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Bob Mann (459 KP) rated Respect (2021) in Movies
Oct 14, 2021
Re, re, re, re, ‘spect… Just a little bit.
What with holidays and Bond, it’s taken me a few weeks to get to see this Aretha Franklin biopic. But I finally caught it this week.
Plot Summary:
‘Re’ is a 10-year old growing up in relative middle-class affluence in Birmingham, Alabama with her high-profile preacher father C.L. Franklin (Forest Whitaker). She is blessed with a wonderful singing voice. We follow her career, as Aretha Franklin (Jennifer Hudson), through her struggles with controlling men and alcohol. This is against the backdrop of supporting the civil rights movement led by Martin Luther King (Gilbert Glenn Brown).
“Respect” Review: Positives:
Jennifer Hudson gives a tremendous performance as Franklin, delivering both the vocals and the acting admirably. (Apparently, the lady herself, before she died in August 2018, named Hudson as the best person to play her.)
Coming out of this movie, you have to admire Aretha Franklin’s legacy. Although there are moments when her ‘demons’ got the better of her (and the movie is unafraid to paint her in a negative light for these) she led a tumultuous life and yet was still a strong force for both feminism and equality. I think the movie highlights that admirably. “Have you lost your mind?” her father (Forest Whitaker) asks. “Maybe…. maybe I’ve found it.” she replies.
I loved the clip during the end titles (at a Carole King concert and in front of the Obamas) of Franklin well into her 70’s belting out “Natural Woman”. Classy stuff.
Negatives:
It’s long. Very long. Approaching Bond long.
There’s a curious ‘cookie-cutter-ness’ to these biopics of classic female singers (controlling and abusive men; alcohol/drug abuse; prejudice through sex/race; etc). (Would they even have emanated the same level of soul without all the grief? Perhaps not.) The similarities lead you to naturally compare this movie with “The US vs Billie Holiday“. The Billie Holiday story felt like it had a lot more grit and angst in it, making it, for me at least, more memorable. The script for “Respect” – although still rather episodic – flows better. Whilst still great, Hudson’s performance (an Oscar nomination perhaps?) doesn’t come close to the Oscar-nominated stellar job done by Andra Day.
I didn’t like how the script introduced us to its characters. For example, Ted White (Marlon Wayans) is introduced at a church barbeque. He’s painted as a disreputable character, but why? And you have no idea if he is supposed to be a famous singer, a songwriter, a promoter, or a producer (as in fact he is). As another example, Kelvin Hair plays Sam Cooke in the movie, but – unless I missed it – this doesn’t seem to be highlighted in the script.
Summary Thoughts on “Respect”
“Respect” is the feature debut for female director Liesl Tommy. And it’s certainly an ambitious target for a first-timer to shoot at, so ‘Respect’ for that! And it comes across as a solid and enjoyable biopic, not least to remind yourself of some of the classic tunes that Aretha Franklin belted out. At 145 minutes though, it takes its time telling its story, and I think a tighter, shorter film would have worked better.
Did I enjoy it though? Yes, I did. But it’s worth pointing out that the illustrious Mrs Movie Man – who normally begrudges every minute over 90 minutes in a movie – really loved this one.
Plot Summary:
‘Re’ is a 10-year old growing up in relative middle-class affluence in Birmingham, Alabama with her high-profile preacher father C.L. Franklin (Forest Whitaker). She is blessed with a wonderful singing voice. We follow her career, as Aretha Franklin (Jennifer Hudson), through her struggles with controlling men and alcohol. This is against the backdrop of supporting the civil rights movement led by Martin Luther King (Gilbert Glenn Brown).
“Respect” Review: Positives:
Jennifer Hudson gives a tremendous performance as Franklin, delivering both the vocals and the acting admirably. (Apparently, the lady herself, before she died in August 2018, named Hudson as the best person to play her.)
Coming out of this movie, you have to admire Aretha Franklin’s legacy. Although there are moments when her ‘demons’ got the better of her (and the movie is unafraid to paint her in a negative light for these) she led a tumultuous life and yet was still a strong force for both feminism and equality. I think the movie highlights that admirably. “Have you lost your mind?” her father (Forest Whitaker) asks. “Maybe…. maybe I’ve found it.” she replies.
I loved the clip during the end titles (at a Carole King concert and in front of the Obamas) of Franklin well into her 70’s belting out “Natural Woman”. Classy stuff.
Negatives:
It’s long. Very long. Approaching Bond long.
There’s a curious ‘cookie-cutter-ness’ to these biopics of classic female singers (controlling and abusive men; alcohol/drug abuse; prejudice through sex/race; etc). (Would they even have emanated the same level of soul without all the grief? Perhaps not.) The similarities lead you to naturally compare this movie with “The US vs Billie Holiday“. The Billie Holiday story felt like it had a lot more grit and angst in it, making it, for me at least, more memorable. The script for “Respect” – although still rather episodic – flows better. Whilst still great, Hudson’s performance (an Oscar nomination perhaps?) doesn’t come close to the Oscar-nominated stellar job done by Andra Day.
I didn’t like how the script introduced us to its characters. For example, Ted White (Marlon Wayans) is introduced at a church barbeque. He’s painted as a disreputable character, but why? And you have no idea if he is supposed to be a famous singer, a songwriter, a promoter, or a producer (as in fact he is). As another example, Kelvin Hair plays Sam Cooke in the movie, but – unless I missed it – this doesn’t seem to be highlighted in the script.
Summary Thoughts on “Respect”
“Respect” is the feature debut for female director Liesl Tommy. And it’s certainly an ambitious target for a first-timer to shoot at, so ‘Respect’ for that! And it comes across as a solid and enjoyable biopic, not least to remind yourself of some of the classic tunes that Aretha Franklin belted out. At 145 minutes though, it takes its time telling its story, and I think a tighter, shorter film would have worked better.
Did I enjoy it though? Yes, I did. But it’s worth pointing out that the illustrious Mrs Movie Man – who normally begrudges every minute over 90 minutes in a movie – really loved this one.
Dianne Robbins (1738 KP) rated The Rocky Horror Picture Show (1975) in Movies
May 5, 2019 (Updated May 5, 2019)
Subversiveness (3 more)
Costumes and makeup
Tim Curry
Entertaining songs
Great in the theater. Lackluster at home.
This is not a movie so much as it is an experience. The movie itself is not great. But if you get the chance to see it in a theater with a live cast performing at the same time the movie is playing and when audience participation is encouraged, this is hella fun. I used to spend most weekend nights in high school and college at the midnight showing of Rocky Horror at the local arthouse theater dressed in a bustier, getting panties, garter belt, thigh-high stockings, and high heels with all the other weirdos enjoying the hell out of the movie, live cast, and audience. I highly recommend the help of alcohol and/or chemical indulgences to enhance the experience. But maybe not an entire bottle of Sambuca as I did one nonmemorable evening.
The songs in the movie are fun to sing. Dancing to the Time Warp, as well. If you're lucky, the theater will also play music videos from Tim Curry's Fearless album Paradise Garage and I Do the Rock and Meatloaf's Bat out of Hell and Paradise by the Dashboard Light before the movie.
This is one of Susan Sarandon's first films. She and Barry Bostwick play the innocent couple Brad and (Dammit) Janet. And Tim Curry is a God in this movie.
I have such great memories of my time at as Rocky Horror fan back in the day. I hope many generations continue to enjoy this movie in the theater. It's a blast!
The songs in the movie are fun to sing. Dancing to the Time Warp, as well. If you're lucky, the theater will also play music videos from Tim Curry's Fearless album Paradise Garage and I Do the Rock and Meatloaf's Bat out of Hell and Paradise by the Dashboard Light before the movie.
This is one of Susan Sarandon's first films. She and Barry Bostwick play the innocent couple Brad and (Dammit) Janet. And Tim Curry is a God in this movie.
I have such great memories of my time at as Rocky Horror fan back in the day. I hope many generations continue to enjoy this movie in the theater. It's a blast!
Debbiereadsbook (1407 KP) rated Mr June (Calendar Men #6) in Books
Jul 2, 2018
Perfect hangover cure!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
This is book 6 in the Calendar Men series, and I would recommend you read Jan through May before this one, if only to give you a better picture of this photo shoot and what's happened up to now. Not totally necessary though.
Having dumped his boyfriend right after shooting their photo for June, Ilias finds himself on a callout to a fight at a local doctor's office. Meeting Henry makes his heart swell with everything he had been looking for up to this point. There is just a small matter of someone dealing drugs out of Henry's office!
I'm really enjoying this series.
They have, for the most part, (May not included!) just the right amount of loves, drama, sexy time, emotions and the whole gamut of emotions that need to be in a book to make them engaging and enjoyable.
This one did seem a little longer than the rest, but they are all a similar page length.
I loved Ilias and Henry, both separately and together. They really are perfect for each other!
While it's painfully obvious (to me anyway) WHO is doing the dirty on Henry, I liked being proved correct, just as much as I would have liked to have been proven wrong!
I read this in one sitting while suffering from a book AND an alcohol hangover, so despite its longer length, there it will sit!
Great addition to the series. Love to see what happens next with this shoot!
4 solid stars
**same worded review will appear elsewhere**
This is book 6 in the Calendar Men series, and I would recommend you read Jan through May before this one, if only to give you a better picture of this photo shoot and what's happened up to now. Not totally necessary though.
Having dumped his boyfriend right after shooting their photo for June, Ilias finds himself on a callout to a fight at a local doctor's office. Meeting Henry makes his heart swell with everything he had been looking for up to this point. There is just a small matter of someone dealing drugs out of Henry's office!
I'm really enjoying this series.
They have, for the most part, (May not included!) just the right amount of loves, drama, sexy time, emotions and the whole gamut of emotions that need to be in a book to make them engaging and enjoyable.
This one did seem a little longer than the rest, but they are all a similar page length.
I loved Ilias and Henry, both separately and together. They really are perfect for each other!
While it's painfully obvious (to me anyway) WHO is doing the dirty on Henry, I liked being proved correct, just as much as I would have liked to have been proven wrong!
I read this in one sitting while suffering from a book AND an alcohol hangover, so despite its longer length, there it will sit!
Great addition to the series. Love to see what happens next with this shoot!
4 solid stars
**same worded review will appear elsewhere**
Tim McGuire (301 KP) rated Grabbers (2012) in Movies
Mar 3, 2020
Fun Creature Feature
388. Grabbers. Aliens attack Ireland, must be for the women. One night off the coast of Ireland a piece of a meteor comes crashing down into the ocean, and with it, a multi-legged mouth essentially that seems to just eat anything alive that gets in the way, and its making its way to land. Story centers on a small fishing town that's about to be invaded, and the two police taking care of it. As with many stories of small Irish towns, most of the population are drunk, racists, oh wait, it's made by the Irish, so it's ok then. The two officers, O'Shea, an alcoholic, suffering from the past, and Lisa, who is there only temporarily and takes her job seriously... of course. They clash, they flirt, O'Shea gets jealous when investigating the creatures they visit a scientist dude that isn't shy about flirting with Lisa. So after a few attacks, randomly around, they come to the conclusion that they won't attack you if you're intoxicated, tho there is no evidence of this at all, except that the town's biggest drunk has survived, hmm. So the plan is to round up the town folk in the bar, get drunk, and wait for reinforcements. It was an amusing movie, definitely fits into the 'B-Movie' variety. Like I said though, the alcohol thing, only seems to work when the story needed it too, plenty of tipsy people were getting turned into snacks, then again it's not really a movie you have to think all that much about, my bad. Enjoy. Filmbufftim on FB
The horror genre can’t wait to splash the screen with as much blood and gore as possible, letting you know what the intentions of the film are going to be. In this Blumhouse produced thriller that isn’t the case, as Oscar winner Octavia Spencer plays quiet but dissociated veterinary assistant Sue-Ann, who befriends a group of adolescent teens.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
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