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Awix (3310 KP) rated Parasite (2019) in Movies

Feb 14, 2020  
Parasite (2019)
Parasite (2019)
2019 | Drama
Dazzling Korean jet-black comedy-thriller lives up to the hype. A clan of Seoul low-lives insert themselves with ruthless ingenuity into the comfortable lives of a wealthy family. Soon they are living much larger than they could ever have dreamt - what could possibly go wrong? (Well, plenty, of course.)

Obviously this is a film about issues of wealth and class and all the tensions and resentments that come with them, and as such it has a universal resonance regardless of whether or not it has those little words at the bottom of the screen. However, it is also an exhilarating piece of pure cinema, written and directed with great skill and creativity and well-played by the ensemble cast. At first you are drawn into rooting for the hangers-on despite their dubious enterprises, but slowly the story becomes more and more ambiguous and fraught. (Possibly the only Oscar and Palme D'Or winning film where body odour is a key plot point.) Gripping, symbolically powerful (the invisibility of the poor to their wealthier compatriots is another central theme), tremendously entertaining: pretty much everything you want from a movie.
  
All the President's Men (1976)
All the President's Men (1976)
1976 | Classics, Drama, History

"My number one favorite film is All the President’s Men, by [Alan] Pakula. All the President’s Men is a movie that has a very personal place for me because it made me want to be a journalist, and then it made me want to be a filmmaker. I think that it has a level of realism that’s really unparalleled in the world of thrillers which, inevitably, this film actually is. There are moments of naturalism in it that are extraordinary. I remember there’s one moment in it where [Robert] Redford is speaking to someone on the other line who’s speaking Spanish. And he turns to the newsroom and says, “Does anyone here speak English?” And then he laughs at himself and says, “I mean Spanish.” It had this very real feel, and I asked Bob whether or not it was improvised. He said, “No, it was actually planned. It was in the screenplay.” And there’s that sort of attentiveness to human mannerism and the frailty of our diction is rather beautiful in a film. It’s also supremely cast. There’s nothing about it I don’t like."

Source
  
Enter the Dragon (1973)
Enter the Dragon (1973)
1973 | Action

"Enter the Dragon was powerful to me because it was like watching a superhero come to life. I’d never seen anything like Bruce Lee, and that movie changed my life, because it made me believe that a man can actually do these extraordinary things physically, and he was a great actor. He had great facial expressions, and he’s also had a big impact in some of my choices as a film performer, certainly not in terms of my style of movement — nobody can move like him — but in some of the facial expressions. If you look at the end of Face/Off, when I shoot the Castor Troy character with the harpoon, my face goes through all these expressions. That was direct steal from Bruce Lee when he jumped on a guy and killed him with his feet. In fact, I went through that slow-motion shot rather recently with Mandy. I stole from Bruce Lee’s facial expressions when he breaks the guy’s neck and the camera goes right into his eyes and he’s got that very ferocious, wide-eyed look. He passed, and I put that in the picture."

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Return of the Fly (1959)
Return of the Fly (1959)
1959 | Classics, Drama, Horror
5
6.2 (5 Ratings)
Movie Rating
Vincent Price (0 more)
Its Bird, Its a Plane, No Its a Fly
Return of The Fly- im not sure if we needed a sequel to "The Fly", cause it was such a masterpiece. The good thing about this sequel that it has Vincent Price in it. It is scary and horrorfying too.

The plot: Philippe Delambre (Brett Halsey) has been wrestling with his family legacy for years, knowing that his father perished as a result of his experiments in teleportation. Though warned by his uncle Francois (Vincent Price), Philippe insists on refurbishing his father's laboratory and continuing his investigations. The idea would be bad enough on its own, but Philippe hires an assistant who calls himself Alan Hinds (David Frankham) but is actually a wanted criminal.

Bernds says his original draft of the film incorporated footage from the first Fly movie but they were not allowed to use it. He also said Vincent Price insisted on reading the script before signing on to the film. Once he did, he objected when Bernds cut down on some of his scenes for length.

You can skip this one, watch it if you seen the oringal.
  
Hello Down There (1969)
Hello Down There (1969)
1969 | Adventure, Comedy
3
3.0 (1 Ratings)
Movie Rating
The only performer to appear in three of the AFI's Hundred Greatest Films of All Time is Janet Leigh, which is quite an achievement, but she also turns up in a load of absolute dross, like this borderline-unwatchable musical comedy adventure about a family spending a month in an underwater house. Tony Randall is there for the older viewers; there are some swinging kids for the younger audience (a young Richard Dreyfuss keeps singing songs about goldfish); low-octane underwater thrills are occasionally attempted.
The list of people involved in this movie might lead one to expect something at least mildly interesting: Jack Arnold made many interesting SF B-movies, one of which (Creature from the Black Lagoon) featured co-director Browning in the title role; the cast list includes Randall, Leigh, Dreyfuss, and Roddy McDowell. And yet it feels almost aggressively anodyne and bland, horribly calculated, and made to TV-standard production values. Even when it was made this probably only appealed to the most undemanding viewers; nowadays it exerts a weird fascination if only as a relic of an unrecognisable sensibility.
  
Star Trek: Insurrection (1998)
Star Trek: Insurrection (1998)
1998 | Action, Family, Sci-Fi
This is the Trek movie that I’ve probably seen least often. It’s one that is very “planet-bound” ones (another of those is still to come in the series), and as such it has never grabbed my interest in the same way as many of the others. Having watched it again, it’s actually better than I remember it. The rejuvenating capabilities of the planet on Geordi LeForge’s eyes leads to a genuinely moving sunset scene. And love is in the air too. Firstly, between Picard (Patrick Stewart) and the ‘older woman’ Anij (Donna Murphy): very tastefully and nicely done. And secondly, the relationship is also rekindled between Troi (Marina Sirtis) and Riker (Jonathan Frakes), though you have to wonder if Frakes pulled ‘director’s privilege’ in getting the naked bath scene with Sirtis – lucky dog!

That being said, and despite the heavyweight involvement of F. Murray Abraham and Anthony Zerbe. the “First Contact” magic is rather missing here. There’s a sense of desperation when a previously unknown ‘Captain’s Yacht’ hoves into view (as if!) and when the Enterprise’s “manual steering column” (a PS/2 joystick!) pops up!

So, will the TNG era end with a bang or a whimper?