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Awix (3310 KP) rated The Beast From 20,000 Fathoms (1953) in Movies
May 31, 2018 (Updated May 31, 2018)
American A-bomb test has unexpected consequences when the blast defrosts a frozen, wholly fictional dinosaur; the creature swims off to devastate the nearest city for no particularly well-explained reason. A decent monster movie with a surprisingly gritty tone (by the standards of the genre, anyway); in terms of cultural impact, utterly eclipsed by an unofficial Japanese remake which came out the following year and has had 31 sequels to date.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.
Christine A. (965 KP) rated Again Again in Books
Jun 12, 2020
I was provided with a complimentary copy of this book so I could give an honest review.
In Again Again, E. Lockhart is inventive in the way she tells the story of Adelaide Buchwald and her life. Lockhart asks if you could redo some events or moments in your life, would you? Again Again shows for every opportunity you did not take; there is a different one that you did. It reminded me of the old saying, "When one door closes, another opens."
I found the synopsis misleading in that it did not match the energy of the book. The story is a nicely paced story about a teenage girl with ups and downs. The synopsis sounded as if it was describing an adventure movie.
I had difficulty getting into the story, but once I realized Lockhart's intent, I found it flowed well. Again Again is a charming story that is not a new one. However, how Lockart reveals the story is what makes this a good read.
Again Again is marketed as a romance. While there is some teenage angst, it is more of a book of Adelaide trying to live an as-happy/normal-as-a-teenager-can-be life and deal with complex emotions, happy, grief, fear, anger, love, etc.
Also, be sure to read Emily Lockhart's We Were Liars.
This 200-word review was published on Philomathinphila.com on 6/12/20.
In Again Again, E. Lockhart is inventive in the way she tells the story of Adelaide Buchwald and her life. Lockhart asks if you could redo some events or moments in your life, would you? Again Again shows for every opportunity you did not take; there is a different one that you did. It reminded me of the old saying, "When one door closes, another opens."
I found the synopsis misleading in that it did not match the energy of the book. The story is a nicely paced story about a teenage girl with ups and downs. The synopsis sounded as if it was describing an adventure movie.
I had difficulty getting into the story, but once I realized Lockhart's intent, I found it flowed well. Again Again is a charming story that is not a new one. However, how Lockart reveals the story is what makes this a good read.
Again Again is marketed as a romance. While there is some teenage angst, it is more of a book of Adelaide trying to live an as-happy/normal-as-a-teenager-can-be life and deal with complex emotions, happy, grief, fear, anger, love, etc.
Also, be sure to read Emily Lockhart's We Were Liars.
This 200-word review was published on Philomathinphila.com on 6/12/20.
Mark @ Carstairs Considers (2532 KP) rated Movieland in Books
Jul 26, 2022 (Updated Jul 26, 2022)
A Sniper in the State Park
Eve Ronin’s latest case starts in Malibu Creek State Park. A former movie studio backlot, it’s been known for hiking and camping for years. But someone shot at two female campers, killing one and wounding the other. Eve’s partner, Duncan Pavone, immediately connects the shooting to some cases he was investigating before Eve joined the department, but the higher ups are refusing to acknowledge that this is anything but an isolated incident. Can Eve find the truth no matter where it lays?
This strong book may be the best in the series to date. I couldn’t figure out where the plot was going to go for quite a while, and I mean that in the best way possible. Once I reached the end, everything was resolved in a logical manner. Eve got some great growth here, and all the characters, old and new, were strong and at their best. There are a couple of sub-plots that grow out of the events in previous books in the series. While you could read this as a standalone, I recommend you read the series in order. Since this is a police procedural, there is a tad more content that I try to avoid, but it was kept to a minimum. I also really enjoyed the humor in the book. If you are looking for a strong mystery, you’ll be glad you picked this one up.
This strong book may be the best in the series to date. I couldn’t figure out where the plot was going to go for quite a while, and I mean that in the best way possible. Once I reached the end, everything was resolved in a logical manner. Eve got some great growth here, and all the characters, old and new, were strong and at their best. There are a couple of sub-plots that grow out of the events in previous books in the series. While you could read this as a standalone, I recommend you read the series in order. Since this is a police procedural, there is a tad more content that I try to avoid, but it was kept to a minimum. I also really enjoyed the humor in the book. If you are looking for a strong mystery, you’ll be glad you picked this one up.
Lee (2222 KP) rated Skyscraper (2018) in Movies
Jul 13, 2018
Surprising Enjoyable Action Movie
As I headed into Skyscraper at my local cinema, I tweeted something about disengaging my brain for a couple of hours, fully open to the prospect of some completely ridiculous action, courtesy of Dwayne 'The Rock' Johnson. That's exactly what I ended up with, and I actually really enjoyed it all too.
The movie opens 10 years ago, with FBI agent Will Sawyer (Johnson) and his team attending a domestic hostage situation which goes badly wrong. Back in the present, Will is now an amputee and married to the military nurse that cared for him during that incident (Neve Campbell). They've got 2 young kids and the whole family is in Hong Kong where Will has been hired as security consultant for The Pearl, a new state-of-the-art skyscraper and the tallest building in the world. A news reel montage fires off lots of impressive facts and figures about the building, hardly giving you time to digest or even question them. Let's just say, it cost billions of dollars, looks incredibly futuristic (and a bit silly) and is a scientific wonder of the world. Before The Pearl opens up its doors for people to live and work in though, Will needs to sign off on fire safety and security.
We're shown Will putting on his false leg, letting us know how that all works in preparation for later scenes in the movie. Will then fixes his wife's phone before he rushes out of the door and ushers a line so obviously important to the movie it's actually annoyingly distracting. So important is this piece of information, he actually uses two variations of it within minutes of each other too - "Remember, you can fix 90% of problems by just turning it off and on again...". Like I say, just disengage your brain, don't worry about it, and you'll be fine.
If you've seen the trailer, you'll have gathered that Wills family are the only residents in The Pearl, with the buildings owner and his team way up top in the penthouse. You'll have gathered that this is attempting to be a Die Hard / Towering Inferno crossover, and that there are bad guys involved. You'll no doubt have also seen the famous leap from a crane by Dwayne Johnsons character into the burning skyscraper. This is where the movie really kicks into action.
Now, I was watching this in 3D, so I'm not sure if it will have quite the same effect on a TV screen at home, but I was literally on the edge of my seat whenever Will was either dangling or jumping 96 floors in the air (which is a lot), while a Hong Kong crowd gasps and cheers on the streets below. The action and peril is relentless, repeatedly moving Will and his family from one dangerous set piece to another. While not quite as funny or charming as he is in his other movies, Skyscraper is still all about Dwayne Johnson though, and all other characters come out of this pretty short changed. Neve Campbell gets a couple of chances to kick some ass, but otherwise she's pretty underused. The bad guys aren't particularly effective, or memorable, neither are the police team down on the ground.
It's predictable and it's ridiculous. But I absolutely loved it.
The movie opens 10 years ago, with FBI agent Will Sawyer (Johnson) and his team attending a domestic hostage situation which goes badly wrong. Back in the present, Will is now an amputee and married to the military nurse that cared for him during that incident (Neve Campbell). They've got 2 young kids and the whole family is in Hong Kong where Will has been hired as security consultant for The Pearl, a new state-of-the-art skyscraper and the tallest building in the world. A news reel montage fires off lots of impressive facts and figures about the building, hardly giving you time to digest or even question them. Let's just say, it cost billions of dollars, looks incredibly futuristic (and a bit silly) and is a scientific wonder of the world. Before The Pearl opens up its doors for people to live and work in though, Will needs to sign off on fire safety and security.
We're shown Will putting on his false leg, letting us know how that all works in preparation for later scenes in the movie. Will then fixes his wife's phone before he rushes out of the door and ushers a line so obviously important to the movie it's actually annoyingly distracting. So important is this piece of information, he actually uses two variations of it within minutes of each other too - "Remember, you can fix 90% of problems by just turning it off and on again...". Like I say, just disengage your brain, don't worry about it, and you'll be fine.
If you've seen the trailer, you'll have gathered that Wills family are the only residents in The Pearl, with the buildings owner and his team way up top in the penthouse. You'll have gathered that this is attempting to be a Die Hard / Towering Inferno crossover, and that there are bad guys involved. You'll no doubt have also seen the famous leap from a crane by Dwayne Johnsons character into the burning skyscraper. This is where the movie really kicks into action.
Now, I was watching this in 3D, so I'm not sure if it will have quite the same effect on a TV screen at home, but I was literally on the edge of my seat whenever Will was either dangling or jumping 96 floors in the air (which is a lot), while a Hong Kong crowd gasps and cheers on the streets below. The action and peril is relentless, repeatedly moving Will and his family from one dangerous set piece to another. While not quite as funny or charming as he is in his other movies, Skyscraper is still all about Dwayne Johnson though, and all other characters come out of this pretty short changed. Neve Campbell gets a couple of chances to kick some ass, but otherwise she's pretty underused. The bad guys aren't particularly effective, or memorable, neither are the police team down on the ground.
It's predictable and it's ridiculous. But I absolutely loved it.
Bob Mann (459 KP) rated Censor (2021) in Movies
Sep 3, 2021
Niamh Algar is fabulous (1 more)
Novel story and great direction
A genuinely original story (at last!)
Positives:
- I often whinge on about there being no novelty in movies anymore, with everything being derivative of everything else. Well here's a case for the defence. There have been movies before about the mental effect of working in the horror movie business (Toby Jones in "Berberian Sound Studio" comes to mind). But none (as far as I'm aware) from the viewpoint of a film censor. This novelty gave the movie the scope to go in a number of different directions - including as a historical drama. But it focuses on a study of how loss and grief can suddenly emerge in dramatic ways even after many years. Director Prano Bailey-Bond co-wrote this and directs it with such verve that she is very much added to my "one to watch" list for writer-directors.
- Irish actress Niamh Algar is just brilliant here, reminiscent of Morfydd Clark's fantastic performance in "Saint Maud" (not the only parallel to be drawn in this review). The acting during the dramatic conclusion is utterly chilling.
- While the ending of the movie might be polarising, I loved it. No spoilers, but it's one of my favourite endings of any movie so far this year. It reminded me strongly of the ending of "Saint Maud".
- The editing is by Mark Towns (who also did "Saint Maud"). And it's bloody marvellous, particularly during that finale! While it doesn't shy away from showing some pretty horrible stuff, Towns shows much of this subliminally in the edit (shades of the "Psycho" shower scene). This probably helped with its certification (of which more later).
- The music by Emilie Levienaise-Farrouch is quirky and fitting for the movie. I loved the jaunty end-title music.
- Has one of the best impalings since Timothy Dalton fell on that model church spire in "Hot Fuzz"!
Negatives:
- While Algar is utterly fabulous, I was less convinced by the acting of some of her fellow censors in the office. Some of this felt a bit wooden to me.
Summary Thoughts on "Censor": The workings of the UK film censors have always fascinated me, and here's a novel insight into their work during a very difficult period in their history: the National Viewers and Listener's Association, headed by the fearsome Mary Whitehouse, was up in arms at the potential damage to people's (and particularly children's) mental wellbeing from the influx of "video nasties" arriving in homes on VHS tapes. The film needs to be applauded for coming up with such a novel storyline.
What I found surprising (and ironic) is that this got away with only a "15" certificate. Editor Mark Towns suggested to me, in a private communication on Twitter, that the BBFC rated it thus due to the "context" in which the violence was set. But I remember the first 'X' film I saw. It was Brian De Palma's "The Fury", which (from memory) was purely rated as such for the final scene in which John Cassavetes's character explodes in a gory fountain. Judging from "Censor"'s "15" certificate, things have become significantly more permissive in recent years!
(For the full graphical review check out onemannsmovies on the web, facebook and (for the video review) Tiktok. Thanks)
- I often whinge on about there being no novelty in movies anymore, with everything being derivative of everything else. Well here's a case for the defence. There have been movies before about the mental effect of working in the horror movie business (Toby Jones in "Berberian Sound Studio" comes to mind). But none (as far as I'm aware) from the viewpoint of a film censor. This novelty gave the movie the scope to go in a number of different directions - including as a historical drama. But it focuses on a study of how loss and grief can suddenly emerge in dramatic ways even after many years. Director Prano Bailey-Bond co-wrote this and directs it with such verve that she is very much added to my "one to watch" list for writer-directors.
- Irish actress Niamh Algar is just brilliant here, reminiscent of Morfydd Clark's fantastic performance in "Saint Maud" (not the only parallel to be drawn in this review). The acting during the dramatic conclusion is utterly chilling.
- While the ending of the movie might be polarising, I loved it. No spoilers, but it's one of my favourite endings of any movie so far this year. It reminded me strongly of the ending of "Saint Maud".
- The editing is by Mark Towns (who also did "Saint Maud"). And it's bloody marvellous, particularly during that finale! While it doesn't shy away from showing some pretty horrible stuff, Towns shows much of this subliminally in the edit (shades of the "Psycho" shower scene). This probably helped with its certification (of which more later).
- The music by Emilie Levienaise-Farrouch is quirky and fitting for the movie. I loved the jaunty end-title music.
- Has one of the best impalings since Timothy Dalton fell on that model church spire in "Hot Fuzz"!
Negatives:
- While Algar is utterly fabulous, I was less convinced by the acting of some of her fellow censors in the office. Some of this felt a bit wooden to me.
Summary Thoughts on "Censor": The workings of the UK film censors have always fascinated me, and here's a novel insight into their work during a very difficult period in their history: the National Viewers and Listener's Association, headed by the fearsome Mary Whitehouse, was up in arms at the potential damage to people's (and particularly children's) mental wellbeing from the influx of "video nasties" arriving in homes on VHS tapes. The film needs to be applauded for coming up with such a novel storyline.
What I found surprising (and ironic) is that this got away with only a "15" certificate. Editor Mark Towns suggested to me, in a private communication on Twitter, that the BBFC rated it thus due to the "context" in which the violence was set. But I remember the first 'X' film I saw. It was Brian De Palma's "The Fury", which (from memory) was purely rated as such for the final scene in which John Cassavetes's character explodes in a gory fountain. Judging from "Censor"'s "15" certificate, things have become significantly more permissive in recent years!
(For the full graphical review check out onemannsmovies on the web, facebook and (for the video review) Tiktok. Thanks)
Lucy Buglass (45 KP) rated The Disaster Artist (2017) in Movies
Jun 20, 2019
“Ha ha ha! What a film, Mark!”
I was first introduced to The Room during a college Film Studies lecture as a perfect example of how not to make a film. Everything about it was atrocious, but I also found it weirdly compelling. Since then, I’ve made a real effort to follow everything relating to Tommy Wiseau and this bizarre film of his. It’s become a cult classic in recent years, drawing a crowd of dedicated fans to the Prince Charles Cinema in Leicester Square for monthly screenings, and Q&A’s with cast members. When I found out that James Franco was creating a film adaptation of Greg Sestero’s novel The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made, I was so excited!
I was lucky enough to see the film during its opening weekend at the Prince Charles Cinema, which actually made my experience even better. Being around a crowd of The Room fans who knew the film like the back of their hand was hilarious, because they recited familiar quotes along with James Franco, and it was clear the entire audience was having a blast from start to finish. I honestly can’t remember the last time I laughed this much at a film. Everyone involved made a real effort to recreate the scenes that we know and love, whilst giving us a glimpse into what life on that film set was really like. It’s possible to forget that you’re watching The Disaster Artist and not The Room at times, because the performances are so spot on.
Once again, James Franco’s ability to take a real life person and bring them to life on a screen shone through. I always refer to his performance as Aron Ralston in 127 Hours as one of his best, but his portrayal of Tommy Wiseau certainly comes a close second. He nails the mannerisms, the accent, and that weird laugh that Wiseau has become well known for. You can tell he has dedicated a lot of time and effort to the project, and it’s paid off. Praise must also be given to the rest of the cast for perfectly emulating the characters. Josh Hutcherson as Denny was amazing; even when he was just sitting there that ridiculous wig was enough to make the audience cry with laughter, and Seth Rogen’s script supervisor character delivers these amazing one liners that show his frustration at Tommy’s ridiculous ideas.
Whilst clearly hilarious, this film is not without its fair share of tragedy, mainly around Dave Franco’s character Greg Sestero. His friendship with Tommy required him to make huge, unimaginable sacrifices both professionally and personally, ultimately causing a rift between the two. Greg is a classic example of a man chasing the allure of fame, and failing miserably. You can’t help but sympathise with him as he tries his best to keep those around him happy whilst trying to attain life changing career goals. The film also shows a darker side to Tommy Wiseau, as he treats the cast and crew around him very badly. He’s so wrapped up in bringing The Room, his “real Hollywood movie”, to life that he neglects the needs of those around him. There are some highly charged emotional moments in this film, which are perfectly balanced with the comedic moments. Without these serious scenes, the film just wouldn’t have been the same.
The Disaster Artist is a must-watch for fans of The Room, and those who want to learn more about the utter chaos that happened on set. It’s funny, intense, emotional and a one of a kind experience from start to finish. Make sure you sit tight until after the credits too, as there’s an extra scene that you don’t want to miss!
https://lucygoestohollywood.com/2017/12/04/ha-ha-ha-what-a-film-mark-a-review-of-the-disaster-artist/
I was lucky enough to see the film during its opening weekend at the Prince Charles Cinema, which actually made my experience even better. Being around a crowd of The Room fans who knew the film like the back of their hand was hilarious, because they recited familiar quotes along with James Franco, and it was clear the entire audience was having a blast from start to finish. I honestly can’t remember the last time I laughed this much at a film. Everyone involved made a real effort to recreate the scenes that we know and love, whilst giving us a glimpse into what life on that film set was really like. It’s possible to forget that you’re watching The Disaster Artist and not The Room at times, because the performances are so spot on.
Once again, James Franco’s ability to take a real life person and bring them to life on a screen shone through. I always refer to his performance as Aron Ralston in 127 Hours as one of his best, but his portrayal of Tommy Wiseau certainly comes a close second. He nails the mannerisms, the accent, and that weird laugh that Wiseau has become well known for. You can tell he has dedicated a lot of time and effort to the project, and it’s paid off. Praise must also be given to the rest of the cast for perfectly emulating the characters. Josh Hutcherson as Denny was amazing; even when he was just sitting there that ridiculous wig was enough to make the audience cry with laughter, and Seth Rogen’s script supervisor character delivers these amazing one liners that show his frustration at Tommy’s ridiculous ideas.
Whilst clearly hilarious, this film is not without its fair share of tragedy, mainly around Dave Franco’s character Greg Sestero. His friendship with Tommy required him to make huge, unimaginable sacrifices both professionally and personally, ultimately causing a rift between the two. Greg is a classic example of a man chasing the allure of fame, and failing miserably. You can’t help but sympathise with him as he tries his best to keep those around him happy whilst trying to attain life changing career goals. The film also shows a darker side to Tommy Wiseau, as he treats the cast and crew around him very badly. He’s so wrapped up in bringing The Room, his “real Hollywood movie”, to life that he neglects the needs of those around him. There are some highly charged emotional moments in this film, which are perfectly balanced with the comedic moments. Without these serious scenes, the film just wouldn’t have been the same.
The Disaster Artist is a must-watch for fans of The Room, and those who want to learn more about the utter chaos that happened on set. It’s funny, intense, emotional and a one of a kind experience from start to finish. Make sure you sit tight until after the credits too, as there’s an extra scene that you don’t want to miss!
https://lucygoestohollywood.com/2017/12/04/ha-ha-ha-what-a-film-mark-a-review-of-the-disaster-artist/
Emma @ The Movies (1786 KP) rated Home Again (2017) in Movies
Jun 23, 2019 (Updated Sep 25, 2019)
Mother of two, Alice Kinney, is turning forty. She's separated from her husband and has just moved back to her father's old home in Los Angeles to start again. While out with her friends for her birthday she bumps into the youthful Harry, and his friends George and Teddy, who've come to LA to pitch their movie.
After an awkward encounter the morning after, Alice's mum convinces her to let the three of them stay in the guest house while they're in town. The three of them become part of family life, helping her with work and the kids. When her ex shows up unexpectedly, Alice is left in a confusing position, and when tension builds between everyone things start to change.
Is this the best rom-com? That's a strong no. Is it a bad film? Also no. It made me chuckle, and it brought a bit of a tear to my eye. It was just a nice film. The conclusion seemed to happen very suddenly, but then I feel that about quite a few films that I see. Personally if I fancied seeing a Reese Witherspoon film then I'd probably pick Sweet Home Alabama, Just Like Heaven, or even Hot Pursuit. I read online that the conclusion was that everyone in this film has done something better, and that is definitely true.
After an awkward encounter the morning after, Alice's mum convinces her to let the three of them stay in the guest house while they're in town. The three of them become part of family life, helping her with work and the kids. When her ex shows up unexpectedly, Alice is left in a confusing position, and when tension builds between everyone things start to change.
Is this the best rom-com? That's a strong no. Is it a bad film? Also no. It made me chuckle, and it brought a bit of a tear to my eye. It was just a nice film. The conclusion seemed to happen very suddenly, but then I feel that about quite a few films that I see. Personally if I fancied seeing a Reese Witherspoon film then I'd probably pick Sweet Home Alabama, Just Like Heaven, or even Hot Pursuit. I read online that the conclusion was that everyone in this film has done something better, and that is definitely true.
Size Matters Not: The Extraordinary Life & Career of Warwick Davis
Warwick A. Davis and George Lucas
Book
Published to coincide with his highly anticipated new sitcom - a mockumentary follow-up to Extras...
Alone: Britain, Churchill, and Dunkirk: Defeat into Victory
Book
In an absorbing work peopled with world leaders, generals, and ordinary citizens who fought on both...
Matthew Krueger (10051 KP) rated Darkman (1990) in Movies
Mar 5, 2021
In The Shadows
Darkman- is a dark twisted superhero movie directed by horror icon Sam Raimi. Its a excellent film as well.
The plot: When thugs employed by a crime boss lead a vicious assault on Dr. Peyton Wilder (Liam Neeson), leaving him literally and psychologically scarred, an emergency procedure allows him to survive. Upon his recovery, Wilder can find solace only by returning to his scientific work developing synthetic skin, and seeking revenge against the crime boss. He assumes a phantom avenger persona called Darkman, who, with malleable facial qualities, is able to infiltrate and sow terror in the criminal community.
Unable to secure the rights to either The Shadow or Batman, Raimi decided to create his own superhero and struck a deal with Universal Studios to make his first Hollywood studio film.
Initially, Raimi's longtime friend and collaborator Bruce Campbell was set to play Darkman, but the studio balked at the idea because they did not think Campbell could carry the role. Gary Oldman and Bill Paxton were also considered.
Sam had wanted to work with Frances McDormand but the studio resisted this notion and almost cast Julia Roberts before Pretty Woman made her a star. At one point, they wanted Demi Moore for the role. The director even tested Bridget Fonda but felt that she was too young for Neeson.
Its a excellent film.
The plot: When thugs employed by a crime boss lead a vicious assault on Dr. Peyton Wilder (Liam Neeson), leaving him literally and psychologically scarred, an emergency procedure allows him to survive. Upon his recovery, Wilder can find solace only by returning to his scientific work developing synthetic skin, and seeking revenge against the crime boss. He assumes a phantom avenger persona called Darkman, who, with malleable facial qualities, is able to infiltrate and sow terror in the criminal community.
Unable to secure the rights to either The Shadow or Batman, Raimi decided to create his own superhero and struck a deal with Universal Studios to make his first Hollywood studio film.
Initially, Raimi's longtime friend and collaborator Bruce Campbell was set to play Darkman, but the studio balked at the idea because they did not think Campbell could carry the role. Gary Oldman and Bill Paxton were also considered.
Sam had wanted to work with Frances McDormand but the studio resisted this notion and almost cast Julia Roberts before Pretty Woman made her a star. At one point, they wanted Demi Moore for the role. The director even tested Bridget Fonda but felt that she was too young for Neeson.
Its a excellent film.