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Why Are We Waiting?: The Logic, Urgency, and Promise of Tackling Climate Change
Book
The risks of climate change are potentially immense. The benefits of taking action are also clear:...
Politics environment
Greatest Hits: God’s Favorite Band by Green Day
Album
Grammy Award-winning Rock and Roll Hall of Fame inductees Green Day will release Greatest Hits:...
Rock
The Passionate Witch
Book
Mr. T. Wallace Wooly, a self-important tycoon, but at heart a shy brown rabbit of a man, meets his...
The Survivors
Book
Jane Harper is one of Australia's most loved and successful authors and The Survivors is her latest...
I’ll be honest, and my best friend Cheyenne is going to kill me for this, but when I first started reading this at college, I absolutely hated it. Now I can put that just down to the fact that I naturally expected to hate any book we had to learn about in English. Because I love Rebecca and wouldn’t be able to cope without it.
Essentially, it’s an adaptation of Jane Eyre (which I LOVE). I always joke that it’s fanfiction that has become a classic (if only). I didn’t actually read Jane Eyre until after I had read this for the first time, but the book made so much more sense to me then.
The nameless narrator is brilliant, if a little bit childish. I can remember the first time I read it, it really annoyed me that she whined like a child a lot. But then again, when your new husband is still obsessed with his dead wife, who wouldn’t complain?
I fell in love with Maxim in the same way that I fell in love with Mr Rochester. They are so similar – all dark, mysterious, and brooding… what every girl wants in a book! Even through the whole plot, I found it impossible to ever dislike him, despite some of the events. I’m not sure why.
I love that there’s so many different meanings of the book. Spending one year analysing it in college was never enough for me – I’m still constantly digging out new meanings, especially now I’ve got a friend who loves this even more than I do.
I almost always take this to Cornwall with me to re-read on a miserable day. It’s the perfect place to read this book and I can always snuggle down with it.
This is something everyone should read at least once in their life.
Essentially, it’s an adaptation of Jane Eyre (which I LOVE). I always joke that it’s fanfiction that has become a classic (if only). I didn’t actually read Jane Eyre until after I had read this for the first time, but the book made so much more sense to me then.
The nameless narrator is brilliant, if a little bit childish. I can remember the first time I read it, it really annoyed me that she whined like a child a lot. But then again, when your new husband is still obsessed with his dead wife, who wouldn’t complain?
I fell in love with Maxim in the same way that I fell in love with Mr Rochester. They are so similar – all dark, mysterious, and brooding… what every girl wants in a book! Even through the whole plot, I found it impossible to ever dislike him, despite some of the events. I’m not sure why.
I love that there’s so many different meanings of the book. Spending one year analysing it in college was never enough for me – I’m still constantly digging out new meanings, especially now I’ve got a friend who loves this even more than I do.
I almost always take this to Cornwall with me to re-read on a miserable day. It’s the perfect place to read this book and I can always snuggle down with it.
This is something everyone should read at least once in their life.
Mark @ Carstairs Considers (2204 KP) rated With a Kiss I Die in Books
Apr 19, 2019
This Book, By Any Other Name, Would be as Addicting
Edwina “Sully” Sullivan is using the slow winter months for the Cliffside Theater to work on grant proposals to help them build their own theater building. Meanwhile, Dimitri, the theater’s resident director, is working on a struggling adaptation of Romeo and Juliet down in Boston. When Sully gets a chance to go down and help for a few days, she figures this is a great time to schmooze with the people who will be awarding the grant. However, a murder after what was supposed to be a celebratory party turns Sully’s focus to other things. When people who knows start vanishing, can she figure out what is really going on?
I had forgotten just how much I loved these characters until I picked up this second in the series. The main characters are strong, and their relationships feel real. They also have multiple connections to the characters who are part of the mystery, which gives us multiple reasons to care. The book starts out focusing on the disaster of the play, but it is layering in information related to the mystery, so when the murder does happen, we are off and running quickly. I got so pulled into this book that I finished it in two days instead of my average three. In fact, I had to know what was going on, so I ignored other plans to finish it. The climax is very satisfying. I appreciated how Sully used her background as a cop to investigate and worked with the police to figure things out, a nice change from other cozies I read. I’m already hoping we get to visit with Sully and the rest of the gang again soon.
I had forgotten just how much I loved these characters until I picked up this second in the series. The main characters are strong, and their relationships feel real. They also have multiple connections to the characters who are part of the mystery, which gives us multiple reasons to care. The book starts out focusing on the disaster of the play, but it is layering in information related to the mystery, so when the murder does happen, we are off and running quickly. I got so pulled into this book that I finished it in two days instead of my average three. In fact, I had to know what was going on, so I ignored other plans to finish it. The climax is very satisfying. I appreciated how Sully used her background as a cop to investigate and worked with the police to figure things out, a nice change from other cozies I read. I’m already hoping we get to visit with Sully and the rest of the gang again soon.
Kaz (232 KP) rated 'Master and Commander' in Books
May 15, 2019
An Interesting Maritime Adventure
This book was recommended to me by a friend who has read all of the books in the series and this, is the first. I thought because I had watched the film version of this novel, that I knew what the story was going to be about, but the book is very different from the adaptation.
At first, I found this extremely difficult to get into. After about 100 pages I actually put this book down, because I found the maritime vocabulary, impossible to follow. However, I decided to pick it back up again and actually, when the character Stephen Maturin, the ship's doctor, comes into the story, I found that, because he was a novice with ships, he was asking questions about the different mechanisms etc of the ship and that helped me to feel that I had some idea of what it was all about.
I also found some of the battle scene a little bit static and difficult to visualize.
Even though this was a challenging book, I really like the relationship between Stephen and Jack Aubrey, the ship's captain. The writing was very humorous at times and I also liked how some of this book featured places in the Mediterranean that I'm really familiar with.
Being the first in the series, I'm sure as the novels progress, I might find this easier to get into. I won't be rushing out to read any more at the moment, I think you need to be in the right mood to read them. However, I may read more of this series in the future.
My Rating ***
At first, I found this extremely difficult to get into. After about 100 pages I actually put this book down, because I found the maritime vocabulary, impossible to follow. However, I decided to pick it back up again and actually, when the character Stephen Maturin, the ship's doctor, comes into the story, I found that, because he was a novice with ships, he was asking questions about the different mechanisms etc of the ship and that helped me to feel that I had some idea of what it was all about.
I also found some of the battle scene a little bit static and difficult to visualize.
Even though this was a challenging book, I really like the relationship between Stephen and Jack Aubrey, the ship's captain. The writing was very humorous at times and I also liked how some of this book featured places in the Mediterranean that I'm really familiar with.
Being the first in the series, I'm sure as the novels progress, I might find this easier to get into. I won't be rushing out to read any more at the moment, I think you need to be in the right mood to read them. However, I may read more of this series in the future.
My Rating ***
Gareth von Kallenbach (980 KP) rated Green Zone (2010) in Movies
Aug 8, 2019
Taking you into the depths of the controversial Iraq conflict is the new thriller “Green Zone”. Matt Damon, stars as chief warrant officer Roy Miller. Along side Damon are a number of well crafted characters such as the shady operations lead, Clark Poundstone, played by the ever snarky Greg Kinnear and the eager journalist, Lawrie Danye, played by Amy Ryan. However, the strongest support both within the plot and story telling came from the local informant “Freddy” played by Khalid Abdalla.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Gareth von Kallenbach (980 KP) rated The Road (2009) in Movies
Aug 8, 2019
“The Road” takes us on the post-apocalyptic story of the man, played by Viggo Morganson and the boy (Kodi Smit-McPhee), a father and son doing their best to get along in a world which is no longer suitable for humanity. Constantly teaching his son survival skills and doing his best not to focus on his lost love the man attempts to explain the essence of humanity to his boy who has never known a better world. Add in the ever-present threat of cannibals and you have the film adaptation of this best selling book.
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
Gareth von Kallenbach (980 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.