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Soul (2020)
Soul (2020)
2020 | Adventure, Animation, Comedy
Good...but wished it touched my Soul more
The creators at PIXAR have done it again. They have crafted a beautifully drawn, incredibly imaginative, wonderfully performed, heartwarming story for young and old alike to enjoy.

I just wished it touched my Soul more.

Written and Directed by Pete Docter (UP!, INSIDE OUT) - who I would argue is the…ahem…soul of Pixar - SOUL tells the story of Joe, a middle school band teacher who aspires to be a jazz musician. On the cusp of realzing his dream, Joe (or, rather, Joe’s soul) finds himself in the afterlife desperately trying to return to his life to fulfill his dream.

Strongly voiced by Jamie Foxx, Joe is singularly focused on his goal and he won’t let anything get in his way, not even a “lost soul” (voiced by Tina Fey).
Now, I am a big fan of Tina Fey’s and she does just as good a job in her voice acting as Foxx, but for me, I just didn’t sense a gel of characters between these two. Part of that issue just might be in the storytelling - as Joe’s character is constantly pushing Fey’s character away and, so, was pushing me away as well.

And that is too bad as this relationship is at the…well…soul of this film and I really wanted this to work better because the rest of the film is WONDERFUL.
Docter’s depiction of the afterlife is sublimely abstract and I really felt that this worked well and was a smart way to deal with that portion of the film. The script moves along and the assorted situations and characters that Joe and “22” (Fey’s character) encounter are fun.

And that’s because Pixar, once again, populates the film with a strong array of voice talent that brings “something more” to their characters - Graham Norton, Phylicia Rashad, Wes Studi and Daveed Diggs all shine in what are, essentially, extended cameo roles.

Which brings me back to my central issue - Foxx and Fey are on screen together for most of this film and I just wanted to connect with them more. Perhaps I was just not in the mood for this film at the time I viewed it. I will definitely give this movie another look (because there are so many good things going on).

Perhaps, I just need to open my soul more.

Letter Grade: B+

7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
After Life - Season 2
After Life - Season 2
2020 | Comedy, Drama
Exploring the aspects of mental health (3 more)
Storyline
Characters
Honesty
Truthful, honest and brutal
Afterlife Season 2 continued to follow the story of Tony, a brutal but honest character who is trying to become a better friends to those around him, whilst still struggling with the immense grief of losing his wife. Although maintaining his brutal honesty and hard shell, you see this character develop more and more into a more kindhearted, supportive and better person whilst still battling with the loss of his wife. We also see how he mentors a new aspiring journalist, and tries to brighten up what essentially isn't the greatest job/career choice for her. We see how each one of his friends are battling their own problems and how he manages to finally face his own, in order to help others. With the loss of his wife, the potential loss of his job and dealing with the loss of his father twice (due to dementia and then passing away) - we see the reality of loss and stigma around mental health, rather than falsely painting the issues in the programme to be positive, we view the harsh reality of everyday life. It is refreshing to see the reality and harshness of issues such loss, grief, addiction, loss etc.
  
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ClareR (5945 KP) rated Platform Seven in Books

Sep 1, 2019 (Updated Sep 2, 2019)  
Platform Seven
Platform Seven
Louise Doughty | 2019 | Fiction & Poetry, Mystery
10
6.0 (4 Ratings)
Book Rating
A beautiful, sad story.
If I could give more than 10/10 for Platform Seven, I would. The main character, and I’m giving nothing away here, is a ghost. She doesn’t know her name or why she’s there, but she knows that she’s dead, and she knows that she can’t leave the confines of Peterborough train station. However, two things trigger the return of her memories: a suicide on Platform Seven, and the appearance of a (living) young man in the station. We then learn her name, and the sequence of events that resulted in her death and afterlife at Peterborough train station.

This was a beautifully told story, and I’ll warn you now that you’ll need to read it with tissues at hand. I cried, and I cried quite a lot! This isn’t an action packed thriller. It’s thoughtful, emotional, and at times it’s frustrating. It’s easy to read a story and say to yourself that you won’t make the same mistakes as the lead character, that that character should have made different choices, but this book explains so well a manipulative, emotionally abusive relationship.

I would recommend this story - it really is well worth reading.

Many thanks to The Pigeonhole for serialising this outstanding book.