Search
Search results
Gareth von Kallenbach (980 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Aug 6, 2019
Full disclosure here: I am a huge fan of the original series of Planet of the Apes movies. I have them on VHS and Laser Disc, having watched them at least a dozen times each. That being said, I didn’t really enjoy 2011’s Rise of the Planet of Apes with James Franco. Not that it was a bad movie, per say, but it didn’t really keep me captivated, so much so that I can barely remember all of the main plot points. At the time I thought that I might be jaded being such a huge fan of the originals. And then I saw Dawn of the Planet of the Apes (we’ll just refer to it as “Dawn” from here on out). I didn’t have very high expectations for Dawn.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Lee (2222 KP) rated Pet Sematary (2019) in Movies
Apr 2, 2019 (Updated Apr 5, 2019)
Not only have I not read the Stephen King book that Pet Sematary is based on, I haven't even seen the original 1989 movie either. As much as I feel ashamed for completely missing out on both of those, it also meant that I was able to head into this movie with nothing to compare it to and no idea of what to expect, other than a bit of creepy-burial-ground-raising-the-dead type stuff that the first trailer covered. One quick note on the trailers before I begin though - the most recent one, which luckily I only saw after I had seen the movie, pretty much gives away the entire plot. Granted, if you're a fan of Stephen Kings work, or even the original movie, then you're going to know what to expect anyway. But, if you're like me - someone who enjoys a good horror movie, but doesn't read books and has gaping holes in his movie viewing history, then try and give the trailers a miss on this occasion before heading into the cinema.
Louis Creed (Jason Clarke) is a Boston doctor who moves his family to the (hopefully) less chaotic setting of rural Maine - wife Rachel (Amy Seimetz), 8 year old daughter Ellie (Jeté Laurence), toddler Gage and friendly family cat Church. However, the family soon discover that their house is located right alongside a road which is prone to noisy trucks suddenly speeding past - our first jump scare and something already given away by the trailers! Those trucks also have a tendency to end the lives of any local pets who might happen to wander out in front of them, so it's pretty handy that there happens to be a Native American graveyard out in the woods at the back of the Creed's new house.
The local children make good use of the area, carrying out a funeral procession while wearing masks before burying deceased pets there, and they have also erected a sign - "Pet Sematary", which is nailed to one of the trees outside of it. Unfortunately, it's not too long before Church falls victim to a passing truck, at which point friendly neighbour Jud (John Lithgow) tells Louis of a special burial ritual which can be carried out on an area of ground located even further into the forest. It's a ritual that can bring the dead back to life so, in order to avoid upsetting daughter Ellie, Louis keeps the death a secret until he and Jud can head out late that night to perform the ritual with Church. Sure enough, Church is back with the family the next morning - alive, but looking very disheveled and in a seriously grumpy mood. He's not quite the cute little bundle of joy he once was - as Jud puts it, "Sometimes dead is better".
After banging on earlier about spoilers for movies, I feel it would be wrong of me to go and do the same thing here. If you're familiar with the story, then you'll know what happens anyway, although there is a moderate change of detail in this particular version which has already had a few die hard Stephen King fans up in arms. I'll just say that the special properties of the burial ground get used on a few more occasions during the course of the movie, with increasingly devastating consequences, and I personally felt that the change to the source material totally worked within the confines of this version of the story.
Ok, so what did I think of the movie overall? Well, I found Pet Sematary to be pretty intense, even more so than 'Us' recently. There were a couple of guys to the side of me in the cinema who were sitting forward on the edge of their seat for the majority of the movie just hyperventilating - I thought they were going to have a heart attack at one point! Yes, there are some jump scares, but this was more the kind of nightmare horror that I loved while watching 'Us' and it had me gripped to my seat for a good 80% or so of its run-time. Everyone involved in the movie is on top form - the children are outstanding, as is Jason Clarke, John Lithgow, even the cat! The dread-filled atmosphere, the tragedy and the horror of it all, it really resonated with me and I came away from this exhausted but happy!
Louis Creed (Jason Clarke) is a Boston doctor who moves his family to the (hopefully) less chaotic setting of rural Maine - wife Rachel (Amy Seimetz), 8 year old daughter Ellie (Jeté Laurence), toddler Gage and friendly family cat Church. However, the family soon discover that their house is located right alongside a road which is prone to noisy trucks suddenly speeding past - our first jump scare and something already given away by the trailers! Those trucks also have a tendency to end the lives of any local pets who might happen to wander out in front of them, so it's pretty handy that there happens to be a Native American graveyard out in the woods at the back of the Creed's new house.
The local children make good use of the area, carrying out a funeral procession while wearing masks before burying deceased pets there, and they have also erected a sign - "Pet Sematary", which is nailed to one of the trees outside of it. Unfortunately, it's not too long before Church falls victim to a passing truck, at which point friendly neighbour Jud (John Lithgow) tells Louis of a special burial ritual which can be carried out on an area of ground located even further into the forest. It's a ritual that can bring the dead back to life so, in order to avoid upsetting daughter Ellie, Louis keeps the death a secret until he and Jud can head out late that night to perform the ritual with Church. Sure enough, Church is back with the family the next morning - alive, but looking very disheveled and in a seriously grumpy mood. He's not quite the cute little bundle of joy he once was - as Jud puts it, "Sometimes dead is better".
After banging on earlier about spoilers for movies, I feel it would be wrong of me to go and do the same thing here. If you're familiar with the story, then you'll know what happens anyway, although there is a moderate change of detail in this particular version which has already had a few die hard Stephen King fans up in arms. I'll just say that the special properties of the burial ground get used on a few more occasions during the course of the movie, with increasingly devastating consequences, and I personally felt that the change to the source material totally worked within the confines of this version of the story.
Ok, so what did I think of the movie overall? Well, I found Pet Sematary to be pretty intense, even more so than 'Us' recently. There were a couple of guys to the side of me in the cinema who were sitting forward on the edge of their seat for the majority of the movie just hyperventilating - I thought they were going to have a heart attack at one point! Yes, there are some jump scares, but this was more the kind of nightmare horror that I loved while watching 'Us' and it had me gripped to my seat for a good 80% or so of its run-time. Everyone involved in the movie is on top form - the children are outstanding, as is Jason Clarke, John Lithgow, even the cat! The dread-filled atmosphere, the tragedy and the horror of it all, it really resonated with me and I came away from this exhausted but happy!
Charlie Cobra Reviews (1840 KP) rated Black Widow (2021) in Movies
Sep 6, 2021
Good casting, Scarlett and Florence felt like actual sisters. (1 more)
Good chemistry and acting from David Harbour and Rachel Weisz.
Not much of a thriller or thinker for a spy movie. (1 more)
One actor was greatly wasted in their role.
Scarlett's Swan Song Had Plenty of Action With A Decent StoryNatasha Romanoff (Scarlett Johansson) and her sister Yelena (Florence Pugh) are living what seems like a normal life in 1995 Ohio, with their parents, mother, Melina Vostokoff (Rachel Weisz) and
Natasha Romanoff (Scarlett Johansson) and her sister Yelena (Florence Pugh) are living what seems like a normal life in 1995 Ohio, with their parents, mother, Melina Vostokoff (Rachel Weisz) and father, Alexei Shostakov (David Harbour) when suddenly they must leave the country. They are all Russian undercover agents and Alexei, the super-soldier known as Red Guardian, has stolen intel from S.H.I.E.L.D. They flee to Cuba where the sisters are forcibly taken to the "Red Room" for training after they've met General Dreykov (Ray Winstone), their boss. Now in 2016 after the events of Captain America: Civil War, Natasha finds herself a fugitive on the run from U.S. Secretary of State Thaddeus Ross (William Hurt) after violating the Sokovia Accords. She's attacked by an incredibly skilled assassin called the Taskmaster and finds that she's not his target but rather a package she had with her. After learning the package originated from Budapest she heads there where she finds her sister Yelena and learns of a plot that not only jeopardizes the safety of those trained in the "Red Room" but possibly the whole world.
This movie was really good and it was great to see a Marvel movie again. I didn't see this one in theaters but I still enjoyed watching it in the safety of my home with my family. So this movie came off like a really good spy/action movie but definitely had that Marvel feel to it. It really felt like watching something out of the Bourne or Bond series films but with admittedly less plot and gadgets, but the action was really spot on. There was awesome car chase scenes and expertly crafted fight choreography too. It was even reported that they went through 13 BMW X3's for the car chase scene with Scarlett and Florence so you can tell that they really wanted to get things right and had a vision of what they wanted the audience to see for that particular scene as well. I thought there was really great chemistry from all the actors together and that it was pretty good casting. Scarlett and Florence argue throughout the film just like real sisters, and the looks that David Harbour and Rachel Weisz exchange feel like they were genuinely together. The opening scene of the movie had great acting and was very emotional. I just feel like one role/actor was kind of a bad casting and/or was greatly underutilized. I think the biggest flaw of the move was that for being a spy movie, the plot never had any mystery to it and everything was kind of predictable or at least very easy to follow. Not much of a thriller or thinker where you had to put two and two together. The cinematography was spot on and felt like you were watching any big budget spy or action movie and on par with what you expect from Marvel Studios. The tone fit the film for the most part but kind of "see-saw"-ed from time to time as they mixed serious themes with comedic dialogue throughout. But that's to be expected from a PG-13 action/spy movie from Marvel and it was a little reminiscent of the film Captain America in that regard. The music was good and there were a couple of songs that stuck out in that regard American Pie by Don Mclean and a cover of Smells Like Teen Spirit by Think Up Anger; also Cheap Thrills by Sia. The musical score was also good and the Black Widow theme was pretty epic but also with hints of melancholy to it that seemed to underline both her tragic background as well as the tragedy of the events to come in her future. Altogether the movie was really good and I give it a 7/10. If you are big time into the MCU and Marvel franchise movies then this is a must see film but if not then it might come off as just a barely above average action/spy film so that's why it doesn't get my "Must See Seal of Approval"
This movie was really good and it was great to see a Marvel movie again. I didn't see this one in theaters but I still enjoyed watching it in the safety of my home with my family. So this movie came off like a really good spy/action movie but definitely had that Marvel feel to it. It really felt like watching something out of the Bourne or Bond series films but with admittedly less plot and gadgets, but the action was really spot on. There was awesome car chase scenes and expertly crafted fight choreography too. It was even reported that they went through 13 BMW X3's for the car chase scene with Scarlett and Florence so you can tell that they really wanted to get things right and had a vision of what they wanted the audience to see for that particular scene as well. I thought there was really great chemistry from all the actors together and that it was pretty good casting. Scarlett and Florence argue throughout the film just like real sisters, and the looks that David Harbour and Rachel Weisz exchange feel like they were genuinely together. The opening scene of the movie had great acting and was very emotional. I just feel like one role/actor was kind of a bad casting and/or was greatly underutilized. I think the biggest flaw of the move was that for being a spy movie, the plot never had any mystery to it and everything was kind of predictable or at least very easy to follow. Not much of a thriller or thinker where you had to put two and two together. The cinematography was spot on and felt like you were watching any big budget spy or action movie and on par with what you expect from Marvel Studios. The tone fit the film for the most part but kind of "see-saw"-ed from time to time as they mixed serious themes with comedic dialogue throughout. But that's to be expected from a PG-13 action/spy movie from Marvel and it was a little reminiscent of the film Captain America in that regard. The music was good and there were a couple of songs that stuck out in that regard American Pie by Don Mclean and a cover of Smells Like Teen Spirit by Think Up Anger; also Cheap Thrills by Sia. The musical score was also good and the Black Widow theme was pretty epic but also with hints of melancholy to it that seemed to underline both her tragic background as well as the tragedy of the events to come in her future. Altogether the movie was really good and I give it a 7/10. If you are big time into the MCU and Marvel franchise movies then this is a must see film but if not then it might come off as just a barely above average action/spy film so that's why it doesn't get my "Must See Seal of Approval"
LoganCrews (2861 KP) rated Phantoms (1998) in Movies
Sep 21, 2020
Peter O'Toole was the bomb in 𝘗𝘩𝘢𝘯𝘵𝘰𝘮𝘴, yo. Features elements of a horror movie but fails to actually make a horror movie out of them - spends most of its runtime focusing on the bracing thrills of walking around slowly and looking at stuff, and the heart-clenching horrors of sitting in some lab talking about chemicals and stuff. Dean Koontz is the Dan Brown of horror, ineptly weaving together such laughably idiotic historical appeals (forced to be played straight) for people who don't know they aren't cultured and then doing nothing with them. Also Rose McGowan is either genuinely crap here or she just doesn't care. The sci-fi violence/gore is honestly quite vicious and damn cool for what this is, and there is a noticeable amount of enjoyable stupidity to be had (terrified Affleck pleading for his life to a golden retriever, O'Toole screaming about how some ancient extraterrestrial-demon shapeshifting oil killed the dinosaurs, etc) but it's too slapdash for its own good. Gets right into it then takes multiple breaks to sit on its ass, not awful but also not worth any sort of time, tbh. The Blob for those thirsty for cardboard vapidity. *Please* just watch 𝘝𝘢𝘯𝘪𝘴𝘩𝘪𝘯𝘨 𝘰𝘯 7𝘵𝘩 𝘚𝘵𝘳𝘦𝘦𝘵 instead.
Matthew Krueger (10051 KP) rated Child's Play (2019) in Movies
Jun 29, 2019 (Updated Feb 12, 2020)
Wanna Play
Contains spoilers, click to show
Child's play- in my mind is okay. I didnt like a lot of things in the movie. Spoiler alert if you havent seen it.
1. Chucky himself- when you first get a look at chucky your like disgust but also terrifying. He was creepy but also wired to look at. Everytime he was on screen i has a nasty feelling in my stomach.
2. Chucky's sense of humor- whenever chucky is about the kill someone, he says a one liner that doesnt go through. I understand that the studio was trying to have some of the old chucky's sense of humor in this new one, but it failed.
3. No don mancini and no brad dourif- those two alone are the keyholeders of chucky. Don mancini created chucky and directed three of the chucky movies and brad dourif voiced chucky in the pervious movies. I dont mind mark hamli, but chucky is not the same with these two involded.
4. The charcters, expecy for andy- i could care less about the rest of the chacters, andy was the only chatcter the i cared about in the movie.
Other than those i thought child's play was okay. Not great, just okay.
1. Chucky himself- when you first get a look at chucky your like disgust but also terrifying. He was creepy but also wired to look at. Everytime he was on screen i has a nasty feelling in my stomach.
2. Chucky's sense of humor- whenever chucky is about the kill someone, he says a one liner that doesnt go through. I understand that the studio was trying to have some of the old chucky's sense of humor in this new one, but it failed.
3. No don mancini and no brad dourif- those two alone are the keyholeders of chucky. Don mancini created chucky and directed three of the chucky movies and brad dourif voiced chucky in the pervious movies. I dont mind mark hamli, but chucky is not the same with these two involded.
4. The charcters, expecy for andy- i could care less about the rest of the chacters, andy was the only chatcter the i cared about in the movie.
Other than those i thought child's play was okay. Not great, just okay.
Kristy H (1252 KP) rated Movie Star by Lizzie Pepper in Books
Feb 13, 2018
Lizzie Pepper became a famous actress as a teen -- growing up before America's eyes on her TV show. Eventually Lizzie meets America's most famous movie star, Rob Mars -- and quickly their courtship and marriage becomes tabloid fodder and her life changes forever. At first, Lizzie is head over heels in love with Rob and all that he brings: romance, lavish trips, and instant stardom. But soon, her life is taken over by Rob's wealth and fame -- his constant absences, a complete lack of privacy, and a world overshadowed by Rob's total commitment to One Cell Studio, a form of study and practice that nears cult status. Once they have children, Lizzie begins to doubt everything about their relationship -- and what her husband stands for.
This was a fun book. Written by Hilary Liftin, a celebrity ghostwriter, Lizzie is a really enjoyable and insightful character. The book is clearly supposed to be based on Tom Cruise and Katie Holmes. I kept imagining Rob Mars as a creepy twist between Tom Cruise and Rob Lowe, which was a little frightening. The One Cell piece is oddly disconcerting, as it's supposed to be, and made me want to delve more into the weirdness that is Scientology. Lizzie's evolution was fun to read about (I enjoyed, on a personal level, that she had twins) and she remained a realistic and relatable character, despite being elevated to movie star status. It truly makes you think about some of the insanity that movie stars have to go through, especially those that have children. It also gets you thinking about various religious cults and the power they have over people. In the end, probably a 3.5 star book, as it's a quick, fun read, but with a surprising depth behind it in places. After all, in the end, a marriage crumbling is a marriage crumbling, even in Hollywood.
This was a fun book. Written by Hilary Liftin, a celebrity ghostwriter, Lizzie is a really enjoyable and insightful character. The book is clearly supposed to be based on Tom Cruise and Katie Holmes. I kept imagining Rob Mars as a creepy twist between Tom Cruise and Rob Lowe, which was a little frightening. The One Cell piece is oddly disconcerting, as it's supposed to be, and made me want to delve more into the weirdness that is Scientology. Lizzie's evolution was fun to read about (I enjoyed, on a personal level, that she had twins) and she remained a realistic and relatable character, despite being elevated to movie star status. It truly makes you think about some of the insanity that movie stars have to go through, especially those that have children. It also gets you thinking about various religious cults and the power they have over people. In the end, probably a 3.5 star book, as it's a quick, fun read, but with a surprising depth behind it in places. After all, in the end, a marriage crumbling is a marriage crumbling, even in Hollywood.
The Marinated Meeple (1853 KP) rated Good Will Hunting (1997) in Movies
Apr 1, 2018
My favorite Robin Williams Film, and that is saying something...
This is another Modern Classic about potential and brains, but also about where you come from and how you adapt. Here's an anecdote about finding the right studio: Matt Damon and Ben Affleck found a clever way to choose the right studio for their script: the story goes that on page sixty of the script, they wrote a completely out-of-nowhere sex scene between Will and Chuckie. They took it to every major studio, and nobody even mentioned the scene. When they met with Harvey Weinstein at Miramax, he said, "I only have one really big note on the script. About page sixty, the two leads, both straight men, have a sex scene. What the hell is that?" Damon and Affleck explained that they put that scene specifically in there, to show them who actually read the script, and who didn't. As Weinstein was the only person who brought it up, Miramax was the studio chosen to produce the film.
Also for those of you out there who think just because something is done in school it's not good: When Matt Damon was in his fifth year at Harvard, he was in a playwriting class. The culmination of it was to write a one-act play, and he just started writing a movie, which, with the help of Ben Affleck, became this movie.
"But the question is whether or not you're perfect for each other." were they talking about Ben and Matt?
I guess Ben liked Them Apples, LOL, just kidding.... and here's another Alternate Movie Poster.
Also for those of you out there who think just because something is done in school it's not good: When Matt Damon was in his fifth year at Harvard, he was in a playwriting class. The culmination of it was to write a one-act play, and he just started writing a movie, which, with the help of Ben Affleck, became this movie.
"But the question is whether or not you're perfect for each other." were they talking about Ben and Matt?
I guess Ben liked Them Apples, LOL, just kidding.... and here's another Alternate Movie Poster.
Daniel Boyd (1066 KP) rated Captain Marvel (2019) in Movies
Apr 2, 2019 (Updated Apr 2, 2019)
Blockbuster Fun (1 more)
SFX
Marvellous
I am usually there to see a Marvel movie on day 1, unfortunately though with this film there was a load of bias and negative mentality surrounding it's release. To be honest discussing this movie seemed like a volatile minefield immediately after it's release and it put me off going to see it for a while. Instead I decided to wait a couple of weeks for the dust to settle before going into it. The main reason for this was that I didn't want my experience of the movie to be tarnished by some bitter neckbeard's opinion on the other side of the planet. It is unfortunate that I felt repelled from the movie because of a loud angry minority, but in hindsight I am glad that I waited to see Captain Marvel, because I got to see it in with an untainted mind-set as the filmmakers most likely intended.
I had a lot of fun with this movie, far more than I expected to based on the trailers. Captain Marvel is a great space hopping romp that will put a smile on your face in spite of a few minor shortcomings. The action is great throughout and every fight sequence is exciting and impressive to watch unfold. The CGI is also incredible too, from the vast space shots to the impeccable de-aging on Sam Jackson throughout the movie, to allow him to portray a younger Nick Fury.
The characters are all great as well, I loved that Sam Jackson put a different more playful tone behind his younger, fresher Nick Fury performance as opposed to his stern colder portrayal as the older more battle hardened Fury in the Avengers movies. In the trailers it seemed out of place, but in the context of the movie, it worked really well. I also enjoyed seeing a younger, rookie Coulson and Ben Mendelsohn was great as the movies villain (?)
I was looking forward to seeing what Jude Law would bring to the MCU, but unfortunately he just played Jude Law, as in the same character type that we have already seen him play in a ton of other movies. His performance was perfectly serviceable, but nothing to write home about. Then there is arguably the most important performance of all, Brie Larson as the lead character, Captain Marvel. I thought for the most part she did a pretty great job. I will admit that there were a few lines, (mostly from flashback scenes before she left Earth for the first time,) that felt a bit forced and took me out of the movie slightly. As much as I wanted to buy everything in her performance, there was maybe 10% of the lines that she delivered that were just a bit too cheesy and somewhat wooden. However the other 90% was great and I am very much looking forward to her joining the larger Marvel universe.
The plot was given to us in drips and drabs due to the flashback filled nature of the way that the filmmakers chose to tell this story, but overall I enjoyed the ride. There were a few twists and turns along the way, - some painfully obvious and some not so much, - but most of them were enjoyable and some even felt refreshing, which isn't often said about the 21st movie in a franchise.
The last major thing to address is the female empowerment element that lies under the film's plot and is the thing that a bunch of bigots on Reddit seemed to assume would become the focus of the movie and take away from their beloved superhero fantasy. I am glad to report that no, although it is present, it in no way takes away from the scale or plot of the film. Some moments, (again moments predominately from the flashbacks before Carol leaves Earth for the first time,) were a bit on the nose and felt somewhat forced, such as the 'cockpit,' comment. However, later on in the movie there is an incredibly powerful, more subtle scene that shows different stages of Carol's life where she has been pushed to the ground and has had to get back on her own two feet and carry on. This sequence which showed a bunch of different young girls, ending with Brie Larson herself, standing up to face adversity with bravery and it was it moving and empowering and very well done.
Overall, I had way more fun with this film than I expected to. Try and ignore the negative comments coming from a loud minority of angry people when you see this one and enjoy what is actually happening onscreen.
I had a lot of fun with this movie, far more than I expected to based on the trailers. Captain Marvel is a great space hopping romp that will put a smile on your face in spite of a few minor shortcomings. The action is great throughout and every fight sequence is exciting and impressive to watch unfold. The CGI is also incredible too, from the vast space shots to the impeccable de-aging on Sam Jackson throughout the movie, to allow him to portray a younger Nick Fury.
The characters are all great as well, I loved that Sam Jackson put a different more playful tone behind his younger, fresher Nick Fury performance as opposed to his stern colder portrayal as the older more battle hardened Fury in the Avengers movies. In the trailers it seemed out of place, but in the context of the movie, it worked really well. I also enjoyed seeing a younger, rookie Coulson and Ben Mendelsohn was great as the movies villain (?)
I was looking forward to seeing what Jude Law would bring to the MCU, but unfortunately he just played Jude Law, as in the same character type that we have already seen him play in a ton of other movies. His performance was perfectly serviceable, but nothing to write home about. Then there is arguably the most important performance of all, Brie Larson as the lead character, Captain Marvel. I thought for the most part she did a pretty great job. I will admit that there were a few lines, (mostly from flashback scenes before she left Earth for the first time,) that felt a bit forced and took me out of the movie slightly. As much as I wanted to buy everything in her performance, there was maybe 10% of the lines that she delivered that were just a bit too cheesy and somewhat wooden. However the other 90% was great and I am very much looking forward to her joining the larger Marvel universe.
The plot was given to us in drips and drabs due to the flashback filled nature of the way that the filmmakers chose to tell this story, but overall I enjoyed the ride. There were a few twists and turns along the way, - some painfully obvious and some not so much, - but most of them were enjoyable and some even felt refreshing, which isn't often said about the 21st movie in a franchise.
The last major thing to address is the female empowerment element that lies under the film's plot and is the thing that a bunch of bigots on Reddit seemed to assume would become the focus of the movie and take away from their beloved superhero fantasy. I am glad to report that no, although it is present, it in no way takes away from the scale or plot of the film. Some moments, (again moments predominately from the flashbacks before Carol leaves Earth for the first time,) were a bit on the nose and felt somewhat forced, such as the 'cockpit,' comment. However, later on in the movie there is an incredibly powerful, more subtle scene that shows different stages of Carol's life where she has been pushed to the ground and has had to get back on her own two feet and carry on. This sequence which showed a bunch of different young girls, ending with Brie Larson herself, standing up to face adversity with bravery and it was it moving and empowering and very well done.
Overall, I had way more fun with this film than I expected to. Try and ignore the negative comments coming from a loud minority of angry people when you see this one and enjoy what is actually happening onscreen.
Phillip McSween (751 KP) rated TinkerBell and the Legend of the NeverBeast (2014) in Movies
Jul 20, 2020
To its Credit, Not Bad
As the scout fairies fear the Neverbeast will destroy Pixie Hollow, Fawn has to convince them that the creature is actually a gentle giant.
Acting: 10
Beginning: 10
Characters: 5
Cinematography/Visuals: 10
I have to give credit where it’s due. I have watched all three of the Tinker Bell movies that made it to theaters (not in theaters) and every movie saw improved visuals. It was kind of like watching the Toy Story movies get better over time. By the time they got to the third, the attention that went into just Lotso’s fur was unreal. I love the attention to detail in this Tinker Bell installment from the lush world to the unique creatures.
Conflict: 10
Entertainment Value: 8
At a very quick 76 minutes, this movie manages to do a lot in a little bit. I was very surprised at how much I got into it. The story flows smoothly and you’re rooting for the characters that are driving it.
Memorability: 4
Pace: 10
It should go without saying, but any movie that can tell a story in 76 minutes will not get any negative marks on the pace side from me. As previously mentioned, a lot happens in a little bit of time. I must also say that nothing ever felt rushed or forced, rather it was a natural pacing of story.
Plot: 2
Resolution: 10
Cute ending that put a bit of a smile on my face. The overall story was a hot mess, but at least it ended well. I was definitely satisfied when it was all said and done.
Overall: 79
Tinker Bell and the Legend of the Neverbeast suffers from a weak story that was obviously made for kids. Had they put a bit more time and energy into the plot aspect of things, the score would have been a lot higher. As it stands, it doesn’t quite get out of the “Folding Clothes Movie” category.
Acting: 10
Beginning: 10
Characters: 5
Cinematography/Visuals: 10
I have to give credit where it’s due. I have watched all three of the Tinker Bell movies that made it to theaters (not in theaters) and every movie saw improved visuals. It was kind of like watching the Toy Story movies get better over time. By the time they got to the third, the attention that went into just Lotso’s fur was unreal. I love the attention to detail in this Tinker Bell installment from the lush world to the unique creatures.
Conflict: 10
Entertainment Value: 8
At a very quick 76 minutes, this movie manages to do a lot in a little bit. I was very surprised at how much I got into it. The story flows smoothly and you’re rooting for the characters that are driving it.
Memorability: 4
Pace: 10
It should go without saying, but any movie that can tell a story in 76 minutes will not get any negative marks on the pace side from me. As previously mentioned, a lot happens in a little bit of time. I must also say that nothing ever felt rushed or forced, rather it was a natural pacing of story.
Plot: 2
Resolution: 10
Cute ending that put a bit of a smile on my face. The overall story was a hot mess, but at least it ended well. I was definitely satisfied when it was all said and done.
Overall: 79
Tinker Bell and the Legend of the Neverbeast suffers from a weak story that was obviously made for kids. Had they put a bit more time and energy into the plot aspect of things, the score would have been a lot higher. As it stands, it doesn’t quite get out of the “Folding Clothes Movie” category.
Erika (17789 KP) rated X-Men: Apocalypse (2016) in Movies
Dec 6, 2017
This movie was a complete mess. The plot was all over the place, and they kind of wasted Oscar Isaac. I always love James McAvoy and Michael Fassbender together, but there was close to nil of that action. Michael Fassbender seemed like he hated life all throughout it.
Also, I'm really tired of Jennifer Lawrence's Mystique. Can we please get some clothing for Mystique? I find it really strange that she has clothing in comics but close to none in the movies.
Also, I'm really tired of Jennifer Lawrence's Mystique. Can we please get some clothing for Mystique? I find it really strange that she has clothing in comics but close to none in the movies.









