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Bob Mann (459 KP) rated Star Trek VI - The Undiscovered Country (1991) in Movies
Sep 28, 2021
“Star Trek is not bloody Shakespeare” – – I’m sure someone has said that at some point (probably, my wife!). But here, it is! The late Christopher Plummer comes roaring into the series joyfully quoting the great bard (from the original Klingon version!).
Trek got firmly back in the fast lane again with this movie. The fun was back! David Warner becomes the only character to date to appear in two consecutive Trek films as different characters (with curiously Michael Dorn becoming the next – see below!). He gets a meatier part this time though. But he – and indeed everyone else – is upstaged by Plummer’s marvellously over-the-top performance.
Iman is memorable as a cigar-smoking shape-shifting alien, leading to some wonderful Kirk-on-Kirk action, and the delivery of one of the best lines of comedy in the series: surprisingly self-deprecating for the normally ego-centric Shatner. There’s also a welcome call-back to the ‘Kirk gets the girl’ joke of the original series, which you realise, with a shock, has been completely missing from all of the previous movie outings.
There are also a nice range of cameo appearances in here. Christian Slater – a lifelong Trek-fan – has a bit part: apparently he framed, rather than cashed, his cheque! And Michael Dorn – already playing Worf in “The Next Generation”, and to appear as Worf in the next movie – plays Worf’s grandfather, a Klingon defence attorney!
But my favourite piece of trivia relates to a completely different film. Al Pacino was filming “Frankie and Johnny” in the studio at the same time, and a scene (sadly cut from the final film) called for Pacino to look surprised after opening a door. So director Garry Marshall arranged for Shatner, Nimoy and Kelley in full Star Trek costume, to be standing behind the door when he opened it. (Garry Marshall quote here). Love it!
Trek got firmly back in the fast lane again with this movie. The fun was back! David Warner becomes the only character to date to appear in two consecutive Trek films as different characters (with curiously Michael Dorn becoming the next – see below!). He gets a meatier part this time though. But he – and indeed everyone else – is upstaged by Plummer’s marvellously over-the-top performance.
Iman is memorable as a cigar-smoking shape-shifting alien, leading to some wonderful Kirk-on-Kirk action, and the delivery of one of the best lines of comedy in the series: surprisingly self-deprecating for the normally ego-centric Shatner. There’s also a welcome call-back to the ‘Kirk gets the girl’ joke of the original series, which you realise, with a shock, has been completely missing from all of the previous movie outings.
There are also a nice range of cameo appearances in here. Christian Slater – a lifelong Trek-fan – has a bit part: apparently he framed, rather than cashed, his cheque! And Michael Dorn – already playing Worf in “The Next Generation”, and to appear as Worf in the next movie – plays Worf’s grandfather, a Klingon defence attorney!
But my favourite piece of trivia relates to a completely different film. Al Pacino was filming “Frankie and Johnny” in the studio at the same time, and a scene (sadly cut from the final film) called for Pacino to look surprised after opening a door. So director Garry Marshall arranged for Shatner, Nimoy and Kelley in full Star Trek costume, to be standing behind the door when he opened it. (Garry Marshall quote here). Love it!
LeftSideCut (3778 KP) rated Uncharted (2022) in Movies
Feb 12, 2022
Full disclosure, I'm a massive fan of the Uncharted video game series, and as such, stepped into this one with trepidation. I'm relieved to say then, that despite a few drawbacks, I had a lot of fun overall.
The general premise is going for a precursor to the first game. The characters are younger, learning to gel as a team. Tom Holland is great as a young Nathan Drake. Maybe a little alien in comparison to the game version, but passable for a first outing. I'm still completely unsold on Mark Whalberg as Sully though. He's way more unlikable here than in the games, and that didn't quite sit well with me. The two of them together lack the chemistry that is such an important part of the source material, and it does hurt the film somewhat. Sophia Ali is promising as a young Chloe Frazer, and Tati Gabrielle plays a convincing villain. Antonio Banderas is just kind of there and feels a bit wasted.
The narrative has some pacing issues. As much as I can commend the commitment to lengthy segments of puzzle solving, it doesn't quite have the same impact of when you're in control, and it does drag to a certain extent. Thankfully, the last 30 minutes does a whole lot of heavy lifting in making up for the more lackluster moments. The final set piece causes the film to spring to life, and suddenly, it's a full blown Uncharted film. The action is absurd, the music score is familiar (the main Uncharted theme will always be a banger), and the film ends in a way that has me excited for future installments.
The best way to sum up Uncharted is that it's a good start. It's nowhere near perfect, and it's origin-like narrative pales in comparison to the stories that are right there for the taking thanks to the games, but it feels like a setup for bigger things to come, and most importantly, it does feel like an Uncharted movie, and that's all I really wanted.
The general premise is going for a precursor to the first game. The characters are younger, learning to gel as a team. Tom Holland is great as a young Nathan Drake. Maybe a little alien in comparison to the game version, but passable for a first outing. I'm still completely unsold on Mark Whalberg as Sully though. He's way more unlikable here than in the games, and that didn't quite sit well with me. The two of them together lack the chemistry that is such an important part of the source material, and it does hurt the film somewhat. Sophia Ali is promising as a young Chloe Frazer, and Tati Gabrielle plays a convincing villain. Antonio Banderas is just kind of there and feels a bit wasted.
The narrative has some pacing issues. As much as I can commend the commitment to lengthy segments of puzzle solving, it doesn't quite have the same impact of when you're in control, and it does drag to a certain extent. Thankfully, the last 30 minutes does a whole lot of heavy lifting in making up for the more lackluster moments. The final set piece causes the film to spring to life, and suddenly, it's a full blown Uncharted film. The action is absurd, the music score is familiar (the main Uncharted theme will always be a banger), and the film ends in a way that has me excited for future installments.
The best way to sum up Uncharted is that it's a good start. It's nowhere near perfect, and it's origin-like narrative pales in comparison to the stories that are right there for the taking thanks to the games, but it feels like a setup for bigger things to come, and most importantly, it does feel like an Uncharted movie, and that's all I really wanted.
Merissa (12061 KP) rated Operation Pinpoint (Space Force Rejects, #1) in Books
Nov 2, 2022
It can be hot in space!
OPERATION PINPOINT is the first book in the Space Force Rejects series and we are introduced to a world where people live on Motherships and Space Force helps other species. Of course, help isn't always wanted and Dravos is one who definitely didn't want the humans' help. He has been imprisoned and tortured for the past five years, and now has a kill chip inserted in his brain stem. Ravenna has the code to set it off, but she is more interested in saving her lover, Yve, than blowing up an alien who hasn't harmed her. Plus, she feels a connection with him she's not prepared to admit to, just yet.
This was a great story, with wonderful world-building that helps you to see the ships, the commandos, the scientists, and the other species. Ravenna, for all she is a good commando, is also incredibly naïve, thinking Space Force only does good, not harming anyone or anything. Both Dravos and Ravenna have a lot of learning to do as their story intertwines.
The story moves along at a good pace, the relationship between Ravenna and Dravos deepening as it does. I did feel their declarations were a bit out of the blue, but that's probably just me. I did love how they were together, the protectiveness they felt towards each other shone through.
It ends with a HFN semi-cliffhanger that will definitely leave you wanting to return to this world. I have questions I need answers to, that involve Ravenna, Dravos, and Centra. I need more! A great start to a series that I definitely recommend and can't wait to read more.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This was a great story, with wonderful world-building that helps you to see the ships, the commandos, the scientists, and the other species. Ravenna, for all she is a good commando, is also incredibly naïve, thinking Space Force only does good, not harming anyone or anything. Both Dravos and Ravenna have a lot of learning to do as their story intertwines.
The story moves along at a good pace, the relationship between Ravenna and Dravos deepening as it does. I did feel their declarations were a bit out of the blue, but that's probably just me. I did love how they were together, the protectiveness they felt towards each other shone through.
It ends with a HFN semi-cliffhanger that will definitely leave you wanting to return to this world. I have questions I need answers to, that involve Ravenna, Dravos, and Centra. I need more! A great start to a series that I definitely recommend and can't wait to read more.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (12061 KP) rated The Fourth State of Matter (The Valence Chronicles #1) in Books
Oct 21, 2022
THE FOURTH STATE OF MATTER is the first book in the Valence Chronicles and we are introduced to Item 2689, a living decor in an alien home. He was human but has been altered to better resemble an object, rather than a living person. It is only as the story progresses you find out just how much has been changed. He lives a monotonous life in a white, sterile environment. He only realises such when three 'ship-dwellers' (used as a slur) inhabit the home where he resides.
What follows is an awakening in every sense of the word. Pet - as he becomes known - is shown how to LIVE. He is wanted for who he is, not for what he is. He has some issues adjusting, but who wouldn't? Their relationship is still early on and I loved watching it develop.
As for his aliens, they are all very different, with individual appearances and voices that make it easy to see which one is speaking/doing/thinking. They have their own history, of which we only get to know some of it. I think they are rounded out perfectly by each other, and Pet fills any remaining gaps. I can't wait to see how their relationship deepens as they spend more time and adventures together.
I thoroughly enjoyed the pacing of this novel, together with the back and forth from the past to the present. Both were needed to fully understand how they came to be together and the difficulties they have and still face.
A brilliant start to the series with a HFN ending and a cliffhanger. I can't wait to continue on my space adventure. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
What follows is an awakening in every sense of the word. Pet - as he becomes known - is shown how to LIVE. He is wanted for who he is, not for what he is. He has some issues adjusting, but who wouldn't? Their relationship is still early on and I loved watching it develop.
As for his aliens, they are all very different, with individual appearances and voices that make it easy to see which one is speaking/doing/thinking. They have their own history, of which we only get to know some of it. I think they are rounded out perfectly by each other, and Pet fills any remaining gaps. I can't wait to see how their relationship deepens as they spend more time and adventures together.
I thoroughly enjoyed the pacing of this novel, together with the back and forth from the past to the present. Both were needed to fully understand how they came to be together and the difficulties they have and still face.
A brilliant start to the series with a HFN ending and a cliffhanger. I can't wait to continue on my space adventure. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
LeftSideCut (3778 KP) rated Death on the Nile (2022) in Movies
Feb 15, 2022
To start with, there's only so much you can hate on an Agatha Christie adaption. The film could be torrid tripe, but there's still a particular brand of intrigue which always comes with one of her whodunits. This latest re-telling of Death on the Nile just about scrapes by, mainly thanks to its second half, and that aforementioned Christie narrative, but sadly, not much else.
There's glimpses of something good there. Kenneth Branagh can be hit or miss as far as I'm concerned. For every Belfast (soaringly wonderful) there's an Artemis Fowl (what I imagine a lobotomy feels like). This is somewhere in the middle. There are moments of promise sprinkled here and there, but they struggle to break through all the bloated hot air that is draped over everything.
All of the characters are ridiculous. I get that's part of it, but it just falls flat here. It's hard to enjoy comic relief when everyone is comic relief. Gal Gadot seems like she is half-arsing every line. Russell Brand feels jarringly out of place. I traditionally enjoy French & Saunders but they also feel alien in every scene they're in. I know this shouldn't really impact my view, but Armie Hammer look like he just wants to eat everyone he talks to. Even the usually reliable Annette Benning comes across completely disinterested. There's no chemistry anywhere, and it all just feels a bit odd. Branagh is pretty great as Poirot to his credit. He just about holds proceedings together along with Sophie Okonedo, and they both manage to inject some charisma when things become arduous, which is farily regularly.
A bit of a misfire then, but not a complete disaster. I can firmly file Death on the Nile under "films I don't really like, but would probably watch again if it was on TV, or maybe on Christmas day at my Mums house".
There's glimpses of something good there. Kenneth Branagh can be hit or miss as far as I'm concerned. For every Belfast (soaringly wonderful) there's an Artemis Fowl (what I imagine a lobotomy feels like). This is somewhere in the middle. There are moments of promise sprinkled here and there, but they struggle to break through all the bloated hot air that is draped over everything.
All of the characters are ridiculous. I get that's part of it, but it just falls flat here. It's hard to enjoy comic relief when everyone is comic relief. Gal Gadot seems like she is half-arsing every line. Russell Brand feels jarringly out of place. I traditionally enjoy French & Saunders but they also feel alien in every scene they're in. I know this shouldn't really impact my view, but Armie Hammer look like he just wants to eat everyone he talks to. Even the usually reliable Annette Benning comes across completely disinterested. There's no chemistry anywhere, and it all just feels a bit odd. Branagh is pretty great as Poirot to his credit. He just about holds proceedings together along with Sophie Okonedo, and they both manage to inject some charisma when things become arduous, which is farily regularly.
A bit of a misfire then, but not a complete disaster. I can firmly file Death on the Nile under "films I don't really like, but would probably watch again if it was on TV, or maybe on Christmas day at my Mums house".