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Bob Mann (459 KP) rated Avengers: Infinity War (2018) in Movies
Sep 29, 2021
14,000,605:1 …. or perhaps 50:50!
So, it’s been a week of full-on work and family commitments…. which means it’s also been a week of ducking and dodging of film reviews in case of spoilers! (Actually, all my favourite bloggers have been pretty good!). This review will also be spoiler free,but there is just SO MUCH that can be discussed there will be a Spoiley McSpoiler section after the trailer video.
Upfront I have to admit that I’m not the world’s greatest MCU fan, but even I felt a twinge of anticipation on going into this 19th instalment: a film that has had fan-boys frothing at the loins for years. And the film doesn’t disappoint, drawing together most (but not all) threads of the disparate MCU universe into a sprawling epic adventure.
Thanos (which inappropriately always seems to autocorrect to “Thanks”!) is played by a CGI’d Josh Brolin, first glimpsed as a “monkey” after the original “Avengers” movie where his quest for the “infinity stones” was first mooted. This particular McGuffin has been revealed in parts throughout the series, with others being surreptitiously slipped into this instalment. With all six stones, Thanos will be able to fully exercise his God fixation over the Universe. Will the Avengers and their new Guardian friends (“Who the hell are you guys?” LOL) be able to stop him?
There are shocks and surprises aplenty. Most of these come courtesy of Thanos who, although like all megalomaniac Bond villains is as mad as a box of frogs, has a backstory and a depth of character that is several cuts above most movie villains.
All of the cast seem to have great fun bouncing off each other. The only performance I found out of kilter was Mark Ruffalo as Bruce Banner who (to me) seemed to be really off his game and false, at least for the early scenes in the movie.
The special effects are – naturally – top-notch and are clever in trying to smooth the joins between the ‘traditional’ view of the Avengers world and the garish world of the Guardians of the Galaxy crew.
Cinema staff must hate a Marvel movie as they have to wait til the very end of the credits before they can move in to clean! And there is a “monkey” (and a good one) at the very end of the credits here, but the credits are very, very long!
So, in summary, it’s complete nonsense as normal, but it’s high-class nonsense, well-written, suitably humorous and provides excellent popcorn entertainment. Directors Anthony and Joe Russo are to be congratulated in pulling off what could have been a disaster. Recommended.
Upfront I have to admit that I’m not the world’s greatest MCU fan, but even I felt a twinge of anticipation on going into this 19th instalment: a film that has had fan-boys frothing at the loins for years. And the film doesn’t disappoint, drawing together most (but not all) threads of the disparate MCU universe into a sprawling epic adventure.
Thanos (which inappropriately always seems to autocorrect to “Thanks”!) is played by a CGI’d Josh Brolin, first glimpsed as a “monkey” after the original “Avengers” movie where his quest for the “infinity stones” was first mooted. This particular McGuffin has been revealed in parts throughout the series, with others being surreptitiously slipped into this instalment. With all six stones, Thanos will be able to fully exercise his God fixation over the Universe. Will the Avengers and their new Guardian friends (“Who the hell are you guys?” LOL) be able to stop him?
There are shocks and surprises aplenty. Most of these come courtesy of Thanos who, although like all megalomaniac Bond villains is as mad as a box of frogs, has a backstory and a depth of character that is several cuts above most movie villains.
All of the cast seem to have great fun bouncing off each other. The only performance I found out of kilter was Mark Ruffalo as Bruce Banner who (to me) seemed to be really off his game and false, at least for the early scenes in the movie.
The special effects are – naturally – top-notch and are clever in trying to smooth the joins between the ‘traditional’ view of the Avengers world and the garish world of the Guardians of the Galaxy crew.
Cinema staff must hate a Marvel movie as they have to wait til the very end of the credits before they can move in to clean! And there is a “monkey” (and a good one) at the very end of the credits here, but the credits are very, very long!
So, in summary, it’s complete nonsense as normal, but it’s high-class nonsense, well-written, suitably humorous and provides excellent popcorn entertainment. Directors Anthony and Joe Russo are to be congratulated in pulling off what could have been a disaster. Recommended.
Charlie Cobra Reviews (1840 KP) rated Murder Mystery (2019) in Movies
Jul 7, 2020
A Sandler-ized "Clue" Mystery, Mixed With Rom/Com
Murder Mystery is a 2019 comedy/mystery directed by Kyle Newacheck and written by James Vanderbilt. It was produced by Happy Madison Productions, Endgame Entertainment, Vinson Films, Denver & Delilah Films, Tower Hill Entertainment and Mythology Entertainment and distributed by Netflix. The film stars Adam Sandler, Jennifer Aniston, Luke Evans, Gemma Arterton, and Terrence Stamp.
New York police officer, Nick Spits (Adam Sandler) lies about booking a trip to Europe after their 15th anniversary dinner. His wife Audrey (Jennifer Aniston), a hairdresser, thinks they will never visit Europe as he promised at their wedding. Nick scrambles to put together a less than ideal vacation honeymoon when on the plane Audrey meets billionaire Charles Cavendish (Luke Evans) who invites them to join him on his family yacht. As they explore the yacht they meet several eccentric and unusual people who they learn have all gathered to celebrate the upcoming wedding of Charles' former fiancee and his elderly uncle Malcolm Quince (Terrence Stamp). After Quince announces that everyone invited have been cutoff from his money and only his new wife Suzi (Shiori Kutsuna) will receive his inheritance, the lights go out and he is killed with his own dagger before he can sign his new will. Now everyone is a suspect, in this murder mystery.
This movie was great, lots of laughs and had you guessing, who did it. I really enjoy watching mystery/thriller movies and trying to see if I can figure out who the killer is before the reveal and I like how this movie kept me guessing. Of course it doesn't take itself as serious as an actual murder mystery and also pokes fun of some of the cliches and tropes, I had a good time watching it. It reminded me both of the movie The Orient Express and Clue. I give this movie a 6/10.
New York police officer, Nick Spits (Adam Sandler) lies about booking a trip to Europe after their 15th anniversary dinner. His wife Audrey (Jennifer Aniston), a hairdresser, thinks they will never visit Europe as he promised at their wedding. Nick scrambles to put together a less than ideal vacation honeymoon when on the plane Audrey meets billionaire Charles Cavendish (Luke Evans) who invites them to join him on his family yacht. As they explore the yacht they meet several eccentric and unusual people who they learn have all gathered to celebrate the upcoming wedding of Charles' former fiancee and his elderly uncle Malcolm Quince (Terrence Stamp). After Quince announces that everyone invited have been cutoff from his money and only his new wife Suzi (Shiori Kutsuna) will receive his inheritance, the lights go out and he is killed with his own dagger before he can sign his new will. Now everyone is a suspect, in this murder mystery.
This movie was great, lots of laughs and had you guessing, who did it. I really enjoy watching mystery/thriller movies and trying to see if I can figure out who the killer is before the reveal and I like how this movie kept me guessing. Of course it doesn't take itself as serious as an actual murder mystery and also pokes fun of some of the cliches and tropes, I had a good time watching it. It reminded me both of the movie The Orient Express and Clue. I give this movie a 6/10.
Bob Mann (459 KP) rated Judas and the Black Messiah (2021) in Movies
Apr 25, 2021
Kaluuya and Stanfield excel (1 more)
Great US history lesson on the Black Panther movement
"Politics is war without bloodshed"
The ‘Judas’ in “Judas and the Black Messiah” is Bill O’Neil (LaKeith Stanfield). He works as an informer for FBI man Mitchell (Jesse Plemons), who has him over a barrel for impersonating an FBI officer. Fred Hampton (Daniel Kaluuya) runs the Chicago chapter of the Black Panther party and O’Neil is a trusted comrade on the inside.
Will O’Neil – always concerned that ‘snitches get stiches’ – stay on the side of ‘the pigs’, or be influenced by the ideals and good deeds of Chairman Fred?
Positives:
- Before this movie, I really had no idea what the Black Panthers were or how they operated. (If pushed, I would have tagged them as “internal terrorists” or similar). So this movie was really valuable to me in further understanding their role as a political movement. And their use of community programmes – focused, for example, around child nutrition and health improvements in inner cities – was a revelation.
- Given the BLM movement, and further ‘blue-on-black’ shootings, the film is timely. (Even more so for me, since the George Floyd trial verdict came out last night). “The United States vs Billie Holiday” showed how brutally the civil rights movement was put down by the authorities in the 40’s. This shows the same thing happened in the 70’s too. It’s again a movie that leaves you angry and frustrated at how poorly the black community have been abused in America. I guess counter to that is the positive view that things HAVE evidently improved significantly since then, albeit that the US is still on this journey.
- Nominated for Best Supporting Actor Oscars are both Stanfield and Kaluuya. (This is a highly debatable point, since arguably both of these gents are lead actors in the movie!) Both of them deliver outstanding performances, and Kaluuya has already picked up the BAFTA. Kaluuya demonstrates a huge amount of energy and charisma, particularly during the delivery of his stirring speeches. But Stanfield delivers a superbly nuanced performance, and perhaps impressed me even more.
- Also deserved, in a movie predominantly featuring a black cast, is recognition of the ever-excellent Jesse Plemons. As the steely-eyed FBI family man, he’s chilling to watch.
Negatives:
- I had issues with the sound mixing here. I found some of the dialogue – already hard for me to follow sometimes due to the speed of delivery and the accents – drowned out by background music and foley sounds.
- Martin Sheen’s make-up as J. Edgar Hoover was rather over-the-top and detracted from the role. (Sheen is in little more than a few cameo scenes).
Summary Thoughts:
I’m pleased I’ve managed to see this impressive Oscar contender before Sunday’s Academy Awards event. Interestingly, I noticed that historical advisors on the movie were Deborah Johnson (played here beautifully by Dominique Fishback) and the baby she was carrying (now Fred Hampton Jnr.).
As well as the two Supporting Actor nominations, it’s also up for Best Film, Best Original Screenplay, Best Cinematography (Sean Bobbitt) and Best Song (for “Fight for You”, played over the end titles, and very good).
(For the full graphical review, please check out One Mann's Movies here https://bob-the-movie-man.com/2021/04/21/judas-and-the-black-messiah-war-is-politics-with-bloodshed/. Thanks.)
Will O’Neil – always concerned that ‘snitches get stiches’ – stay on the side of ‘the pigs’, or be influenced by the ideals and good deeds of Chairman Fred?
Positives:
- Before this movie, I really had no idea what the Black Panthers were or how they operated. (If pushed, I would have tagged them as “internal terrorists” or similar). So this movie was really valuable to me in further understanding their role as a political movement. And their use of community programmes – focused, for example, around child nutrition and health improvements in inner cities – was a revelation.
- Given the BLM movement, and further ‘blue-on-black’ shootings, the film is timely. (Even more so for me, since the George Floyd trial verdict came out last night). “The United States vs Billie Holiday” showed how brutally the civil rights movement was put down by the authorities in the 40’s. This shows the same thing happened in the 70’s too. It’s again a movie that leaves you angry and frustrated at how poorly the black community have been abused in America. I guess counter to that is the positive view that things HAVE evidently improved significantly since then, albeit that the US is still on this journey.
- Nominated for Best Supporting Actor Oscars are both Stanfield and Kaluuya. (This is a highly debatable point, since arguably both of these gents are lead actors in the movie!) Both of them deliver outstanding performances, and Kaluuya has already picked up the BAFTA. Kaluuya demonstrates a huge amount of energy and charisma, particularly during the delivery of his stirring speeches. But Stanfield delivers a superbly nuanced performance, and perhaps impressed me even more.
- Also deserved, in a movie predominantly featuring a black cast, is recognition of the ever-excellent Jesse Plemons. As the steely-eyed FBI family man, he’s chilling to watch.
Negatives:
- I had issues with the sound mixing here. I found some of the dialogue – already hard for me to follow sometimes due to the speed of delivery and the accents – drowned out by background music and foley sounds.
- Martin Sheen’s make-up as J. Edgar Hoover was rather over-the-top and detracted from the role. (Sheen is in little more than a few cameo scenes).
Summary Thoughts:
I’m pleased I’ve managed to see this impressive Oscar contender before Sunday’s Academy Awards event. Interestingly, I noticed that historical advisors on the movie were Deborah Johnson (played here beautifully by Dominique Fishback) and the baby she was carrying (now Fred Hampton Jnr.).
As well as the two Supporting Actor nominations, it’s also up for Best Film, Best Original Screenplay, Best Cinematography (Sean Bobbitt) and Best Song (for “Fight for You”, played over the end titles, and very good).
(For the full graphical review, please check out One Mann's Movies here https://bob-the-movie-man.com/2021/04/21/judas-and-the-black-messiah-war-is-politics-with-bloodshed/. Thanks.)
Gareth von Kallenbach (980 KP) rated The Man From U.N.C.L.E. (2015) in Movies
Aug 6, 2019
I have to admit, I knew nothing about The Man from U.N.C.L.E going into the movie, other than it was based on a TV show from the 60’s. It had flown under my radar for most of the year, overshadowed by highly-anticipated titles with colons, i.e., Avengers: Age of Ultron, Mad Max: Fury Road, Mission Impossible: Rogue Nation. When the screener was scheduled I was actually tempted to assign it to another reviewer. Then I watched the trailer and saw Henry Cavill (Superman) was one of the stars. At the risk of sounding shallow, that changed my mind.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
Phillip McSween (751 KP) rated Roma (2018) in Movies
Feb 22, 2019
Thought-Provoking
Roma follows the story of Cleo, a domestic worker for a middle class family in Mexico. who is dealing with the strife of classism in the 70’s.
Acting: 10
Beautiful acting here in a number of strong roles. Yalitza Aparicio is phenomenal in her role as Cleo. She plays the part in a shy and withrdawn matter, someone who loves the family she works for but knows it’s duty above all else. Aparicio makes you feel what Cleo feels in powerful moments like the traffic scene and the final scene on the beach, neither of which I will give away. I loved her relationship between her and Adela played by Nancy Garcia Garcia (not a typo) who shined in her role as well. They had a true synergy that worked for the movie as a whole.
Beginning: 4
Characters: 10
Cinematography/Visuals: 10
The film is shot in black and white which I appreciated. It give you a sense of a “then and now” kind of feel: You know it takes place in the 70’s, but it feels like director Alfonso Cuaron was able to capture a piece of life that could still exist today. Beautiful pans of the Mexican landscape somehow give me a nostalgic vibe and I’m not even from Mexico. The movie sprawls across a number of different locations that are beautiful in their own right. From old-school movie theaters to desert valleys, it’s feels like you are on a journey.
Conflict: 8
The conflict is created as a result of Cleo’s class. There are hardships that come with her place in society in addition to the typical crap that life might throw your way. She finds herself tiptoeing around a home with a disgruntled wife who is ready to bite Cleo’s head off at any moment. Meanwhile, things aren’t much better in Cleo’s personal life as she finds herself in situations that not only make her life more difficult but bring shame to her family. As the viewer, you understand this is the way life is for Cleo and things probably won’t get much better by the end of it. But you hope she beats it anyway.
Genre: 7
I originally scored this slightly lower, but I quickly changed it as I started to peel back more and more layers of Roma. My wife and I were dead tired after viewing the film, but we found ourselves laying around talking about it for thirty minutes after it was over. A solid movie is one you can discuss long after you watch it and Roma is definitely one of those movies.
Memorability: 10
There are a number of scenes that I think about even now and say, “Wow, that was extremely powerful.” I don’t want to ruin them for fear of ruining the impact, but one scene includes a powerful confession that is beyond heartfelt. It hits you right in the gut and you think, “How could someone say that?” while also thinking, “I understand exactly where she is coming from.” Cleo’s struggles, including her battles with honor and love, leave a lasting impact that makes you want to watch the film again to reexamine it.
Pace: 6
Plot: 6
Resolution: 5
Overall: 76
Roma is the kind of movie that the artsy-fartsy nuts go crazy over. I thought it was good, but it fell just short of Best Picture worthy in my opinion due to a slow start and pace, and a meh ending. A few tweaks and I definitely could see this movie being a classic.
Acting: 10
Beautiful acting here in a number of strong roles. Yalitza Aparicio is phenomenal in her role as Cleo. She plays the part in a shy and withrdawn matter, someone who loves the family she works for but knows it’s duty above all else. Aparicio makes you feel what Cleo feels in powerful moments like the traffic scene and the final scene on the beach, neither of which I will give away. I loved her relationship between her and Adela played by Nancy Garcia Garcia (not a typo) who shined in her role as well. They had a true synergy that worked for the movie as a whole.
Beginning: 4
Characters: 10
Cinematography/Visuals: 10
The film is shot in black and white which I appreciated. It give you a sense of a “then and now” kind of feel: You know it takes place in the 70’s, but it feels like director Alfonso Cuaron was able to capture a piece of life that could still exist today. Beautiful pans of the Mexican landscape somehow give me a nostalgic vibe and I’m not even from Mexico. The movie sprawls across a number of different locations that are beautiful in their own right. From old-school movie theaters to desert valleys, it’s feels like you are on a journey.
Conflict: 8
The conflict is created as a result of Cleo’s class. There are hardships that come with her place in society in addition to the typical crap that life might throw your way. She finds herself tiptoeing around a home with a disgruntled wife who is ready to bite Cleo’s head off at any moment. Meanwhile, things aren’t much better in Cleo’s personal life as she finds herself in situations that not only make her life more difficult but bring shame to her family. As the viewer, you understand this is the way life is for Cleo and things probably won’t get much better by the end of it. But you hope she beats it anyway.
Genre: 7
I originally scored this slightly lower, but I quickly changed it as I started to peel back more and more layers of Roma. My wife and I were dead tired after viewing the film, but we found ourselves laying around talking about it for thirty minutes after it was over. A solid movie is one you can discuss long after you watch it and Roma is definitely one of those movies.
Memorability: 10
There are a number of scenes that I think about even now and say, “Wow, that was extremely powerful.” I don’t want to ruin them for fear of ruining the impact, but one scene includes a powerful confession that is beyond heartfelt. It hits you right in the gut and you think, “How could someone say that?” while also thinking, “I understand exactly where she is coming from.” Cleo’s struggles, including her battles with honor and love, leave a lasting impact that makes you want to watch the film again to reexamine it.
Pace: 6
Plot: 6
Resolution: 5
Overall: 76
Roma is the kind of movie that the artsy-fartsy nuts go crazy over. I thought it was good, but it fell just short of Best Picture worthy in my opinion due to a slow start and pace, and a meh ending. A few tweaks and I definitely could see this movie being a classic.
Fred (860 KP) rated Black Panther (2018) in Movies
May 3, 2018 (Updated Jul 12, 2018)
I found myself many times during the movie wondering if there was ever going to be anything superhero-like in this superhero movie. I understand this is an origin story, but at some point, it needs to move along. It just dragged on too long. Could have been an hour long. There was also too much with the fighting that wasn't Panther. The girls were kicking more ass than Black Panther himself. It was ridiculous. Negatives aside, the acting was really good by everyone, with a great performance by Andy Serkis, of course. The Korea chase scene was fantastic. It's too bad there weren't more scenes like it. The battle scene at the end was very predictable. Bottom line is I did like it. I thought the story was well enough, but should have moved along at a better pace.
Erika (17789 KP) rated Crazy Rich Asians (2018) in Movies
Aug 18, 2018
After seeing the first preview for this film, I wasn't sure I wanted to see it, but every preview improved, and I began anticipating it. I went to the first showing I could on the day it released because I was so hyped.
I am not a rom-com movie person at all, so I was hoping I didn't end up completely hating it. BUT, it was the right combination of rom and com. All of the actors/actresses were fantastic, Constance Wu was hilarious, and now I want to see Awkwafina in as many films as possible. Gemma Chan was also really fantastic in this. Henry Golding is nice to look at, and for it being his first acting role, he did great.
The story was quickly-paced, and it didn't feel like a two hour movie. The visuals were beautiful, and I'd definitely go see it again. It may be one of my favorite movies to come out this summer.
I am not a rom-com movie person at all, so I was hoping I didn't end up completely hating it. BUT, it was the right combination of rom and com. All of the actors/actresses were fantastic, Constance Wu was hilarious, and now I want to see Awkwafina in as many films as possible. Gemma Chan was also really fantastic in this. Henry Golding is nice to look at, and for it being his first acting role, he did great.
The story was quickly-paced, and it didn't feel like a two hour movie. The visuals were beautiful, and I'd definitely go see it again. It may be one of my favorite movies to come out this summer.
Justin Long recommended Boogie Nights (1997) in Movies (curated)
Bo Burnham recommended A Woman Under the Influence (1975) in Movies (curated)
Matthew Krueger (10051 KP) rated Paranormal Activity (2007) in Movies
Oct 28, 2019 (Updated Jan 27, 2020)
The Found-Footage Rebirth
After the huge sucess of the blair witch project, Paramount pitcures and blumhouse decided many years later to rebirth the found-footage movies. And this result was this and so many god damn sequels later.
Here's how confusing the timeline is and how many sequels this movie has...
The film is the first (chronologically, the third) entry in the Paranormal Activity film series. A parallel sequel and prequel, Paranormal Activity 2, was released in 2010. The success of the first two films would spawn additional films in the series: the prequel Paranormal Activity 3 in 2011, and Paranormal Activity 4 (the sequel to the second installment) in 2012. The fifth installment, The Marked Ones, was released in 2014, and the sixth installment, The Ghost Dimension, was released in 2015.
So really this is the third movie in the franchise, but it came out first, than a prequel/sequel with the 2nd one, than the prequel with the 3d one, than the sequel to the 2nd one which is actually the 4th movie. Makes any sense, no!!!!! Confusing fuck yes!!!!!
Anyways the plot: Soon after moving into a suburban tract home, Katie (Katie Featherston) and Micah (Micah Sloat) become increasingly disturbed by what appears to be a supernatural presence. Hoping to capture evidence of it on film, they set up video cameras in the house but are not prepared for the terrifying events that follow.
Its very slow, its not that scary, nothing really happens, just people watching footage on a computer, repeat that couple of times, make sure who ever is holding the camera make it shake and out of focus. Also Cameras!!!!! So Many Cameras.
This movie was so overhyped and in the end that was its downfall. That and not being actaully really scary. Makes this film, really not good.
Lastly shout out to @Sarah for getting the hints/clues for this movie correct.
Here's how confusing the timeline is and how many sequels this movie has...
The film is the first (chronologically, the third) entry in the Paranormal Activity film series. A parallel sequel and prequel, Paranormal Activity 2, was released in 2010. The success of the first two films would spawn additional films in the series: the prequel Paranormal Activity 3 in 2011, and Paranormal Activity 4 (the sequel to the second installment) in 2012. The fifth installment, The Marked Ones, was released in 2014, and the sixth installment, The Ghost Dimension, was released in 2015.
So really this is the third movie in the franchise, but it came out first, than a prequel/sequel with the 2nd one, than the prequel with the 3d one, than the sequel to the 2nd one which is actually the 4th movie. Makes any sense, no!!!!! Confusing fuck yes!!!!!
Anyways the plot: Soon after moving into a suburban tract home, Katie (Katie Featherston) and Micah (Micah Sloat) become increasingly disturbed by what appears to be a supernatural presence. Hoping to capture evidence of it on film, they set up video cameras in the house but are not prepared for the terrifying events that follow.
Its very slow, its not that scary, nothing really happens, just people watching footage on a computer, repeat that couple of times, make sure who ever is holding the camera make it shake and out of focus. Also Cameras!!!!! So Many Cameras.
This movie was so overhyped and in the end that was its downfall. That and not being actaully really scary. Makes this film, really not good.
Lastly shout out to @Sarah for getting the hints/clues for this movie correct.