"Bridesmaids. It is hands-down… That’s like the funniest movie that I’ve seen in a very long time. Girls Trip was really funny the other day. I loved that; I saw Girls Trip in my hotel room. Bridesmaids, I remember laughing out loud in the theater, like dying laughing over it. I mean, to watch how all of the actors interact, and the improv, and I love that they interact the way that my girlfriends and I interact. There’s a specific realness to it that I thought was depicted so well and I loved it so much. And I mean, we get to watch Melissa McCarthy in her Academy Award Nominated performance. I mean, she’s genius, she’s brilliant, and Kristen Wiig — all of them, every single actor in that movie is brilliant. I just loved that movie."

"Italian, a black-and-white movie. If you go to the internet, you can find it. Dino Risi movie, with Vittorio Gassman acting in it. And a French actor named Jean-Louis Trintignant. It is about somebody who is pretentious, who’s always speaking [loudly], always speaking about himself. And somebody in front who is shy. The story is about changing personality, and the moral of the story is, “If you want to change your personality, change with your own rhythm. Don’t try to imitate people.” [This was] reality because so many people try to imitate things that they have seen without any reasons inside themselves. They just want to imitate because they have seen that on screen or in a book. Instead of following their own rhythm, their own needs. I still remember that… long time ago. 30 years ago."

"As much as I love this film and have seen it hundreds of times, I feel like I never TRULY saw it before looking at this remastered DVD! Such beautiful black and white! Every character in this film is a feast for an actor to play . . . even the maid (Jean Dixon) is rich with her own cynicism and longings. The chemistry between William Powell and Carole Lombard is something seldom glimpsed these days. And yet their romance had long before this film bloomed, gone to marriage and divorce. But the couple remained the closest of friends and the warm feeling between them is brimming in every single frame of the film. The DVD also includes the Lux Radio Theater broadcast, and there are some really fun outtake bloopers with Eugene Pallette—LOVE HIM—and Powell and Lombard."

"Made on the wonderful jungle sets of King Kong while that epic’s special effects were being finished, this is one of the great action-horror films and has provided a template for many “rich sicko” melodramas—the entire “torture porn” subgenre springs from the obsessions of its villain, Count Zaroff (Leslie Banks). Adapted from a short story by Richard Connell and codirected by Kong’s Ernest B. Schoedsack and character actor Irving Pichel, it has one of the most perfect plots in horror: a big-game hunter (Joel McCrea) changes his mind about how much fun his preferred sport is when he’s shipwrecked on an island where a mad Russian who’s grown tired of lesser game has opted to hunt human beings. Fay Wray, another Kong holdover, screams on the sidelines, and a pack of baying hounds provides additional menace."

"My favorite Tarkovksy film is Stalker, and it would have been number two on my list if it were part of the Criterion Collection. But Solaris is great, too. Its main characters have no qualities that interest me, and some elements in the film seem purposely absurd. The clumsy pseudo-scientific dialogue, for example, or Kelvin’s ridiculous “futuristic” outfit with its unflattering yellow mesh shirt. And yet somehow I find myself absorbed into the world of these people I don’t want to care about. The images and pacing have a hypnotic effect that causes me to be like, “Oh no, Kelvin feels bad!” even though I don’t like Kelvin. You know that old saying about how a good actor can read the phone book and make it sound interesting? I feel like Tarkovsky could make a compelling film out of the phone book."