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Yannis Philippakis recommended Surfer Rosa by Pixies in Music (curated)

 
Surfer Rosa by Pixies
Surfer Rosa by Pixies
1988 | Alternative
9.0 (1 Ratings)
Album Favorite

"I got a cassette from a cousin of mine that had The Offspring, Smash, on one side and Nirvana's Bleach on the other. That was definitely the wake-up call of rebellion and antagonism, but the first record I really got into from thereon was Surfer Rosa. It felt so alien but so familiar. It really clicked on a bone marrow level that felt like it had pre-existed for me. I bought Death To The Pixies at the same time on tape from HMV in Oxford and I just became obsessed with that record. I listened to it again recently and it reminded me particularly about how I could connect with Frank Black's lyrics despite not being aware of any real narrative when I was much younger. I don't think Foals would exist without the Pixies. I love the oddness and the strangeness of the Hispanic/punk/pop influence - it should be wrong, it shouldn't work but it does, really well. More recently I re-listened to his lyrics and appreciated how humorous they are, which reminded me that things don't need to be too obvious or narrative-based, they can be just fragments of thought. It opened the gateway into everything that then consumed me for the next ten years (Oxes, Albini, Sonic Youth, Godspeed - the American guitar alt/post-hardcore/post-rock world). Without Surfer Rosa I may have stayed with Nirvana and The Offspring…"

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The Maze Runner (2014)
The Maze Runner (2014)
2014 | Action, Mystery, Sci-Fi
There's absolutely no excuse to not have utilized the actual maze more (we get like three action scenes in it?) but I'd be lying if I said I didn't have a ball with this otherwise thoroughly fun and often thrilling popcorn entertainment. Dylan O'Brien is tremendous in it, even when it wears the dystopian YA format a little too prominently. For a while I couldn't tell if the simplicity helped or hurt this in the end - I mean on the one hand this has precious nothing to say about the implications of its brutal story/world, but then again on the other it 110% forgoes the usual heavy-handed yet jejune moralizing that normally sugar-coat these films. I'm sure you could have found a decent medium between the two but Wes Ball's direction is sturdy, and I kind of like the idea of all these random 18/20-somethings nonchalantly trapped in this ludicrous scenario who just see this giant, mechanical deathtrap maze as a way of life lol. So I had more than enough fun with it. Try to picture a 2014 blockbuster "Lord of the Flies" without the obvious symbolism meets a market-tested 𝘛𝘩𝘦 𝘝𝘪𝘭𝘭𝘢𝘨𝘦 where a bunch of extras get PG-13-ed to death by huge mechanical alien spiders. Plus no one even takes their shirt off I mean that's *gotta* be a first for one of these.
  
The Guest (2014)
The Guest (2014)
2014 | Horror, Mystery, Thriller
You'd believe this purposefully sidesteps its possible themes or commentary on the adverse effects on war and a government that will sooner do shady things to save a microscopic smidgen of face rather than its own supposed heroes (though it still does a vastly superior job of showcasing them than most autopilot, sleep-inducing, reductive, and recycled WWII movies as of late), hell it hardly even sets up its own backstory let alone the potential depth of it all... but also who *really* cares when the resulting product is a legitimately balls-to-the-wall, terminally fun blast of awesome sauce like this? Wingard is the fucking man, the amount of directors I'd excuse a plot execution as flawed as this for I could probably count on one hand but the sheer lunacy of this unrestrained pulp powerhouse is more than enough evidence of his gift for unforgettable roller coasters of trash. This all - of course - would be next to nothing if not fueled by Dan Stevens in one of my new favorite performances of all time as a re-educated government massacre machine who behaves more like an inherently hostile alien body snatcher than a human being. Pair it with some cerebral editing, point-blank violence, real propaganda era-esque nuclear camerawork, Lance Reddick, and one of the most euphorically implemented soundtracks in all of film and it was impossible for this to ever fail from the get-go. Loved every second of it.
  
40x40

Kirk Bage (1775 KP) rated Schindler's List (1993) in Movies

Jan 18, 2021 (Updated Feb 25, 2021)  
Schindler's List (1993)
Schindler's List (1993)
1993 | Biography, Drama, History
The fourth in my series of films you would recommend to an alien to explain humanity dovetails nicely with my Hall of Fame inductee this week. It is Steven Spielberg’s seminal anti war epic Shindler’s List (1993).

This one speaks for itself in many ways. As an exploration of evil and the men behind the atrocities committed during the late 30s and early 40s by Nazi Germany it is indispensable. The role played by Ralph Fiennes is especially brave and resonant in reminding us of how ego and power can corrupt beyond the point of anything recognisably human. But it is in the moments of resilience, defiance and sacrifice by the survivors that we fully appreciate the depths of the human spirit. A career defining performance by both Liam Neeson and Sir Ben Kingsley makes this a breathtaking and heartbreaking spectacle in every brutally emotional scene.

I will never forget seeing this in the cinema on its initial release and experiencing the absolute silence as the credits rolled and everyone left the screen and into the night with their thoughts and reflections, simply stunned by its impact. It demonstrates the very best and the very worst of human action and inaction in one perfect movie. Never an easy watch under any circumstances, but one worth dissecting and appreciating for all its genius – the directing, acting, cinematography, music, editing, everything is as near perfect as a film can be.
  
Aliens vs. Predator: Requiem (AVP 2) (2007)
Aliens vs. Predator: Requiem (AVP 2) (2007)
2007 | Action, Horror, Sci-Fi
A shameless money grab
After the thoroughly underwhelming AVP, we are presented with Requiem, a film that's entices you with it's R rating (after the first films odd PG-13 rating), and it's clear to see why a lot of the advertising was centred around the R rating - because Requiem has little else to offer.

Both of these franchises are beloved, but unfortunately, the bad films have really started to outweigh the good - and Requiem is a film made purely to make money. There's no diving into the lore behind any of the past films, and instead the story is set in a small Colorado town, full of actors that I kind of recognise from various TV shows - which is fitting, because the film plays out like an episode of Dawson's Creek, just with lots of Aliens running around.

The staple violence of both series is present once again, however, it feels like the constant Gore is being thrown at you to distract you from the threadbare plot.

The (singular) Predator looks pretty good, however the Aliens are mostly shrouded in shadow, I don't recall seeing a full body shot of a Xenomorph at any point, and the Predator-Alien hybrid, again, is never really shown properly, and what we do see looks silly.

It's a pretty shoddy movie all in all, and this particular mash up is probably best left to books and graphic novels.
  
    Ben 10 OmniJogos

    Ben 10 OmniJogos

    Games and Entertainment

    (0 Ratings) Rate It

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    Pegue seu Omnitrix e prepare-se para a batalha com os OmniJogos do Ben 10! Jogue como Insectoide,...

    TheTreeApp South Africa

    TheTreeApp South Africa

    Reference and Education

    (0 Ratings) Rate It

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    TheTreeApp is a sophisticated tool for smart phones and tablets to identify indigenous and invasive,...

Alien: Covenant (2017)
Alien: Covenant (2017)
2017 | Horror, Sci-Fi
Contains spoilers, click to show
A new Alien film is something I look forward too. They promised we would find out about xeno origins and see new strains. Plus, Ridley was directing, what could go wrong?
You could end up making a film that feels like a remake of the first film.

The set up to get us to the planet, crew interaction and things going badly wrong on the planet feels so familiar.

So the positives, Michael Fassbender is outstanding in his performance as Walter/David. He seriously acts rings round anybody else.
The score is fabulous and rich.
Danny McBride is also noteworthy for his performance.
Katherine Waterston is likeable but feels like trying to be Ripley but not.

Negatives the Xenos get very little screen time. I think were 45 mins+ in before we see one.
Billy Crudup is very unlikeable and his death barely made me care.
The origin story ending up been David created the xenos. I don't know this stuck in my craw a bit. I just feel vengeful synthetic created the ultimate organism is a bit of a let down.
After, the first film Scott said he expected other sequels to ask "where did the xeno come from?" question.

The problem is that question is difficult to give a satisfactory answer too. Like most fandom people have there own theories and in truth does it matter?

Covenant has big ideas, it just doesn't execute them all properly.