Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.

Kelly Knows (95 KP) rated The House of Doors in Books
Jun 28, 2019

Sarah (7799 KP) rated Ad Astra (2019) in Movies
Oct 9, 2019
For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.
The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.

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