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Joe Goodhart (27 KP) rated Hounded in Books

Nov 30, 2020  
Hounded
Hounded
Kevin Hearne | 2011 | Fiction & Poetry
2
7.1 (7 Ratings)
Book Rating
A 21-Centuries-old Celt, and he has an Irish Wolfhound named Oberon, with whom they share a telepathic bond/communication? Look, you had me at the inclusion of a furry/fuzzy dog! However, it went downhill thereafter!

From the first page, there is a playful sense of adventure within, and that is good. Unfortunately, having the lead character "knock boots" with any of the Tuatha Dé Danann who appear in the book left an unpleasant taste in mouth. Further exacerbating the taste was the objectification used in his description of anyone of the opposite sex! Wow! It started to feel like a ride on the Misogynist Express..and that was only the first six Chapters (I couldn't go any further)!

It's a shame, too, because the series has garner a more than fair amount of praise, and with the upcoming Dabel Brothers comic adaptation of the series, I was looking forward to this. Ah well, there's other, less sexist/misogynistic/etc. fantasy/urban fantasy out there. You (and I) can do better to search elsewhere..
  
Nosferatu (Eine Symphonie Des Grauens) (1922)
Nosferatu (Eine Symphonie Des Grauens) (1922)
1922 | Horror, International
Hugely influential unauthorised adaptation of Dracula. Young estate agent's helper Hutter trots off to Transylvania to oversee the sale of a house to the reclusive (and rather repulsive) Count Orlok; Orlok takes a fancy to Hutter's wife; bad things ensue.

Basically just handles the first half of the book, and bolts a different ending on, but you can still see why the Stoker estate sued. Nevertheless, the presentation of Dracula/Orlok as a near-feral atavism is striking (and also much closer to the book than most films get); the film was designed by practising occultists which may explain the carefully composed visual sense of it (also the use of genuine magical script in some of the scenes). Very creepy and effective, though you have to take the age of the thing into account, not to mention the performance styles. Which soundtrack you listen to may also make a big difference (I recommend James Bernard's Hammer-style offering from the late 1990s). One of the great foundational horror films.
  
Pan's Labyrinth: The Labyrinth of the Faun
Pan's Labyrinth: The Labyrinth of the Faun
Cornelia Funke, Guillermo del Toro | 2019 | Science Fiction/Fantasy
8
8.5 (4 Ratings)
Book Rating
Thrilling and eerie film adaptation
*I received an advance copy of this book from the publisher and NetGalley in exchange for an honest review*
It has been a number of years since I watched Pan's Labyrinth, but remember it as being a dark, twisted fairy tale set during the second world war. The book keeps that feel, we are introduced to Ofelia, a quiet bookish young girl who is moving with her mother to live with her stepfather, as he tries to break a group of Spanish rebels, ahead of the birth of her half-brother.
Ofelia sees some unusual statues and artefacts in the woods and soon meets the Faun, who sets her a mission to return to take her place as the princess of the Underground Kingdom.
There follows a brilliant mix of Ofelia's real life, the despicable exploits of Franco's army, and the fairy tale world she steps into.
This is a very short, immersive fairy tale with lots of nice side-stories that all weave into the book in some form.
  
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Bostonian916 (449 KP) rated They Live (1988) in Movies

Aug 17, 2020 (Updated Aug 17, 2020)  
They Live (1988)
They Live (1988)
1988 | Comedy, Drama, Horror
John Carpenter's brilliance shines through in this adaptation that demonstrates (be it, in an over the top, Carpenter-esque manner) what happens when the world blindly follows what is being fed to them.

Roddy Piper (in arguably the role of his career) and Keith David both work tirelessly to do their part in creating an in film world where, through complete happenstance, they are gifted the ability to see the world for what it really is beyond the "truth" that is being shown to them. Both characters work feverishly to expose the wickedness of the world around them while being beat back around every bend.

All in all a very good action flick, especially given the tools available at the time to the film makers.

While John Carpenter is very widely known and revered in the industry, it is my opinion that They Live might be the most important work of his long and illustrious career. A scathing criticism of corporate and political greed and misdeeds the world over, displayed in a way that is oddly relatable over thirty years later.
  
Murder on the Orient Express (2017)
Murder on the Orient Express (2017)
2017 | Drama, Mystery
Adaptation of perhaps Agatha Christie's most famous murder mystery, which I had previously read even if I had not seen any of the previous TV or movie adaptations.

I also watched this after recently watching the semi-sequel 'Death in the Nile' on Disney+, thinking then that - as that was a sequel of sorts - I might as well go back and watch the original.

The problem, of course, as with all murder mysteries is that once they are solved (in either print or on screen), then they lose nearly all sense of drama or suspense. That, I think, is a fault of the genre as a whole and is perhaps the reason why it is generally not my favourite type of story: I prefer works that you can rewatch or re-read and discover something new each time through.

Anyway, the fact that I already knew the ending might have spoiled my enjoyment of this movie, even if I'm aware it takes liberties with the source material. Not obvious liberties, though! (Or, at least I didn't think they were).
  
Death on the Nile (2022)
Death on the Nile (2022)
2022 | Mystery
I really wanted to like this because I grew up on Agatha Christie books and watching the PBS Poirot series with my grandmother. I love Poirot and I like this book, but the screen adaptation is odd. There were strange decisions like including the character Bouc when he's not even in this book and having something happen to him that is not part of the story at all. The pacing felt off with the movie feeling boring and slow in some spots and then a few moments of interesting sprinkled here and there. There didn't seem to be a lot of chemistry among the cast and the actress with four credits to her career so far did a better job emoting and acting than longtime veterans. Branagh did great as Poirot, he was great in the first movie too, but the movie took so long to get going and then when it got to the big reveal it got better. It felt so uneven and I was disappointed. It's not a complete disaster, but it's not stellar either.