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Macbeth
Book
Why write about Roman Polanski's Macbeth (1971) as part of a series of books dedicated to the...
Blueprint for Tomorrow: Redesigning Schools for Student-Centered Learning
Book
The United States has about $10.5 trillion tied up in aging school facilities. School districts...
Preserving the Spell: Basile's the Tale of Tales and its Afterlife in the Fairy-Tale Tradition
Book
Fairy tales are supposed to be magical, surprising, and exhilarating, an enchanting counterpoint to...
The French Genealogy of the Beat Generation: Burroughs, Ginsberg and Kerouac's Appropriations of Modern Literature, from Rimbaud to Michaux
Book
The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the...
The Invisible Man
Ken Bentley, Tom Newsom, Jamie Robertson and Matthew Cochrane
7.0
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Book
In the midst of a snowstorm, a stranger arrives in an English country inn, seeking solitude. Soon,...
Cheats and Deceits: How Animals and Plants Exploit and Mislead
Book
In nature, trickery and deception are widespread. Animals and plants mimic other objects or species...
Gareth von Kallenbach (980 KP) rated Chaos Walking (2021) in Movies
Mar 3, 2021
Adapting a series of books into a movie is often a daunting task. As anyone who has seen many Stephen King adaptations can attest; plot complexity, characters, and depth are removed in order to condense the story into a two-hour or less run time.
The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.
As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”.
Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.
When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.
The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.
Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.
The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.
There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.
Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.
One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.
Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more.
3.5 out of 5
The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.
As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”.
Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.
When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.
The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.
Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.
The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.
There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.
Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.
One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.
Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more.
3.5 out of 5
Sarah (7800 KP) rated The Snowman (2017) in Movies
Oct 18, 2017
How could this go so wrong?
I've finally come to the realisation that, apart from a few rare exceptions, filmmakers really have no clue what they're doing with book adaptations. I appreciate you cant include absolutely everything from a book, but it should still be fairly easy to adapt an already well received novel into a film. Well apparently with The Snowman it isn't.
They appear to have picked out some of the very basic plot points and loose character identities from the book, and decided to completely rewrite the rest of the story. This'd be fine if it works,but it really doesn't - the book is barely recognisable within this mess.
The characters are underdeveloped and completely changed. Harry, despite being an alcoholic and a bit of an ass, is meant to still be loveable. In this, you couldn't care less about him. Oleg is portrayed as a petulant teenager, Rakel is sidelined and the rest appear to be similar to their book counterparts in name only.
They've missed so many key plot lines out that I could barely understand what was going on, and due to this, there was no intrigue, no tension or suspense. Even a very good cast are given nothing to work with here.
It's unusual for me to be able to find nothing good to say about a film. And it's even rarer for me to want to walk out of a film less than an hour in. The trailer made this film look very good, but it failed miserably.
They appear to have picked out some of the very basic plot points and loose character identities from the book, and decided to completely rewrite the rest of the story. This'd be fine if it works,but it really doesn't - the book is barely recognisable within this mess.
The characters are underdeveloped and completely changed. Harry, despite being an alcoholic and a bit of an ass, is meant to still be loveable. In this, you couldn't care less about him. Oleg is portrayed as a petulant teenager, Rakel is sidelined and the rest appear to be similar to their book counterparts in name only.
They've missed so many key plot lines out that I could barely understand what was going on, and due to this, there was no intrigue, no tension or suspense. Even a very good cast are given nothing to work with here.
It's unusual for me to be able to find nothing good to say about a film. And it's even rarer for me to want to walk out of a film less than an hour in. The trailer made this film look very good, but it failed miserably.
Kyera (8 KP) rated Mockingjay in Books
Jan 31, 2018
A re-read of Mockingjay (and really the entire series) was long overdue. I haven't read the series since it came out and wanted to re=familiarize myself with it before watching the movie. I remember being Team Gale rather than Peeta (but that may have just been after the casting of Liam Hemsworth). Upon re-reading, I found myself not having a strong opinion about either suitor. Gale is much angrier than I recall him being, Peeta doesn't have much of an impression (after being jacked) and I just don't care what Katniss decides. That is certainly not how I felt in the first book. She becomes decidedly less relatable to me as the books progress. Hunger Games was definitely the strongest in the series and as a result, the finale felt like a bit of a letdown. The death toll was realistic, as they were embroiled in a war but not emotional. There were only a few deaths that I really felt, while the rest you could just immediately move on from. Perhaps that's terrible to say, but I believe they would have meant more if the reader was able to connect to the characters more. If you haven't read the series ye3t, what has taken you so long? Definitely read the series. The world building is wonderful, even if the ensemble cast can come across a bit flat at times. You will enjoy it if you're a fan of YA, dystopian fiction or want to read the books before you see their film adaptations.
Gareth von Kallenbach (980 KP) rated Prince of Persia: The Sands of Time (2010) in Movies
Aug 8, 2019
When so much often goes wrong with movie adaptations of video games, it is always pleasant when the occasional one takes you by surprise and becomes a well written, well acted, adventure of a movie. Prince of Persia, directed by Mike Newell, previously of Harry Potter and the Goblet of Fire, captures much of the fun of the video game while telling a compelling story obviously written for the screen, and not pulled straight from the game itself.
Prince Dastan, played by Jake Gyllenhaal, does a fitting job of balancing the devious and dignified sides of his character. Gemma Arterton plays the role of Tamina with good chemistry with Gyllenhaal, and their dialogue always seems to have a spark of something extra. Ben Kingsley and the rest of the supporting cast do a fantastic job of rounding out the story and providing a degree of comic relief, tension, and reasons to use the special effects budget. The special effects are as expected, coming from producer Jerry Bruckheimer, excellent. Still, they don’t distract or otherwise draw too much attention away from the story itself.
The movie, obviously enough, revolves around Prince Dastan and a mystical dagger that can turn back time for short periods. Despite the plot twists and turns (and there are several), this movie kept me guessing and absorbed in the story, but never confused. If you’re looking for a fun time at the movies to start the summer season, look no further than this lively and fun film.
Prince Dastan, played by Jake Gyllenhaal, does a fitting job of balancing the devious and dignified sides of his character. Gemma Arterton plays the role of Tamina with good chemistry with Gyllenhaal, and their dialogue always seems to have a spark of something extra. Ben Kingsley and the rest of the supporting cast do a fantastic job of rounding out the story and providing a degree of comic relief, tension, and reasons to use the special effects budget. The special effects are as expected, coming from producer Jerry Bruckheimer, excellent. Still, they don’t distract or otherwise draw too much attention away from the story itself.
The movie, obviously enough, revolves around Prince Dastan and a mystical dagger that can turn back time for short periods. Despite the plot twists and turns (and there are several), this movie kept me guessing and absorbed in the story, but never confused. If you’re looking for a fun time at the movies to start the summer season, look no further than this lively and fun film.