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Pain and Glory (2019)
Pain and Glory (2019)
2019 | Drama
Reflective drama from Pedro Almodóvar. An aging film director whose health is beginning to fail looks back upon key events and relationships from his life and contemplates his future. Clearly there is a semi-autobiographical element to this film, which is informed to a great extent by Almodóvar's own life - Bandera's character hasn't spoken to another character for decades, reflecting the twenty-year falling-out between Banderas and Almodóvar himself, while various other key collaborators appear in small roles.


More sober and introspective than many of the director's films, but made with the usual skill and subtlety; he hasn't lost his fondness for outrageous plot contrivances, either. In the end this is an arthouse drama, so perhaps not to all taste - but while this can be a bit slow and talky, it is also very satisfying, warm and humane.
  
Eternals (2021)
Eternals (2021)
2021 | Action, Adventure
I've lost track of how many Marvel movies there are - we must be into our 20s at least by now!

And, unfortunately, I found this one of the weakest so far, despite the 'star power' that it includes in its cast (most woefully the massively underused Salma Hayek or Angelina Jolie), with its large cast of central character - 10, I think - all on the earth since millennia BC, all un-aging (and the inspiration for our myths and legends) and all massively bored.

Which, unfortunately, is how I felt for large parts of the movie - it actually took me several attempts to make it the whole way through (watched in Disney+).

I've heard it works better the second time around, once you know a few key plot points and details, but I'm not in any hurry for a rewatch,
  
Minari (2020)
Minari (2020)
2020 | Drama
10
8.7 (3 Ratings)
Movie Rating
Minari is a wonderfully realised and fleshed out tale of family, failure, hope, aging, faith, and gender expectations.
It has excellent sprinklings of humour throughout its very human and often crushing narrative, and is backed by one of the most beautiful music scores I've ever heard.
The entire cast is superb, especially Yuh-Jung Youn, who essentially plays two characters to great effect, and then of course to Alan Kim, quite possibly the most adorable kid in the history of film, and who puts in one hell of a performance. This is all complimented by some seriously stunning cinematography, which manages to achieve an almost dream like quality amongst all the realism.

Minari is a triumphant piece of cinema, that managed to absolutely break me and had me on the verge of tears for most of the second half. Thanks a lot Minari you emotional, brilliant bastard.