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Ross (3284 KP) rated The Ninth Rain in Books
Aug 27, 2018
The Ninth Rain takes place in a world with two main dominant races: humans and eborans. The latter used to derive strength from the sap of Ygserin, the life-giving god-tree. This tree also used to dispatch war-beasts when needed, following invasion from the "worm-people", an alien race who seem determined to destroy the land and its people. The story follows the adventures of Vintage and Tormalin (a human and her Eboran companion) as they try to research the worm people's motives and weaknesses, and Noon, a Fell-witch who can take someone's life force and turn it into a weapon of fire.
The plot is very well planned out and interwoven, with the history of the land and its people, and the main characters, being revealed over the course of the book as needed to fit in with the current timeline.
The characters are well crafted and develop in different ways over the course of the book.
For me, the middle third dragged a little as a fairly humdrum adventure across country unfolded and numerous incidents and conflicts occurred. There just didn't seem to be a great deal of direction and it was more that "things that need to happen will happen here" but it didn't really serve much purpose. The story before and after that was very strong, but this section was a chore.
I am always nervous when a character suddenly has a voice in their head telling them what to do, afraid of irritating deus ex machina. Here however that was not the case as the voice was a very important, and (eventually) well-grounded plot point.
Overall a very good story, set up nicely for the follow-up in the series.
The plot is very well planned out and interwoven, with the history of the land and its people, and the main characters, being revealed over the course of the book as needed to fit in with the current timeline.
The characters are well crafted and develop in different ways over the course of the book.
For me, the middle third dragged a little as a fairly humdrum adventure across country unfolded and numerous incidents and conflicts occurred. There just didn't seem to be a great deal of direction and it was more that "things that need to happen will happen here" but it didn't really serve much purpose. The story before and after that was very strong, but this section was a chore.
I am always nervous when a character suddenly has a voice in their head telling them what to do, afraid of irritating deus ex machina. Here however that was not the case as the voice was a very important, and (eventually) well-grounded plot point.
Overall a very good story, set up nicely for the follow-up in the series.
Scott Tostik (389 KP) rated Halloween (2018) in Movies
Nov 2, 2018
.....Fuckin comedians
Michael Myers is back.... And this is supposed to be what actually happened... 40 years later???
I'm sorry if any of you disagree with me... But this movie blew....
Don't get le wrong. I love the fact that Jamie Lee is back and more of a badass than i wpuld have ever expected.
But come on...
Denying the fact that almost 40 years worth of mythology happened... Thats a hard sell. Let's do some math as well.
You expect me to believe that Michael is wandering around at 61 years old, after being locked up for 40 years... And he's picking up 200 pound men one handed and crushing their windpipes???
I love the Halloween series of films. Even the Rov Zombie offerings... I love the fact that Rob gave us a back story. You found out why Michael was the way he was...
But this??? This was nothing more than two morons... And yes, I think Danny McBride is an idiot. And he should stick to Vice Principals and Eastbound and Down. And stay the fuck away from horror films.
He should've taken a hint from his lackluster and shitty preformance in Alien Covenant... And leave horror to the pros.
I'm sorry but the only person who should've carried on this franchise was John Carpenter himself... But even he knows that you shouldn't dip your pen in the company ink too many times.
Ignoring the mythology of the films and expecting die hard fans to believe that characters like Jamie Lloyd and Tommy Doyle didn't exist in the history is ludicrous.
Some people enjoyed the sequels and some people didnt. But expecting us to forget forty years of horror history???
Not on your life, comedian.
I'm sorry if any of you disagree with me... But this movie blew....
Don't get le wrong. I love the fact that Jamie Lee is back and more of a badass than i wpuld have ever expected.
But come on...
Denying the fact that almost 40 years worth of mythology happened... Thats a hard sell. Let's do some math as well.
You expect me to believe that Michael is wandering around at 61 years old, after being locked up for 40 years... And he's picking up 200 pound men one handed and crushing their windpipes???
I love the Halloween series of films. Even the Rov Zombie offerings... I love the fact that Rob gave us a back story. You found out why Michael was the way he was...
But this??? This was nothing more than two morons... And yes, I think Danny McBride is an idiot. And he should stick to Vice Principals and Eastbound and Down. And stay the fuck away from horror films.
He should've taken a hint from his lackluster and shitty preformance in Alien Covenant... And leave horror to the pros.
I'm sorry but the only person who should've carried on this franchise was John Carpenter himself... But even he knows that you shouldn't dip your pen in the company ink too many times.
Ignoring the mythology of the films and expecting die hard fans to believe that characters like Jamie Lloyd and Tommy Doyle didn't exist in the history is ludicrous.
Some people enjoyed the sequels and some people didnt. But expecting us to forget forty years of horror history???
Not on your life, comedian.
Hazel (1853 KP) rated The Thing: Zero Day in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.
The Thing: Zero Day </i>is a short science fiction, horror story by Lee McGeorge. Inspired by John Carpenter’s film <i>The Thing</i> and the story <i>Who Goes There? </i>by John W. Campbell, McGeorge has created a creepy, fast paced thriller for readers to enjoy.
It is 1982 and a group of twelve Norwegian climatologists witness the crash landing of an unidentified flying object. Curiosity getting the better of them, they try to salvage what they can of the craft and discover an alien in a block of ice. What at first seems like a magnificent discovery turns frightening after all but three of the climate scientists begin behaving strangely, becoming impassive as if something has a psychological hold over them. The story becomes more horrific as it goes on with gruesome descriptions of the things that happen to the men.
The book is short enough to be read in one sitting, however it ends, annoyingly, without a definite conclusion, leaving the reader to imagine what happens next. <i>The Thing: Zero Day</i> is not a novel but a piece of fan fiction for the film <i>The Thing</i>. Although I have not seen the film I am led to believe that this book is a sort of prologue to the main story line.
Being short, the narrative is gripping from start to finish, jumping straight into the story. Readers are sucked into the tale and will most likely read it from beginning to end without putting it down. <i>The Thing: Zero Day</i> is obviously recommended for lovers of the film, however people who have not had the opportunity to view it, yet enjoy horror and science fiction, will also enjoy this book.
The Thing: Zero Day </i>is a short science fiction, horror story by Lee McGeorge. Inspired by John Carpenter’s film <i>The Thing</i> and the story <i>Who Goes There? </i>by John W. Campbell, McGeorge has created a creepy, fast paced thriller for readers to enjoy.
It is 1982 and a group of twelve Norwegian climatologists witness the crash landing of an unidentified flying object. Curiosity getting the better of them, they try to salvage what they can of the craft and discover an alien in a block of ice. What at first seems like a magnificent discovery turns frightening after all but three of the climate scientists begin behaving strangely, becoming impassive as if something has a psychological hold over them. The story becomes more horrific as it goes on with gruesome descriptions of the things that happen to the men.
The book is short enough to be read in one sitting, however it ends, annoyingly, without a definite conclusion, leaving the reader to imagine what happens next. <i>The Thing: Zero Day</i> is not a novel but a piece of fan fiction for the film <i>The Thing</i>. Although I have not seen the film I am led to believe that this book is a sort of prologue to the main story line.
Being short, the narrative is gripping from start to finish, jumping straight into the story. Readers are sucked into the tale and will most likely read it from beginning to end without putting it down. <i>The Thing: Zero Day</i> is obviously recommended for lovers of the film, however people who have not had the opportunity to view it, yet enjoy horror and science fiction, will also enjoy this book.
Bong Mines Entertainment (15 KP) rated Wild Things - Single by Annprincess in Music
Jun 21, 2019
Annprincess is an up-and-coming singer-songwriter based in Oslo, Norway. Not too long ago, she released a dance video for her “Wild Things” single.
‘Wild Things’ contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with electro-pop and tropical-dance elements.
Also, the likable tune showcases Annprincess’ effortless gift for writing R&B-infused pop tunes.
Annprincess fled her home country of Liberia at the age of seven as a refugee. Shortly afterward, she and her mother found sanctuary in Norway, the place she now calls home.
At the time, Liberia had internal conflict and attempted coups were an everyday occurrence.
Also, Annprincess’ father, Prince Yormie Johnson, was one of the prominent figures in the first Liberian Civil War (1989-1997).
He became notorious for killing anyone who opposed his views or actions. And Annprincess’ mother was repeatedly jailed for her opposition to him.
Also, his role in the torture and murder of President Samuel Doe in 1990 is well documented on video, a part for which there is a regular talk of him being indicted for war crimes.
One of ten children to Prince Yormie’s multiple wives, Annprincess grew up with a dysfunctional view of relationships.
Even those closest to her, leading to her songwriting in which many of her lyrics deal with failed interactions between people.
Forever feeling she has been the underdog in life, Annprincess’ resilience sees her balancing two jobs alongside her music career, not to mention being a successful football player and coach.
Along with her mother, she has overcome every obstacle life has thrown at her and adapted to an alien culture and language.
Also, she used the negative experiences of her story to become an inspirational example to others to never give up in the pursuit of your dreams.
‘Wild Things’ contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with electro-pop and tropical-dance elements.
Also, the likable tune showcases Annprincess’ effortless gift for writing R&B-infused pop tunes.
Annprincess fled her home country of Liberia at the age of seven as a refugee. Shortly afterward, she and her mother found sanctuary in Norway, the place she now calls home.
At the time, Liberia had internal conflict and attempted coups were an everyday occurrence.
Also, Annprincess’ father, Prince Yormie Johnson, was one of the prominent figures in the first Liberian Civil War (1989-1997).
He became notorious for killing anyone who opposed his views or actions. And Annprincess’ mother was repeatedly jailed for her opposition to him.
Also, his role in the torture and murder of President Samuel Doe in 1990 is well documented on video, a part for which there is a regular talk of him being indicted for war crimes.
One of ten children to Prince Yormie’s multiple wives, Annprincess grew up with a dysfunctional view of relationships.
Even those closest to her, leading to her songwriting in which many of her lyrics deal with failed interactions between people.
Forever feeling she has been the underdog in life, Annprincess’ resilience sees her balancing two jobs alongside her music career, not to mention being a successful football player and coach.
Along with her mother, she has overcome every obstacle life has thrown at her and adapted to an alien culture and language.
Also, she used the negative experiences of her story to become an inspirational example to others to never give up in the pursuit of your dreams.
Phillip McSween (751 KP) rated E.T. The Extra-Terrestrial (1982) in Movies
Nov 18, 2019
A True Classic
Not that we don’t already know what E.T. The Extra-Terrestrial is about but: A young boy finds himself in trouble with special agents when he befriends a stranded alien.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Steven Spielberg does a wonderful job with achieving more with less. He doesn’t shoot for break-your-neck special effects, rather he gives it to you in glimpses. We see the lights from E.T.’s spaceship, but we only see the actual spaceship flying for a second or two. E.T.’s ability to make things take flight is never overdone and always used in necessary circumstances. Outside of the special effects, there are a number of touches here and there, again small nuances, that make this film great. One of my favorites occurs when E.T. sees a kid in Yoda costume and starts following him.
Conflict: 10
Entertainment Value: 10
Memorability: 10
These scenes have been recounted and retold in a number of different ways. This movie set the precedent on how we see and interact with life outside of Earth. The relationship between Elliott and E.T. is unforgettable.
Pace: 10
Spielberg is a true master of storytelling as he aces pacing yet again. There are no dull moments and the few lulls are there for a reason. Exposition and character development are handled within the context of the moving story itself as it should be.
Plot: 10
Resolution: 10
Overall: 100
I had someone tell me once that not only was E.T. not that great, but it was pretty terrible in retrospect. My reply: What crack are you smoking? This movie is not only great, but it’s one of the all-time greats. Believe it.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Steven Spielberg does a wonderful job with achieving more with less. He doesn’t shoot for break-your-neck special effects, rather he gives it to you in glimpses. We see the lights from E.T.’s spaceship, but we only see the actual spaceship flying for a second or two. E.T.’s ability to make things take flight is never overdone and always used in necessary circumstances. Outside of the special effects, there are a number of touches here and there, again small nuances, that make this film great. One of my favorites occurs when E.T. sees a kid in Yoda costume and starts following him.
Conflict: 10
Entertainment Value: 10
Memorability: 10
These scenes have been recounted and retold in a number of different ways. This movie set the precedent on how we see and interact with life outside of Earth. The relationship between Elliott and E.T. is unforgettable.
Pace: 10
Spielberg is a true master of storytelling as he aces pacing yet again. There are no dull moments and the few lulls are there for a reason. Exposition and character development are handled within the context of the moving story itself as it should be.
Plot: 10
Resolution: 10
Overall: 100
I had someone tell me once that not only was E.T. not that great, but it was pretty terrible in retrospect. My reply: What crack are you smoking? This movie is not only great, but it’s one of the all-time greats. Believe it.
Phil Leader (619 KP) rated Life, the Universe and Everything in Books
Nov 20, 2019
Originally there were the two series of the radio show which Adams rewrote and reorganised into two books. And for a long time that was it, that was all there was of the Hitch Hiker's Guide to the Galaxy.
Then one day I was in a bookshop when there it was: A new Hitch Hiker's book by Douglas Adams, black cover with an old-fashioned ring pull on the cover (the ones that detached from the can to cause maximum environmental damage).
Having essentially completed what appeared to be the story arc in the first two books, what was going to be next for our heroes? Arthur and Ford were last seen stranded on prehistoric Earth and Zaphod and Trillian were missing after teleporting from Hotblack Desiato's stunt ship. Would this be a tired and cynical cash in, retreading old ground but failing to capture the magic of the originals?
Needless to say, Adams didn't disappoint, creating a plot around an alien race creating a weapon capable of destroying the universe, and it is up to Arthur, Ford, Zaphod and Trillian to save the day, along with Slartibartfast who had to be co-opted in to make the plot work since the other four would far rather have been at a party getting drunk (or in Arthur's case drinking some proper tea).
Yet more footnotes and extracts from 'The Book' ensue with Adams' imagination creating a number of new comic inventions - Agrajag, how to fly, Wowbagger the Infinitely Prolonged. All of it moves with pace and brio as if the characters are enjoying the freedom of a new book, even if there is a universe to save and only one party.
Then one day I was in a bookshop when there it was: A new Hitch Hiker's book by Douglas Adams, black cover with an old-fashioned ring pull on the cover (the ones that detached from the can to cause maximum environmental damage).
Having essentially completed what appeared to be the story arc in the first two books, what was going to be next for our heroes? Arthur and Ford were last seen stranded on prehistoric Earth and Zaphod and Trillian were missing after teleporting from Hotblack Desiato's stunt ship. Would this be a tired and cynical cash in, retreading old ground but failing to capture the magic of the originals?
Needless to say, Adams didn't disappoint, creating a plot around an alien race creating a weapon capable of destroying the universe, and it is up to Arthur, Ford, Zaphod and Trillian to save the day, along with Slartibartfast who had to be co-opted in to make the plot work since the other four would far rather have been at a party getting drunk (or in Arthur's case drinking some proper tea).
Yet more footnotes and extracts from 'The Book' ensue with Adams' imagination creating a number of new comic inventions - Agrajag, how to fly, Wowbagger the Infinitely Prolonged. All of it moves with pace and brio as if the characters are enjoying the freedom of a new book, even if there is a universe to save and only one party.
Kirk Bage (1775 KP) rated Disobedience (2018) in Movies
Mar 3, 2020
English language films with big name actors are not usually this European. Which is why I have chosen the beautiful French poster to highlight this unexpected gem.
I hadn’t expected to like it, but was curious to see the two lead actresses work together on something so intimate, that became in the media something controversial, regrettably, for all the wrong reasons. They chose to focus on the sexual aspect of two high profile women about to commit to film a level of titillation hitherto unseen by either… but, of course, it is so much more than that.
The world of orthodox Judaisim and commitment to a patriarchal ideal of tradition and intrinsic value is at the heart of this small, yet devastating film. At first, that world is so alien and upsetting that it seems like a fantasy. Until you allow yourself to realise that this community does exist, and thrives.
Both Rachel Weisz as a woman with a secret who managed to escape the constraints and prejudices of the male dominant world, and Rachel McAdams, as the friend left behind to swallow her pride and be the expected wife, deliver extraordinary performances. The passion, repression and guilt are apparent in every scene.
But it is Alessandro Nivola, as the key antagonist, that really wins the plaudits. Watch a character so unlikable become a hero in the most humble and unlikely sense, in a scene of such breath-taking clarity, towards the film’s climax. I can only wish all “bad guys” get this kind of human pay-off.
A film of resonance and social interest that fails as an entirely coherent piece, but works in so many good ways it is worth seeing just for the feels! There is no point where you do not believe how much these women are in love. And for that reason alone, I recommend it.
I hadn’t expected to like it, but was curious to see the two lead actresses work together on something so intimate, that became in the media something controversial, regrettably, for all the wrong reasons. They chose to focus on the sexual aspect of two high profile women about to commit to film a level of titillation hitherto unseen by either… but, of course, it is so much more than that.
The world of orthodox Judaisim and commitment to a patriarchal ideal of tradition and intrinsic value is at the heart of this small, yet devastating film. At first, that world is so alien and upsetting that it seems like a fantasy. Until you allow yourself to realise that this community does exist, and thrives.
Both Rachel Weisz as a woman with a secret who managed to escape the constraints and prejudices of the male dominant world, and Rachel McAdams, as the friend left behind to swallow her pride and be the expected wife, deliver extraordinary performances. The passion, repression and guilt are apparent in every scene.
But it is Alessandro Nivola, as the key antagonist, that really wins the plaudits. Watch a character so unlikable become a hero in the most humble and unlikely sense, in a scene of such breath-taking clarity, towards the film’s climax. I can only wish all “bad guys” get this kind of human pay-off.
A film of resonance and social interest that fails as an entirely coherent piece, but works in so many good ways it is worth seeing just for the feels! There is no point where you do not believe how much these women are in love. And for that reason alone, I recommend it.
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