank Underwood on House of Cards, audiences will feel as though it is President Underwood playing Nixon. There isn’t much space between the two characters that he plays. There also isn’t much space between Elvis and Nixon with their approach to social ills and the American landscape.
There is very little this film offers other than an imagining of what possibly took place due to now recordings of their meeting other than a photo. In that sense, it is an interesting “what if” piece. The imagination of the filmmakers allows us to question who these two men and the circumstances that faced America during 1971. Although provocative in its approach, it doesn’t allow for much growth or ability to connect with any of the characters. It has its fun and funny moments, which will keep audiences interested, but nothing that will have them talking about the film well after they have seen it. Through the portrayals by Shannon and Spacey, I find myself liking Nixon a little more and hating Elvis a little less.
I felt as though I was watching an impersonator on screen rather an actor portraying a character. Kevin Spacey (House of Cards) plays a strong Nixon in which you feel a little bit of sympathy for the President considering the circumstances that he finds himself in toward the end of his first term. Unfortunately, due to his character Frank Underwood on House of Cards, audiences will feel as though it is President Underwood playing Nixon. There isn’t much space between the two characters that he plays. There also isn’t much space between Elvis and Nixon with their approach to social ills and the American landscape.
There is very little this film offers other than an imagining of what possibly took place due to now recordings of their meeting other than a photo. In that sense, it is an interesting “what if” piece. The imagination of the filmmakers allows us to question who these two men and the circumstances that faced America during 1971. Although provocative in its approach, it doesn’t allow for much growth or ability to connect with any of the characters. It has its fun and funny moments, which will keep audiences interested, but nothing that will have them talking about the film well after they have seen it. Through the portrayals by Shannon and Spacey, I find myself liking Nixon a little more and hating Elvis a little less.
Gareth von Kallenbach (980 KP) rated St. Vincent (2014) in Movies
Aug 6, 2019
“St. Vincent” is a comedy about the complexity of being human, and the need to make connections with one another. It mostly follows the daily life of Vincent (Bill Murray), a crotchety old man who likes to gamble, keeps the company of a “lady of the night,” and could care less what anybody thinks about him.
I think it’s safe to say Bill Murray is a comedy legend. So it should come as no surprise that yet again, Murray has delivered an impeccable performance.
The audience experience is not just one of watching a very famous actor play a role, but instead Murray steps outside of himself and truly becomes Vincent. Each detail, from his physical appearance, to his demeanor, are flawless.
He is a man stuck in his ways, though his life appears to be in disarray. His house is filled with dirt. He owes money to bad people. He lives alone with his cat, and doesn’t really like anyone.
When Maggie (Melissa McCarthy) and her son Oliver (Jaeden Lieberher) move in next door, Vincent is in no way kind to them.
In this film McCarthy is subtle in a good way. She is funny, but at the same time her role is heart wrenching. She is a single mom who is pushed to the limit of what one person can do, and has no choice but to roll with the punches.
She becomes swamped at her new job, and Vincent kind of just falls into the role of Oliver’s babysitter (paid babysitter of course). From that point on, Vincent takes Oliver along with him as he continues with his mostly seedy life.
The interplay between the young boy and the grouchy old man is where the element of humanness is communicated most. Despite differences in age or perspective, people need each other and can make profound connections.
The characters are developed well enough to illustrate that people are not one dimensional. Whether they have a hard or a soft exterior, there is always more than meets the eye.
It is filled with moments of outrageous hilarity, but also has a few emotional ones. Life isn’t always pleasant, and this comedy stays true to that reality.
Don’t be surprised if, at the end of the film, the audience gives a standing ovation.
I give “St. Vincent” 5 out of 5 stars.
I think it’s safe to say Bill Murray is a comedy legend. So it should come as no surprise that yet again, Murray has delivered an impeccable performance.
The audience experience is not just one of watching a very famous actor play a role, but instead Murray steps outside of himself and truly becomes Vincent. Each detail, from his physical appearance, to his demeanor, are flawless.
He is a man stuck in his ways, though his life appears to be in disarray. His house is filled with dirt. He owes money to bad people. He lives alone with his cat, and doesn’t really like anyone.
When Maggie (Melissa McCarthy) and her son Oliver (Jaeden Lieberher) move in next door, Vincent is in no way kind to them.
In this film McCarthy is subtle in a good way. She is funny, but at the same time her role is heart wrenching. She is a single mom who is pushed to the limit of what one person can do, and has no choice but to roll with the punches.
She becomes swamped at her new job, and Vincent kind of just falls into the role of Oliver’s babysitter (paid babysitter of course). From that point on, Vincent takes Oliver along with him as he continues with his mostly seedy life.
The interplay between the young boy and the grouchy old man is where the element of humanness is communicated most. Despite differences in age or perspective, people need each other and can make profound connections.
The characters are developed well enough to illustrate that people are not one dimensional. Whether they have a hard or a soft exterior, there is always more than meets the eye.
It is filled with moments of outrageous hilarity, but also has a few emotional ones. Life isn’t always pleasant, and this comedy stays true to that reality.
Don’t be surprised if, at the end of the film, the audience gives a standing ovation.
I give “St. Vincent” 5 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Fury (2014) in Movies
Aug 6, 2019
To start, let me say that I’m a sucker for a good war movie. Growing up as a military brat, I have a profound respect for our nation’s veterans and history, especially those from the “greatest generation.” With that said, I approached David Ayer’s Fury with a bit of hesitation, after all, how will Fury be able to differentiate itself from so many other films in the genre? I am happy to say that, while Fury doesn’t show us anything we have not really seen before, strong performances by its ensemble cast help carry this story of a tank crew into a solid film.
Brad Pitt delivers a stellar performance as Don “Wardaddy” Collier. He is a war hardened Sergeant who struggles to keep the few shreds of his humanity while preparing his new “green” typist who was assigned to his tank after one of their battle brothers has fallen. Pitt takes the young Pvt. Norman Ellision (Logan Lerman) under his command and works to make him into war hardened soldier. Pitt knows that by doing so he will not only to save the young man’s life, but probably the lives of the other men in his care. This ensemble cast shines with solid performances from Michael Pena, Jon Bernthal and Shia LaBeouf. I want to take a moment to highlight LaBeouf especially. He has gained tons of negative press in recent months for several reasons and the promotion of this film has shown little of LaBeouf thus far. No doubt to protect itself from the backlash in his public life. But if you decide to not go and see this film because of him, you will miss out on a strong more dramatic performance we really haven’t seen from him often and one that will remind audiences that he is a good actor.
This action in this film is methodical and someone slow and somewhat cartoonish thanks to tracers on the gun and cannon fire that makes it look like “Star Wars” at times, however the intensity is constantly building from the opening sequence through the climax of the movie. Even in the middle of the film where we are seemingly in a safe place, the intensity is continues to build as we are unsure just how humane these characters are. This intensity leads us to care about these characters and search for relief in the climatic conclusion.
Brad Pitt delivers a stellar performance as Don “Wardaddy” Collier. He is a war hardened Sergeant who struggles to keep the few shreds of his humanity while preparing his new “green” typist who was assigned to his tank after one of their battle brothers has fallen. Pitt takes the young Pvt. Norman Ellision (Logan Lerman) under his command and works to make him into war hardened soldier. Pitt knows that by doing so he will not only to save the young man’s life, but probably the lives of the other men in his care. This ensemble cast shines with solid performances from Michael Pena, Jon Bernthal and Shia LaBeouf. I want to take a moment to highlight LaBeouf especially. He has gained tons of negative press in recent months for several reasons and the promotion of this film has shown little of LaBeouf thus far. No doubt to protect itself from the backlash in his public life. But if you decide to not go and see this film because of him, you will miss out on a strong more dramatic performance we really haven’t seen from him often and one that will remind audiences that he is a good actor.
This action in this film is methodical and someone slow and somewhat cartoonish thanks to tracers on the gun and cannon fire that makes it look like “Star Wars” at times, however the intensity is constantly building from the opening sequence through the climax of the movie. Even in the middle of the film where we are seemingly in a safe place, the intensity is continues to build as we are unsure just how humane these characters are. This intensity leads us to care about these characters and search for relief in the climatic conclusion.
NIV Live: A Bible Experience
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Featuring an ensemble cast of Oscar, Emmy and Grammy Award winners and today's most renowned...
Keep Moving: And Other Tips and Truths About Aging
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Show-business legend Dick Van Dyke is living proof that life does get better the longer you live it....