Smashbomb

"I can’t believe how the genius of Sacha Guitry is misunderstood outside the borders of France. He is actually one of the most important figures in the history of French cinema, on a par with the greatest. I suspect he has this marginal status because when he started making films—the minute you could record sound—he was already a middle-aged ultra-recognized, ultra-successful figure of the stage. His style owes nothing to the silent era; he is the first French filmmaker, in a long line, who relies on language. But he was of course never content to simply record his own plays; he was obsessed with using the specificities of cinema to transcend them, and in doing so he pioneered a whole new language. Inspired by his wives—first Jacqueline Delubac, then Geneviève Guitry, then Lana Marconi, who most often had the lead—Guitry was the first French writer/director, and possibly the greatest. Désiré is a remarkable film. I wish Criterion would release Le comédien, a portrait of his father, the famous actor Lucien Guitry, and my personal favorite. Another misunderstood French director is Georges Franju, who’s mostly known for Eyes Without a Face but actually the author of a very consistent body of work, including Judex, a quietly disturbing poetic adaptation of Louis Feuillade’s serial."

Source

Kudos

Olivier Assayas recommended Judex (1963) in Movies (curated)

Judex (1963)

1963 | Crime, Drama, Thriller

(0 Ratings)

Movie Favorite

Source

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Felipe (17 KP) rated The Name of the Rose in Books

Dec 3, 2020

The Name of the Rose

Umberto Eco | 2008 | Fiction & Poetry

8.4

(5 Ratings)

Book Rating

A labyrinth of mystery with multiple dimensions, pitfalls, dead ends and revelations. (2 more)

The story and structure are brilliant.

The characters are genius and the narrative is written in way that you get sucked into and are part of the narrative.

Brilliant and entertaining introduction to semiotics.

I first read this book in my freshman or sophomore year in college after having seen the Sean Connery film adaptation. Like most novels that movies are based on, the book was far better than the movie. The movie was just a superficial touching on the themes of the book but the book was a multi dimensional journey through art, philosophy, literature and theology while captivating the reader in a very good murder mystery. The tragedy of the book is the revelation to the reader that our tendency to try to form connections between random events as and ideas is futile. The library is an allegory to the house of cards that comes crashing down when we create false narratives on tenuous connections between randomn events and ideas; connections that don't really exist.

Eco takes all of his academic experience that he has absorbed in the years and uses fiction to not only tell a good story but also to challenge us on how we see the world and interpret the signs and symbols we come into contact.

Kudos

Awix (3310 KP) rated When the Tripods Came (The Tripods #4) in Books

Sep 18, 2019

When the Tripods Came (The Tripods #4)

John Christopher | 1988 | Dystopia, Science Fiction/Fantasy, Young Adult (YA)

7.0

(1 Ratings)

Book Rating

Fourth books in trilogies are inherently inelegant and awkward beasts; Christopher's final Tripods novel is unsurprisingly no exception. 1980s Earth is visited by alien invaders, who (initially at least) are easily repelled. But it turns out that your mum was right when she said that too much TV was bad for your health...

A bit dated, but that's the least of the book's issues. A prequel to the main series was really not required, and the main catalyst for writing it seems to have been the Tripods TV show which was broadcast three or four years earlier. (The TV show the Masters use to take over the world bears a suspicious resemblance to the TV adaptation of the first two books.) It's not really meta, more sort of peeved: peeved at critics of the show's shortcomings, but also peeved at the makers of the show for not doing a better job. As well as being dated, the relationship subplots of the book feel a bit proforma, but the depiction of the world slowly sliding out of human control and the end of modern civilisation is vividly presented in the usual compelling fashion. Whether it should all feel a bit more downbeat and bleak is probably a question of personal taste; Christopher's prose retains its good manners as well as its readability.