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Suited for both hobby and professional use, COLORCODE VJ quickly turns your iPad into a VJ tool. At...
Erika (17789 KP) rated Captain Marvel (2019) in Movies
Mar 9, 2019 (Updated Mar 9, 2019)
The Stan Lee Marvel opening title (1 more)
Ben Mendelsohn
Firstly, this was a typical, Marvel origin story movie. They didn't exactly reinvent the wheel. BUT, who really expected them to?
I've been a fan of Carol Danvers in the comics since she was Ms. Marvel. For one, I was glad they kept her personality close to the comics. I've seen complaints that Larson's delivery of some jokes was flat, but, Carol tells bad jokes all the time and no one laughs (or, she did, I'm not into the new teen-centric Capt Marvel comics). Honestly, a lot of the story wouldn't make sense straight away for people that have never read a comic about Danvers.
Ben Mendelsohn was absolutely fantastic as 'the villain', and completely had fun in the role. Also, thank you Marvel for allowing him to use his real accent. SLJ was fantastic as the younger Nick Fury, and his interactions with Chewie...sorry, Goose (dumb name change) were hilarious.
The Kree weren't really in the film much, and, of course, anyone who knows anything about the Kree can figure out what's going on.
The ONLY thing that was a bit of a groaner for me was the source of Carol's powers.
Definitely stay for the credit scenes, that mid-credit scene made me hyped for Endgame.
I've been a fan of Carol Danvers in the comics since she was Ms. Marvel. For one, I was glad they kept her personality close to the comics. I've seen complaints that Larson's delivery of some jokes was flat, but, Carol tells bad jokes all the time and no one laughs (or, she did, I'm not into the new teen-centric Capt Marvel comics). Honestly, a lot of the story wouldn't make sense straight away for people that have never read a comic about Danvers.
Ben Mendelsohn was absolutely fantastic as 'the villain', and completely had fun in the role. Also, thank you Marvel for allowing him to use his real accent. SLJ was fantastic as the younger Nick Fury, and his interactions with Chewie...sorry, Goose (dumb name change) were hilarious.
The Kree weren't really in the film much, and, of course, anyone who knows anything about the Kree can figure out what's going on.
The ONLY thing that was a bit of a groaner for me was the source of Carol's powers.
Definitely stay for the credit scenes, that mid-credit scene made me hyped for Endgame.
Kaz (232 KP) rated I Am Mother (2019) in Movies
Jun 14, 2019
A Great Sci-Fi Thriller
I watched this yesterday afternoon and I thought is was a very enjoyable sci-fi thriller.
I'm a fan of films which explore interesting ideas and have twists and turns and so 'I am Mother' ,was just my kind of film.
The acting was very good, particularly by the young actress who plays 'daughter'. At first, because the actress is younger, I thought this was going to be a stereotypical teen dystopian movie with some cheesy teen romance through in for good measure, but I was pleasantly surprised how it was more mature than that.
The interesting relationship 'daughter' has with 'Mother' was really interesting. Even though 'Mother' is a machine, the two main characters have some real emotion in their relationship. I think that might have something to do with 'Mother' voice not being metallic, but more 'human'.
This film explores thought provoking ideas, as well has having great tension and action. I also liked the twist towards the end of the film.
The only slight complaint that I had with this film, was that the ending was a tad predictable. However, I still feel that this is satisfactory.
This film is really thought provoking sci-fi film and I would definitely recommend watching it.
I'm a fan of films which explore interesting ideas and have twists and turns and so 'I am Mother' ,was just my kind of film.
The acting was very good, particularly by the young actress who plays 'daughter'. At first, because the actress is younger, I thought this was going to be a stereotypical teen dystopian movie with some cheesy teen romance through in for good measure, but I was pleasantly surprised how it was more mature than that.
The interesting relationship 'daughter' has with 'Mother' was really interesting. Even though 'Mother' is a machine, the two main characters have some real emotion in their relationship. I think that might have something to do with 'Mother' voice not being metallic, but more 'human'.
This film explores thought provoking ideas, as well has having great tension and action. I also liked the twist towards the end of the film.
The only slight complaint that I had with this film, was that the ending was a tad predictable. However, I still feel that this is satisfactory.
This film is really thought provoking sci-fi film and I would definitely recommend watching it.
Phillip McSween (751 KP) rated Joy (2015) in Movies
Jan 16, 2018
Decent
Joy never fully grabbed me and I wanted it to. Joy (Jennifer Lawrence) is a genius in her own right, but the bad breaks and trials of life have prevented her from rising to become anything more than a struggling matriarch trying to keep her entire family from killing each other. After coming up with a brilliant idea she decides to throw her all at it to make her dreams come true.
On paper, it sounds like just the movie I would fall in love with. However, it gets off to a very slow start due to some chronological jumbling. While I was still able to follow along just fine, I found my interest waning.
The payoff at the ending didn't do much to satisfy the bad taste in my mouth. I was frustrated for Joy throughout the film all the while rooting for her success. In the end, it just wasn't quite what I was hoping it would be.
I did think the film was aided by some very strong acting performances. Whether you loved them or hated them, everyone played their roles extremely well. There were also a handful of surprises over the course of the film that managed to keep me engaged.
Would I watch this again? Sure. Do I need to? Meh. I give Joy a 76.
On paper, it sounds like just the movie I would fall in love with. However, it gets off to a very slow start due to some chronological jumbling. While I was still able to follow along just fine, I found my interest waning.
The payoff at the ending didn't do much to satisfy the bad taste in my mouth. I was frustrated for Joy throughout the film all the while rooting for her success. In the end, it just wasn't quite what I was hoping it would be.
I did think the film was aided by some very strong acting performances. Whether you loved them or hated them, everyone played their roles extremely well. There were also a handful of surprises over the course of the film that managed to keep me engaged.
Would I watch this again? Sure. Do I need to? Meh. I give Joy a 76.
Zach Smith (62 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Nov 26, 2018
Not as great as the first but well done sequel.
Contains spoilers, click to show
Ok so this is a great follow up to the first focusing on Johnny Depp's villainous character Grindelwald. But let me stop you there. Wasn't Voldemort supposed to be the worst bad guy in the wizarding world? Not sure because he's followers are pretty nasty killing several people and then a baby. The baby scene could have easily been left out but they included for some reason. Also Grindelwald has a cute evil pet lizard but again for some reason they show him toss it out a door of a carage high in the sky stating it was too clingy. Again there are other ways to do character development without death. Ok and if you don't know that Albus Dumbledore is a homosexual, where have you been living. Instead of stating in the movie that Grindelwald and he were once lovers they tip toe around it with things stated " we were more than friends" WTF say it out loud and proud! Aside from the mild irritation that caused it is really neat how they are connecting this series to the Potter series. You finally are introduced to Nicholas Flemal the chemist. If you don't know who he is go read Harry Potter and the sorcerer's stone.
National Geographic Traveler: Berlin, 2nd Edition
Damien Simonis and Pierre Adenis
Book
Germany's premier city, Berlin, is one of the fastest growing and intriguing in Europe. This...
Exhalation: Stories
8.0
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Book
From an award-winning science fiction writer (whose short story "The Story of Your Life" was the...
Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
Bob Mann (459 KP) rated Unhinged (2020) in Movies
Aug 8, 2020
A courtesy tap
If you were ever going to deliberately hack-off anyone in real life, Russell Crowe would probably be low on the list. A genuine bear of a man! He looks like he could kill you with a single swipe of his clawed furry hand!
In the movie it was a certain Rachel (Caren Pistorius) who randomly crosses the ursine-one's path. She encounters his unnamed character ("Man") at traffic light. Rachel is having a bad day herself. But the unstable and unhinged man makes it his mission to show her "what a bad day really feels like".
Having had over 40 years of driving experienced, I've experienced two incidents of genuine road rage against me. One of these was in similar circumstances to Rachel's experience. By me giving slightly more than a 'courtesy tap' on the horn to a driver who cut me up. Both though were 'white-knuckles-on-the-wheel' scary experiences. So although, as a viewer, I felt a degree of irritation at Rachel's stubborn actions in the movie, it didn't seem completely 'out there'. You only need the other guy to be a psycho, and....
What follows is a thriller having a vein of dark comedy running through it. Yes, it's relatively predictable and above-average on the gore rating but nonetheless enjoyable.
The movie, of course, blends some staples of the thriller genre. Firstly there is that favorite trope of Spielberg of a malevolent force, persistently lurking in the shadows to wreak havoc at any time. (Think of those classics "Duel" and "Jaws". Blended with that is a recurring plot-point of Hitchcock movies: the every-man (in this case every-woman), in the mode of James Stewart or Cary Grant, uprooted from their hum-drum normal lives to suddenly face peril they are unequipped to deal with.
Holding that role here extremely well is Caren Pistorius as the luckless Rachel. She's only had bit parts in previous movies I've seen - "Denial", "Mortal Engines" and "The Light Between Oceans". But here she gets a starring role, up front and central, and I thought she pulled it off really well. She also gets to deliver the best line in the film in the violent and bloody denouement! A leading actress I would like to see more of for sure.
The star-power evident here though is Crowe. His portrayal as the steely-eyed unhinged psychopath is beautifully and believably done. A scene in a diner is especially chilling, featuring Jimmi Simpson as the unfortunate Andy, Rachel's divorce lawyer. (If, like me, you were desperately trying to place the actor, Simpson played the young 'good-guy' tourist in the brilliant first season of "Westworld".)
Unhinged is nicely penned and, in the main, nicely directed. With the pen is Carl Ellsworth, who's sparse career has delivered chillers such as "Disturbia" and "The Last House on the Left". And although we've been in this sort of stalker territory numerous times before, the script of "Unhinged" delivers some nice twists. For example, the dangers inherent in "Find My Friends" style tracking apps. One negative though for me is the rising body-count of "innocents". It gave me the slightly icky feeling I felt when the jumbo jet is crashed in "Die Hard 2".
Keeping up the pace is German director Derrick Borte, someone new to me. The car chases incorporated into the action are tense (reminiscent sometimes of "Baby Driver") and well-shot (by Irish cinematographer Brendan Galvin). There are the occasional "oh, really!!" moments, that a more experienced director might have chosen to excise. But on the whole, this is a taut little thriller, wisely sticking to a 90 minute running time, and never losing my interest.
Although formulaic, and at times extremely violent for a '15' certificate, "Unhinged" made a welcome and entertaining return for me to the multiplex after the Covid break.
(For the full graphical review, please check it out here - https://bob-the-movie-man.com/2020/08/08/one-manns-movies-film-review-unhinged-2020/).
In the movie it was a certain Rachel (Caren Pistorius) who randomly crosses the ursine-one's path. She encounters his unnamed character ("Man") at traffic light. Rachel is having a bad day herself. But the unstable and unhinged man makes it his mission to show her "what a bad day really feels like".
Having had over 40 years of driving experienced, I've experienced two incidents of genuine road rage against me. One of these was in similar circumstances to Rachel's experience. By me giving slightly more than a 'courtesy tap' on the horn to a driver who cut me up. Both though were 'white-knuckles-on-the-wheel' scary experiences. So although, as a viewer, I felt a degree of irritation at Rachel's stubborn actions in the movie, it didn't seem completely 'out there'. You only need the other guy to be a psycho, and....
What follows is a thriller having a vein of dark comedy running through it. Yes, it's relatively predictable and above-average on the gore rating but nonetheless enjoyable.
The movie, of course, blends some staples of the thriller genre. Firstly there is that favorite trope of Spielberg of a malevolent force, persistently lurking in the shadows to wreak havoc at any time. (Think of those classics "Duel" and "Jaws". Blended with that is a recurring plot-point of Hitchcock movies: the every-man (in this case every-woman), in the mode of James Stewart or Cary Grant, uprooted from their hum-drum normal lives to suddenly face peril they are unequipped to deal with.
Holding that role here extremely well is Caren Pistorius as the luckless Rachel. She's only had bit parts in previous movies I've seen - "Denial", "Mortal Engines" and "The Light Between Oceans". But here she gets a starring role, up front and central, and I thought she pulled it off really well. She also gets to deliver the best line in the film in the violent and bloody denouement! A leading actress I would like to see more of for sure.
The star-power evident here though is Crowe. His portrayal as the steely-eyed unhinged psychopath is beautifully and believably done. A scene in a diner is especially chilling, featuring Jimmi Simpson as the unfortunate Andy, Rachel's divorce lawyer. (If, like me, you were desperately trying to place the actor, Simpson played the young 'good-guy' tourist in the brilliant first season of "Westworld".)
Unhinged is nicely penned and, in the main, nicely directed. With the pen is Carl Ellsworth, who's sparse career has delivered chillers such as "Disturbia" and "The Last House on the Left". And although we've been in this sort of stalker territory numerous times before, the script of "Unhinged" delivers some nice twists. For example, the dangers inherent in "Find My Friends" style tracking apps. One negative though for me is the rising body-count of "innocents". It gave me the slightly icky feeling I felt when the jumbo jet is crashed in "Die Hard 2".
Keeping up the pace is German director Derrick Borte, someone new to me. The car chases incorporated into the action are tense (reminiscent sometimes of "Baby Driver") and well-shot (by Irish cinematographer Brendan Galvin). There are the occasional "oh, really!!" moments, that a more experienced director might have chosen to excise. But on the whole, this is a taut little thriller, wisely sticking to a 90 minute running time, and never losing my interest.
Although formulaic, and at times extremely violent for a '15' certificate, "Unhinged" made a welcome and entertaining return for me to the multiplex after the Covid break.
(For the full graphical review, please check it out here - https://bob-the-movie-man.com/2020/08/08/one-manns-movies-film-review-unhinged-2020/).
Gareth von Kallenbach (980 KP) rated Safe (2012) in Movies
Aug 7, 2019
I’ve returned with another movie review for y’all and it should certainly come as no surprise Whatsoever that my review covers the latest edition to Jason Statham’s growing resume of action Movies. After 3 delays for its U.S. release, “SAFE” has finally arrived.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
Andy K (10823 KP) Mar 9, 2019
Kristy H (1252 KP) Mar 9, 2019