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Gareth von Kallenbach (980 KP) rated Hancock (2008) in Movies
Aug 14, 2019
Throughout the annals of cinema, the big screen has been home to some of the most larger-than-life heroes ever to spring from the pages of comic books. Recent adaptations of Spider-Man, Batman, and Superman, all went on to box office gold and with several more character adaptations in the works, there seems to be no end to the public’s desire to see tales based on costumed heroes with amazing powers.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
Lee KM Pallatina (951 KP) rated Sonic the Hedgehog (2020) in Movies
Mar 16, 2020
Gotta go fast...
Contains spoilers, click to show
After so many videogame movie adaptations to ever happen, I was ecstatic when this movie was announced but also very concerned aswell.
From the super mario bros movie to detective pikachu and every tomb raider in between, this seemed like it was designed to tank from the beginning.
So starting from the original trailer drop, I had no idea what had happened, I saw my childhood being destroyed by Hollywood and in a state of shock, looking very disturbing and more like a human/hedgehog genetic failure - sonic was in trouble and this time, Dr Robotnik wasn't to blame!?
Luckily the entire sonic fan base banded together & they were heard, this resulted in the team behind the movie redesigning sonic himself and the movies release being delayed several months.
On the plus side, the redesign was well worth the wait & was praised by fans and critics alike.
Since the release the movie has been shown so much love and is in line to topple detective pikachu as the best selling videogame movie adaptation in history.
Story:
As a young hedgehog, sonic was a wild child with an ability like no other who caught the attention of many.
This ability pinned sonic as a target and eventually forces sonic to escape to another realm/dimension -Earth.
After several years in hiding, sonic accidentally taps into his inner speed force (Ha!) Causing a total blackout & is then hunted by the evil genius, Dr Robotnik.
This brings with it an adventure, frienship & really cool & fun chase scenes.
A great family movie that does not disappoint.
From the super mario bros movie to detective pikachu and every tomb raider in between, this seemed like it was designed to tank from the beginning.
So starting from the original trailer drop, I had no idea what had happened, I saw my childhood being destroyed by Hollywood and in a state of shock, looking very disturbing and more like a human/hedgehog genetic failure - sonic was in trouble and this time, Dr Robotnik wasn't to blame!?
Luckily the entire sonic fan base banded together & they were heard, this resulted in the team behind the movie redesigning sonic himself and the movies release being delayed several months.
On the plus side, the redesign was well worth the wait & was praised by fans and critics alike.
Since the release the movie has been shown so much love and is in line to topple detective pikachu as the best selling videogame movie adaptation in history.
Story:
As a young hedgehog, sonic was a wild child with an ability like no other who caught the attention of many.
This ability pinned sonic as a target and eventually forces sonic to escape to another realm/dimension -Earth.
After several years in hiding, sonic accidentally taps into his inner speed force (Ha!) Causing a total blackout & is then hunted by the evil genius, Dr Robotnik.
This brings with it an adventure, frienship & really cool & fun chase scenes.
A great family movie that does not disappoint.
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Gareth von Kallenbach (980 KP) rated Dear John (2010) in Movies
Aug 8, 2019
John is a soldier in the US Army on leave at a beach in South Carolina when he meets and instantly bonds with a local girl named Savannah. The two quickly develop a connection and fall in love, yet John, stationed overseas, must return to his post. The new lovebirds continue their relationship through letters, eagerly waiting for the day that John will come home and they can be together again.
For a film that exposes some of the challenges faced by love and military life, “Dear John” is truly telling. However, the lack of plot points has a slowing effect on the pace of the film. At times I felt that “Dear John” was trying to maintain the same tone as Spark’s other films, purposely slowing down and drawing out the emotional moments, even when it seemed to harm the film’s overall pacing.
However, “Dear John” was less of a tearjerker than past films based on Nicholas Spark’s novels. Maybe it is this lack of strong emotional response that also left “Dear John” less than engrossing especially when considering Spark’s other and better-done adaptations like “A Walk to Remember” or “Nights in Rodanthe”. This film seemed less like a journey or story and more like an advertisement for the oiled abdominal muscles of leading male, John (Channing Tatum).
If you do manage to sit through the entire film, the story is quite good. And for anyone who is not a book reader this is one way to learn that tale and to better understand some of the challenges faced by long term, long distance relationships. For those who do avidly read, I am sure the book is the best way to experience this particular story although it won’t provide the muscled men.
For a film that exposes some of the challenges faced by love and military life, “Dear John” is truly telling. However, the lack of plot points has a slowing effect on the pace of the film. At times I felt that “Dear John” was trying to maintain the same tone as Spark’s other films, purposely slowing down and drawing out the emotional moments, even when it seemed to harm the film’s overall pacing.
However, “Dear John” was less of a tearjerker than past films based on Nicholas Spark’s novels. Maybe it is this lack of strong emotional response that also left “Dear John” less than engrossing especially when considering Spark’s other and better-done adaptations like “A Walk to Remember” or “Nights in Rodanthe”. This film seemed less like a journey or story and more like an advertisement for the oiled abdominal muscles of leading male, John (Channing Tatum).
If you do manage to sit through the entire film, the story is quite good. And for anyone who is not a book reader this is one way to learn that tale and to better understand some of the challenges faced by long term, long distance relationships. For those who do avidly read, I am sure the book is the best way to experience this particular story although it won’t provide the muscled men.
Awix (3310 KP) rated War of the Worlds: Global Dispatches in Books
Feb 3, 2020
Diverse collection of short stories all revisiting the Martian invasion of 1898 (as originally detailed by H.G. Wells). Most (but not all) of the stories are narrated by notables from the period, most (but not all) of these are famous writers: Henry James, Samuel Clemens, Rudyard Kipling, and so on. The collection kind of overlooks the implication that the Martians only actually invade southern England in Wells' novel, but then most adaptations do the same thing, and the stories here aren't even consistent with each other (the fate of Paris varies significantly in the Jules Verne and Pablo Picasso entries).
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.