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Chris Parnell recommended You Only Live Twice (1967) in Movies (curated)
LoganCrews (2861 KP) rated Who Killed Captain Alex? (2010) in Movies
Sep 21, 2020
"𝘌𝘹𝘱𝘦𝘤𝘵 𝘵𝘩𝘦 𝘶𝘯𝘦𝘹𝘱𝘦𝘤𝘵𝘢𝘣𝘭𝘦."
Not so much a so-bad-it's-good flick - since at its core, taking consideration into what it had to work with - this is actually a pretty (unironically) great adventure. Seldom has a poster so accurately captured the essence of a film before I mean just *look* at that beast lol. Of course it's got abundant clenched, cocked fistfuls of kitsch, sure - but the base script is sound, and I find it tantamount to insult that much lesser works like 𝘉𝘦𝘢𝘴𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘰𝘶𝘵𝘩𝘦𝘳𝘯 𝘞𝘪𝘭𝘥 get lauded for their (nevertheless still lovely) performances from non-actors while the straight-up spectacular work the entirety of the cast gives here is written off as being undeserving of such an appropriate distinction. The action is, as you've heard, mesmerizingly batshit (and surprisingly well shot + edited + performed) and I'm impressed with how endlessly quotable this is - I cannot understate how much this is some God-tier dialogue (peppered with a comically bizarre Emcee track for the ages). One of the top-dog Z-movie exploitation flicks you'll find - very great work, let alone for a first timer given the conditions. It's graciously free on YouTube so there's no excuse not to give this and the director's other (also dope) works the attention they deserve.
Not so much a so-bad-it's-good flick - since at its core, taking consideration into what it had to work with - this is actually a pretty (unironically) great adventure. Seldom has a poster so accurately captured the essence of a film before I mean just *look* at that beast lol. Of course it's got abundant clenched, cocked fistfuls of kitsch, sure - but the base script is sound, and I find it tantamount to insult that much lesser works like 𝘉𝘦𝘢𝘴𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘰𝘶𝘵𝘩𝘦𝘳𝘯 𝘞𝘪𝘭𝘥 get lauded for their (nevertheless still lovely) performances from non-actors while the straight-up spectacular work the entirety of the cast gives here is written off as being undeserving of such an appropriate distinction. The action is, as you've heard, mesmerizingly batshit (and surprisingly well shot + edited + performed) and I'm impressed with how endlessly quotable this is - I cannot understate how much this is some God-tier dialogue (peppered with a comically bizarre Emcee track for the ages). One of the top-dog Z-movie exploitation flicks you'll find - very great work, let alone for a first timer given the conditions. It's graciously free on YouTube so there's no excuse not to give this and the director's other (also dope) works the attention they deserve.
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A movie production brings drama—and murder—to a close-knit New England village, forcing Riley...
5 Minute Movie Guy (379 KP) rated Transformers: Age of Extinction (2014) in Movies
Jun 29, 2019
There's a lot of good, fun, over-the-top, explosive action! (2 more)
Age of Extinction features an incredible showcase of special effects.
Great acting from Tucci and Grammar, and a solid new star for the franchise with Mark Wahlberg.
With a 2 hour and 45 minute run-time, the movie goes on far too long and loses steam before the finale. (1 more)
The plot is completely overloaded with enough content to easily cover two films.
Transformers: Age of Extinction is a fun summer movie that sticks to Michael Bay's usual mode of operation, but it's jam-packed and overly ambitious, stretching the run time far longer than it ever should.
After the events of Transformers: Dark of the Moon, referred to in the film as The Battle of Chicago, the surviving Autobots are being hunted to extinction. The United States government is bent on exterminating all Transformers, good and bad, believing them to be an unwelcome global threat. All the while, the hypocritical government has simultaneously partnered with a wealthy inventor who is trying to create his own superior, man-made variations of Transformers. Furthermore, they’re working with the help of the Transformer bounty hunter Lockdown to search out and annihilate Optimus Prime, the famed leader of the Autobots. Prime has been forced into hiding and has sent out a distress call encouraging his comrades to follow suit. When amateur inventor Cade Yeager inadvertently stumbles upon a disguised Optimus Prime, he helps to repair the damaged Transformer who must reunite with his remaining allies to fight for their right to live.
Before I dive into this review, I think I should inform you that I have not seen any of the previous Transformers movies. I should also note that I’m something of a Transformers hater. Despite pressure from family and friends who have praised the movie series, I have deliberately avoided every single one of the films. I never liked the cartoon as a kid, and while Transformers’ amalgamation of cars and robots may be a dream combination for most guys, I have very little interest in either. However, as a critic, I cannot let my own biases get in the way of giving fair judgment. After having watched Transformers: Age of Extinction, I can thankfully report that the film actually wasn’t half bad. While it’s not going to make a Transformers fan out of me, it was an entertaining, albeit overly-long, movie-going experience.
Age of Extinction is an action-packed ride, filled with the kind of over-the-top entertainment you would expect from a Michael Bay film. While Bay has developed something of a bad rap, there’s no denying his knack for fun and ridiculous action sequences. He’s a man who spares no expense when it comes to explosions and special effects, and this is where Bay is at his best. Love him or hate him, it’s hard to argue with his results as he’s surely one of the most successful directors of all time. However, clocking in at two hours and forty-five minutes, the high-speed action of Age of Extinction is exhausting and becomes tiresome long before the finale. Even when Bay slows things down, he keeps the camera overly busy with particle effects and constant movement. While all of that looks great in IMAX 3D, it feels like an endless visual barrage that is frankly a lot to take in. How many lens flares must a man endure in one movie? I understand the desire to make every shot exciting and visually striking, but I think Bay is trying to tackle too much on camera.
Similarly, Age of Extinction is trying to squeeze too much into its plot, which could almost be broken up into two entirely separate movies. We have the hunt for Optimus Prime and the Transformers by Lockdown and the CIA; Cade Yeager’s discovery of Prime and their ensuing alliance; the love story between Cade’s daughter and her boyfriend; the emergence of the Dinobots; as well as the man-made construction of new Transformers. The result is a fast-paced action movie that is convoluted and far too long. That’s not to say that what is there is bad, though. Awful love story aside, all of the other components of the story are solid and even pretty interesting. Kelsey Grammer puts in a good performance as the head of the CIA who is responsible for the extermination of the Transformers. Similarly, Stanley Tucci is great as Joshua Joyce, the brilliant inventor who is recreating human-controlled Transformers for military use. Yet I can’t help but think that Joyce’s plot would have been perhaps been better to save for a sequel. Sure, it offers a nice parallel between the two inventors and it also creates an opportunity for them to introduce some all-new Transformers, but aren’t the Dinobots enough? There’s so much going on in the film that the eagerly-anticipated Dinobots aren’t given much screen time at all. There is just an unreasonable amount of narratives going on in this movie, to the point where it’s hard to follow, and even harder to stay interested in. Instead of sitting on the edge of your seat during the climactic showdown, you’re probably going to be looking at your watch and wondering how much longer this movie can possibly go on.
While I’m no expert on Transformers, I think the film does an admirable job in bringing the robotic characters to life. Their appearance and animation are both impressive, and they’re typically a pretty fun bunch. I have to admit, though, that I was a bit jarred by the angry and violent demeanor of Optimus Prime. I thought he was supposed to be the good guy everyone looked up to? In Age of Extinction, he clearly has some anger management issues. While he might be the most skilled warrior out there, he sure doesn’t seem like much of a role model. Peter Cullen, the original voice of Optimus Prime, has one again returned to voice the character. John Goodman gives a stand-out voice performance as Hound, in a role he seemed to have a lot of fun with, and Ken Watanabe voices the Samurai-like Transformer known as Drift. All in all, there are a lot of Transformers in the movie, but there is hardly ample time to get to know most of them. I imagine many of them have been introduced in previous films, but for a newcomer like myself, I had a hard time distinguishing between quite a few of them. Then there are the Dinobots, which look awesome, but we’re not given a chance to know much of anything about them. It’s a shame that they’re reduced to feeling like unnecessary bookends to an already overly-crammed movie.
On the human side of things, Mark Wahlberg is enjoyable as the struggling inventor who scavengers through whatever he can to try to create a breakthrough invention. He brings a charming and heroic presence to his role, making him a character we can identify with and root for as he tries to assist the highly-targeted Transformers. T.J. Miller’s Lucas makes for a mildly humorous companion to Cade, although much of the film’s attempts at comedy feel forced and aren’t very funny. Then there’s Nicola Peltz as the skimpily-dressed, rebellious but brainy and innocent, party girl daughter Tessa. She fits right into Bay’s stereotypical sexist female lead who serves as little more than a damsel in distress and eye candy. Still, I don’t know who is worse; Tessa, or her rally car racing boyfriend Shane, played by Jack Reynor. I felt just as frustrated by them as Wahlberg does playing Tessa’s disgruntled and disapproving father. These two lovebirds are an annoying and unwanted addition that only further drag out the plot. While it was at first vaguely amusing to watch Cade freak out as the over-protective father, that shtick ended up getting old real quick. While Wahlberg makes a good new face for the franchise, I hope to God that he comes alone for the next one.
Transformers: Age of Extinction is a fun summer movie. Director Michael Bay sticks to his usual mode of operation with ridiculous action sequences, top of the line special effects, and a whole lot of explosions. If you’re looking for a movie with more flash than substance, Age of Extinction should be right up your alley. It’s jam-packed and overly ambitious, stretching the run time far longer than it ever should, but if offers plenty of dumb, fun entertainment. Transformers fans should be pleased, although the series still has yet to make a fan out of me.
(This review was originally posted at 5mmg.com on 9.22.14.)
Before I dive into this review, I think I should inform you that I have not seen any of the previous Transformers movies. I should also note that I’m something of a Transformers hater. Despite pressure from family and friends who have praised the movie series, I have deliberately avoided every single one of the films. I never liked the cartoon as a kid, and while Transformers’ amalgamation of cars and robots may be a dream combination for most guys, I have very little interest in either. However, as a critic, I cannot let my own biases get in the way of giving fair judgment. After having watched Transformers: Age of Extinction, I can thankfully report that the film actually wasn’t half bad. While it’s not going to make a Transformers fan out of me, it was an entertaining, albeit overly-long, movie-going experience.
Age of Extinction is an action-packed ride, filled with the kind of over-the-top entertainment you would expect from a Michael Bay film. While Bay has developed something of a bad rap, there’s no denying his knack for fun and ridiculous action sequences. He’s a man who spares no expense when it comes to explosions and special effects, and this is where Bay is at his best. Love him or hate him, it’s hard to argue with his results as he’s surely one of the most successful directors of all time. However, clocking in at two hours and forty-five minutes, the high-speed action of Age of Extinction is exhausting and becomes tiresome long before the finale. Even when Bay slows things down, he keeps the camera overly busy with particle effects and constant movement. While all of that looks great in IMAX 3D, it feels like an endless visual barrage that is frankly a lot to take in. How many lens flares must a man endure in one movie? I understand the desire to make every shot exciting and visually striking, but I think Bay is trying to tackle too much on camera.
Similarly, Age of Extinction is trying to squeeze too much into its plot, which could almost be broken up into two entirely separate movies. We have the hunt for Optimus Prime and the Transformers by Lockdown and the CIA; Cade Yeager’s discovery of Prime and their ensuing alliance; the love story between Cade’s daughter and her boyfriend; the emergence of the Dinobots; as well as the man-made construction of new Transformers. The result is a fast-paced action movie that is convoluted and far too long. That’s not to say that what is there is bad, though. Awful love story aside, all of the other components of the story are solid and even pretty interesting. Kelsey Grammer puts in a good performance as the head of the CIA who is responsible for the extermination of the Transformers. Similarly, Stanley Tucci is great as Joshua Joyce, the brilliant inventor who is recreating human-controlled Transformers for military use. Yet I can’t help but think that Joyce’s plot would have been perhaps been better to save for a sequel. Sure, it offers a nice parallel between the two inventors and it also creates an opportunity for them to introduce some all-new Transformers, but aren’t the Dinobots enough? There’s so much going on in the film that the eagerly-anticipated Dinobots aren’t given much screen time at all. There is just an unreasonable amount of narratives going on in this movie, to the point where it’s hard to follow, and even harder to stay interested in. Instead of sitting on the edge of your seat during the climactic showdown, you’re probably going to be looking at your watch and wondering how much longer this movie can possibly go on.
While I’m no expert on Transformers, I think the film does an admirable job in bringing the robotic characters to life. Their appearance and animation are both impressive, and they’re typically a pretty fun bunch. I have to admit, though, that I was a bit jarred by the angry and violent demeanor of Optimus Prime. I thought he was supposed to be the good guy everyone looked up to? In Age of Extinction, he clearly has some anger management issues. While he might be the most skilled warrior out there, he sure doesn’t seem like much of a role model. Peter Cullen, the original voice of Optimus Prime, has one again returned to voice the character. John Goodman gives a stand-out voice performance as Hound, in a role he seemed to have a lot of fun with, and Ken Watanabe voices the Samurai-like Transformer known as Drift. All in all, there are a lot of Transformers in the movie, but there is hardly ample time to get to know most of them. I imagine many of them have been introduced in previous films, but for a newcomer like myself, I had a hard time distinguishing between quite a few of them. Then there are the Dinobots, which look awesome, but we’re not given a chance to know much of anything about them. It’s a shame that they’re reduced to feeling like unnecessary bookends to an already overly-crammed movie.
On the human side of things, Mark Wahlberg is enjoyable as the struggling inventor who scavengers through whatever he can to try to create a breakthrough invention. He brings a charming and heroic presence to his role, making him a character we can identify with and root for as he tries to assist the highly-targeted Transformers. T.J. Miller’s Lucas makes for a mildly humorous companion to Cade, although much of the film’s attempts at comedy feel forced and aren’t very funny. Then there’s Nicola Peltz as the skimpily-dressed, rebellious but brainy and innocent, party girl daughter Tessa. She fits right into Bay’s stereotypical sexist female lead who serves as little more than a damsel in distress and eye candy. Still, I don’t know who is worse; Tessa, or her rally car racing boyfriend Shane, played by Jack Reynor. I felt just as frustrated by them as Wahlberg does playing Tessa’s disgruntled and disapproving father. These two lovebirds are an annoying and unwanted addition that only further drag out the plot. While it was at first vaguely amusing to watch Cade freak out as the over-protective father, that shtick ended up getting old real quick. While Wahlberg makes a good new face for the franchise, I hope to God that he comes alone for the next one.
Transformers: Age of Extinction is a fun summer movie. Director Michael Bay sticks to his usual mode of operation with ridiculous action sequences, top of the line special effects, and a whole lot of explosions. If you’re looking for a movie with more flash than substance, Age of Extinction should be right up your alley. It’s jam-packed and overly ambitious, stretching the run time far longer than it ever should, but if offers plenty of dumb, fun entertainment. Transformers fans should be pleased, although the series still has yet to make a fan out of me.
(This review was originally posted at 5mmg.com on 9.22.14.)
Lee KM Pallatina (951 KP) rated Ready to Rumble (2000) in Movies
Mar 20, 2020
Wrestlings not fake!
Before jack black did Nacho Libre
Before john Cena did Legend
Before Mickey Rourke did the wrestler and before the Release of paiges career movie fighting with my family, there was READY TO RUMBLE.
The story follows Sewage workers Gordie and Sean who are huge wrestling fans, as they watch their hero, WCW World Heavyweight Champion Jimmy King cheated out of the title, Jimmy quickly spirals down and hits Rock Bottom (see what I did there)
The boy's decide to embark on a quest to restore their icon's glory.
The road trip includes meeting jimmys estranged (ex?) Wife & son, barnyard wrestling tryouts, wrestling and OAP & a 3 cages of hell match, not to mention all the toilet humour- Literally.
Starring Goldberg, sting, ddp, Booker T, billy kidman, bam bam bigelow and many more
Also starring David Arquette, sean caan, Rose McGowan and Oliver platt.
Before john Cena did Legend
Before Mickey Rourke did the wrestler and before the Release of paiges career movie fighting with my family, there was READY TO RUMBLE.
The story follows Sewage workers Gordie and Sean who are huge wrestling fans, as they watch their hero, WCW World Heavyweight Champion Jimmy King cheated out of the title, Jimmy quickly spirals down and hits Rock Bottom (see what I did there)
The boy's decide to embark on a quest to restore their icon's glory.
The road trip includes meeting jimmys estranged (ex?) Wife & son, barnyard wrestling tryouts, wrestling and OAP & a 3 cages of hell match, not to mention all the toilet humour- Literally.
Starring Goldberg, sting, ddp, Booker T, billy kidman, bam bam bigelow and many more
Also starring David Arquette, sean caan, Rose McGowan and Oliver platt.
David McK (3562 KP) rated Greenland (2020) in Movies
Mar 3, 2021
Gerard Butler vs Comet ... but not what you would think
Well, that was different than I expected.
If you said the words 'Gerard Butler' and 'Comet' to me (or pretty much anyone else) prior to this, I'm sure they would envision some form of action movie, where Butler single-handedly saves the world.
In other words, I was expecting something like 'Armageddon 2.0'. 'Deep Impact 2.0'. 'Geostorm 2.0'.
This is nothing like any of those.
Instead, this is really a family drama, with the Garrity's selected by the US government (via random lottery) to travel to a safe(r) location when parts of the comet start striking Earth - things, however, prove not the be as straightforward as expected when they are denied travel due to their son's diabetic condition.
Personally, I also think it probably would have been better with the more ambiguous ending hinted at in the final act.
If you said the words 'Gerard Butler' and 'Comet' to me (or pretty much anyone else) prior to this, I'm sure they would envision some form of action movie, where Butler single-handedly saves the world.
In other words, I was expecting something like 'Armageddon 2.0'. 'Deep Impact 2.0'. 'Geostorm 2.0'.
This is nothing like any of those.
Instead, this is really a family drama, with the Garrity's selected by the US government (via random lottery) to travel to a safe(r) location when parts of the comet start striking Earth - things, however, prove not the be as straightforward as expected when they are denied travel due to their son's diabetic condition.
Personally, I also think it probably would have been better with the more ambiguous ending hinted at in the final act.
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Awix (3310 KP) rated Robot Overlords (2015) in Movies
Jun 7, 2020
Fairly polished but essentially ramshackle low-budget British sci-fi. Alien robots invade and order everyone to stay indoors in perpetuity (insert your own joke here). Plucky group of teenagers discover a flaw in the robots' control system and start to fight back.
An odd mixture, like something from the Children's Film Foundation mashed up with a British gangster movie and some Sci-Fi channel filler: tries hard to be all grown up and cool but is fundamentally too polite to really convince. Good special effects, but there's nothing noteworthy about that these days; what does lift the film into the realms of watchability is another of those Ben Kingsley - sorry, Sir Ben Kingsley - performances where he manages to find reality and pathos where it has no right to be. Gillian Anderson also performs to her usual high standards. Passes the time reasonably well, I suppose.
An odd mixture, like something from the Children's Film Foundation mashed up with a British gangster movie and some Sci-Fi channel filler: tries hard to be all grown up and cool but is fundamentally too polite to really convince. Good special effects, but there's nothing noteworthy about that these days; what does lift the film into the realms of watchability is another of those Ben Kingsley - sorry, Sir Ben Kingsley - performances where he manages to find reality and pathos where it has no right to be. Gillian Anderson also performs to her usual high standards. Passes the time reasonably well, I suppose.
Bob Mann (459 KP) rated Stowaway (2021) in Movies
Apr 30, 2021
Good physics but otherwise bland and forgettable
In "Stowaway", three astronauts - Commander Marina Bartlett (Toni Collette), doctor and scientist Zoe Levensen (Anna Kendrick) and scientist David Kim (Daniel Dae Kim) - have left earth on a mission to Mars. Bartlett is a bit surprised when she removes an overhead panel and technician Michael Adams (Shamier Anderson) falls out on her, injuring her arm.
This is problematic. The ship was designed for two (with the specs pushed for three - - ed: really???!). With oxygen levels depleting, the crew are left with some difficult decisions to make.
Positives:
- For once, I have no issues with the physics of this sci-fi movie! As a PhD physicist by training, you will generally hear me huffing and puffing in sci-fi movies about loud noises in space; implausible decompressions; and the like. But here, I really liked the design of the spaceship and its implementation of artificial gravity. No massive and wasteful 'wheel' construction as in "2001: A Space Odyssey" here. Just units on the ends of a sufficiently long tether to get the right G.
- Equally - again physics related - the 'climb' and 'descent' scenes are nicely executed.
- Toni Collette adds gravitas to the (otherwise OK) cast. Shamier Anderson is also good in his emotional scenes. And the ensemble works well enough together.
Negatives:
- The screenplay is so vanilla and linear in its storytelling that you could ask me what happened in this movie in six months time and I think I would struggle to answer. When the 'stowaway' was discovered, my mind went crazy with options: was he there by accident? (which I don't think can strictly be defined as a "stowaway"); had he smuggled himself on-board deliberately?; did he have nefarious intentions towards the crew or the mission?; when push came to shove, would the 'short-straw' candidate fight back? Literally NONE of this was explored. True that we have a "will they survive" story, as the oxygen depletes, but this has been done much better in films like "Apollo 13" (with CO2 instead of O2).
- Sorry. I've never been a fan of Anna Kendrick. She's fine in fluffier fare like "Pitch Perfect" and "A Simple Favor". But as the brave and all action heroine here, I didn't buy it.
- Why have Toni Collette in a movie if you are going to give her so little to do?
Summary Thoughts on "Stowaway":
I've seen a number of extremely positive reviews of this one, which I've found a bit mystifying. I really like Sci-fi films, and particularly space-based sci-fi flicks. But this was all very "meh" for me. The premise was full of potential, but failed to deliver on much of it.
(For the full graphical review, please check out the review on One Mann's Movies here https://bob-the-movie-man.com/2021/04/30/stowaway-bland-and-forgettable-sci-fi-fare/. Thanks.).
This is problematic. The ship was designed for two (with the specs pushed for three - - ed: really???!). With oxygen levels depleting, the crew are left with some difficult decisions to make.
Positives:
- For once, I have no issues with the physics of this sci-fi movie! As a PhD physicist by training, you will generally hear me huffing and puffing in sci-fi movies about loud noises in space; implausible decompressions; and the like. But here, I really liked the design of the spaceship and its implementation of artificial gravity. No massive and wasteful 'wheel' construction as in "2001: A Space Odyssey" here. Just units on the ends of a sufficiently long tether to get the right G.
- Equally - again physics related - the 'climb' and 'descent' scenes are nicely executed.
- Toni Collette adds gravitas to the (otherwise OK) cast. Shamier Anderson is also good in his emotional scenes. And the ensemble works well enough together.
Negatives:
- The screenplay is so vanilla and linear in its storytelling that you could ask me what happened in this movie in six months time and I think I would struggle to answer. When the 'stowaway' was discovered, my mind went crazy with options: was he there by accident? (which I don't think can strictly be defined as a "stowaway"); had he smuggled himself on-board deliberately?; did he have nefarious intentions towards the crew or the mission?; when push came to shove, would the 'short-straw' candidate fight back? Literally NONE of this was explored. True that we have a "will they survive" story, as the oxygen depletes, but this has been done much better in films like "Apollo 13" (with CO2 instead of O2).
- Sorry. I've never been a fan of Anna Kendrick. She's fine in fluffier fare like "Pitch Perfect" and "A Simple Favor". But as the brave and all action heroine here, I didn't buy it.
- Why have Toni Collette in a movie if you are going to give her so little to do?
Summary Thoughts on "Stowaway":
I've seen a number of extremely positive reviews of this one, which I've found a bit mystifying. I really like Sci-fi films, and particularly space-based sci-fi flicks. But this was all very "meh" for me. The premise was full of potential, but failed to deliver on much of it.
(For the full graphical review, please check out the review on One Mann's Movies here https://bob-the-movie-man.com/2021/04/30/stowaway-bland-and-forgettable-sci-fi-fare/. Thanks.).
Rachel King (13 KP) rated Beastly in Books
Feb 11, 2019
I have a small obsession with the classic fairy tale of Beauty and the Beast, so any time a new retelling comes out, I must read it. This version written by Alex Flinn is both modernized and aimed at the Young Adult genre. I was curious to see how closely it would parallel the original fairy tale and still feel like an original story, and I think that it succeeded fairly well. There were parts that felt cliche, and it certainly verged into the realm of fantasy with the presence of the witch, but not so much that I was bothered by these elements. Plus, I liked the ways that the author diverged from the original tale and added new elements, such as the continuing involvement of the witch and the character of Kyle's father.
The plot wraps around the character of Kyle Kingsbury, who becomes the Beast. The book mainly felt like a character study as he progressed from a conceited, self-involved boy to a self-sacrificing, repentant young man. This is certainly a change from most retellings of this tale, since it is usually from the viewpoint of the character who plays the role of "Beauty." Many of the side characters were also just as fascinating, such as the blind tutor who comes to live with Kyle. I love the fascination that Kyle adopted for roses and the details of their care that were included in the book, it gave the book more depth. Probably the most exciting part of the book was his frantic race through New York City and the way that he handled the reactions that he created during this foray.
I know that this book was turned into a movie recently. I have not seen it as of yet, other than the previews, but I do look forward to it. But I already know of one major difference that the movie has from the book, and that is Kyle's beastly appearance is changed to resemble extravagant and disfiguring tattoos. I'll reserve opinion on this until after I've seen the movie.
The plot wraps around the character of Kyle Kingsbury, who becomes the Beast. The book mainly felt like a character study as he progressed from a conceited, self-involved boy to a self-sacrificing, repentant young man. This is certainly a change from most retellings of this tale, since it is usually from the viewpoint of the character who plays the role of "Beauty." Many of the side characters were also just as fascinating, such as the blind tutor who comes to live with Kyle. I love the fascination that Kyle adopted for roses and the details of their care that were included in the book, it gave the book more depth. Probably the most exciting part of the book was his frantic race through New York City and the way that he handled the reactions that he created during this foray.
I know that this book was turned into a movie recently. I have not seen it as of yet, other than the previews, but I do look forward to it. But I already know of one major difference that the movie has from the book, and that is Kyle's beastly appearance is changed to resemble extravagant and disfiguring tattoos. I'll reserve opinion on this until after I've seen the movie.