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Heather Cranmer (2721 KP) rated Then She Was Gone in Books
Apr 27, 2019
Just Okay
I loved I Found You by Lisa Jewell, so when I read the synopsis of her other book, Then She Was Gone, it was a book I knew I had to read. While this book was still a good read, it wasn't great, and I was left feeling a little disappointed.
The plot for Then She Was Gone was interesting enough although I did predict the mystery of why Poppy looked like Ellie early on. There were a couple of plot twists that I didn't see coming though of which I was thankful. I was constantly trying to figure out what Floyd's endgame was when it came to Laurel. I was also always hopeful that Ellie would return home safely. I thought the ending was done nicely. It tied up all loose ends and provided me with enough closure to be satisfied.
The one thing that bothered me, and I know it's a personal preference, was how the book was written in present tense aside from when Ellie and Noelle were telling their side of the story. It just really irks me when books are written this way. That really seemed to take away from the story for me.
The characters in Then She Was Gone were mostly believable. I had a hard time believing Noelle's side of things could actually happen for as long as they did when it came to Poppy. I also had a hard time believing Noelle could stay a virgin for so long. Poppy seemed very intelligent for her young years to not have been in some kind of advanced schooling. Poppy came across more of an adult than a child in every scene she was in. The author does attempt to explain why Poppy is the way she is, but I still found Poppy a bit unrealistic for a little girl. I liked Laurel, and I could only imagine her pain, but I felt like she was too uncaring toward her daughter Hanna and her son Jake. Maybe I'd have to be in Laurel's shoes to understand what it's like (although I pray I never am). It would have been nice to get a glimpse of Hanna's and Jake's point of view of things. Jake is hardly ever mentioned in the book, and there were many times I had to rack my brain to remember who Jake was whilst reading Then She Was Gone. It seems like Jake was put in as an afterthought to quickly tie up some loose ends. I enjoyed the character of Paul, Laurel's ex-husband. I admired his sunny disposition. Sara-Jade was another character I liked a lot although she wasn't in the book often enough. I liked Floyd and felt he was a well fleshed out character, but I was always wary when it came to him.
The pacing was done well enough. My interest never wavered, and I found myself needing to know what happened next to see if my predictions were correct. Then She Was Gone is definitely a page turner. I'll give it that.
Trigger warnings for Then She Was Gone include profanities, sexual situations (although not graphic), kidnapping, drinking alcohol, violence, death, murder, and miscarriages.
Overall, Then She Was Gone is just a decent read. The plot is interesting enough, and some of the characters are well written. For me, the present tense use really took away my enjoyment of the book. I would still recommend Then She Was Gone by Lisa Jewell to those aged 17+ especially to those who like thrillers.
The plot for Then She Was Gone was interesting enough although I did predict the mystery of why Poppy looked like Ellie early on. There were a couple of plot twists that I didn't see coming though of which I was thankful. I was constantly trying to figure out what Floyd's endgame was when it came to Laurel. I was also always hopeful that Ellie would return home safely. I thought the ending was done nicely. It tied up all loose ends and provided me with enough closure to be satisfied.
The one thing that bothered me, and I know it's a personal preference, was how the book was written in present tense aside from when Ellie and Noelle were telling their side of the story. It just really irks me when books are written this way. That really seemed to take away from the story for me.
The characters in Then She Was Gone were mostly believable. I had a hard time believing Noelle's side of things could actually happen for as long as they did when it came to Poppy. I also had a hard time believing Noelle could stay a virgin for so long. Poppy seemed very intelligent for her young years to not have been in some kind of advanced schooling. Poppy came across more of an adult than a child in every scene she was in. The author does attempt to explain why Poppy is the way she is, but I still found Poppy a bit unrealistic for a little girl. I liked Laurel, and I could only imagine her pain, but I felt like she was too uncaring toward her daughter Hanna and her son Jake. Maybe I'd have to be in Laurel's shoes to understand what it's like (although I pray I never am). It would have been nice to get a glimpse of Hanna's and Jake's point of view of things. Jake is hardly ever mentioned in the book, and there were many times I had to rack my brain to remember who Jake was whilst reading Then She Was Gone. It seems like Jake was put in as an afterthought to quickly tie up some loose ends. I enjoyed the character of Paul, Laurel's ex-husband. I admired his sunny disposition. Sara-Jade was another character I liked a lot although she wasn't in the book often enough. I liked Floyd and felt he was a well fleshed out character, but I was always wary when it came to him.
The pacing was done well enough. My interest never wavered, and I found myself needing to know what happened next to see if my predictions were correct. Then She Was Gone is definitely a page turner. I'll give it that.
Trigger warnings for Then She Was Gone include profanities, sexual situations (although not graphic), kidnapping, drinking alcohol, violence, death, murder, and miscarriages.
Overall, Then She Was Gone is just a decent read. The plot is interesting enough, and some of the characters are well written. For me, the present tense use really took away my enjoyment of the book. I would still recommend Then She Was Gone by Lisa Jewell to those aged 17+ especially to those who like thrillers.
Movie Metropolis (309 KP) rated Insurgent (2015) in Movies
Jun 10, 2019
A little soulless
There hasn’t been a better time to be part of the Young Adult revolution. From Stephanie Meyer’s underwhelming Twilight saga to Suzanne Collins’ superb Huger Games trilogy and everything in between, there is something about this genre that audiences love to read and to watch.
Coming a little late to the party is Veronica Roth’s Divergent franchise. After last year’s bland debut, a new director in the shape of Robert Schwentke (Flightplan, Tattoo) takes on the second film in the series, Insurgent, but can it finally bring something to the table?
Insurgent continues the story of a post-apocalyptic America that has been divided into ‘factions’ based on the personality traits of survivors. Being placed in a faction helps you live your life in accordance with the rules of the governing body of the time. However, having traits belonging to all five categories makes you a Divergent – a risk to peace in other words.
This action sequel follows Tris Prior (Shailene Woodley) and Four Eaton (Theo James), two Divergents on the run from Kate Winslet’s domineering Jeanie Matthews as they try to find out the truth about who they are and what is really going on behind the scenes.
For the uninitiated, Insurgent is a tiresome process and requires some prior knowledge of the first film to truly understand what is going on. However, in comparison to its dull and overly long predecessor, there is much to enjoy here.
The obliterated city of Chicago is given much more room to breathe and the beautifully choreographed shots of well-known landmarks draped in moss and ferns are a stunning addition and look much more realistic than the computer-generated imagery used for the Capitol in the Hunger Games series.
Moreover, there are some great acting performances scattered throughout, Woodley really gets her teeth stuck into the lead role after her disappointing turn in Divergent and Theo James provides the eye candy in a Liam Hemsworth-esque characterisation.
However, it is in Kate Winslet and newcomer Naomi Watts’ performances that we really see something special.
Despite their lack of screen time, they command each sequence they are a part of and it’s a shame they’re not used more throughout the near 2 hour runtime.
Unfortunately comparisons to other YA adaptations are unavoidable. Put Insurgent up against its main rival The Hunger Games: Catching Fire and the odds simply aren’t in its favour. The sheer star power the latter film commands is enviable and despite Winslet and Watts’ excellent performances, it just isn’t quite enough.
It all feels a little hollow, a bit flat and non-descript as the audience is thrown from one mildly entertaining set piece to another, right up until the obligatory gasps as you realise it’s another year to pick up where that cliff-hanger left things.
In the end, Insurgent improves on its overly convoluted predecessor and is much better than anything the Twilight saga threw at us, but it pales in comparison to the treat of watching ‘The Girl on Fire’ strut her stuff.
Alas, sitting in the middle isn’t quite enough in this highly competitive genre and despite some stunning cinematography and great acting, Insurgent feels a little soulless.
https://moviemetropolis.net/2015/03/22/a-little-soulless-insurgent-review/
Coming a little late to the party is Veronica Roth’s Divergent franchise. After last year’s bland debut, a new director in the shape of Robert Schwentke (Flightplan, Tattoo) takes on the second film in the series, Insurgent, but can it finally bring something to the table?
Insurgent continues the story of a post-apocalyptic America that has been divided into ‘factions’ based on the personality traits of survivors. Being placed in a faction helps you live your life in accordance with the rules of the governing body of the time. However, having traits belonging to all five categories makes you a Divergent – a risk to peace in other words.
This action sequel follows Tris Prior (Shailene Woodley) and Four Eaton (Theo James), two Divergents on the run from Kate Winslet’s domineering Jeanie Matthews as they try to find out the truth about who they are and what is really going on behind the scenes.
For the uninitiated, Insurgent is a tiresome process and requires some prior knowledge of the first film to truly understand what is going on. However, in comparison to its dull and overly long predecessor, there is much to enjoy here.
The obliterated city of Chicago is given much more room to breathe and the beautifully choreographed shots of well-known landmarks draped in moss and ferns are a stunning addition and look much more realistic than the computer-generated imagery used for the Capitol in the Hunger Games series.
Moreover, there are some great acting performances scattered throughout, Woodley really gets her teeth stuck into the lead role after her disappointing turn in Divergent and Theo James provides the eye candy in a Liam Hemsworth-esque characterisation.
However, it is in Kate Winslet and newcomer Naomi Watts’ performances that we really see something special.
Despite their lack of screen time, they command each sequence they are a part of and it’s a shame they’re not used more throughout the near 2 hour runtime.
Unfortunately comparisons to other YA adaptations are unavoidable. Put Insurgent up against its main rival The Hunger Games: Catching Fire and the odds simply aren’t in its favour. The sheer star power the latter film commands is enviable and despite Winslet and Watts’ excellent performances, it just isn’t quite enough.
It all feels a little hollow, a bit flat and non-descript as the audience is thrown from one mildly entertaining set piece to another, right up until the obligatory gasps as you realise it’s another year to pick up where that cliff-hanger left things.
In the end, Insurgent improves on its overly convoluted predecessor and is much better than anything the Twilight saga threw at us, but it pales in comparison to the treat of watching ‘The Girl on Fire’ strut her stuff.
Alas, sitting in the middle isn’t quite enough in this highly competitive genre and despite some stunning cinematography and great acting, Insurgent feels a little soulless.
https://moviemetropolis.net/2015/03/22/a-little-soulless-insurgent-review/
Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 2 (2015) in Movies
Jun 10, 2019
An emotional goodbye
Over the last three years, The Hunger Games franchise has thrilled and delighted fans and newcomers to the series with its mix of wonderful special effects, a great cast and intriguing plots.
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
Movie Metropolis (309 KP) rated Allegiant (2016) in Movies
Jun 11, 2019
A+ for effort
I think it’s probably fair to say that the Young Adult genre has become oversaturated due to the phenomenal success of The Hunger Games. Since coming to a slightly underwhelming conclusion last year, many new franchises have its crown firmly in their sights.
The Maze Runner was a muddled first outing with the second, Scorch Trials faring much better and the same can be said for the Divergent series. The first film was at times, an incomprehensible mess, while its follow-up, Insurgent was a thrilling if CGI-heavy and overlong affair.
Allegiant marks the first of two films ending the moderately successful series, with Ascendant being released in June next year. But does this split conclusion harm it as much as it did for Mockingjay?
Allegiant picks up immediately after the end of its predecessor with Tris Prior (Shailene Woodley), her lover Four (Theo James) and a group of friends leaving their once safe-haven of a post-apocalyptic Chicago in order to find a world beyond the wall, populated by others once thought forgotten. What ensues will change their lives forever.
The cast is on form in this instalment with Woodley growing into the role perfectly. It’s true that she’s no Jennifer Lawrence, and many would see her as a budget Katniss Everdeen, but she plays the character with a confidence only matched by her rival in the genre. Theo James gets a much larger role here too, and this is welcome, given his pivotal part in the novels.
Elsewhere, Naomi Watts does her best Julianne Moore impression and clearly watched the latter’s performance in Mockingjay to prepare for an incredibly similar role. Jeff Daniels is a nice addition as the Bureau of Genetic Welfare’s leader, David, though again, his acting prowess feels a little wasted.
Robert Schwentke directs the film with a unique colour palate and visual flair. Scenes “beyond the wall” are stunning and glisten with a red lick of paint, a welcome change from the staid, grey and blue many directors continue to use in blockbusters. It’s very Total Recall-esque in these sequences and better for it.
Unfortunately, once the plucky group of teens leave the Martian-like “Fringe” behind, the CGI kicks up a gear. This is where things start to unravel somewhat and Schwentke throws effect upon effect at the screen until there is hardly any realism left. On the whole, they’re pretty decent, but there are a few lapses that stop the film dead in its tracks, especially towards the cliff-hanger conclusion.
It’s also far too long. Much like Mockingjay, splitting the final book was an exercise in cash-grabbing rather than giving fans of the novels what they want. At over two hours in length, Allegiant drags in places and means the final film, as a whole, will be around four hours.
Nevertheless, there is much to enjoy here. The story for newcomers is incomprehensible and some of the dialogue is downright laughable, but for those of us continuing the saga, it’s an epic adventure with some cracking visuals, good acting and an intriguing plot – despite a few convoluted moments.
Overall, Allegiant is a film hampered by its timing. The similarities to The Hunger Games are obvious throughout, from exactly the same dialogue in certain scenes, to similar sets and similar casting decisions. But, if you can forget all that, it’s a fun, if overlong ride
https://moviemetropolis.net/2016/03/13/a-for-effort-divergent-allegiant-review/
The Maze Runner was a muddled first outing with the second, Scorch Trials faring much better and the same can be said for the Divergent series. The first film was at times, an incomprehensible mess, while its follow-up, Insurgent was a thrilling if CGI-heavy and overlong affair.
Allegiant marks the first of two films ending the moderately successful series, with Ascendant being released in June next year. But does this split conclusion harm it as much as it did for Mockingjay?
Allegiant picks up immediately after the end of its predecessor with Tris Prior (Shailene Woodley), her lover Four (Theo James) and a group of friends leaving their once safe-haven of a post-apocalyptic Chicago in order to find a world beyond the wall, populated by others once thought forgotten. What ensues will change their lives forever.
The cast is on form in this instalment with Woodley growing into the role perfectly. It’s true that she’s no Jennifer Lawrence, and many would see her as a budget Katniss Everdeen, but she plays the character with a confidence only matched by her rival in the genre. Theo James gets a much larger role here too, and this is welcome, given his pivotal part in the novels.
Elsewhere, Naomi Watts does her best Julianne Moore impression and clearly watched the latter’s performance in Mockingjay to prepare for an incredibly similar role. Jeff Daniels is a nice addition as the Bureau of Genetic Welfare’s leader, David, though again, his acting prowess feels a little wasted.
Robert Schwentke directs the film with a unique colour palate and visual flair. Scenes “beyond the wall” are stunning and glisten with a red lick of paint, a welcome change from the staid, grey and blue many directors continue to use in blockbusters. It’s very Total Recall-esque in these sequences and better for it.
Unfortunately, once the plucky group of teens leave the Martian-like “Fringe” behind, the CGI kicks up a gear. This is where things start to unravel somewhat and Schwentke throws effect upon effect at the screen until there is hardly any realism left. On the whole, they’re pretty decent, but there are a few lapses that stop the film dead in its tracks, especially towards the cliff-hanger conclusion.
It’s also far too long. Much like Mockingjay, splitting the final book was an exercise in cash-grabbing rather than giving fans of the novels what they want. At over two hours in length, Allegiant drags in places and means the final film, as a whole, will be around four hours.
Nevertheless, there is much to enjoy here. The story for newcomers is incomprehensible and some of the dialogue is downright laughable, but for those of us continuing the saga, it’s an epic adventure with some cracking visuals, good acting and an intriguing plot – despite a few convoluted moments.
Overall, Allegiant is a film hampered by its timing. The similarities to The Hunger Games are obvious throughout, from exactly the same dialogue in certain scenes, to similar sets and similar casting decisions. But, if you can forget all that, it’s a fun, if overlong ride
https://moviemetropolis.net/2016/03/13/a-for-effort-divergent-allegiant-review/
Movie Metropolis (309 KP) rated Vacation (2015) in Movies
Jun 11, 2019
Family holidays will never be the same
It was 1983 when Chevy Chase and Beverly D’Angelo made the infamous decision to take their family across the US to “America’s Favourite Family Fun Park” in National Lampoon’s Vacation.
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
Movie Metropolis (309 KP) rated Chappie (2015) in Movies
Jun 11, 2019
A little rough around the edges
District 9 was a tough act to follow for first-time director Neill Blomkamp. His follow up to 2009’s sci-fi sleeper hit was the mediocre Elysium that whilst having a gargantuan budget and the likes of Jodie Foster and Matt Damon, failed on the most basic of levels – storytelling.
Here, Blomkamp returns a little wiser and much richer with Chappie. But does it hark back to the brilliance of District 9?
Chappie follows the story of the titular robot, created by Deon Wilson (Dev Patel), as he grows up in the violent city of Johannesburg. Due to the increasing crime rates, Wilson has created a force of robotic police officers, known as Scouts.
Despite the gritty nature of the film, the cityscapes are stunning with the sweeping shots of the South African metropolis perfectly blended with claustrophobic ruins and towering skyscrapers.
Hugh Jackman stars as ex-soldier Vincent Moore, a man hell bent on proving the capabilities of his own robot, The Moose, even if that means going against the protocols of his employers Tetravaal. Sigourney Weaver also stars as the CEO of the aforementioned corporation.
Unfortunately, side-lining Jackman and to a greater extent Weaver hurts the film. We see Chappie grow from a young child-like robot through to a young adult but Jackman and Weaver only show their faces for very brief moments at a time, though they manage to show their prowess in each scene.
Instead, we are lumbered with real-life pop group Die Antwoord in two roles as Chappie’s ‘mommy’ and ‘daddy’, and despite their decent acting skills and intriguing screen presence, they fail to make as much of an impression as the big names.
Chappie hits home hard and often on just how violent a species we are and the fact that the titular robot doesn’t understand why we can be so cruel only deepens the emotional connection forged for him.
Sharlto Copley, a Blomkamp staple, must be given high praise for crafting such a brilliant cast-member in the motion-captured Chappie. The robot rivals Caesar from Dawn of the Planet of the Apes for sheer realism, and credit must be given to the entire crew for making us feel for a character that has very few human characteristics.
Nevertheless, there is a real issue with the film’s narrative. There are moments of comedic brilliance that are hastily juxtaposed with ones of
sadness and gore, and despite Blomkamp’s best efforts to merge them together, it fails and this becomes increasingly evident in the film’s admittedly exciting finale.
Pacing, a blight that plagued Elysium, is again a problem here. The first 40 minutes of the film drag to such an extent that it feels much longer than its 2 hour running time. This is a huge shame as once it gets going, Chappie rarely lets up until the end credits roll.
Overall, despite not reaching the dizzying heights of the brilliant District 9, director Neill Blomkamp is back on the right track and has crafted a beautifully shot, richly detailed and hugely emotional film – despite his insistence on pushing the most intriguing human characters into the background.
Like the titular character himself, Chappie is charming, if a little rough around the edges and has a lack of story definition, but if you’re a fan of Blomkamp’s work, there’s no reason why you’d be disappointed with what’s on offer.
https://moviemetropolis.net/2015/03/08/a-little-rough-around-the-edges-chappie-review/
Here, Blomkamp returns a little wiser and much richer with Chappie. But does it hark back to the brilliance of District 9?
Chappie follows the story of the titular robot, created by Deon Wilson (Dev Patel), as he grows up in the violent city of Johannesburg. Due to the increasing crime rates, Wilson has created a force of robotic police officers, known as Scouts.
Despite the gritty nature of the film, the cityscapes are stunning with the sweeping shots of the South African metropolis perfectly blended with claustrophobic ruins and towering skyscrapers.
Hugh Jackman stars as ex-soldier Vincent Moore, a man hell bent on proving the capabilities of his own robot, The Moose, even if that means going against the protocols of his employers Tetravaal. Sigourney Weaver also stars as the CEO of the aforementioned corporation.
Unfortunately, side-lining Jackman and to a greater extent Weaver hurts the film. We see Chappie grow from a young child-like robot through to a young adult but Jackman and Weaver only show their faces for very brief moments at a time, though they manage to show their prowess in each scene.
Instead, we are lumbered with real-life pop group Die Antwoord in two roles as Chappie’s ‘mommy’ and ‘daddy’, and despite their decent acting skills and intriguing screen presence, they fail to make as much of an impression as the big names.
Chappie hits home hard and often on just how violent a species we are and the fact that the titular robot doesn’t understand why we can be so cruel only deepens the emotional connection forged for him.
Sharlto Copley, a Blomkamp staple, must be given high praise for crafting such a brilliant cast-member in the motion-captured Chappie. The robot rivals Caesar from Dawn of the Planet of the Apes for sheer realism, and credit must be given to the entire crew for making us feel for a character that has very few human characteristics.
Nevertheless, there is a real issue with the film’s narrative. There are moments of comedic brilliance that are hastily juxtaposed with ones of
sadness and gore, and despite Blomkamp’s best efforts to merge them together, it fails and this becomes increasingly evident in the film’s admittedly exciting finale.
Pacing, a blight that plagued Elysium, is again a problem here. The first 40 minutes of the film drag to such an extent that it feels much longer than its 2 hour running time. This is a huge shame as once it gets going, Chappie rarely lets up until the end credits roll.
Overall, despite not reaching the dizzying heights of the brilliant District 9, director Neill Blomkamp is back on the right track and has crafted a beautifully shot, richly detailed and hugely emotional film – despite his insistence on pushing the most intriguing human characters into the background.
Like the titular character himself, Chappie is charming, if a little rough around the edges and has a lack of story definition, but if you’re a fan of Blomkamp’s work, there’s no reason why you’d be disappointed with what’s on offer.
https://moviemetropolis.net/2015/03/08/a-little-rough-around-the-edges-chappie-review/
Re-Read Update:
I am in love with this series, all over again. I have been wanting to re-read this series for a while and my recent-ish read of Wires and Nerve reignited my love of this series. It had been a while since I was in the world and I had forgotten how much I loved these books.
I love fairytales and Marissa Meyer’s retellings of the classic tales we’ve all grown up with are fantastic. She turns the mousey girl from the original fairytale into a relatable character that we fall in love with. Cinderella is not one of my favourite fairytales because I prefer my heroines to have a little more spunk and backbone, but Cinder is just perfect.
Kai is one of those characters that is just so good. He is incredibly kind to Cinder, even when he believes that she is just a mechanic with a grease mark on her forehead, despite his station in life generally lending itself to an air of superiority. Prince Kai only wants what is best for his people and the Commonwealth, willing to sacrifice himself for their well-being if need be. He is definitely one of my favourite male characters, although if I’m being honest I probably have a lot of those.
Most importantly, we meet Iko the droid with the faulty personality chip that we couldn’t fall in love with more. Her loyalty and pure desire to just be a person are heartwarming. (And also sad, because she is a droid and not treated like a person by anyone but Cinder.)
We don’t see much of the world that Cinder lives in beyond New Beijing aside from small, throwaway comments. The world building that is done though is vivid and allows the reader to see the city grow in their mind. As this is a re-read, I am also aware that the world building is expanded extensively over the course of the novels and can understand the more rudimentary foundation being laid here.
I appreciated the effortless melding of elements from the classic fairytale into this unique science fiction world. It is wonderfully done and the story is well written. I would highly recommend this series to young adult/teen readers who enjoy fairytale retellings, science fiction, and intricate, interconnected stories.
_
This is one of the books that I saw on display at my local library and completely judged the book by its cover. I didn't know what it was about, but it looked interesting and I put it on my mental TBR list. Many years later, I have finally gotten a chance to read it (and the rest of the series.) This book was completely worth the wait. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this book. It gave the reader wonderful little homages to the classic fairytale while weaving the story through a world and characters all its own.
The world building in this novel, while not expansive was wonderfully done. As a reader, I could imagine Cinder meandering down the dingy, packed streets of New Beijing while Kai fretted over his father in the ornate, sprawling palace. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or good books.
I am in love with this series, all over again. I have been wanting to re-read this series for a while and my recent-ish read of Wires and Nerve reignited my love of this series. It had been a while since I was in the world and I had forgotten how much I loved these books.
I love fairytales and Marissa Meyer’s retellings of the classic tales we’ve all grown up with are fantastic. She turns the mousey girl from the original fairytale into a relatable character that we fall in love with. Cinderella is not one of my favourite fairytales because I prefer my heroines to have a little more spunk and backbone, but Cinder is just perfect.
Kai is one of those characters that is just so good. He is incredibly kind to Cinder, even when he believes that she is just a mechanic with a grease mark on her forehead, despite his station in life generally lending itself to an air of superiority. Prince Kai only wants what is best for his people and the Commonwealth, willing to sacrifice himself for their well-being if need be. He is definitely one of my favourite male characters, although if I’m being honest I probably have a lot of those.
Most importantly, we meet Iko the droid with the faulty personality chip that we couldn’t fall in love with more. Her loyalty and pure desire to just be a person are heartwarming. (And also sad, because she is a droid and not treated like a person by anyone but Cinder.)
We don’t see much of the world that Cinder lives in beyond New Beijing aside from small, throwaway comments. The world building that is done though is vivid and allows the reader to see the city grow in their mind. As this is a re-read, I am also aware that the world building is expanded extensively over the course of the novels and can understand the more rudimentary foundation being laid here.
I appreciated the effortless melding of elements from the classic fairytale into this unique science fiction world. It is wonderfully done and the story is well written. I would highly recommend this series to young adult/teen readers who enjoy fairytale retellings, science fiction, and intricate, interconnected stories.
_
This is one of the books that I saw on display at my local library and completely judged the book by its cover. I didn't know what it was about, but it looked interesting and I put it on my mental TBR list. Many years later, I have finally gotten a chance to read it (and the rest of the series.) This book was completely worth the wait. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this book. It gave the reader wonderful little homages to the classic fairytale while weaving the story through a world and characters all its own.
The world building in this novel, while not expansive was wonderfully done. As a reader, I could imagine Cinder meandering down the dingy, packed streets of New Beijing while Kai fretted over his father in the ornate, sprawling palace. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or good books.
Kyera (8 KP) rated Wintersong in Books
Jan 31, 2018
Wintersong is a fairytale re-telling based upon the German poem Der Erlkonig and stories of the Goblin King. The author takes a relatively short poem and breathes life into it, translating the dark words into an entire world. Liesl has heard tales of the Goblin King from her grandmother since she was a small child. Even played make-believe in the Goblin Grove with her Goblin King, but as she grew older she lost her faith in the old stories. Even her brother and sister seemed not to heed the old woman’s warnings. She warned Liesl that she must protect both siblings - she would be faced with a choice and mustn’t choose wrong.
This dire warning and her later choices set her on a journey to the Underworld. It is dark, earthy and primal, full of creatures that Liesl does not understand or trust. The land itself is well-described and forms itself within the reader’s mind. Though you would never hope to call it home, it has its own ancient and crude form of beauty.
The characters are unique, although generally not faceted or well-developed in their personalities. Perhaps our main character just does not know them as well as she believes, for her view is quite flat. Her sister, Kathe is beautiful and cares only about similarly pretty and frivolous things. Her brother, Josef is a talented musician who fears his music is a “gift” from the Devil. Her grandmother is superstitious, her mother hard-working and aloof, and her father a drunk. Sadly, we don’t get to see or experience any depth of personality, nor are they given the chance to develop over the course of the novel. As our main character is in the Underworld, the lack of development is understandable which is why I wish they were more fleshed out initially.
Liesl herself is a strange mix of traits with her love of music and composition, intense lack of confidence and anger stemming from her belief that she is ugly and unwanted. Her choices are both selfish and selfless. She is a mass of contradictions and broken beliefs. While she is an interesting character, I don’t find her to be particularly relatable. I didn’t connect with any of the characters in the novel, although I enjoyed the story itself. I’m sure there are others who would find similarities between themselves and one of the characters, making this book more impactful.
Finally, the Goblin King himself – who seems to be like two people in one. At times, we see the younger, more open man that he was and could be again while at others the cold, quick to anger Trickster of the Underworld is at the forefront. More intriguing than his present is his story, you wonder how did he become the Erlkonig? For he is not the first, nor shall he be the last. He is more human than his subjects and thus this difference is what fascinated me. I wanted that story, more than him demanding Liesl in her “entire” and her being unable to give of herself, fully, yet.
It was an interesting story even though I didn’t particularly care for the characters. I recommend this book for older young adult/teen readers who enjoy fantasy and fairytale books. The writing is very poetic and beautifully descriptive. I don’t regret reading this book, but I also wouldn’t personally go out and buy a physical copy of it for my shelf.
This dire warning and her later choices set her on a journey to the Underworld. It is dark, earthy and primal, full of creatures that Liesl does not understand or trust. The land itself is well-described and forms itself within the reader’s mind. Though you would never hope to call it home, it has its own ancient and crude form of beauty.
The characters are unique, although generally not faceted or well-developed in their personalities. Perhaps our main character just does not know them as well as she believes, for her view is quite flat. Her sister, Kathe is beautiful and cares only about similarly pretty and frivolous things. Her brother, Josef is a talented musician who fears his music is a “gift” from the Devil. Her grandmother is superstitious, her mother hard-working and aloof, and her father a drunk. Sadly, we don’t get to see or experience any depth of personality, nor are they given the chance to develop over the course of the novel. As our main character is in the Underworld, the lack of development is understandable which is why I wish they were more fleshed out initially.
Liesl herself is a strange mix of traits with her love of music and composition, intense lack of confidence and anger stemming from her belief that she is ugly and unwanted. Her choices are both selfish and selfless. She is a mass of contradictions and broken beliefs. While she is an interesting character, I don’t find her to be particularly relatable. I didn’t connect with any of the characters in the novel, although I enjoyed the story itself. I’m sure there are others who would find similarities between themselves and one of the characters, making this book more impactful.
Finally, the Goblin King himself – who seems to be like two people in one. At times, we see the younger, more open man that he was and could be again while at others the cold, quick to anger Trickster of the Underworld is at the forefront. More intriguing than his present is his story, you wonder how did he become the Erlkonig? For he is not the first, nor shall he be the last. He is more human than his subjects and thus this difference is what fascinated me. I wanted that story, more than him demanding Liesl in her “entire” and her being unable to give of herself, fully, yet.
It was an interesting story even though I didn’t particularly care for the characters. I recommend this book for older young adult/teen readers who enjoy fantasy and fairytale books. The writing is very poetic and beautifully descriptive. I don’t regret reading this book, but I also wouldn’t personally go out and buy a physical copy of it for my shelf.
Kyera (8 KP) rated A Study in Charlotte (Charlotte Holmes, #1) in Books
Jan 31, 2018
If you’re a fan of re-tellings then you will love A Study in Charlotte, a contemporary novel that follows the lives of a new generation of Sherlock and Holmes. Jamie Watson’s life is turned upside down when he is sent to a boarding school in Connecticut that just so happens to be close to his father’s house. The same man that got remarried and Jamie hasn’t spoken to in years. Despite his protests Jamie finds himself at this new school and longing for London. The one bright spot? Charlotte Holmes, whose accent makes him feel like home and won’t give him the time of day. As the only Holmes around his age, Jamie has been dreaming about Charlotte since he learned her name. He wonders what she looks like and imagines blonde hair, creating fantastic stories in his head of their crime solving adventure and friendship reminiscent of the original Sherlock and Holmes. His dreams aren’t exactly grounded in reality and it turns out that she has dark hair, but he’s not fazed. He manages to become friendly, if not friends with Holmes.
Charlotte and Jamie are wonderful, contemporary versions of their counterparts with familiar attributes while still being their own unique characters. Charlotte has a problem with narcotics, plays the violin and can usually be found with her beakers and test tubes (hopefully not blowing anything up). Jamie wants to be a writer, is a decent rugby player (despite what his scholarship might lead you to believe) and is braver than he thinks. Their best-friendship is appealing and realistic, despite Charlotte’s unique outlook on how to treat other human beings. You fall in love with the characters, whether you relate to Charlotte, Jamie, a little of both, or maybe one of the other supporting characters – you’ll find yourself enjoying this novel.
Each character even has a well thought out backstory that we learn more about throughout the course of the novel. What events and mistakes lead to Charlotte being sent to a boarding school in Connecticut when she should be in England? If a Moriarty and narcotics are involved, then you know it’s going to be intense – especially when the famous crime family isn’t particularly forgiving. Jamie’s story is less thrilling but no less important to his character. Not everyone is as they appear, some have secrets, some don’t always make the best choices, but it all drives the story forward. The book is full of poison, explosions, spying, chases and other staples of great mysteries.
The book has a lot of nods to classic Sherlock and Watson adventures and sometimes outright mentions them. As a huge Sherlock fan, from the classic novels of Sir Arthur Conan Doyle to the modern BBC creation – this book was perfection. I loved how it felt like a new story featuring some of my favourite characters and it kept you guessing until the end. The action and plot were well paced, allowing the story to unfold like a mystery should. Don’t worry, Moriarty’s were included in the writing of this story.
Highly recommended to young adult/teen fans of mystery, contemporary, or the classic Sherlock Holmes novels. I fell in love with this series and can’t wait to see where it goes from here.
Charlotte and Jamie are wonderful, contemporary versions of their counterparts with familiar attributes while still being their own unique characters. Charlotte has a problem with narcotics, plays the violin and can usually be found with her beakers and test tubes (hopefully not blowing anything up). Jamie wants to be a writer, is a decent rugby player (despite what his scholarship might lead you to believe) and is braver than he thinks. Their best-friendship is appealing and realistic, despite Charlotte’s unique outlook on how to treat other human beings. You fall in love with the characters, whether you relate to Charlotte, Jamie, a little of both, or maybe one of the other supporting characters – you’ll find yourself enjoying this novel.
Each character even has a well thought out backstory that we learn more about throughout the course of the novel. What events and mistakes lead to Charlotte being sent to a boarding school in Connecticut when she should be in England? If a Moriarty and narcotics are involved, then you know it’s going to be intense – especially when the famous crime family isn’t particularly forgiving. Jamie’s story is less thrilling but no less important to his character. Not everyone is as they appear, some have secrets, some don’t always make the best choices, but it all drives the story forward. The book is full of poison, explosions, spying, chases and other staples of great mysteries.
The book has a lot of nods to classic Sherlock and Watson adventures and sometimes outright mentions them. As a huge Sherlock fan, from the classic novels of Sir Arthur Conan Doyle to the modern BBC creation – this book was perfection. I loved how it felt like a new story featuring some of my favourite characters and it kept you guessing until the end. The action and plot were well paced, allowing the story to unfold like a mystery should. Don’t worry, Moriarty’s were included in the writing of this story.
Highly recommended to young adult/teen fans of mystery, contemporary, or the classic Sherlock Holmes novels. I fell in love with this series and can’t wait to see where it goes from here.
Kyera (8 KP) rated Carve the Mark in Books
Jan 31, 2018
Carve the Mark is a science-fiction novel told from two different perspectives. Akos is from Thuvhe, the ruling half of the planet and Cyra is from Shotet, the half that longs to be recognized in the system as legitimate and take Thuvhe's place. At some point as the people of the system make the journey from adolescence to adulthood, they come into abilities. Cyra's harnesses the current, which feeds and surrounds everything but it causes her and anyone she touches unbearable agony. Akos is like her counter-balance since he can disrupt the current. This means it doesn't harm him to touch Cyra and he is able to dampen her pain. Although they are from the same planet they were raised in two very different worlds until Akos is kidnapped and thrust into a culture of people he doesn't understand. Despite what the Shotet put him through, he is still capable of being curious and kind.
It is a wonderful example of history being written by the victors. We don't know exactly what happened, but each party has a different story. Each side is at fault in some fashion and the Thuvhesit people are not as guiltless as they proclaim.
Akos immediately was my favourite character and continued to be throughout the novel. He is likable and cares deeply for his family. While he has to reason to treat Cyra with kindness when they first meet, he takes the time to get to know her. Initially, I did not care much for Cyra but as her character grew and developed I liked her more. She learned that she did not have to be defined by those who raised her and had the ability to change.
It only took a few chapters before I was completely engrossed in the book. There are a few aspects that could have been improved in the book. The author seems to be a lover of the comma. As a writer who personally overuses it myself (and am trying to get better about), I noticed that so many of her sentences had numerous commas. It made parts of the text more difficult to read and complex than the needed to be. The other odd writing choice I noticed was her choice of point of view. She switched between Cyra and Akos' perspectives, which is not unusual - but she used the first person for Cyra and the third person for Akos. That was a different choice than what I'd experienced in books before and I'm not entirely sure if I enjoyed it.
The world we find ourselves exploring is vividly and beautifully described from the icy cities of Thuvhe to the watery Pithe, the vast reaches of space, and the ever-changing coloured current that binds it all together. While we are not given the opportunity to explore all 9 planets of the Assembly and the smaller bodies, I hope that we shall see more of them in future novels. Each culture and people we encounter is so unique and fascinating to explore more of.
Highly recommended to young adult/teen readers who enjoy science fiction books. I enjoyed that the title of the book was really meaningful to the overall narrative and journey that the characters go on. The book was wrapped up in a way that leaves you satisfied for now, but always wondering what comes next. It is another great series start for Veronica Roth and I can't wait to see where she takes us.
It is a wonderful example of history being written by the victors. We don't know exactly what happened, but each party has a different story. Each side is at fault in some fashion and the Thuvhesit people are not as guiltless as they proclaim.
Akos immediately was my favourite character and continued to be throughout the novel. He is likable and cares deeply for his family. While he has to reason to treat Cyra with kindness when they first meet, he takes the time to get to know her. Initially, I did not care much for Cyra but as her character grew and developed I liked her more. She learned that she did not have to be defined by those who raised her and had the ability to change.
It only took a few chapters before I was completely engrossed in the book. There are a few aspects that could have been improved in the book. The author seems to be a lover of the comma. As a writer who personally overuses it myself (and am trying to get better about), I noticed that so many of her sentences had numerous commas. It made parts of the text more difficult to read and complex than the needed to be. The other odd writing choice I noticed was her choice of point of view. She switched between Cyra and Akos' perspectives, which is not unusual - but she used the first person for Cyra and the third person for Akos. That was a different choice than what I'd experienced in books before and I'm not entirely sure if I enjoyed it.
The world we find ourselves exploring is vividly and beautifully described from the icy cities of Thuvhe to the watery Pithe, the vast reaches of space, and the ever-changing coloured current that binds it all together. While we are not given the opportunity to explore all 9 planets of the Assembly and the smaller bodies, I hope that we shall see more of them in future novels. Each culture and people we encounter is so unique and fascinating to explore more of.
Highly recommended to young adult/teen readers who enjoy science fiction books. I enjoyed that the title of the book was really meaningful to the overall narrative and journey that the characters go on. The book was wrapped up in a way that leaves you satisfied for now, but always wondering what comes next. It is another great series start for Veronica Roth and I can't wait to see where she takes us.