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Leigh J (71 KP) rated Warlock (1989) in Movies

Nov 12, 2019 (Updated Nov 12, 2019)  
Warlock (1989)
Warlock (1989)
1989 | Action, Horror, Mystery
8
5.6 (8 Ratings)
Movie Rating
Unexpectedly Good!
Contains spoilers, click to show
1691: a Warlock is captured and imprisoned by a Witch Hunter called Giles. On the night of his execution, a storm happens in which he mysteriously disappears, leaving no trace behind.
It transpires that the Warlock has been transported forward to 1988, and he lands in an Apartment with 2 roommates, one of which he murders. The Warlock then uses his power to get in touch with a Demon; who instructs him that there is a Grand Grimoire that has been split into 3 books. To become a true Son of Satan, he has to find the 3 books and put them back together to make the Grimoire. However, little does the Warlock know... Giles the Witch Hunter has been transported to the '80s with him, and is determined to take the Warlock down, with the help of a young Woman who was the 2nd roommate (who's rapidly aging thanks to a spell the Warlock put on her). Will they be able to find the Warlock before time runs out?
Warlock has really surprised me! I thought it looked like it was going to be really bad, and one of those Movies that I wish I'd never seen, and don't get me wrong there are moments that are unintentionally comedic and cheesy but I found myself strangely enjoying it, and actually thinking it's a very decent Movie that I'd watch again! Forgiveably cringeworthy, Horror fans should definitely give this one a go!
  
1900 (Novecento) (1977)
1900 (Novecento) (1977)
1977 | Drama, History, International
(0 Ratings)
Movie Favorite

"Bernardo Bertolucci’s 1900 is one of my favorites. It’s epic — when I saw it at a film festival, they literally had an intermission where they served pasta and red wine. It was wonderful. It’s a thin, handsome Gérard Depardieu in the prime of his youth, and Robert De Niro doing a great aging character, the rich boy. Depardieu [as] the poor boy. Probably one of the greatest entrances in the history of cinema for the beautiful actress Dominique Sanda. And Bertolucci uses this town, this little village — and you see it go from the turn of the century to WWII, and it changes with the seasons, and the time. And one of the best villains ever, Donald Sutherland, as this sort of grand guignol, a fascista, brown shirt — you know, black shirt — that is corrupted by the Mussolini movement in Italy. And he just completely surprises you with his performance. It’s really wonderful and kinky, and strange and beautiful. And the music is extraordinary. Yeah, it’s really a great film — a long movie, but a great movie — and it really left an indelible stamp on my brain. All these movies in my top five are what I call “desert island” movies. These are films that I can see again and again, and they have sequences or images in them, or they’ve left such a film memory in my imagination — such a stamp on my memory and imagination — that I can see them again and again."

Source
  
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Heather Cranmer (2721 KP) created a post

Sep 11, 2022  
Sneak a peek at the self-help memoir on aging entitled CREATRIX RISING by Byline Stephanie on my blog. (I read this book last year and loved it!) Enter the giveaway for a chance to win a print copy and the audiobook - four winners!

https://alltheupsandowns.blogspot.com/2022/09/audiobook-blog-tour-and-giveaway.html

**BOOK SYNOPSIS**
Ever since Eve was banned from the garden, women have endured the oftentimes painful and inaccurate definitions foisted upon them by the patriarchy. Maiden, mother, and crone, representing the three stages assigned to a woman’s life cycle, have been the limiting categories of both ancient and modern (neo-pagan) mythology. And one label, in particular, rankles: crone. The word conjures a wizened hag—useless for the most part, marginalized by appearance and ability.

None of us has ever truly fit the old-crone image, and for today’s midlife women, a new archetype is being birthed: the Creatrix.

In Creatrix Rising, Raffelock lays out—through personal stories and essays—the highlights of the past fifty years, in which women have gone from a quiet strength to a resounding voice. She invites us along on her own transformational journey by providing probing questions for reflection so that we can flesh out and bring to life this new archetype within ourselves. If what the Dalai Lama has predicted—that women will save the world—proves true, then the Creatrix will for certain be out front, leading the pack.
     
O(
4
4.0 (1 Ratings)
Book Rating
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).

(I hate writing reviews that are under 3 stars, but I told the author I'd write a review, so here goes).

Okay, so I wanted to really like this book, I really did. It was about Greek gods and goddesses which is a subject I like. However hard I tried to get into it, I just couldn't. It actually felt like a chore, and I hated having to read it. I took a little break from it, but when I came back to it, I still couldn't get into it.

Please keep in mind this review is only going to be about the first 9 chapters as I stopped reading when I got to chapter 10.

The title is a fantastic choice for this book. When I stopped reading, it had gotten obvious why the author chose this title.

I'm not really sold on the cover. It's just too boring for my liking. Again, this book has taken the easy way out by just putting a photo on the cover. Whatever happened to imagination!?!

The world building didn't really seem that thought out. I found myself being nagged by so many questions about Elyse's aging process that I couldn't answer. The whole aging thing just did not make much sense. Based on the bit I read of this book, I just didn't see the world building getting any better.

The pacing in this book was so slow!! I found myself becoming easily bored and not caring about anything that happened. As I said previously, I even took a book thinking maybe it was just me, but when I came back to it, I found the pacing to be even slower if that's possible.

The dialogue between the characters was well thought out. It never seemed forced and seemed to flow with the story. Based on what I read of this book, there was no swearing.

The character of Elyse didn't seem very well-developed. She does not act 89 at all but acts like a teenager. Surely she'd act her age regardless of what age she looked like physically!?! That is what mainly put me off the whole book. I liked William based on the little bit I read about him. He seems like a fun character. I would've liked to find out a bit more about Kara but I just really couldn't force myself to read this book anymore.

Like I said, I really wanted to enjoy this book. Even the synopsis sounded promising. I think the idea of the book is a good one, but it wasn't executed very well. I think if the author had maybe worked on the book a bit longer, it could've been really good.

Overall, I wouldn't really recommend this book unless you aren't very fussy with details or unless you're really bored. If you want to take a chance with it (and you may like it), I'd say it's a book for those aged 13+ from what I've read.
  
Terminator: Dark Fate (2019)
Terminator: Dark Fate (2019)
2019 | Action, Adventure, Sci-Fi
Good (enough) conclusion to the Franchise
After a few attempts at resurrecting this franchise, James Cameron has (wisely) decided to bury the franchise with one last TERMINATOR film starring the original Terminator himself, Arnold Schwarzenegger. TERMINATOR: DARK FATE is a direct sequel to T2: JUDGEMENT DAY (or so says Producer/Writer Cameron) as it ignores the 3rd and 4th movies in this series (as well as the television show THE SARAH CONNOR CHRONICLES).

And that is a wise move as it simplifies things and just lets us get on to what a Terminator movie does best - fantastic action sequences, state of the art CGI, a killer robot that will stop at nothing to accomplish it's mission, and a plucky hero or 2 to battle said killer robot.

Oh...did I mention that they recruit a Terminator to help them stop the Terminator?

And it all works well...enough. Set in this year (2019), TERMINATOR: DARK FATE tells the tale of what happens next after Sarah and John Connor stopped Judgement Day in the 2nd Terminator film. A deadly - even more dangerous - Terminator (version 9!) returns to 2019 to kill a single woman (Natalie Reyes). This time she is helped by an augmented human from the future (Mackenzie Davis) and...Sarah Connor! Returning to this film, all buffed up and aging, is a craggy voiced Linda Hamilton as Sarah, who brings an adequate amount of world-weary, "been there, done that" attitude to the proceedings that pretty much carry the first half of the film.

And...just as the film was beginning to sag in the middle, along comes Arnold.

Playing an aging Terminator (which is explained, well enough, in the plot), Arnold plays the Terminator (who has been living with humans for over 20 years) with a wink in his eye and a sense of humor about him. Yep...this is a Terminator with a funny bone. And - I'll be darned - it works! Thanks to the performance of Mr. Schwarzenegger. He knows exactly what kind of film he is in and brings the right amount of energy, muscle and humor to the proceedings. He pretty much carries this film on his broad shoulders for the 2nd half - and he carries it with ease.

Credit Director Tim Miller (DEADPOOL) for keeping things light, simple and moving along crisply. He, too, understands the type of film he is making (and the audience that will go see this type of film) so he keeps the dialogue light and snappy, the plot at it's simplest and the action as high as he can go - blowing things up at a moment's notice. It's not sublte art by any stretch of the imagination, but it is art - in a way - and art that he does well.

If this is the last Terminator film (and I hope it is), then it is going out on a high (enough) note. I was surprisingly entertained (and not preached to) and, I think that is all I could have hoped for in a Terminator flick.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
Catwoman (2004)
Catwoman (2004)
2004 | Action, Drama
Meow
Catwoman- is a terrible movie, im not sure why this movie got made, but it did. Selina kyle is not even the main charcter in this film, she's not even mention in this film. So who's even the main charcter of this film? Patience Philips, what the hell!! So whats the story than.

"Catwoman" is the story of shy, sensitive artist Patience Philips (Halle Berry), a woman who can't seem to stop apologizing for her own existence. She works as a graphic designer for Hedare Beauty, a mammoth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer is hiding, she finds herself in the middle of a corporate conspiracy. What happens next changes Patience forever.

What the hell!!! Is this plot, not even close to the source material. Who else in this film? Sharon Stone!!! Why? Benjamin Bratt!!! Why? Frances Conroy!! Why?

Grr this movie makes me really mad, the whole movie makes mad.

I can go on for days upon days, on how this is really bad.

Even this happened, Berry arrived at the ceremony to accept her Razzie in person with her Best Actress Oscar for Monster's Ball in hand and said: "First of all, I want to thank Warner Bros. Thank you for putting me in a piece of shit, god-awful movie... It was just what my career needed.

Wow that means you should not see this film, when even the main actress says the movie is awful. So dont watch this film.
  
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LeftSideCut (3778 KP) Aug 2, 2019

Doesn't even deserve a 1!

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Matthew Krueger (10051 KP) Aug 2, 2019

If their was a zero rating

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Sarah Paulson recommended Opening Night (1977) in Movies (curated)

 
Opening Night (1977)
Opening Night (1977)
1977 | Drama
(0 Ratings)
Movie Favorite

"I would probably say A Woman Under the Influence [for my fifth movie], although it’s a deep, deep tie between that and the movie Opening Night. And A Woman Under the Influence was, I think, more celebrated, but Opening Night might resonate more with me. It is a story about an actress coming to terms with aging and her mortality. I think I’m also really drawn to the way those movies were made, and you can kind of feel the hammer and nail that was used to bring the whole thing together in this way that’s sort of extraordinary and that you can just almost feel the effort made by everyone involved – which is what happens when you make any movie. But sometimes [it affects you] when you know that everybody’s friends were there and they’re all making food for people to eat while they’re making this movie, to make this movie, to tell the story, not to serve any bottom line, or anything other than their creative interests. [In Opening Night, writer, director, and co-star John Cassavetes worked with Gena Rowlands, his then wife.] You don’t always have that luxury. And I just am always very moved by the way they made their movies and what a family they were and what places they could go because of it, because of that intimacy, because of that ease and that history between them. They were able to do things that I don’t know that you could achieve or accomplish in any other fashion, you know?"

Source
  
The Curious Case of Benjamin Button (2008)
The Curious Case of Benjamin Button (2008)
2008 | Drama, Romance, Sci-Fi
Caroline is visiting her mother, Daisy, in the hospital while her mom is basically on her deathbed. We are in New Orleans and Katrina is well on its way to making landfall in the next few hours. Daisy tells Caroline to get a book out of the bag she brought to the hospital. This book winds up being the diary of a man named Benjamin Button; a man with an unusual condition of aging backwards. This is the extraordinary story of a man who wasn't expected to live to see his childhood, the people he met and grew to love, the challenging obstacles he had to face, his eventual adulthood, and beyond.

This was my favorite film of 2008. I found it fascinating from the very first frame. It has a running length of two hours and forty eight minutes, but it certainly doesn't feel that long. There were a few times when I wanted to look to see how long the movie had been going, but I'd put it off and then wind up forgetting about it. The film length is not a factor as the events that unfold go by rather quickly.

This film is magic. I don't mean that in the hocus pocus kind of sense. It made me feel things I wasn't aware could be felt after seeing a film. I almost cried. More than once. That's rare in itself, but on more than one occasion during the same film is pretty much unheard of for me. It was the first film I had ever seen that had made me feel better about myself after the credits rolled. On the way home, I wound up not turning the radio on or anything just so I could reflect on the movie for that much longer and keep this rare, warm, fuzzy feeling for as long as I could.

This is arguably Brad Pitt's best role, at least from the films of his I've seen. Making something like having the mind of a seven year old while having the body of an eighty year old man believable is probably not an easy task, but he pulls it off rather flawlessly. The make-up effects are something to behold, as well. The way these effects are used to show people aging in this film is just remarkable.

I've heard a lot of people compare The Curious Case of Benjamin Button to Forrest Gump. The truth of the matter is that other than both films being told in a narrative style and that characters sit on a bench at some point in both films during the time this story is being told, there really isn't much the two films have in common. I for one prefer Benjamin Button over Forrest Gump, but I'm not taking anything away from either film.

As superb of a film this is, its one downside is its length. That will probably turn a lot of people off. I was a bit weary when I first realized how long it was, but once I was finally in the theater watching the film, it all went by so quickly. My eyes were literally glued to the screen the entire time. The story is sad overall, but it moved me in ways no film has ever done before in the past. It's well worth whatever price you pay for the ticket and it's well worth sitting through the close to three hour duration. I wouldn't tell you it was the best movie of 2008 if I meant otherwise.
  
Jurassic Park (1993)
Jurassic Park (1993)
1993 | Adventure, Sci-Fi
The CGI (2 more)
The Special Effects
The Storytelling
The all time best dinosaur movie made so far....
This move is a great one and will hold up for many many years. They way the original king Kong holds up the groundbreaking special effects for the time are solid enough to fool people nowadays in a charming old fashioned way. Yes technology is evolving faster than dinosaurs ever did, but when something is made this well, it tends to age well, not poorly. Jaws is another example of aging well, yes we can see the flaws and the seems, but it doesn't matter. Yes I understand the science is flawed, but the premise is interesting, and the pseudo science is good enough to capture the imagination. And the imagination runs wild here like a T-Rex after a Jeep. It gobbled me up like a guy on a toilet. I still love to visit Isla Sorna. And plan to go back many many more times.

Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.


Here's 2 awesome movie posters:
  
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The Marinated Meeple (1848 KP) Apr 5, 2018


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The Marinated Meeple (1848 KP) Apr 5, 2018


Despicable Me (2010)
Despicable Me (2010)
2010 | Animation, Comedy, Family
6
8.0 (64 Ratings)
Movie Rating
I've never really gone in for animation much, some people might find that hard to believe given the calibre of films that have been made over the years. So after everyone raved over this it was the glimpse of the army of yellow minions that first drew me in.

There are enough voice talents on show here to make this a must see film, Steve Carell, Jason Segel and Russell Brand all do a brilliant job of taking the two biggest villains in the world and putting them on a collision course with each other.

Gru (Carell) regards himself as the world’s greatest supervillain, but when he meets his match in the form of the overly exuberant Vector (Segel), Gru needs a new plan that will put him back on top of the baddie elite. The plan being to steal the moon, with the help of his band of very funny, and at times show stealing minions he also needs to enlist the help of three small orphans whom he dislikes the minute he sets eyes on them.

However, as with most animation the film has heart warming moments that will leave you feeling soft inside, and its a feeling that only this genre can muster up. The stand out oddly for me was Gru’s aging side kick Dr. Nefario (Brand) whose dry wit was right up my street, and made for a few decent laughs. It’s predictable but then what animated film isn’t, this one is yet again for adults and kids a like and both will enjoy it in their own special way.