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Phil Leader (619 KP) rated The Gatekeeper (Afterlife #0.5) in Books
Nov 13, 2019
If you've read the author's rather excellent young adult Afterlife series about angels battling demons for control of mortal souls you will know The Gatekeeper as the cackling, taunting old man. If you have not read the series this novella may be a good introduction.
Aker might seem like a normal boy but there is something different about him. He is a little more cruel, a little more keen to cause trouble and misery than his peers. His downward path soon brings him to the attention of the demon world, a world he adapts to with ease. But demons survive either on their strength or their wits. Aker may not be strong but he is very cunning and very eager to prove himself.
One of the major achievements of this story is that the main protagonist is (hopefully) in no way relateable to the reader; he is sly, selfish and cruel, caring nothing at all for anybody but himself. Yet the writing means that although we might not agree with any of his choices, it is clear why he makes them. So although the reader has no sympathy for Aker, there is some understanding of him.
The story moves quickly as Aker progresses through the demon world and there is little to time to catch one's breath between scenes. This makes it an easy read, and one that manages to provide a lot of background on the wider series without ever deviating from telling the central story.
Aker might seem like a normal boy but there is something different about him. He is a little more cruel, a little more keen to cause trouble and misery than his peers. His downward path soon brings him to the attention of the demon world, a world he adapts to with ease. But demons survive either on their strength or their wits. Aker may not be strong but he is very cunning and very eager to prove himself.
One of the major achievements of this story is that the main protagonist is (hopefully) in no way relateable to the reader; he is sly, selfish and cruel, caring nothing at all for anybody but himself. Yet the writing means that although we might not agree with any of his choices, it is clear why he makes them. So although the reader has no sympathy for Aker, there is some understanding of him.
The story moves quickly as Aker progresses through the demon world and there is little to time to catch one's breath between scenes. This makes it an easy read, and one that manages to provide a lot of background on the wider series without ever deviating from telling the central story.
Matthew Krueger (10051 KP) rated Grim Fandango Remastered in Video Games
May 7, 2020 (Updated May 7, 2020)
Classic: Land of the Dead
Grim Fandango- is a classic game, yes i know im reviewing the remastered, but its a remaster from the ground up. Its still a excellent game.
Grim Fandango - is 1998 adventure game directed by Tim Schafer and developed and published by LucasArts for Microsoft Windows. It is the first adventure game by LucasArts to use 3D computer graphics overlaid on pre-rendered static backgrounds. As with other LucasArts adventure games, the player must converse with characters and examine, collect, and use objects to solve puzzles.
Grim Fandango is set in the Land of the Dead, through which recently departed souls, represented as calaca-like figures, travel before they reach their final destination. The story follows travel agent Manuel "Manny" Calavera as he attempts to save new arrival Mercedes "Meche" Colomar, a virtuous soul, on her journey. The game combines elements of the Aztec belief of afterlife with film noir style, with influences including The Maltese Falcon, On the Waterfront and Casablanca.
Grim Fandango received praise for its art design and direction. It was selected for several awards and is often listed as one of the greatest video games of all time. However, it was a commercial failure and contributed towards LucasArts' decision to end adventure game development and the decline of the adventure game genre.
I remember playing this game on the computer when i was around age 7-9. Its a excellent game.
Grim Fandango - is 1998 adventure game directed by Tim Schafer and developed and published by LucasArts for Microsoft Windows. It is the first adventure game by LucasArts to use 3D computer graphics overlaid on pre-rendered static backgrounds. As with other LucasArts adventure games, the player must converse with characters and examine, collect, and use objects to solve puzzles.
Grim Fandango is set in the Land of the Dead, through which recently departed souls, represented as calaca-like figures, travel before they reach their final destination. The story follows travel agent Manuel "Manny" Calavera as he attempts to save new arrival Mercedes "Meche" Colomar, a virtuous soul, on her journey. The game combines elements of the Aztec belief of afterlife with film noir style, with influences including The Maltese Falcon, On the Waterfront and Casablanca.
Grim Fandango received praise for its art design and direction. It was selected for several awards and is often listed as one of the greatest video games of all time. However, it was a commercial failure and contributed towards LucasArts' decision to end adventure game development and the decline of the adventure game genre.
I remember playing this game on the computer when i was around age 7-9. Its a excellent game.
Merissa (11731 KP) rated Aftermath in Books
May 14, 2021 (Updated Jul 26, 2023)
AFTERMATH tells you the sad story of three friends attending a concert when a bomb goes off and only one of them survives. Move onto an unknown character getting stopped by police on an anonymous tip, only to find explosives in his car boot. Enter the lawyer, a child from his youth, determined to prove his innocence.
This was an interesting story, with strong characters who moved the story along. The pacing was very good, giving enough action and suspense whilst not overloading the reader. Unfortunately, I felt the big bad and the situation about the why's and whatnot's was a bit too predictable. Knowing this was set in America, and knowing how expensive healthcare is, it certainly did not come as a surprise, nor did his actions afterwards.
This is a Christian Fiction novel so be prepared for an emphasis on God, what is right and wrong, and the possibility of an afterlife.
On the whole, this was a good story that I enjoyed, but there wasn't anything that really surprised me. If you like Christian Fiction and Suspense, then I can definitely recommend this one.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 14, 2021
This was an interesting story, with strong characters who moved the story along. The pacing was very good, giving enough action and suspense whilst not overloading the reader. Unfortunately, I felt the big bad and the situation about the why's and whatnot's was a bit too predictable. Knowing this was set in America, and knowing how expensive healthcare is, it certainly did not come as a surprise, nor did his actions afterwards.
This is a Christian Fiction novel so be prepared for an emphasis on God, what is right and wrong, and the possibility of an afterlife.
On the whole, this was a good story that I enjoyed, but there wasn't anything that really surprised me. If you like Christian Fiction and Suspense, then I can definitely recommend this one.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 14, 2021
Gareth von Kallenbach (971 KP) rated Unrest (2006) in Movies
Aug 14, 2019
For many medical school students the most daunting class they face early in their studies is that of Gross Anatomy. The class which introduces aspiring doctors to their first bodies, as well as the reality and complexity of the human anatomy is often seen as a make or break moment for the challenging studies that lay ahead.
In the film Unrest Writer/Director/Producer Jason Todd Ipson follows a group of new students in a Gross Anatomy class. At first the students are shocked by the disfigured cadaver in front of them, but soon begin the dissection they are required to do.
The appearance of the corpse they are working on becomes a source of fixation for one of the students named Allison (Corri English), who becomes convinced that something is not right with the body they are working on, as something tells her that things are not as they seem.
Allison’s concerns are dismissed as her being overwhelmed by her first encounter with a body, and she is told that her concerns will soon pass. Soon after, one of the dissection group is affected by a freak accident, and Allison becomes convinced that there are evil forces at work, and that nobody will be safe until the mystery behind the corpse is settled.
As the body count rises, Allison and her friend Brian (Scot Davis), face a race against the clock and the supernatural to find the cause of the unrest and make things right, before they end up the next victims of a vengeful specter.
Unrest is a very impressive debut for Ipson, who himself was a promising surgeon before turning his talents to directing. The film is well paced and has plenty of tension and suspense without resorting to the clichéd horror staples that have become all too common.
The plot is refreshingly original and deeper than most films in this genre attempt to achieve, as its complexity is deceiving simply. The film can be taken as a simple scare fest, but for those willing to look beneath the surface, there are deeper layers to the film that tackle areas such as the afterlife, intuition, possession, second sight, and the supernatural. While all of those have been covered before in various films, few have ever combined them in such an intelligent fashion that allows the audience to reach their own conclusions on the topics the film introduces.
The cast is solid especially Davis and English who take what could easily be stock characters and infuse a sense of purpose which helps the audience relate to them and their situation.
While the film might have what appears to some to be plot holes, the film is actually a clever examination of the spirit and afterlife, and delivers the goods. While much has been made about the alleged use of real body parts in the film, Ipson is careful not to let his film become a gratuitous gore fest and uses blood and carnage only in the amounts necessary to propel the story.
Unrest is a very solid effort that marks the emergence of a talent to be watched and will delight fans of the genre who want some intelligence with their horror.
In the film Unrest Writer/Director/Producer Jason Todd Ipson follows a group of new students in a Gross Anatomy class. At first the students are shocked by the disfigured cadaver in front of them, but soon begin the dissection they are required to do.
The appearance of the corpse they are working on becomes a source of fixation for one of the students named Allison (Corri English), who becomes convinced that something is not right with the body they are working on, as something tells her that things are not as they seem.
Allison’s concerns are dismissed as her being overwhelmed by her first encounter with a body, and she is told that her concerns will soon pass. Soon after, one of the dissection group is affected by a freak accident, and Allison becomes convinced that there are evil forces at work, and that nobody will be safe until the mystery behind the corpse is settled.
As the body count rises, Allison and her friend Brian (Scot Davis), face a race against the clock and the supernatural to find the cause of the unrest and make things right, before they end up the next victims of a vengeful specter.
Unrest is a very impressive debut for Ipson, who himself was a promising surgeon before turning his talents to directing. The film is well paced and has plenty of tension and suspense without resorting to the clichéd horror staples that have become all too common.
The plot is refreshingly original and deeper than most films in this genre attempt to achieve, as its complexity is deceiving simply. The film can be taken as a simple scare fest, but for those willing to look beneath the surface, there are deeper layers to the film that tackle areas such as the afterlife, intuition, possession, second sight, and the supernatural. While all of those have been covered before in various films, few have ever combined them in such an intelligent fashion that allows the audience to reach their own conclusions on the topics the film introduces.
The cast is solid especially Davis and English who take what could easily be stock characters and infuse a sense of purpose which helps the audience relate to them and their situation.
While the film might have what appears to some to be plot holes, the film is actually a clever examination of the spirit and afterlife, and delivers the goods. While much has been made about the alleged use of real body parts in the film, Ipson is careful not to let his film become a gratuitous gore fest and uses blood and carnage only in the amounts necessary to propel the story.
Unrest is a very solid effort that marks the emergence of a talent to be watched and will delight fans of the genre who want some intelligence with their horror.
Gareth von Kallenbach (971 KP) rated Ghostbusters: Afterlife (2021) in Movies
Nov 16, 2021
Back in 1984 when big hair and neon were the norms; a movie appeared that soon became a cultural phenomenon. The movie involved a team of unlikely Paranormal Investigators and the mix of comedy, FX, and Ghosts turned the movie into a smash hit and a Pop Culture mainstay. The abundance of products that followed and the inescapable theme song and tagline soon gave rise to a sequel which while a success; did not resonate the way the original film had and thus the “Ghostbusters” film franchise became dormant.
While a successful video game and merchandise line kept the franchise alive; the 2016 reboot with an all-female team failed to capture the magic at the box office and again put the franchise’s cinematic future in question.
Thankfully after several delays due to the Covid 19 Pandemic; “Ghostbusters Afterlife” has arrived and is the worthy sequel that does justice to the original film and sets the stage well for future cinematic exploits.
The film follows a down on her luck mother named Callie )Carrie Coon) and her children Trevor (Finn Wolfhard); and Phoebe (Mckenna Grace), as they are forced to move to a dilapidated farm in rural Oklahoma following the passing of Callie’s estranged father and her subsequent eviction.
A series of unexplained earthquakes clues the smart and precocious Phoebe that something is up and with her new friend Podcast (Logan Kim), and teacher Mr. Grooberson (Paul Rudd); help her uncover her connection to the original Ghostbusters and the abundance and significance of the gear that her Grandfather has left on the farm.
Things soon take a turn for the worse and despite skeptical locals and the emerging danger, Phoebe, Trevor, and their friends have to battle the forces of evil to save the world.
The movie takes its time getting to the action and spends plenty of time establishing the characters, their motivations, and their relationships with one another. There are abundant homages to the original film; some of which are very subtle and clever but never seem gratuitous or tacked on.
The film also does not rely on the FX to tell the tale as while there are some solid effects in the film; this is a character-driven tale and the new cast works well with some surprise guests who pop up throughout the film.
Director Jason Reitman; son of the Director of the original film; clearly knows and loves the material as he not only helped craft the story but deftly weaves a new tale into the franchise which also fits well with the first film and does not attempt to reboot but rather continue the franchise.
There are two extra scenes in the credits that you will not want to miss as not only are they great fun; but also tease of future adventures to come.
The film also has a few touching moments that caused some unexpected emotion from the audience at our Press Screening and helped establish “Ghostbusters Afterlife” as not only a winning entry into the series but also one of the most enjoyable films of the year.
4.5 stars out of 5.
While a successful video game and merchandise line kept the franchise alive; the 2016 reboot with an all-female team failed to capture the magic at the box office and again put the franchise’s cinematic future in question.
Thankfully after several delays due to the Covid 19 Pandemic; “Ghostbusters Afterlife” has arrived and is the worthy sequel that does justice to the original film and sets the stage well for future cinematic exploits.
The film follows a down on her luck mother named Callie )Carrie Coon) and her children Trevor (Finn Wolfhard); and Phoebe (Mckenna Grace), as they are forced to move to a dilapidated farm in rural Oklahoma following the passing of Callie’s estranged father and her subsequent eviction.
A series of unexplained earthquakes clues the smart and precocious Phoebe that something is up and with her new friend Podcast (Logan Kim), and teacher Mr. Grooberson (Paul Rudd); help her uncover her connection to the original Ghostbusters and the abundance and significance of the gear that her Grandfather has left on the farm.
Things soon take a turn for the worse and despite skeptical locals and the emerging danger, Phoebe, Trevor, and their friends have to battle the forces of evil to save the world.
The movie takes its time getting to the action and spends plenty of time establishing the characters, their motivations, and their relationships with one another. There are abundant homages to the original film; some of which are very subtle and clever but never seem gratuitous or tacked on.
The film also does not rely on the FX to tell the tale as while there are some solid effects in the film; this is a character-driven tale and the new cast works well with some surprise guests who pop up throughout the film.
Director Jason Reitman; son of the Director of the original film; clearly knows and loves the material as he not only helped craft the story but deftly weaves a new tale into the franchise which also fits well with the first film and does not attempt to reboot but rather continue the franchise.
There are two extra scenes in the credits that you will not want to miss as not only are they great fun; but also tease of future adventures to come.
The film also has a few touching moments that caused some unexpected emotion from the audience at our Press Screening and helped establish “Ghostbusters Afterlife” as not only a winning entry into the series but also one of the most enjoyable films of the year.
4.5 stars out of 5.
I had to read this book for my craft of fiction class. This was my first time reading it, but we were able to look at it as more than just plot, and more about how it was written and why it was written that way.
There are spoilers, so read at your own risk.
I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.
The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.
I really liked this book. If you want to understand why, check it out for yourself.
There are spoilers, so read at your own risk.
I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.
The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.
I really liked this book. If you want to understand why, check it out for yourself.
Phil Leader (619 KP) rated Angelic Retribution in Books
Nov 8, 2019
I thought the the first two installments of the Afterlife saga, following the exploits of human-turned-angel Aurora, were absoluately terrific. With this third installment I feel like I need to invent some new superlatives as all the existing ones seem somehow inadequate.
There's not much of the story I can discuss without giving things away, but this very much continues following the trend for the themes to get darker as the series has gone on. The angels are becoming desperate as the demon hordes press in relentlessly. After her actions in the second book Aurora is viewed with a great deal of suspicion by everyone and Abaddon is still focussed on getting her join the demon ranks.
The story that Cope tells here begs to be read; the stakes have been raised and it's really not clear what is going to happen next, and there are a number of shock twists and developments that take the plot in all sorts of directions I hadn't expected at the outset. As usual the writing and characterisation is flawless, smoothly flowing off the page throughout, effortlessly following the changes in pace as the story twists through its chapters.
If you enjoyed the first two books and want to find out what happens next to Aurora and her friends you will not be disappointed. If you have not read any of the series and are looking for something interesting, thought-provoking and pacey to read then I can't recommend these books highly enough.
There's not much of the story I can discuss without giving things away, but this very much continues following the trend for the themes to get darker as the series has gone on. The angels are becoming desperate as the demon hordes press in relentlessly. After her actions in the second book Aurora is viewed with a great deal of suspicion by everyone and Abaddon is still focussed on getting her join the demon ranks.
The story that Cope tells here begs to be read; the stakes have been raised and it's really not clear what is going to happen next, and there are a number of shock twists and developments that take the plot in all sorts of directions I hadn't expected at the outset. As usual the writing and characterisation is flawless, smoothly flowing off the page throughout, effortlessly following the changes in pace as the story twists through its chapters.
If you enjoyed the first two books and want to find out what happens next to Aurora and her friends you will not be disappointed. If you have not read any of the series and are looking for something interesting, thought-provoking and pacey to read then I can't recommend these books highly enough.
Phil Leader (619 KP) rated Aaliyah in Books
Nov 8, 2019
When her mother was healed by angels shortly before she was born, Aaliyah has been able to heal others, both physically and mentally. In particular she helps out her friend Duan, a unique child born of both demon and angel.
Her sheltered existence is a great concern to her mother, and so she takes her young family away from their monastery home - and Duan - in order the live a 'normal' life. But Aaliyah can't help using her power, and draws unwanted attention to the family.
This book is the start of a new series, albeit one firmly rooted in Cope's Afterlife series. However it is not necessary to have read that series, nor the Witch's Legacy book which provides some additional background.
As usual with Cope's books it is the characters that shine out, everyone from Aaliyah and Duan to the villagers who are just desperate for Aaliyah's healing touch are realised perfectly. As the stakes are raised, not least by a dreadful prophesy and dark forces who want to use her gift for their own ends, both Aaliyah and Duan must decide where they belong and who they need the most.
As the story unfolds the stakes are skillfully raised, drawing the reader along, genuinely fearing for the fates of the main characters at each step. Sometimes it was hard to turn the page, knowing that the characters you have been getting to know so well will almost definitely end up coming to harm.
In this book Cope has managed to take the elements of angels, witches and shapeshifters and combined them into an engrossing and thrilling read that will appeal to young adults of all ages.
Her sheltered existence is a great concern to her mother, and so she takes her young family away from their monastery home - and Duan - in order the live a 'normal' life. But Aaliyah can't help using her power, and draws unwanted attention to the family.
This book is the start of a new series, albeit one firmly rooted in Cope's Afterlife series. However it is not necessary to have read that series, nor the Witch's Legacy book which provides some additional background.
As usual with Cope's books it is the characters that shine out, everyone from Aaliyah and Duan to the villagers who are just desperate for Aaliyah's healing touch are realised perfectly. As the stakes are raised, not least by a dreadful prophesy and dark forces who want to use her gift for their own ends, both Aaliyah and Duan must decide where they belong and who they need the most.
As the story unfolds the stakes are skillfully raised, drawing the reader along, genuinely fearing for the fates of the main characters at each step. Sometimes it was hard to turn the page, knowing that the characters you have been getting to know so well will almost definitely end up coming to harm.
In this book Cope has managed to take the elements of angels, witches and shapeshifters and combined them into an engrossing and thrilling read that will appeal to young adults of all ages.
Rachel King (13 KP) rated Tempted (House of Night, #6) in Books
Feb 11, 2019
In terms of plot, I would say this is the worst book of the series. Loose ends are left dangling all over the place, more questions are formed than answered, and (spoiler!) the main character, Zoey escapes into the afterlife "Otherworld." The last page is like a huge "To Be Continued..." and I just hate so-called endings like that. Most of the book is spent making plans regarding Kalona and Neferet, the red fledglings, and the House of Night school, but very little is actually accomplished. I appreciate that the series seems to move in real-time, but at the same time, things need to move a bit faster for anything to actually happen. The most exciting thing was Stevie Rae's near-death experience, which isn't saying much. I was greatly antipating the group's trip to Venice, but their meeting with the High Council was strangely short and anti-climactic. I think that at least one vampyre on the council should have disagreed with Neferet's lies, since Kalona's hypnotic powers are supposed to rely on choice.
The things I did like about the book are what I've like about the entire series. I love how the characters all strive for normalcy, even when everything around them is completely paranormal. I love the dialogue and how it is very typically teenager-ish. I also love how Zoey makes tons of mistakes, even though she has the favor of the Goddess. The one "loose end" that did seem to get taken care of in a way was the Imprint between Aphrodite and Stevie Rae being broken, though it just formed another loose end with Stevie Rae hiding the Raven Mocker Rephaim from everyone else.
I will likely stay loyal to the series in the hopes that the plot improves with the next book, Burned.
The things I did like about the book are what I've like about the entire series. I love how the characters all strive for normalcy, even when everything around them is completely paranormal. I love the dialogue and how it is very typically teenager-ish. I also love how Zoey makes tons of mistakes, even though she has the favor of the Goddess. The one "loose end" that did seem to get taken care of in a way was the Imprint between Aphrodite and Stevie Rae being broken, though it just formed another loose end with Stevie Rae hiding the Raven Mocker Rephaim from everyone else.
I will likely stay loyal to the series in the hopes that the plot improves with the next book, Burned.
Whatchareadin (174 KP) rated A Man Called Ove in Books
Apr 10, 2019
Ove is a cranky old man who has recently lost his wife. He would like nothing more than to join her in the afterlife. He has made all of the arrangements, paid all of the bills, now he just has to find the best way to off himself. But when the neighbors seem to take a new interest in Ove, his plans keep getting thwarted. Will he be able to go through with his plans or will the neighbors have other plans?
I listened to this book and at first I wasn't sure if I was going to like it. But slowly Ove started to grow on me. He's the kind of guy who you know is stuck in his ways and there is nothing that you can say or do that will change that. But eventually you see a change, not one that is at first noticeable, but a slight softening.
Even though Ove is ready to leave this world, his neighbors, have a different idea. It starts with Parvana and her family. When they move into the neighborhood, they need help backing their trailer up on the street in order to move in. Then Parvana needs a ride to the hospital when her husband, Patrick has fallen off a ladder. Then another resident has to go to the hospital, then another neighbor needs help with their radiator and so on and so on. My favorite part of the book is toward the end **SPOILER ALERT** when Ove himself ends up going to the hospital and when Parvana goes to see him, the doctor tells her that one of Ove's problems is that his heart is too big. That makes Parvana bust out laughing.
At the end of this book, I cried like a baby and I highly recommend this book.
I listened to this book and at first I wasn't sure if I was going to like it. But slowly Ove started to grow on me. He's the kind of guy who you know is stuck in his ways and there is nothing that you can say or do that will change that. But eventually you see a change, not one that is at first noticeable, but a slight softening.
Even though Ove is ready to leave this world, his neighbors, have a different idea. It starts with Parvana and her family. When they move into the neighborhood, they need help backing their trailer up on the street in order to move in. Then Parvana needs a ride to the hospital when her husband, Patrick has fallen off a ladder. Then another resident has to go to the hospital, then another neighbor needs help with their radiator and so on and so on. My favorite part of the book is toward the end **SPOILER ALERT** when Ove himself ends up going to the hospital and when Parvana goes to see him, the doctor tells her that one of Ove's problems is that his heart is too big. That makes Parvana bust out laughing.
At the end of this book, I cried like a baby and I highly recommend this book.
