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Darren (1599 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 20, 2019
Story: This follows up from the first one so we have to remember unlike the Avengers and Dark Knight we are dealing with a teenage superhero. He has different problems like whether he wants a girlfriend or whether to go to college, you know the serious stuff. We have him putting out all the cheesy lines against the person he fights not taking anything seriously. While Peter is trying to figure out what his life holds next, the people against him start their own stories. We have the generic loner scientist who ends up having an accident, gaining powers and using them for evil, been there seen that in every Spider-man film. We also have the Harry Osborn who wants Spider-Man’s blood to cure his sickness and when he can’t have it he goes on a rampage against Spider-Man. It would be fair this is a slow moving film and it really is building up for the next chapter. (7/10)
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
Sophie Wink (11 KP) rated It's Kind of a Funny Story in Books
Jun 20, 2019
"Insightful and utterly authentic... This is an important book." - The New York Times Book Review
I do very much agree with this comment as it is insightful reading about a mind that is depressed as it can be very hard to compute if you are not depressed yourself, even though this is just one story of an individual with depression it does give you a really good indication of what it's like. And from what I've just read, it sounds horrendous and I would never wish it on anybody.
I really like how the story is set out as even though it only takes place over a few days, the flashbacks convey the depth of the story and really show the development of the main character Craig. I love the way the novel helps the reader understand the mental illness with the little man in his stomach, the soldier in his head, over-sweating, his tentacles, and anchors, it is a clear projection of what it is like. Overall the portrayal of this increasingly common illness is beautifully done.
The character Craig is very likable, even the title immediately portrays the kind of guy that he is; funny and good yet complex. Correct me if I am wrong but he is kind of a walking contradiction as while he can be quite melodramatic he also plays things down, he can be very funny but inside his mind is cluttered with sadness. While he sometimes seems angry he can never actually convey that through his actions. The depth of this character is very thorough, it works really well as even though this character is so complex Vizzini portrays him in such an understandable way. The majority of the characters have two common traits; they're likable yet deeply troubled. I enjoyed reading about everyone in the hospital as there was something about the way they're described and portrayed that makes them, somehow familiar and very much likable. I think the development of the main character is truly fantastic and it made me smile, that's all I can really say without giving too much of the story away.
One thing I really did love within the book was the connection between school and stress with these illnesses as far too often it takes up a good portion of why the individual has a mental illness. From personal experience I know that it is beyond difficult to balance everything between, socialising, family time, the school itself, homework, revision, exams, hobbies, extracurricular activities and jobs and then within that you have to eat, drink and sleep. I definitely connected with the story and Craig himself considering this theme. Another aspect of the story I really love is him finding his love for art. That really made me smile, as it was sometimes my anchor too.
As for the movie... It was terrible. I feel bad for saying it but it really was awful. A lot of the acting in it was really bad, a lot of the plot taken from the story was wrong and mixed up which to an extent I understand as obviously you cannot have every detail of the book in the film but it was too muddled. I think the only character that I thought was portrayed quite well in the movie was Bobby, played by Zach Galifianakis as I connected with him and really felt sympathy and joy for him, there is also a lot of humour associated with him too that I liked and really did laugh out loud at. I thought that the guy who played Craig was really bad, I felt nothing for the character in the movie compared to the book, the acting overall was bad and his chemistry with the other actors wasn't all that great either. I apologise for the bad review of the movie but I have to be honest, as an aspiring actor myself I would want to know if I had done well or not.
Overall the novel is incredibly insightful and beautifully written.
I do very much agree with this comment as it is insightful reading about a mind that is depressed as it can be very hard to compute if you are not depressed yourself, even though this is just one story of an individual with depression it does give you a really good indication of what it's like. And from what I've just read, it sounds horrendous and I would never wish it on anybody.
I really like how the story is set out as even though it only takes place over a few days, the flashbacks convey the depth of the story and really show the development of the main character Craig. I love the way the novel helps the reader understand the mental illness with the little man in his stomach, the soldier in his head, over-sweating, his tentacles, and anchors, it is a clear projection of what it is like. Overall the portrayal of this increasingly common illness is beautifully done.
The character Craig is very likable, even the title immediately portrays the kind of guy that he is; funny and good yet complex. Correct me if I am wrong but he is kind of a walking contradiction as while he can be quite melodramatic he also plays things down, he can be very funny but inside his mind is cluttered with sadness. While he sometimes seems angry he can never actually convey that through his actions. The depth of this character is very thorough, it works really well as even though this character is so complex Vizzini portrays him in such an understandable way. The majority of the characters have two common traits; they're likable yet deeply troubled. I enjoyed reading about everyone in the hospital as there was something about the way they're described and portrayed that makes them, somehow familiar and very much likable. I think the development of the main character is truly fantastic and it made me smile, that's all I can really say without giving too much of the story away.
One thing I really did love within the book was the connection between school and stress with these illnesses as far too often it takes up a good portion of why the individual has a mental illness. From personal experience I know that it is beyond difficult to balance everything between, socialising, family time, the school itself, homework, revision, exams, hobbies, extracurricular activities and jobs and then within that you have to eat, drink and sleep. I definitely connected with the story and Craig himself considering this theme. Another aspect of the story I really love is him finding his love for art. That really made me smile, as it was sometimes my anchor too.
As for the movie... It was terrible. I feel bad for saying it but it really was awful. A lot of the acting in it was really bad, a lot of the plot taken from the story was wrong and mixed up which to an extent I understand as obviously you cannot have every detail of the book in the film but it was too muddled. I think the only character that I thought was portrayed quite well in the movie was Bobby, played by Zach Galifianakis as I connected with him and really felt sympathy and joy for him, there is also a lot of humour associated with him too that I liked and really did laugh out loud at. I thought that the guy who played Craig was really bad, I felt nothing for the character in the movie compared to the book, the acting overall was bad and his chemistry with the other actors wasn't all that great either. I apologise for the bad review of the movie but I have to be honest, as an aspiring actor myself I would want to know if I had done well or not.
Overall the novel is incredibly insightful and beautifully written.
Gareth von Kallenbach (980 KP) rated Tropic Thunder (2008) in Movies
Aug 14, 2019
Deep in the jungles of Vietnam, one of the most expensive films in history is underway. The film is based upon a best seller by war hero Four Leaf Tayback (Nick Nolte), and stars three of the biggest stars in Hollywood so naturally expectations are very high for the film to become a box office blockbuster.
Unfortunately the production is troubled by one gaffe after another and finds itself lost in budget over runs, issues amongst the stars, and more drama than a Shakespeare festival.
The film is “Tropical Thunder” and Director and star Ben Stiller has assembled a talented cast that includes Jack Black and Robert Downey Jr. in a biting satire of the Hollywood machine.
Stiller stars as Tugg Speedman, a declining action star who sees the war film as his big chance to break away from his recent failures and move into more serious work. Tugg is overshadowed by the presence of multiple Oscar winner Kirk Lazarus (Robert Downey Jr.), who prepares for a part so intensely that he literally becomes the character he is portraying. Toward that end, he has undergone a skin pigment procedure in order to portray an African American soldier.
Rounding out the group, literally, is Jeff Portnoy (Jack Black), the star of flatulence based film comedy series and a man wracked by addiction to the point that he hides his drugs in a candy package and refers to them as his jelly beans.
After a staggeringly costly and impressive pyrotechnic display by the sets explosive expert Cody (Danny Mc Bride), the film is in danger of being halted by the money behind the film, an intensely angry Producer named Les Grossman (Tom Cruise).
In an effort to keep his film alive and salvage their careers, Four Leaf and the film’s Director decide to drop the cast in the thick of the jungle and shoot the film gorilla style with hidden cameras and various tricks to produce a grittier film and get the cast to start acting like the soldiers they are supposed to be portraying.
In a hilarious turn of events, the cast ends up trapped in the jungle and surrounded by members of the locale drug cartel. Convinced that it is all part of the film, Tugg and company blindly trudge along thinking all is going as scripted until things go hopelessly wrong, and force the cast to come to grips with the situation as well as their fragile egos and personal issues.
While the premise of the film is solid, and there are a good number of laughs in the film, for the most part “Tropic Thunder” is a hit or miss venture.
Robert Downey Jr. is amazing in his portrayal as he constantly steals his scenes with his expressions and one liners and almost single handled carries the film during some of the more tedious moments.
Stiller plays the patented Stiller character once again, the slow witted loser with a heart of gold, and despite his efforts, he is just not given enough material to fully push his character over the top, despite some funny moments.
The biggest disappointment for me was Jack Black who is sadly underused in the film. Jack is a very gifted and talented actor but he is given very little to work with, and precious few moments to let his talents shine. Owen Wilson was originally supposed to be in the film, and at times it seems that this part was written more with Wilson’s more subdued style of humor in mind.
Aside from the laughs, the film does have an abundance of celebrity cameos, and this truly helps the film. Sadly though, the plot really does not do justice to the premise nor talent in the film, and unfolds in a very unspectacular manner that had me expecting more.
This is not to say it is a bad film as I found myself laughing on more than one occasion, sadly it became fewer and father between laughs as the film unfolded to a very disappointing finale.
Unfortunately the production is troubled by one gaffe after another and finds itself lost in budget over runs, issues amongst the stars, and more drama than a Shakespeare festival.
The film is “Tropical Thunder” and Director and star Ben Stiller has assembled a talented cast that includes Jack Black and Robert Downey Jr. in a biting satire of the Hollywood machine.
Stiller stars as Tugg Speedman, a declining action star who sees the war film as his big chance to break away from his recent failures and move into more serious work. Tugg is overshadowed by the presence of multiple Oscar winner Kirk Lazarus (Robert Downey Jr.), who prepares for a part so intensely that he literally becomes the character he is portraying. Toward that end, he has undergone a skin pigment procedure in order to portray an African American soldier.
Rounding out the group, literally, is Jeff Portnoy (Jack Black), the star of flatulence based film comedy series and a man wracked by addiction to the point that he hides his drugs in a candy package and refers to them as his jelly beans.
After a staggeringly costly and impressive pyrotechnic display by the sets explosive expert Cody (Danny Mc Bride), the film is in danger of being halted by the money behind the film, an intensely angry Producer named Les Grossman (Tom Cruise).
In an effort to keep his film alive and salvage their careers, Four Leaf and the film’s Director decide to drop the cast in the thick of the jungle and shoot the film gorilla style with hidden cameras and various tricks to produce a grittier film and get the cast to start acting like the soldiers they are supposed to be portraying.
In a hilarious turn of events, the cast ends up trapped in the jungle and surrounded by members of the locale drug cartel. Convinced that it is all part of the film, Tugg and company blindly trudge along thinking all is going as scripted until things go hopelessly wrong, and force the cast to come to grips with the situation as well as their fragile egos and personal issues.
While the premise of the film is solid, and there are a good number of laughs in the film, for the most part “Tropic Thunder” is a hit or miss venture.
Robert Downey Jr. is amazing in his portrayal as he constantly steals his scenes with his expressions and one liners and almost single handled carries the film during some of the more tedious moments.
Stiller plays the patented Stiller character once again, the slow witted loser with a heart of gold, and despite his efforts, he is just not given enough material to fully push his character over the top, despite some funny moments.
The biggest disappointment for me was Jack Black who is sadly underused in the film. Jack is a very gifted and talented actor but he is given very little to work with, and precious few moments to let his talents shine. Owen Wilson was originally supposed to be in the film, and at times it seems that this part was written more with Wilson’s more subdued style of humor in mind.
Aside from the laughs, the film does have an abundance of celebrity cameos, and this truly helps the film. Sadly though, the plot really does not do justice to the premise nor talent in the film, and unfolds in a very unspectacular manner that had me expecting more.
This is not to say it is a bad film as I found myself laughing on more than one occasion, sadly it became fewer and father between laughs as the film unfolded to a very disappointing finale.
Gareth von Kallenbach (980 KP) rated Cinderella Man (2005) in Movies
Aug 14, 2019
In the late 1920’s Jim Braddock was a boxer with a future. After many wins, he was poised to take his place as one of the greatest boxers of his time. Things took a bad turn for Jim in 1929 when he first lost a 15 round decision to Tommy Loughran, and then lost everything in the Stock Market Crash.
In the new film Cinderella Man Academy Award winner Russell Crowe stars as Jim Braddock in one of the most satisfying films in recent memory. Down and almost out, Braddock struggles to provide for his wife Mae (Renee Zellweger), and his three children. A series of hand injuries has forced Jim to resort to fighting in pick up fights, as he is unable to find work as a laborer.
Things go from bad to worse for Jim when he breaks a bone in his hand and is unable to provide entertainment for those in a local boxing match which results in the suspension of his boxing license. With his electricity turned off in the dead of winter, and his children coughing from the effects of the cold, Jim is forced to hide his injury and seek work as a day laborer to get by.
As Jim and Mae debate sending the kids to her sister in order to better provide for them, a ray of hope arises when Jim’s old manger Joe Gould (Paul Giamatti), says he has arranged a fight with a $250 payday.
Since Jim’s hand has healed, he takes the fight seeing it as a chance to get caught up on his bills. Fate steps in when in a shocking turnaround; Jim wins the fight via knock out, and captures the imagination of the local sports community. Before long, Jim is racking up win after win and improving his lot in life as he prepares for an unexpected title shot against the devastating and unbeaten Max Baer (Craig Bierko).
The fact that Baer has killed two men in the ring is a cause of great stress for Jim and Mae as she worries for the safety of her husband while Jim sees the fight as his chance to provide some financial security for his family.
Anyone who has seen the trailer can be sure that the big fight will take place, and that the underdog will find himself in a battle against overwhelming odds, but what makes Cinderella Man such a captivating film is the captivating human drama that propels the film. There have been many boxing films ranging from “Rocky” to “Raging Bull”, that have depicted the graphic action of the ring, but few have reached the depths of human drama that this film does. Jim is not looking for glory, he is simply looking to provide for his family the best way that he is able be it in the ring or hauling cargo at the docks.
Crowe is riveting as he is able to convey his characters plight to the audience without making it seem forced or heavy handed. Where Crowe truly shines is his ability to mix the emotional sequences of the film with the athletic and action filled ring sequences and not lose any of his character. Far too often actors fail to convince in one aspect when they try to mix drama and action, but Crowe easily transitions between the demands of the role proving again that he is the most gifted actor in Hollywood. The steady direction of Ron Howard keeps the film moving at a crisp pace, without allowing the story to become mired in sentiment.
The only real issue I had with the film is that the talented Zellweger is not given enough to do, as beyond doting for and worry about her family, she is not given much to do aside from stand by while the action occurs around her.
That being said Cinderella Man, is a triumph of film making, and should be a forced to contend with come Oscar season.
In the new film Cinderella Man Academy Award winner Russell Crowe stars as Jim Braddock in one of the most satisfying films in recent memory. Down and almost out, Braddock struggles to provide for his wife Mae (Renee Zellweger), and his three children. A series of hand injuries has forced Jim to resort to fighting in pick up fights, as he is unable to find work as a laborer.
Things go from bad to worse for Jim when he breaks a bone in his hand and is unable to provide entertainment for those in a local boxing match which results in the suspension of his boxing license. With his electricity turned off in the dead of winter, and his children coughing from the effects of the cold, Jim is forced to hide his injury and seek work as a day laborer to get by.
As Jim and Mae debate sending the kids to her sister in order to better provide for them, a ray of hope arises when Jim’s old manger Joe Gould (Paul Giamatti), says he has arranged a fight with a $250 payday.
Since Jim’s hand has healed, he takes the fight seeing it as a chance to get caught up on his bills. Fate steps in when in a shocking turnaround; Jim wins the fight via knock out, and captures the imagination of the local sports community. Before long, Jim is racking up win after win and improving his lot in life as he prepares for an unexpected title shot against the devastating and unbeaten Max Baer (Craig Bierko).
The fact that Baer has killed two men in the ring is a cause of great stress for Jim and Mae as she worries for the safety of her husband while Jim sees the fight as his chance to provide some financial security for his family.
Anyone who has seen the trailer can be sure that the big fight will take place, and that the underdog will find himself in a battle against overwhelming odds, but what makes Cinderella Man such a captivating film is the captivating human drama that propels the film. There have been many boxing films ranging from “Rocky” to “Raging Bull”, that have depicted the graphic action of the ring, but few have reached the depths of human drama that this film does. Jim is not looking for glory, he is simply looking to provide for his family the best way that he is able be it in the ring or hauling cargo at the docks.
Crowe is riveting as he is able to convey his characters plight to the audience without making it seem forced or heavy handed. Where Crowe truly shines is his ability to mix the emotional sequences of the film with the athletic and action filled ring sequences and not lose any of his character. Far too often actors fail to convince in one aspect when they try to mix drama and action, but Crowe easily transitions between the demands of the role proving again that he is the most gifted actor in Hollywood. The steady direction of Ron Howard keeps the film moving at a crisp pace, without allowing the story to become mired in sentiment.
The only real issue I had with the film is that the talented Zellweger is not given enough to do, as beyond doting for and worry about her family, she is not given much to do aside from stand by while the action occurs around her.
That being said Cinderella Man, is a triumph of film making, and should be a forced to contend with come Oscar season.
Gareth von Kallenbach (980 KP) rated Bewitched (2005) in Movies
Aug 14, 2019
Turning a classic television series into a feature film can be a risky proposition. While the built in audience of Baby Boomers and new fans of a show gained through reruns make remakes a potentially lucrative venture, the task of recasting classic characters and modernizing the story to today’s audiences is rife with hazards.
For example, for every remake that succeeds, such as The Adams Family, Starsky and Hutch, and The Brady Bunch, there are countless others that fail, like The Wild Wild West, Car 54 Where Are You and I-Spy.
Sadly the new film version of Bewitched falls into the latter category. It is so bad it begs the question as to why such talents like Nicole Kidman, Michael Caine, and Will Ferrell signed on.
The story centers on Isabel Bigelow (Nicole Kidman), a young woman who is anxious to set off on her own and leave the family structure behind her. While this is not so uncommon for most people, Isabel is a witch and her decision to live as a mortal without her powers is of great consternation to her father (Michael Caine).
Isabel is convinced she can find a man, and can live in happiness and love with a mortal. She wants no part of the shallow and wandering eye that makes up their lifestyle. Convinced his daughter will never be able to live without her powers, her father chides her for her frequent and casual use of powers to do everything from find and furnish her home to paying for everyday needs.
At roughly the same time, fading actor Jack Wyatt is about to sign up to play the male lead in a new television version of the classic Bewitched television series. With the gigantic failure of his recent film, Jack is in need of a hit. Not wanting to take any attention away from his star turn, Jack insists that the producers cast a complete unknown in the role of Samantha. He does not want anyone infringing upon his spotlight.
A chance encounter with Isabel leads to her being cast by Jack in the new series. Isabel is taken by Jack and when she learns the role is that of a witch, she signs aboard despite some reservations.
Naturally Jack and Isabel will hit it off, and yes there will be issues, particularly when Jack’s shallow nature becomes clear to Isabel, and this is to say nothing of Isabel’s true identity which in and of itself is an issue.
What starts as a good premise with a solid cast quickly dissolves into a disjointed mess thanks to a paper thin plot that is rife with plot holes, non-sequitors, and unresolved moments. One such example is the character of Iris Smythson (Shirley Mac Laine), who plays Endora on the show. It is at first hinted at that she too is a witch and then made obvious. However there is no conclusion to this revelation. We see that she has a power and uses it, but we never really get the why she is there, how she chose to live as she does, and how her relationship with Isabel’s father is going to be altered by this.
Another problem the show has is that Ferell is reduced to running around, over-acting to get laughs. The situations go on way to long, and things that are at first amusing, become tedious after a while. One such scene has Ferell’s character appearing nude on a live television appearance. It is something that is used to generate laughs but there is no setup to the scene and it plays out as a desperate attempt to get laughs.
The only thing that works is the charm of Kidman who, as the quirky Isabel, is delightful, as is the supporting work of Caine and Steve Carell as Uncle Arthur. Sadly they are the only good things in a film that became so bad that many in the audience at my press screener were voicing their disdain when we left the film. Perhaps Samantha can twitch her nose and make this one vanish, as there is precious little to redeem it.
For example, for every remake that succeeds, such as The Adams Family, Starsky and Hutch, and The Brady Bunch, there are countless others that fail, like The Wild Wild West, Car 54 Where Are You and I-Spy.
Sadly the new film version of Bewitched falls into the latter category. It is so bad it begs the question as to why such talents like Nicole Kidman, Michael Caine, and Will Ferrell signed on.
The story centers on Isabel Bigelow (Nicole Kidman), a young woman who is anxious to set off on her own and leave the family structure behind her. While this is not so uncommon for most people, Isabel is a witch and her decision to live as a mortal without her powers is of great consternation to her father (Michael Caine).
Isabel is convinced she can find a man, and can live in happiness and love with a mortal. She wants no part of the shallow and wandering eye that makes up their lifestyle. Convinced his daughter will never be able to live without her powers, her father chides her for her frequent and casual use of powers to do everything from find and furnish her home to paying for everyday needs.
At roughly the same time, fading actor Jack Wyatt is about to sign up to play the male lead in a new television version of the classic Bewitched television series. With the gigantic failure of his recent film, Jack is in need of a hit. Not wanting to take any attention away from his star turn, Jack insists that the producers cast a complete unknown in the role of Samantha. He does not want anyone infringing upon his spotlight.
A chance encounter with Isabel leads to her being cast by Jack in the new series. Isabel is taken by Jack and when she learns the role is that of a witch, she signs aboard despite some reservations.
Naturally Jack and Isabel will hit it off, and yes there will be issues, particularly when Jack’s shallow nature becomes clear to Isabel, and this is to say nothing of Isabel’s true identity which in and of itself is an issue.
What starts as a good premise with a solid cast quickly dissolves into a disjointed mess thanks to a paper thin plot that is rife with plot holes, non-sequitors, and unresolved moments. One such example is the character of Iris Smythson (Shirley Mac Laine), who plays Endora on the show. It is at first hinted at that she too is a witch and then made obvious. However there is no conclusion to this revelation. We see that she has a power and uses it, but we never really get the why she is there, how she chose to live as she does, and how her relationship with Isabel’s father is going to be altered by this.
Another problem the show has is that Ferell is reduced to running around, over-acting to get laughs. The situations go on way to long, and things that are at first amusing, become tedious after a while. One such scene has Ferell’s character appearing nude on a live television appearance. It is something that is used to generate laughs but there is no setup to the scene and it plays out as a desperate attempt to get laughs.
The only thing that works is the charm of Kidman who, as the quirky Isabel, is delightful, as is the supporting work of Caine and Steve Carell as Uncle Arthur. Sadly they are the only good things in a film that became so bad that many in the audience at my press screener were voicing their disdain when we left the film. Perhaps Samantha can twitch her nose and make this one vanish, as there is precious little to redeem it.
Gareth von Kallenbach (980 KP) rated Collateral (2004) in Movies
Aug 14, 2019
Max (Jamie Foxx), is a man with ambition. He toils his evenings driving a cab in Los Angeles while dreaming of opening his own limo company and making it big. Sadly Max is also a man who is hampered by indecision, as he is unable to take the final step to move towards his dream preferring for the comfort of always dreaming rather than achieving.
In the new Drama “Collateral”, Max is about to have his notion of life and the world turned upside down by a passenger named Vincent (Tom Cruise), who is a polar opposite of Max in every way. Vincent is a well-dressed business man who hires Max for the evening as he needs to make five stops in order to complete what he says are real estate deals. Although reluctant at first, the thought of $600.00 for a few hours work soon convinces Max to take the job and ferry Vincent around Los Angeles.
En route to the first stop, Vincent questions Max about why he is waiting to start his company when he could easily lease a Town car to get started and expand from there. The question unsettles the usually mild Max as what the stranger is saying makes a lot of sense but it also undermines the fact that Max is uncomfortable with taking the next step be it in his business ventures or in his social life such as calling an attractive attorney who was clearly interested in him.
While waiting for Vincent after the first stop, the sky literally falls upon Max’s word when a body crashes on his cab and Vincent forces Max at gunpoint to hide the body and continue driving him around. Vincent has one evening to complete his rounds and each stop will result in another death despite Max’s best efforts to intervene. No matter what Max attempts to get out of the situation or to again help, Vincent is always one step ahead of him and able to manipulate Max.
It does not take long for the tense situation to escalate as the result of Vincent’s work has not gone unnoticed by the police largely due to Max’s involvement, and this only causes Vincent to become even more focused and even more of a danger to Max as he needs to complete his tasks before morning and stay ahead of the police and other potential dangers.
“Collateral” is a gripping and intense thriller that contains some of the best work Cruise has done in his career as he portrays Vincent as a complex character who does not find fault with what he does and has no qualms about taking life, yet is amazed by Max and his unrealized dreams and moved by a performance at a local Jazz club.
One could almost call Vincent a Gentleman bandit were it not for the vast amounts of death and destruction he leaves in his wake. He is clearly an intelligent person who makes no apologies for what he does as he sees it as an insignificant blip in the vast universe.
Foxx meanwhile plays off character as he plays a very quite and withdrawn individual that has to be forced out of his shell. After years of playing brash and outrageous characters it was refreshing to see this talented actor turn in an emotional yet restrained performance that shows that he is a talent on the rise and if properly used, can be a gigantic star as not only is he capable of humor and drama, he can easily move to action when it is warranted and looks comfy and competent doing so.
The film also has some impressive visuals as Director Michael Mann gives viewers some amazing shots of the L.A. skyline at night, and the way he shoots the streets and back alleys with a neon glow gives the film a very natural look. On more than one occasion, I go a sense of déjà vu as the natural manner in which the surrounding city and citizens behave and look like a day in the life of rather than a movie set.
The film does drag a bit roughly ¾ in and some may find the ending a bit pat, but that being said, “Collateral” is a solid action drama and one of the best films of the year.
In the new Drama “Collateral”, Max is about to have his notion of life and the world turned upside down by a passenger named Vincent (Tom Cruise), who is a polar opposite of Max in every way. Vincent is a well-dressed business man who hires Max for the evening as he needs to make five stops in order to complete what he says are real estate deals. Although reluctant at first, the thought of $600.00 for a few hours work soon convinces Max to take the job and ferry Vincent around Los Angeles.
En route to the first stop, Vincent questions Max about why he is waiting to start his company when he could easily lease a Town car to get started and expand from there. The question unsettles the usually mild Max as what the stranger is saying makes a lot of sense but it also undermines the fact that Max is uncomfortable with taking the next step be it in his business ventures or in his social life such as calling an attractive attorney who was clearly interested in him.
While waiting for Vincent after the first stop, the sky literally falls upon Max’s word when a body crashes on his cab and Vincent forces Max at gunpoint to hide the body and continue driving him around. Vincent has one evening to complete his rounds and each stop will result in another death despite Max’s best efforts to intervene. No matter what Max attempts to get out of the situation or to again help, Vincent is always one step ahead of him and able to manipulate Max.
It does not take long for the tense situation to escalate as the result of Vincent’s work has not gone unnoticed by the police largely due to Max’s involvement, and this only causes Vincent to become even more focused and even more of a danger to Max as he needs to complete his tasks before morning and stay ahead of the police and other potential dangers.
“Collateral” is a gripping and intense thriller that contains some of the best work Cruise has done in his career as he portrays Vincent as a complex character who does not find fault with what he does and has no qualms about taking life, yet is amazed by Max and his unrealized dreams and moved by a performance at a local Jazz club.
One could almost call Vincent a Gentleman bandit were it not for the vast amounts of death and destruction he leaves in his wake. He is clearly an intelligent person who makes no apologies for what he does as he sees it as an insignificant blip in the vast universe.
Foxx meanwhile plays off character as he plays a very quite and withdrawn individual that has to be forced out of his shell. After years of playing brash and outrageous characters it was refreshing to see this talented actor turn in an emotional yet restrained performance that shows that he is a talent on the rise and if properly used, can be a gigantic star as not only is he capable of humor and drama, he can easily move to action when it is warranted and looks comfy and competent doing so.
The film also has some impressive visuals as Director Michael Mann gives viewers some amazing shots of the L.A. skyline at night, and the way he shoots the streets and back alleys with a neon glow gives the film a very natural look. On more than one occasion, I go a sense of déjà vu as the natural manner in which the surrounding city and citizens behave and look like a day in the life of rather than a movie set.
The film does drag a bit roughly ¾ in and some may find the ending a bit pat, but that being said, “Collateral” is a solid action drama and one of the best films of the year.
Lee (2222 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 16, 2019
Quentin Tarantino is known for his lengthy, self-indulgent movies - some of which I've loved, some not so much. Once Upon a Time in Hollywood is a nostalgic homage to 1960s Hollywood and, at 2 hours 41 minutes, it is certainly lengthy and self-indulgent. But, despite some outstanding performances, it's probably at least an hour too long, and proved to be a real test of my patience and endurance.
Leonardo DiCaprio is Rick Dalton, a TV and movie star best known for repeatedly saving the day in the now cancelled TV show 'Bounty Law', where he played a classic screen cowboy. Rick is struggling to come to terms with his fading career, and the feeling that Hollywood is moving on without him. His best, and only friend, is Cliff Booth (Brad Pitt), who has been Rick's stunt double over the years. Work for Cliff has dried up following rumours that he murdered his wife and Cliff now spends his days as Rick's driver, odd-job man and general shoulder to cry on. He seems fairly relaxed about his simple lifestyle though - returning each evening to his trailer, and faithful canine companion Brandy, before picking Rick up bright and early the next day in order to drive him to whatever production set he's currently working at.
Meanwhile, successful young actor Sharon Tate (Margot Robbie) has moved in next door to Rick along with her husband, director Roman Polanski. This is the area where Tarantino weaves fact with fiction and if you're not familiar with the Manson murders of 1969, it's probably worth reading up on a little bit before heading into the movie. On the night of 9 August 1969, three followers of cult leader Charles Manson entered the home of a heavily pregnant Sharon Tate and brutally murdered her and the friends who were with her at the time. Once Upon a Time in Hollywood begins a few months before those events, and then takes its sweet time in slowly building towards it.
If it weren't for the performances of everyone involved, this would have been a much harder watch for me. Brad Pitt is the best I've seen him for a long time here, all smiles and laid-back charm, a real interesting and enjoyable character. Leonardo DiCaprio is also on fine form as the broken man struggling to cling to fame and when the two are together, they're a lot of fun. Margot Robbie, has far less to do in her parallel story-line, but still manages to shine in her charismatic portrayal of Tate.
What does make the movie harder to watch is the run-time and, as I said right at the start, I feel this definitely could have benefited from at least an hour being chopped. Sunny LA during the 1960s is beautiful to look at, and when we're following Rick and Cliff as they cruise around town in their car it's nostalgic, vibrant and wonderful to watch. But, we get to follow the characters around town in their cars quite a lot in this movie. And, on top of that, literally every scene, no matter how significant, irrelevant or weak it may be, is dragged out far longer than it needs to be. The great scenes become diluted, and the scenes where nothing much was happening anyway, just become frustrating and hard work to hold your attention.
Along the way, our characters occasionally and unknowingly cross paths with the hippies who form Charles Manson's cult at Spahn Ranch. Cliff even has a uneasy standoff with a group of them at the ranch itself in one of the better scenes of the movie. It's these suspenseful moments that increase the tension perfectly, stoking the sense of foreboding and providing a constant reminder of the death and destruction set to come. The final 15 minutes or so do provide us with some intense, violent madness - a real wake up call after the meandering, often floundering, plot-lines of the movie up until that point. As always with Tarantino movies, there's plenty to digest, dissect and discuss but I certainly won't be revisiting this one any time soon.
Leonardo DiCaprio is Rick Dalton, a TV and movie star best known for repeatedly saving the day in the now cancelled TV show 'Bounty Law', where he played a classic screen cowboy. Rick is struggling to come to terms with his fading career, and the feeling that Hollywood is moving on without him. His best, and only friend, is Cliff Booth (Brad Pitt), who has been Rick's stunt double over the years. Work for Cliff has dried up following rumours that he murdered his wife and Cliff now spends his days as Rick's driver, odd-job man and general shoulder to cry on. He seems fairly relaxed about his simple lifestyle though - returning each evening to his trailer, and faithful canine companion Brandy, before picking Rick up bright and early the next day in order to drive him to whatever production set he's currently working at.
Meanwhile, successful young actor Sharon Tate (Margot Robbie) has moved in next door to Rick along with her husband, director Roman Polanski. This is the area where Tarantino weaves fact with fiction and if you're not familiar with the Manson murders of 1969, it's probably worth reading up on a little bit before heading into the movie. On the night of 9 August 1969, three followers of cult leader Charles Manson entered the home of a heavily pregnant Sharon Tate and brutally murdered her and the friends who were with her at the time. Once Upon a Time in Hollywood begins a few months before those events, and then takes its sweet time in slowly building towards it.
If it weren't for the performances of everyone involved, this would have been a much harder watch for me. Brad Pitt is the best I've seen him for a long time here, all smiles and laid-back charm, a real interesting and enjoyable character. Leonardo DiCaprio is also on fine form as the broken man struggling to cling to fame and when the two are together, they're a lot of fun. Margot Robbie, has far less to do in her parallel story-line, but still manages to shine in her charismatic portrayal of Tate.
What does make the movie harder to watch is the run-time and, as I said right at the start, I feel this definitely could have benefited from at least an hour being chopped. Sunny LA during the 1960s is beautiful to look at, and when we're following Rick and Cliff as they cruise around town in their car it's nostalgic, vibrant and wonderful to watch. But, we get to follow the characters around town in their cars quite a lot in this movie. And, on top of that, literally every scene, no matter how significant, irrelevant or weak it may be, is dragged out far longer than it needs to be. The great scenes become diluted, and the scenes where nothing much was happening anyway, just become frustrating and hard work to hold your attention.
Along the way, our characters occasionally and unknowingly cross paths with the hippies who form Charles Manson's cult at Spahn Ranch. Cliff even has a uneasy standoff with a group of them at the ranch itself in one of the better scenes of the movie. It's these suspenseful moments that increase the tension perfectly, stoking the sense of foreboding and providing a constant reminder of the death and destruction set to come. The final 15 minutes or so do provide us with some intense, violent madness - a real wake up call after the meandering, often floundering, plot-lines of the movie up until that point. As always with Tarantino movies, there's plenty to digest, dissect and discuss but I certainly won't be revisiting this one any time soon.
Chris Sawin (602 KP) rated Faster (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
I've always wanted to like Dwayne Johnson as an actor. He was so entertaining when he was The Rock, why can't his movies be just as entertaining? Unfortunately his best received films are the more family oriented ones and watching an ex-wrestler who used to talk about his love for pie and "laying the smackdown on all your candy asses" seems a bit bittersweet. Films like Faster are what Johnson should be sticking to, but it doesn't live up to its potential and results in another flat action film.
Wasted potential is the perfect way to describe Faster. Dwayne Johnson spends more time walking around looking pissed off than he does killing anyone or actually saying anything at all. Billy Bob Thornton doesn't do much of anything either as his character struggles between being a drug addict who doesn't amount to anything to a police officer who's about to retire and get full benefits who is also trying to get his family back together again. He spends most of his screen time drowning in his pathetic life. Then there's Dexter's Jennifer Carpenter who seems to be brought into the film to do nothing more than show up, cry a little, and say stupid things. Nothing the actors did really helped drive the story forward.
The cinematography fluctuated between being interesting and being incredibly annoying. Right when something like the way the camera was placed while the driver was driving or something as simple as reloading a gun was done in a way that seemed original to catch your attention, the film would turn around and throw shaky camera techniques at you for no reason or the scenes that caught your eye would be too brief to really make up for the mediocrity of the rest of the film. The most interesting aspect lies within the final minutes and relates to the hired killer going after the driver. That concept alone that's about the length of a one minute conversation is better than Faster as a whole.
Dwayne Johnson seems to have better luck with family films, but I think his fans would rather see him in R-rated action films since his physique and film presence fit that genre best. If he could find a film that was like Faster with a meatier role that gave him more lines and had better writing, it'd probably be a lot more satisfying. The kills in Faster should have been the highlight since the film revolved around the driver gaining revenge for his brother, but they fell short. Everything about Faster did. I was completely expecting Johnson to either turn himself over to the authorities or kill himself to be with his brother at the end of the film. The driver received the revenge he so desperately seeked and did it in a nonchalant, hot-shot vigilante kind of way to let everyone know it was him doing it. Yet police can't seem to keep up with him and he just kind of drives off into the sunset at the end. It felt like Faster was left open ended for nothing more than sequel purposes alone, which is the weakest form of a cop out for a movie ending. Coincidentally, a film called Faster managed to feel twice as long as its 98 minute duration.
In the end, Faster contains elements from both Gone in Sixty Seconds and Taxi Driver, which should result in an excellent film. Instead we're left with an action film that uses these elements at face value; it contains the fast cars and intense chases of Gone in Sixty Seconds with the uneasy and unpredictable shootouts that are reminiscent of Taxi Driver but Faster lacks the depth, star power, enjoyment factor, strong cast, or lasting value these two films still have today. If you plan on seeing this film, you better be sure because that's a long dark road you're headed down (sorry, couldn't resist) and that road is nothing more than a pointless detour from greater things.
Wasted potential is the perfect way to describe Faster. Dwayne Johnson spends more time walking around looking pissed off than he does killing anyone or actually saying anything at all. Billy Bob Thornton doesn't do much of anything either as his character struggles between being a drug addict who doesn't amount to anything to a police officer who's about to retire and get full benefits who is also trying to get his family back together again. He spends most of his screen time drowning in his pathetic life. Then there's Dexter's Jennifer Carpenter who seems to be brought into the film to do nothing more than show up, cry a little, and say stupid things. Nothing the actors did really helped drive the story forward.
The cinematography fluctuated between being interesting and being incredibly annoying. Right when something like the way the camera was placed while the driver was driving or something as simple as reloading a gun was done in a way that seemed original to catch your attention, the film would turn around and throw shaky camera techniques at you for no reason or the scenes that caught your eye would be too brief to really make up for the mediocrity of the rest of the film. The most interesting aspect lies within the final minutes and relates to the hired killer going after the driver. That concept alone that's about the length of a one minute conversation is better than Faster as a whole.
Dwayne Johnson seems to have better luck with family films, but I think his fans would rather see him in R-rated action films since his physique and film presence fit that genre best. If he could find a film that was like Faster with a meatier role that gave him more lines and had better writing, it'd probably be a lot more satisfying. The kills in Faster should have been the highlight since the film revolved around the driver gaining revenge for his brother, but they fell short. Everything about Faster did. I was completely expecting Johnson to either turn himself over to the authorities or kill himself to be with his brother at the end of the film. The driver received the revenge he so desperately seeked and did it in a nonchalant, hot-shot vigilante kind of way to let everyone know it was him doing it. Yet police can't seem to keep up with him and he just kind of drives off into the sunset at the end. It felt like Faster was left open ended for nothing more than sequel purposes alone, which is the weakest form of a cop out for a movie ending. Coincidentally, a film called Faster managed to feel twice as long as its 98 minute duration.
In the end, Faster contains elements from both Gone in Sixty Seconds and Taxi Driver, which should result in an excellent film. Instead we're left with an action film that uses these elements at face value; it contains the fast cars and intense chases of Gone in Sixty Seconds with the uneasy and unpredictable shootouts that are reminiscent of Taxi Driver but Faster lacks the depth, star power, enjoyment factor, strong cast, or lasting value these two films still have today. If you plan on seeing this film, you better be sure because that's a long dark road you're headed down (sorry, couldn't resist) and that road is nothing more than a pointless detour from greater things.
Darren (1599 KP) rated Edge of Darkness (2010) in Movies
Jul 25, 2019
Story: Edge of Darkness starts when Craven (Gibson) get to spend his daughter Emma (Novakovic) only for an unknown gunman killing her on his doorstep, Craven being a homicide detective isn’t allowed to investigate the case for legal reasons, so he decides to go against the law in his search for the murderer.
The early signs make it looks like Craven himself was the target, but it soon comes to light that it might be Emma’s work for a government company run by Jack Bennett (Huston) that might have made her the target and the deeper he digs the more he learns about his daughter.
Thoughts on Edge of Darkness
Characters – Craven is a respect homicide detective, everyone in the force knows just how capable of solving a murder he can be, but when his own daughter is murdered, he starts to go against the law to figure out who and why she was murdered. He will not stop at anything to locate the truth and take out the people that murdered his daughter. Jedburgh is an English man that will help Craven fill in the gaps, while trying to keep him away from the answers, he has been hired to make sure the investment stays safe, without building up a body count. Jack Bennett runs the company that Emma works for, he knows how to answer questions to keep the press happy, while keeping the shady operations under wraps. Emma is the daughter that Craven is delighted to spend time with once again, only she gets murdered and it is her life before this meeting that we get to see her in.
Performances – Mel Gibson might well have had his problems in Hollywood, but when it comes to crime thrillers, he is in his element always shining in these roles without ever looking out of place, and demanding the screen whenever he steps on screen. Ray Winstone is great in his role, which only seems to be around for the calmer or criminal sides of the film. Danny Huston is an actor that can play a villain in his sleep and this is no different, he brings the smug figure to life here. Bojana Novakovic is great in her smaller role which doesn’t need to get much more screen time to add to the story.
Story – The story here follows a homicide detective that starts to investigate the murder of his daughter only to find himself in the middle of a much bigger conspiracy that puts his own life in danger. This story starts off looking like it is going to be a revenge like movie because of how the first murder happens only to become a big conspiracy movie that offers up plenty of miss-direction as we lead to the truth. Any story that can keep you guessing and let try to figure out the ending yourself is an entertaining watch, with the outcome not even needing to be spoon fed to us either. This might well be a remake of a television show, but it plays into the modern ideas and works with how the conspiracy could be relevant for today’s climate.
Crime/Mystery – The crime side of the film starts by just looking like a murder, it soon dives into cover ups, conspiracy and secret groups which shows how the government might go about trying to cover up a secret. The mystery in the film comes from just how the conspiracy keeps managing to unfold to expose more truth about what Emma was involved in.
Settings – The film uses the Boston setting to show how many crimes have been committed in this stricter state which does show us just how big of a conspiracy needs covering up.
Scene of the Movie – Riverside meeting.
That Moment That Annoyed Me – It would have been nice to see more of Jedburgh.
Final Thoughts – This is a wonderfully intense crime thriller that does keep you guessing throughout the film, we get strong performance throughout and a story that has been modernized without looking out of place.
Overall: Hugely entertaining crime thriller.
The early signs make it looks like Craven himself was the target, but it soon comes to light that it might be Emma’s work for a government company run by Jack Bennett (Huston) that might have made her the target and the deeper he digs the more he learns about his daughter.
Thoughts on Edge of Darkness
Characters – Craven is a respect homicide detective, everyone in the force knows just how capable of solving a murder he can be, but when his own daughter is murdered, he starts to go against the law to figure out who and why she was murdered. He will not stop at anything to locate the truth and take out the people that murdered his daughter. Jedburgh is an English man that will help Craven fill in the gaps, while trying to keep him away from the answers, he has been hired to make sure the investment stays safe, without building up a body count. Jack Bennett runs the company that Emma works for, he knows how to answer questions to keep the press happy, while keeping the shady operations under wraps. Emma is the daughter that Craven is delighted to spend time with once again, only she gets murdered and it is her life before this meeting that we get to see her in.
Performances – Mel Gibson might well have had his problems in Hollywood, but when it comes to crime thrillers, he is in his element always shining in these roles without ever looking out of place, and demanding the screen whenever he steps on screen. Ray Winstone is great in his role, which only seems to be around for the calmer or criminal sides of the film. Danny Huston is an actor that can play a villain in his sleep and this is no different, he brings the smug figure to life here. Bojana Novakovic is great in her smaller role which doesn’t need to get much more screen time to add to the story.
Story – The story here follows a homicide detective that starts to investigate the murder of his daughter only to find himself in the middle of a much bigger conspiracy that puts his own life in danger. This story starts off looking like it is going to be a revenge like movie because of how the first murder happens only to become a big conspiracy movie that offers up plenty of miss-direction as we lead to the truth. Any story that can keep you guessing and let try to figure out the ending yourself is an entertaining watch, with the outcome not even needing to be spoon fed to us either. This might well be a remake of a television show, but it plays into the modern ideas and works with how the conspiracy could be relevant for today’s climate.
Crime/Mystery – The crime side of the film starts by just looking like a murder, it soon dives into cover ups, conspiracy and secret groups which shows how the government might go about trying to cover up a secret. The mystery in the film comes from just how the conspiracy keeps managing to unfold to expose more truth about what Emma was involved in.
Settings – The film uses the Boston setting to show how many crimes have been committed in this stricter state which does show us just how big of a conspiracy needs covering up.
Scene of the Movie – Riverside meeting.
That Moment That Annoyed Me – It would have been nice to see more of Jedburgh.
Final Thoughts – This is a wonderfully intense crime thriller that does keep you guessing throughout the film, we get strong performance throughout and a story that has been modernized without looking out of place.
Overall: Hugely entertaining crime thriller.
Gareth von Kallenbach (980 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Jul 25, 2019
Director Quentin Tarantino is well known for his language and excessive violence-based movies. All one needs to do is look at some of his earlier works such as Reservoir Dogs or Pulp Fiction to really get an understanding of how over-the-top they really can be. So, when I saw the initial previews for his latest dramatic comedy Once Upon a Time in Hollywood, I wasn’t sure what to expect. This only fueled the expectation and interest I had going into the film.
Once Upon a Time in Hollywood takes place in 1969 near the end of the golden age of Hollywood. Rick Dalton (Leonardo DiCaprio) is an aging star of Westerns trying to desperately remain relevant in a world that considers those even in their 30’s as ancient, much like the black and white film common even to that day. His stuntman and best friend Cliff Booth (Brad Pitt) is happy to go along for the ride. More of an assistant and better known as the man who got away with killing his own wife, Cliff is content with his role in the world and isn’t looking for the next big break.
You can’t have a Hollywood story in 1969 without involving one of the most brutal murders of the time, that of Sharon Tate (Margot Robbie) and the now infamous Charles Manson and his “family”. A dark cloud that would leave a lasting mark on Hollywood itself. Their presence reminds us of the chilling reality to the evil that is lurking just outside the amazing set pieces and bright lights of the city itself.
Brad Pitt and Leonardo DiCaprio do a phenomenal job as one would expect. It’s always interesting to watch a movie where the actor is portraying another character in an entirely different movie and Leonardo delivers in spades. Brad Pitt brings his usual lovable charm to the otherwise tough persona as Cliff, the dog loving, Bruce Lee ass kicking sidekick. The chemistry between the two is undeniable, displaying both touching and comedic undertones throughout. It’s almost surreal to think that they are portraying characters that do represent themselves in the real world. It’s hard not to make the comparison of Brad and Leo to their onscreen characters, as aging stars wondering what the future holds for them.
Tarantino does a marvelous job of transporting his viewers back to 1969. Everything from episodes of old television shows, to advertisements on the street envelop the viewers in the tie-dyed/hippy reality of what the 60’s was. It’s hard not to be impressed with the cinematography that has been so lavishly recreated before us. The streets, the cars, even the film itself all take their cues from the time period. Car scenes are shot with laughably fake backdrops at times to remind us exactly the types of effects that went into filming back in the day. It’s a mix of old school and new school filming that takes you from one reality and places you in another. Tarantino does his best to make the audience more than spectators to what is developing on screen and instead as active participants.
Once Upon a Time in Hollywood is a fairytale of sorts, of what made Hollywood so special back in the 60’s. It lacks much of the brutal nature that has become second nature to Tarantino films, and those who are going to see it for its brutality will likely be very disappointed. It’s a film that is incredibly difficult to talk about without spoilers, because outside the general plot synopsis the viewer is left with more questions than answers. The film is long, coming in at two hours and forty minutes, and there are scenes that tend to drag on a little longer than necessary. Thankfully though, Tarantino has weaved a story of what was and what could have been, if Rick and Cliff both had existed…Once Upon a Time in Hollywood.
4 out of 5 stars
Once Upon a Time in Hollywood takes place in 1969 near the end of the golden age of Hollywood. Rick Dalton (Leonardo DiCaprio) is an aging star of Westerns trying to desperately remain relevant in a world that considers those even in their 30’s as ancient, much like the black and white film common even to that day. His stuntman and best friend Cliff Booth (Brad Pitt) is happy to go along for the ride. More of an assistant and better known as the man who got away with killing his own wife, Cliff is content with his role in the world and isn’t looking for the next big break.
You can’t have a Hollywood story in 1969 without involving one of the most brutal murders of the time, that of Sharon Tate (Margot Robbie) and the now infamous Charles Manson and his “family”. A dark cloud that would leave a lasting mark on Hollywood itself. Their presence reminds us of the chilling reality to the evil that is lurking just outside the amazing set pieces and bright lights of the city itself.
Brad Pitt and Leonardo DiCaprio do a phenomenal job as one would expect. It’s always interesting to watch a movie where the actor is portraying another character in an entirely different movie and Leonardo delivers in spades. Brad Pitt brings his usual lovable charm to the otherwise tough persona as Cliff, the dog loving, Bruce Lee ass kicking sidekick. The chemistry between the two is undeniable, displaying both touching and comedic undertones throughout. It’s almost surreal to think that they are portraying characters that do represent themselves in the real world. It’s hard not to make the comparison of Brad and Leo to their onscreen characters, as aging stars wondering what the future holds for them.
Tarantino does a marvelous job of transporting his viewers back to 1969. Everything from episodes of old television shows, to advertisements on the street envelop the viewers in the tie-dyed/hippy reality of what the 60’s was. It’s hard not to be impressed with the cinematography that has been so lavishly recreated before us. The streets, the cars, even the film itself all take their cues from the time period. Car scenes are shot with laughably fake backdrops at times to remind us exactly the types of effects that went into filming back in the day. It’s a mix of old school and new school filming that takes you from one reality and places you in another. Tarantino does his best to make the audience more than spectators to what is developing on screen and instead as active participants.
Once Upon a Time in Hollywood is a fairytale of sorts, of what made Hollywood so special back in the 60’s. It lacks much of the brutal nature that has become second nature to Tarantino films, and those who are going to see it for its brutality will likely be very disappointed. It’s a film that is incredibly difficult to talk about without spoilers, because outside the general plot synopsis the viewer is left with more questions than answers. The film is long, coming in at two hours and forty minutes, and there are scenes that tend to drag on a little longer than necessary. Thankfully though, Tarantino has weaved a story of what was and what could have been, if Rick and Cliff both had existed…Once Upon a Time in Hollywood.
4 out of 5 stars