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JT (287 KP) rated Monsters (2010) in Movies
Mar 10, 2020
Not so much a film about monsters, more about the human struggle to come to terms with the aftermath of an alien invasion. Whether the title was given purely for marketing reasons or not, I’m not sure, but it certainly doesn’t deliver a plethora of monsters to the screen.
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.
Gareth von Kallenbach (971 KP) rated Battle: Los Angeles (2011) in Movies
Aug 7, 2019
War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic troops-in-combat picture which produces a mixed bag of results.
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
JT (287 KP) rated District 9 (2009) in Movies
Mar 10, 2020
When you’ve seen one alien film you’ve probably seen them all. That is until District 9 came along, and a chance to put a new spin on the arrival of extra extraterrestrial beings from another world.
Director Neill Blomkamp who also co-wrote the script lands the aliens in a scenario that they might not have ever expected to be in, as refugees living in poverty amongst the human race who just want to see them pack up ship and leave.
Its clever and well shot, keeping it away from America and setting it in the dusty backdrop of Johannesburg was a stroke of genius. The use of the faux-documentary style kept things interesting and original, and for that Blomkamp must be commended.
The depths of the story arises thus, an extraterrestrial race forced to live in slum-like conditions on Earth suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology. Agent Wikus Van De Merwe superbly played by new comer to the big league, Sharlto Copley, is a by the books, loving wife sort of guy.
Excited by the prospect of their arrival he thrives on and becomes overly excited in seeing how ‘the prawns’ live their life scavenging for food and seemingly resulting to crime in a bid to survive. But when he’s exposed to a chemical that has disastrous results he must befriend the alien race in an attempt to get his life back. His transformation from government bureaucrat to a lone freedom fighter with a selfish streak (you’ll find out what I mean without giving the plot away here) is perfect.
The overall outlook of the film is not what you would call beautiful, but there is something weirdly picturesque about it. The massive ship that has been hanging overhead for the last two decades is spectacular, not to mention some explosive action sequences which have a fantastic injection of shaky cam to give it a real sense of reality.
It’s certainly gory, so the more squeamish might find some scenes hard to watch. There is plenty of exploding bodies at the hands of an alien weaponry as well as a machine gun firing, missile toting exoskeleton that would make both Robo Cop and Iron Man green with envy! There is an aura of black comedy about it with a few surprising laugh out loud moments from time to time which adds a nice touch.
The aliens for the most part have it tough, while we don’t ever find out the reason for their invasion the realism of them being beaten, exploited and abused by a somewhat corrupt higher power certainly puts into perspective a more sinister and much closer to home reality.
When District 9 really gets going its plain to see that this is an exceptional piece of film making and a must see!
Director Neill Blomkamp who also co-wrote the script lands the aliens in a scenario that they might not have ever expected to be in, as refugees living in poverty amongst the human race who just want to see them pack up ship and leave.
Its clever and well shot, keeping it away from America and setting it in the dusty backdrop of Johannesburg was a stroke of genius. The use of the faux-documentary style kept things interesting and original, and for that Blomkamp must be commended.
The depths of the story arises thus, an extraterrestrial race forced to live in slum-like conditions on Earth suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology. Agent Wikus Van De Merwe superbly played by new comer to the big league, Sharlto Copley, is a by the books, loving wife sort of guy.
Excited by the prospect of their arrival he thrives on and becomes overly excited in seeing how ‘the prawns’ live their life scavenging for food and seemingly resulting to crime in a bid to survive. But when he’s exposed to a chemical that has disastrous results he must befriend the alien race in an attempt to get his life back. His transformation from government bureaucrat to a lone freedom fighter with a selfish streak (you’ll find out what I mean without giving the plot away here) is perfect.
The overall outlook of the film is not what you would call beautiful, but there is something weirdly picturesque about it. The massive ship that has been hanging overhead for the last two decades is spectacular, not to mention some explosive action sequences which have a fantastic injection of shaky cam to give it a real sense of reality.
It’s certainly gory, so the more squeamish might find some scenes hard to watch. There is plenty of exploding bodies at the hands of an alien weaponry as well as a machine gun firing, missile toting exoskeleton that would make both Robo Cop and Iron Man green with envy! There is an aura of black comedy about it with a few surprising laugh out loud moments from time to time which adds a nice touch.
The aliens for the most part have it tough, while we don’t ever find out the reason for their invasion the realism of them being beaten, exploited and abused by a somewhat corrupt higher power certainly puts into perspective a more sinister and much closer to home reality.
When District 9 really gets going its plain to see that this is an exceptional piece of film making and a must see!
Jesters_folly (230 KP) rated Killer Klowns from Outer Space (1988) in Movies
Sep 10, 2019
Contains spoilers, click to show
A shooting star passes over a small American town, when a couple of teens go to investigate they find a big top circus tent that is not from this planet. When the occupants of the tent, a group of extra-terrestrial clowns (or Klowns if you will) start running amok and killing people it’s up to a group of young adults to stop them.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
365Flicks (235 KP) rated Talking Earth (2017) in Movies
Nov 20, 2019
There is definitely a lot to be said about the Independent market right now (its bloody exciting). Every now and then you will come across an absolute gem of a movie and other times you will come across an absolute turdfest. I have been pretty lucky as of late that most of my picks are falling into the former. Now, this could be my ex Video Store clerk elitist personality shining through or maybe that clover my daughter shoved in my face along with a handful of grass really did have four leafs.
However Taking Earth has left me wondering (Dumbfounded even). I’m really not sure which bracket to put this flick in because it has all the hallmarks and some of the effects of a big budget summer blockbuster but the execution of a SyFy Sharknado style movie. I guess what i’m trying to say is that while I give this flick more credit than I feel it deserves I cant quite get to grips with how I felt about it.
Taking Earth is a Alien invasion movie set in the beautiful land of South Africa (Awesome accents and all). That’s about it really, all you need to know is that Aliens have invaded earth and they are looking for one boy in particular. We spend the bulk of the movie with David and Cameron two lads brought together after the invasion but Cameron holds a dangerous secret (Could he be the key to all of this) The duo must make there way to a safe zone while avoiding there hunters.
One of the things I liked about this movie was that it jumps straight in on the action, the invasion has happened and the cat and mouse chase is already in progress, this I liked. However I also kind of hated this because by the end of the flick (No spoilers) it felt like they were strongly hinting at a whole extended universe Before, During and After this movie that my guess is… we may not get to see (although the ending Screams sequel). I loved the fact that the movie was reportedly made for 5 million and to be completely fair to this first time Writer/Director/Editor it looks like it cost so much more, in fact I would say this movie looks better than 90% of those B-Movies we all seem to love these days.
The cast are all doing there best with the dialogue they have and delivering the best of it with such passion that it kind of makes it hard for me to shit on the flick. So this time I wont, but cross me agian!!!.
For me Taking Earth is a soft recommend, mostly because it screams expanded universe, this movie needs a prequel and screams for a sequel just to scratch the surface of the story I believe they want to tell… Would I watch either of them??? Probably not. The shining light is the unknown Cast and the Director are all invested and as a movie lover such as I am, I can not only respect them for it but I can also love them for it. There is a definite audience for this low budget movie with great effects and aspirations so like I say I think you should check it out… At your own risk!!!
Not exactly what I would call a Hidden Gem but by no means a Turdfest
However Taking Earth has left me wondering (Dumbfounded even). I’m really not sure which bracket to put this flick in because it has all the hallmarks and some of the effects of a big budget summer blockbuster but the execution of a SyFy Sharknado style movie. I guess what i’m trying to say is that while I give this flick more credit than I feel it deserves I cant quite get to grips with how I felt about it.
Taking Earth is a Alien invasion movie set in the beautiful land of South Africa (Awesome accents and all). That’s about it really, all you need to know is that Aliens have invaded earth and they are looking for one boy in particular. We spend the bulk of the movie with David and Cameron two lads brought together after the invasion but Cameron holds a dangerous secret (Could he be the key to all of this) The duo must make there way to a safe zone while avoiding there hunters.
One of the things I liked about this movie was that it jumps straight in on the action, the invasion has happened and the cat and mouse chase is already in progress, this I liked. However I also kind of hated this because by the end of the flick (No spoilers) it felt like they were strongly hinting at a whole extended universe Before, During and After this movie that my guess is… we may not get to see (although the ending Screams sequel). I loved the fact that the movie was reportedly made for 5 million and to be completely fair to this first time Writer/Director/Editor it looks like it cost so much more, in fact I would say this movie looks better than 90% of those B-Movies we all seem to love these days.
The cast are all doing there best with the dialogue they have and delivering the best of it with such passion that it kind of makes it hard for me to shit on the flick. So this time I wont, but cross me agian!!!.
For me Taking Earth is a soft recommend, mostly because it screams expanded universe, this movie needs a prequel and screams for a sequel just to scratch the surface of the story I believe they want to tell… Would I watch either of them??? Probably not. The shining light is the unknown Cast and the Director are all invested and as a movie lover such as I am, I can not only respect them for it but I can also love them for it. There is a definite audience for this low budget movie with great effects and aspirations so like I say I think you should check it out… At your own risk!!!
Not exactly what I would call a Hidden Gem but by no means a Turdfest
Leigh J (71 KP) rated Dreamcatcher (2003) in Movies
Nov 24, 2019 (Updated Nov 24, 2019)
Stephen King does The Thing
Contains spoilers, click to show
4 friends make their yearly trek to a Cabin in a remote part of Maine to eat, drink, be merry and Hunt. However Jonesy, Pete, Beaver and Henry are not just any ordinary group of friends. For as long as they can remember, there has been a psychic link between them, strengthened further by the addition of Duddits, a mentally disabled young boy who they rescued from bullies one day after school when they were all kids. Their link as a group of 5 is so strong that they even rescue a young girl who has been missing for a while. Now the boys have grown up and this trip is their chance to let loose and blow off some steam, minus Duddits who is still mentally a young boy. Whilst out hunting, they come across a distressed and dazed man who tells them he got lost in the woods whilst out with his Hunting group... and the man is obviously ill. He has a suspicious injury to his face and he can't stop burping and farting, which are so horrible that they make the guys nauseous. Soon enough, they guys discover the man is in a blood soaked Bathroom, dead, and an Alien Weasel looking creature thrashing around in the toilet bowl. And there's a red fungus growing on (and in) everything. Could this really be an Alien invasion? Can the 4 friends strike back against these otherworldly enemies? And what will happen when the most malevolent one of these Aliens decides that Jonesy would be a great place for him to be able to wreak havoc from?
Dreamcatcher is an adaptation of the Book of the same name from Stephen King. I'm now VERY happy I read the Book before I watched this Movie as some things in the Book don't come across that clear in the Movie. Not a lot of people enjoy the Book and feel it's quite out there for Stephen King but I really enjoyed it, and the same can be said for the Movie! The story is really captivating, especially the friendships between the guys and the interaction between Jonesy and Mr Gray (his new invader) and I really appreciated the very "Thing" quality this Movie has (I literally have no idea why it reminds me of The Thing but it just does!) Definitely worth a watch, but it's not going to be for everyone as I would recommend reading the Book first.
Dreamcatcher is an adaptation of the Book of the same name from Stephen King. I'm now VERY happy I read the Book before I watched this Movie as some things in the Book don't come across that clear in the Movie. Not a lot of people enjoy the Book and feel it's quite out there for Stephen King but I really enjoyed it, and the same can be said for the Movie! The story is really captivating, especially the friendships between the guys and the interaction between Jonesy and Mr Gray (his new invader) and I really appreciated the very "Thing" quality this Movie has (I literally have no idea why it reminds me of The Thing but it just does!) Definitely worth a watch, but it's not going to be for everyone as I would recommend reading the Book first.
Ross (3282 KP) rated The Ninth Rain in Books
Aug 27, 2018
The Ninth Rain takes place in a world with two main dominant races: humans and eborans. The latter used to derive strength from the sap of Ygserin, the life-giving god-tree. This tree also used to dispatch war-beasts when needed, following invasion from the "worm-people", an alien race who seem determined to destroy the land and its people. The story follows the adventures of Vintage and Tormalin (a human and her Eboran companion) as they try to research the worm people's motives and weaknesses, and Noon, a Fell-witch who can take someone's life force and turn it into a weapon of fire.
The plot is very well planned out and interwoven, with the history of the land and its people, and the main characters, being revealed over the course of the book as needed to fit in with the current timeline.
The characters are well crafted and develop in different ways over the course of the book.
For me, the middle third dragged a little as a fairly humdrum adventure across country unfolded and numerous incidents and conflicts occurred. There just didn't seem to be a great deal of direction and it was more that "things that need to happen will happen here" but it didn't really serve much purpose. The story before and after that was very strong, but this section was a chore.
I am always nervous when a character suddenly has a voice in their head telling them what to do, afraid of irritating deus ex machina. Here however that was not the case as the voice was a very important, and (eventually) well-grounded plot point.
Overall a very good story, set up nicely for the follow-up in the series.
The plot is very well planned out and interwoven, with the history of the land and its people, and the main characters, being revealed over the course of the book as needed to fit in with the current timeline.
The characters are well crafted and develop in different ways over the course of the book.
For me, the middle third dragged a little as a fairly humdrum adventure across country unfolded and numerous incidents and conflicts occurred. There just didn't seem to be a great deal of direction and it was more that "things that need to happen will happen here" but it didn't really serve much purpose. The story before and after that was very strong, but this section was a chore.
I am always nervous when a character suddenly has a voice in their head telling them what to do, afraid of irritating deus ex machina. Here however that was not the case as the voice was a very important, and (eventually) well-grounded plot point.
Overall a very good story, set up nicely for the follow-up in the series.
Charlie Cobra Reviews (1840 KP) rated Rim of the World (2019) in Movies
Jul 7, 2020
Really Good Summer Sci-Fi Movie
Rim Of The World is a sci-fi adventure movie directed by McG from a screenplay by Zach Stentz. It was produced by Wonderland Sound and Vision and Circle of Confusion and distributed by Netflix. The film stars Jack Gore, Miya Cech, Benjamin Flores, Jr., and Alessio Scalzotto.
Alex, a smarter than average 13-year old, is forced to go to the same summer camp that his mother went to when she was a girl. The summer camp is called Rim of the World and while there he meets three other teenagers, Darius the joker, Gabriel the tough guy, and Zhen Zhen the tomboy. They all stick together when suddenly aliens begin to attack the area. A space pod crash lands and an astronaut inside entrusts Alex with the key to stopping the alien invasion. They must now travel 40 miles away on their own through dangerous obstacles but as they do they will begin to bond and become friends.
First off this movie is a perfect summer flick for watching with friends who like sci-fi. It seemed to have a lot of comparisons and similarities to The Goonies, which I believe was the inspiration for it. I liked how each character had very distinct personalities. Alex the main character, has the greatest character growth out of the group but they all change along the journey. The special effects and CGI could have been way better and at times were down right laughable. But the actors performances and the scenes where they are better really sell the film. This movie is definitely not to be taken seriously but still has moments of drama that take it up a notch. I had a fun time watching it. I give it a 7/10.
Alex, a smarter than average 13-year old, is forced to go to the same summer camp that his mother went to when she was a girl. The summer camp is called Rim of the World and while there he meets three other teenagers, Darius the joker, Gabriel the tough guy, and Zhen Zhen the tomboy. They all stick together when suddenly aliens begin to attack the area. A space pod crash lands and an astronaut inside entrusts Alex with the key to stopping the alien invasion. They must now travel 40 miles away on their own through dangerous obstacles but as they do they will begin to bond and become friends.
First off this movie is a perfect summer flick for watching with friends who like sci-fi. It seemed to have a lot of comparisons and similarities to The Goonies, which I believe was the inspiration for it. I liked how each character had very distinct personalities. Alex the main character, has the greatest character growth out of the group but they all change along the journey. The special effects and CGI could have been way better and at times were down right laughable. But the actors performances and the scenes where they are better really sell the film. This movie is definitely not to be taken seriously but still has moments of drama that take it up a notch. I had a fun time watching it. I give it a 7/10.
Kirk Bage (1775 KP) rated Waltz With Bashir (2008) in Movies
Mar 11, 2021
This is the fifth in the series of films I would recommend to an alien to explain humanity. Not, as posted on the Instagram account, #6 – sorry for the confusion, I think I skipped #4 on there when posting for Schindler’s List a few weeks ago. Anyway… today’s choice is Ari Folman’s extraordinary antiwar film from 2008, which combines several forms of animation and live action footage to create a dreamlike landscape of the 1982 invasion of Lebanon, and one man’s journey to reconstruct his own lost memories of events.
I saw this when working at The Cameo Cinema in Edinburgh on release. It was the kind of thing I loved to discover that I wouldn’t normally have paid to see. Its impact on me was immediate, and I went back to see it 3 more times. When it was released on DVD in 2009, it became my go to movie to gift to people who I knew would love it but may not have even heard of it, due to its low profile arthouse origins. It was nominated in the Best Foreign Language Film category at the Oscars, but otherwise went under the radar in many ways. I still doubt it has been seen by a quarter of the people who would immediately say it was one of the most amazing films they had ever seen.
The animation may seem gimmicky at first, but once you identify its utility in this context and understand this is not a film for children, it becomes a transcendent trip of vibrant colour, emotion and… humanity. I would call it as indispensable an antiwar movie as Apocalypse Now, and in many ways so much more moving than that classic. If you have yet to see it, do yourself a favour, pick a time you can reflect and allow the dreamlike quality to carry you away.
I saw this when working at The Cameo Cinema in Edinburgh on release. It was the kind of thing I loved to discover that I wouldn’t normally have paid to see. Its impact on me was immediate, and I went back to see it 3 more times. When it was released on DVD in 2009, it became my go to movie to gift to people who I knew would love it but may not have even heard of it, due to its low profile arthouse origins. It was nominated in the Best Foreign Language Film category at the Oscars, but otherwise went under the radar in many ways. I still doubt it has been seen by a quarter of the people who would immediately say it was one of the most amazing films they had ever seen.
The animation may seem gimmicky at first, but once you identify its utility in this context and understand this is not a film for children, it becomes a transcendent trip of vibrant colour, emotion and… humanity. I would call it as indispensable an antiwar movie as Apocalypse Now, and in many ways so much more moving than that classic. If you have yet to see it, do yourself a favour, pick a time you can reflect and allow the dreamlike quality to carry you away.
Lyndsey Gollogly (2893 KP) rated Claimed (Brides of the Kindred #1) in Books
Sep 10, 2019
Olivia Waterhouse has just graduated from nursing school and has her whole life ahead of her—until she gets drafted. Problem is, she isn’t being forced into the Army, she’s been chosen as a Kindred bride.
The Kindred are huge alien warriors—a race of genetic traders whose population is ninety-five percent male. After saving Earth from the threat of invasion they demand a reward—the right to find brides among the population. The chances of being chosen are about the same as those of winning the lottery—guess it’s just Liv’s lucky day.
Baird is a Beast Kindred who recently escaped imprisonment and torture at the hands of the malevolent Scourge. Through the torment and pain only one thing kept him sane—the thought of finding and claiming his bride—Olivia. His need to possess her is a burning intensity that threatens to consume them both.
Angry at having her future and her family taken away from her, Liv vows to fight back the only way she can—by resisting. She has one month on the Kindred Mothership with Baird—their claiming period. If she can keep from having bonding sex with him during that time, she can go home and get on with her life on Earth.
But Baird isn’t going to make it easy for her. Every week he is allowed to touch Liv more and more intimately and according to the contract she signed, she has to let him. She’s determined to resist him but his touch sets her on fire. And just as she thinks she knows what she wants, a twist of fate and an attack by the faceless Scourge AllFather changes everything…
<strong>It was ok</strong>
So I wasn't expecting becoming like it but it was actually ok. Think Black dagger brotherhood in space. Seemed a bit oh I've heard it before but it got better.I will be sticking with the series as I'm interested in where it will go.
⭐⭐⭐

The Kindred are huge alien warriors—a race of genetic traders whose population is ninety-five percent male. After saving Earth from the threat of invasion they demand a reward—the right to find brides among the population. The chances of being chosen are about the same as those of winning the lottery—guess it’s just Liv’s lucky day.
Baird is a Beast Kindred who recently escaped imprisonment and torture at the hands of the malevolent Scourge. Through the torment and pain only one thing kept him sane—the thought of finding and claiming his bride—Olivia. His need to possess her is a burning intensity that threatens to consume them both.
Angry at having her future and her family taken away from her, Liv vows to fight back the only way she can—by resisting. She has one month on the Kindred Mothership with Baird—their claiming period. If she can keep from having bonding sex with him during that time, she can go home and get on with her life on Earth.
But Baird isn’t going to make it easy for her. Every week he is allowed to touch Liv more and more intimately and according to the contract she signed, she has to let him. She’s determined to resist him but his touch sets her on fire. And just as she thinks she knows what she wants, a twist of fate and an attack by the faceless Scourge AllFather changes everything…
<strong>It was ok</strong>
So I wasn't expecting becoming like it but it was actually ok. Think Black dagger brotherhood in space. Seemed a bit oh I've heard it before but it got better.I will be sticking with the series as I'm interested in where it will go.
⭐⭐⭐