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LoganCrews (2861 KP) rated Serial Mom (1994) in Movies
Jul 4, 2021
"𝘋𝘰 𝘺𝘰𝘶 𝘵𝘩𝘪𝘯𝘬 𝘐 𝘯𝘦𝘦𝘥 𝘢 𝘭𝘢𝘸𝘺𝘦𝘳?"
"𝘠𝘰𝘶 𝘯𝘦𝘦𝘥 𝘢𝘯 𝘢𝘨𝘦𝘯𝘵!"
𝘔𝘰𝘮𝘮𝘪𝘦 𝘋𝘦𝘢𝘳𝘦𝘴𝘵: 𝘗𝘢𝘳𝘵 𝘐𝘐. Does anyone do the satirization of stuck-up suburban values as originally and/or as brutally entertaining as John Waters? Most other directors would have turned this into a threadbare lecture that refused to have any sort of fun. But here we have this beautiful concoction of B-movie theatrics, gore, pitch-perfect performances, jovial filth, rock-solid lampooning, and A1 comedy - so lovingly inspired by low-budget camp and slashers of the 60s-80s that it honestly could pass off as one in many respects. Kathleen Turner is a live wire - in one of the most religiously entertaining female performances of all time, it has a blast radius that would make a military warhead quake. This is the type of role that just demands your attention, perpetually switching between these polar opposite demeanors at the drop of a hat with expert-level talent and all game for the ensuing absurdity. Which on its own would have been enough to carry 93 minutes of fun but then the film is also super clever and uproarious without rest. Had an ear-to-ear smile on my face for most of the runtime and laughed so often that my mouth began to give out mid-laugh due to the muscles simply being too worn out from overwork. Quotable as fuck and every scene is memorable, a total killer.
"𝘠𝘰𝘶 𝘯𝘦𝘦𝘥 𝘢𝘯 𝘢𝘨𝘦𝘯𝘵!"
𝘔𝘰𝘮𝘮𝘪𝘦 𝘋𝘦𝘢𝘳𝘦𝘴𝘵: 𝘗𝘢𝘳𝘵 𝘐𝘐. Does anyone do the satirization of stuck-up suburban values as originally and/or as brutally entertaining as John Waters? Most other directors would have turned this into a threadbare lecture that refused to have any sort of fun. But here we have this beautiful concoction of B-movie theatrics, gore, pitch-perfect performances, jovial filth, rock-solid lampooning, and A1 comedy - so lovingly inspired by low-budget camp and slashers of the 60s-80s that it honestly could pass off as one in many respects. Kathleen Turner is a live wire - in one of the most religiously entertaining female performances of all time, it has a blast radius that would make a military warhead quake. This is the type of role that just demands your attention, perpetually switching between these polar opposite demeanors at the drop of a hat with expert-level talent and all game for the ensuing absurdity. Which on its own would have been enough to carry 93 minutes of fun but then the film is also super clever and uproarious without rest. Had an ear-to-ear smile on my face for most of the runtime and laughed so often that my mouth began to give out mid-laugh due to the muscles simply being too worn out from overwork. Quotable as fuck and every scene is memorable, a total killer.
Awix (3310 KP) rated Joker (2019) in Movies
Oct 4, 2019 (Updated Oct 4, 2019)
Striking riff on some elements of the Batman mythology looks good but simultaneously feels like it's trying to do too much and struggling to justify its own existence. In an early 80s Gotham City, severely troubled clown/comedian Arthur Fleck (Phoenix) is struggling to maintain his grip on reality, not to mention his own sanity. But a powerful force of nihilistic chaos is incubating within him...
A very strong performance by Joaquin Phoenix is the main reason to see this film, as he manages to be pitiable, frightening, and occasionally very funny. The sustained grimness and intensity of it is also surprising and impressive. That said, it does take rather a long time for the traditional Joker characterisation to begin to appear, and the question of whether this character can actually support a whole movie has clearly troubled the film-makers, too - hence, presumably, the attempts to make points about anti-capitalism, social unrest, and the mass media. These don't chime especially well with the period setting, which is presumably to facilitate the homages to King of Comedy, Taxi Driver, French Connection and Network which the film is filled with. One inevitably wonders what the point of the Joker is without Batman, unless it's simply to shock and provoke. This film does those things, but only up to a point and to no very obvious end. A good-looking, well-made, well-played film, but perhaps just the tiniest bit portentous.
A very strong performance by Joaquin Phoenix is the main reason to see this film, as he manages to be pitiable, frightening, and occasionally very funny. The sustained grimness and intensity of it is also surprising and impressive. That said, it does take rather a long time for the traditional Joker characterisation to begin to appear, and the question of whether this character can actually support a whole movie has clearly troubled the film-makers, too - hence, presumably, the attempts to make points about anti-capitalism, social unrest, and the mass media. These don't chime especially well with the period setting, which is presumably to facilitate the homages to King of Comedy, Taxi Driver, French Connection and Network which the film is filled with. One inevitably wonders what the point of the Joker is without Batman, unless it's simply to shock and provoke. This film does those things, but only up to a point and to no very obvious end. A good-looking, well-made, well-played film, but perhaps just the tiniest bit portentous.
LeftSideCut (3776 KP) rated Hellraiser: Bloodline (1996) in Movies
Mar 22, 2022
Honestly, I can't help but admire just how much batshit-crazy content is crammed into this film. The established lore from the first two movies is more or less out of the window by now, with the narrative concentrating on the guy who originally invented the lament configuration in the 1700s, and then subsequent members of his bloodline trying to stop hell on earth once in 1996, and then again in the distant future aboard a space station. Like I said, batshit.
It also happens to be stupidly entertaining. It never threatens to get boring at any point. Pinhead has been scaled back once again to a more menacing presence as opposed to his pantomime villain from Hellraiser III, and the new cenobites looks suitably evil and gross. Angelique (Valentina Vargas) is a great new villain to stand alongside Doug Bradley, and goes someway to making sure Bloodlines has its own identity. Hats off to Bruce Ramsay as well for effectively playing three separate characters. There's liberal splashings of decent and practically done gore, and the CG effects for the space station still hold up for the most part. There's really not a huge amount to complain about in my opinion, and I can't quite comprehend where the general disdain comes from.
Hellraiser IV is certainly not a perfect movie, and doesn't reach the lofty heights of the first two, but it does enough different to ensure its a memorable entry into the franchise.
It also happens to be stupidly entertaining. It never threatens to get boring at any point. Pinhead has been scaled back once again to a more menacing presence as opposed to his pantomime villain from Hellraiser III, and the new cenobites looks suitably evil and gross. Angelique (Valentina Vargas) is a great new villain to stand alongside Doug Bradley, and goes someway to making sure Bloodlines has its own identity. Hats off to Bruce Ramsay as well for effectively playing three separate characters. There's liberal splashings of decent and practically done gore, and the CG effects for the space station still hold up for the most part. There's really not a huge amount to complain about in my opinion, and I can't quite comprehend where the general disdain comes from.
Hellraiser IV is certainly not a perfect movie, and doesn't reach the lofty heights of the first two, but it does enough different to ensure its a memorable entry into the franchise.
Emma @ The Movies (1786 KP) rated Out of Death (2021) in Movies
Jul 30, 2021
I got my hands on a preview of this one. Modern Bruce Willis is always a slight concern, but I like to give them the benefit of the doubt.
In this peaceful mountain town, a quiet hike turns to terror as a photographer witnesses a brutal crime by the very people who are supposed to protect against them.
On the scale of messed up plots, Out of Death isn't actually that bad. Corrupt law enforcement caught in the act is a strong idea to use in a crime thriller. The setting also gave them a lot of opportunities even though it's a fairly simple forest/wooded setting. Though that setting suffers a little from TARDIS-esque qualities, is it big, is it small, how does time work in and around it? I found myself wondering about those random things, which may have been down to not feeling massively engaged with anything happening.
From the small collection of characters, Billie and Tom probably came out the best. Though no one quite got out unscathed. They did at least have a bond that played out well in a few scenes.
Beyond them, the rest of the cast don't do so well with the script. There are points where it tries to give characters something a little extra, but it ultimately came out a little on the creepy side. I'm thinking in particular about one scene where two characters try to have a human conversation and build a little backstory... it was bad, and made me cringe. I haven't felt that way about a film interaction in a very long time.
As much as I love Bruce Willis, he basically wanders through this one without much effort. The whole affair felt rather lethargic, and as with his other recent films, it's a phoned-in effort. Without him, I doubt anyone would have come across Out of Death, there's nothing that's a particular hook, and with such a generic air to it, I can't see anyone picking it out of a line-up of similar films.
Out of Death might not be the worst film I've ever seen, but there's lots of room for improvement. As it is, it doesn't hold your attention enough to make it massively enjoyable. At the very least you can enjoy the scenery.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/out-of-death-movie-review.html
In this peaceful mountain town, a quiet hike turns to terror as a photographer witnesses a brutal crime by the very people who are supposed to protect against them.
On the scale of messed up plots, Out of Death isn't actually that bad. Corrupt law enforcement caught in the act is a strong idea to use in a crime thriller. The setting also gave them a lot of opportunities even though it's a fairly simple forest/wooded setting. Though that setting suffers a little from TARDIS-esque qualities, is it big, is it small, how does time work in and around it? I found myself wondering about those random things, which may have been down to not feeling massively engaged with anything happening.
From the small collection of characters, Billie and Tom probably came out the best. Though no one quite got out unscathed. They did at least have a bond that played out well in a few scenes.
Beyond them, the rest of the cast don't do so well with the script. There are points where it tries to give characters something a little extra, but it ultimately came out a little on the creepy side. I'm thinking in particular about one scene where two characters try to have a human conversation and build a little backstory... it was bad, and made me cringe. I haven't felt that way about a film interaction in a very long time.
As much as I love Bruce Willis, he basically wanders through this one without much effort. The whole affair felt rather lethargic, and as with his other recent films, it's a phoned-in effort. Without him, I doubt anyone would have come across Out of Death, there's nothing that's a particular hook, and with such a generic air to it, I can't see anyone picking it out of a line-up of similar films.
Out of Death might not be the worst film I've ever seen, but there's lots of room for improvement. As it is, it doesn't hold your attention enough to make it massively enjoyable. At the very least you can enjoy the scenery.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/out-of-death-movie-review.html
Ivana A. | Diary of Difference (1171 KP) rated Miss Peregrine's Home for Peculiar Children in Books
Aug 3, 2018
It doesn’t hurt me to say that I have watched the movie before I read the book. What hurts me to say is that even though I loved the book, I enjoyed the movie way more. But I am not here to compare the book and the movie, because I loved them both in a different way.
‘’I had just come to accept that my life would be ordinary when extraordinary things began to happen.’’
Jacob was raised by his grandfather, who told him stories about the amazing house he used to live in, and all the children that lived with him, that had amazing abilities and were different than ordinary people. Grandpa Portman would even show Jacob pictures of the children and their peculiarities - he would tell him stories about the invisible boy, the girl that could float if she didn’t have iron boots, the girl that could breath out fire and the children that could easily lift the heaviest rocks. He would also talk about the danger and the big monsters that the children were so scared of.
And Jacob believed and loved these stories - he shared an amazing bond with his grandpa. Until, of course, he grew up. Suddenly, he was old enough to know this isn’t true, and stopped believing. His grandpa would try to convince him, and warn him that the monsters are coming, but the only conclusion he had is that his grandpa lost his marbles.
But then his grandpa dies, and Jacob sees the monsters himself. Despite everyone believing that he is crazy, just like his grandpa, Jacob now has no choice but to find these strange children - and get answers to all his questions.
The book moves quite slow, and it is not until half of the book that we actually get to meet the children. As a person that watched the movie, this was extremely frustrating, as I kept waiting and waiting, and nothing special happened for 90 pages.
The author puts photographs in the book, and they are perfectly put in the book to explain how a character looks, and to describe the scene better. This was the strawberry to my cake in this book. I immensely enjoyed the beautiful photographs and how perfectly well they fitted with the book and detailed the characters. The only character that I couldn’t imagine was Miss Peregrine - her picture is not at all what I expected. At first, I thought about sharing some of those pictures here - but then, I assumed you might enjoy them more if you explore them yourself while reading the book, as they come - as I could never be able to do that as well as Ransom Riggs did.
For the ones you watched the movie first - the movie is not at all the same as the book. So lower your expectations, otherwise you will be disappointed. The movie seemed to have put three books into one, and swapped people’s abilities, and made up some scenes and places.
The book, however, had parts that you wouldn’t see in the movie, and its own magic of detailed descriptions to your favorite stories and characters.
I hated Jacob. Not just at the beginning, but all the way through. Mister ‘’I-am-too-good-for-everything’’ , Mister ‘’My-family-is-so-rich-I-will-try-my-best-to-get-fired-from-work-because-my-uncle-owns-the-shop’’. No - Just no. As much as I enjoyed his story, his character is very egocentric and unlikeable. I actually liked Grandpa Abe so much more, even though he was only partially and ghostly present in the book.
Miss Peregrine didn’t reveal much of her character as she does in the movie. We don’t get to read a lot about her to be honest, and she was the one person I expected to see more of.
We get to hang around with the children a lot though, and meet Emma, the girl that has fire powers, and that used to be Grandpa Abe’s lover and now Jacob - which is more than weird, but oh well…
‘’She moved to pinch me again but I blocked her hand. I’m no expert on girls, but when one tries to pinch you four times, I’m pretty sure that’s flirting.’’
We get to meet Millard, the invisible boy, Olive, the girl that can float without her iron boots, Fiona, who can make plants and trees grow in seconds and many other lovely children with even lovelier abilities.
This is an amazing story about extraordinary people, children who will amuse you with how cute they can be, a bit of (well, a lot of) time travel and a great valuable lesson that everyone in this world is peculiar and extraordinary in their own way! A must-read to all of you that love some fantasy stories and different worlds.
‘’I had just come to accept that my life would be ordinary when extraordinary things began to happen.’’
Jacob was raised by his grandfather, who told him stories about the amazing house he used to live in, and all the children that lived with him, that had amazing abilities and were different than ordinary people. Grandpa Portman would even show Jacob pictures of the children and their peculiarities - he would tell him stories about the invisible boy, the girl that could float if she didn’t have iron boots, the girl that could breath out fire and the children that could easily lift the heaviest rocks. He would also talk about the danger and the big monsters that the children were so scared of.
And Jacob believed and loved these stories - he shared an amazing bond with his grandpa. Until, of course, he grew up. Suddenly, he was old enough to know this isn’t true, and stopped believing. His grandpa would try to convince him, and warn him that the monsters are coming, but the only conclusion he had is that his grandpa lost his marbles.
But then his grandpa dies, and Jacob sees the monsters himself. Despite everyone believing that he is crazy, just like his grandpa, Jacob now has no choice but to find these strange children - and get answers to all his questions.
The book moves quite slow, and it is not until half of the book that we actually get to meet the children. As a person that watched the movie, this was extremely frustrating, as I kept waiting and waiting, and nothing special happened for 90 pages.
The author puts photographs in the book, and they are perfectly put in the book to explain how a character looks, and to describe the scene better. This was the strawberry to my cake in this book. I immensely enjoyed the beautiful photographs and how perfectly well they fitted with the book and detailed the characters. The only character that I couldn’t imagine was Miss Peregrine - her picture is not at all what I expected. At first, I thought about sharing some of those pictures here - but then, I assumed you might enjoy them more if you explore them yourself while reading the book, as they come - as I could never be able to do that as well as Ransom Riggs did.
For the ones you watched the movie first - the movie is not at all the same as the book. So lower your expectations, otherwise you will be disappointed. The movie seemed to have put three books into one, and swapped people’s abilities, and made up some scenes and places.
The book, however, had parts that you wouldn’t see in the movie, and its own magic of detailed descriptions to your favorite stories and characters.
I hated Jacob. Not just at the beginning, but all the way through. Mister ‘’I-am-too-good-for-everything’’ , Mister ‘’My-family-is-so-rich-I-will-try-my-best-to-get-fired-from-work-because-my-uncle-owns-the-shop’’. No - Just no. As much as I enjoyed his story, his character is very egocentric and unlikeable. I actually liked Grandpa Abe so much more, even though he was only partially and ghostly present in the book.
Miss Peregrine didn’t reveal much of her character as she does in the movie. We don’t get to read a lot about her to be honest, and she was the one person I expected to see more of.
We get to hang around with the children a lot though, and meet Emma, the girl that has fire powers, and that used to be Grandpa Abe’s lover and now Jacob - which is more than weird, but oh well…
‘’She moved to pinch me again but I blocked her hand. I’m no expert on girls, but when one tries to pinch you four times, I’m pretty sure that’s flirting.’’
We get to meet Millard, the invisible boy, Olive, the girl that can float without her iron boots, Fiona, who can make plants and trees grow in seconds and many other lovely children with even lovelier abilities.
This is an amazing story about extraordinary people, children who will amuse you with how cute they can be, a bit of (well, a lot of) time travel and a great valuable lesson that everyone in this world is peculiar and extraordinary in their own way! A must-read to all of you that love some fantasy stories and different worlds.
Ivana A. | Diary of Difference (1171 KP) rated Miss Peregrine's Home for Peculiar Children in Books
Oct 26, 2018
It doesn’t hurt me to say that I have watched the movie before I read the book. What hurts me to say is that even though I loved the book, I enjoyed the movie way more. But I am not here to compare the book and the movie, because I loved them both in a different way.
‘’I had just come to accept that my life would be ordinary when extraordinary things began to happen.’’
Jacob was raised by his grandfather, who told him stories about the amazing house he used to live in, and all the children that lived with him, that had amazing abilities and were different than ordinary people. Grandpa Portman would even show Jacob pictures of the children and their peculiarities - he would tell him stories about the invisible boy, the girl that could float if she didn’t have iron boots, the girl that could breath out fire and the children that could easily lift the heaviest rocks. He would also talk about the danger and the big monsters that the children were so scared of.
And Jacob believed and loved these stories - he shared an amazing bond with his grandpa. Until, of course, he grew up. Suddenly, he was old enough to know this isn’t true, and stopped believing. His grandpa would try to convince him, and warn him that the monsters are coming, but the only conclusion he had is that his grandpa lost his marbles.
But then his grandpa dies, and Jacob sees the monsters himself. Despite everyone believing that he is crazy, just like his grandpa, Jacob now has no choice but to find these strange children - and get answers to all his questions.
The book moves quite slow, and it is not until half of the book that we actually get to meet the children. As a person that watched the movie, this was extremely frustrating, as I kept waiting and waiting, and nothing special happened for 90 pages.
The author puts photographs in the book, and they are perfectly put in the book to explain how a character looks, and to describe the scene better. This was the strawberry to my cake in this book. I immensely enjoyed the beautiful photographs and how perfectly well they fitted with the book and detailed the characters. The only character that I couldn’t imagine was Miss Peregrine - her picture is not at all what I expected. At first, I thought about sharing some of those pictures here - but then, I assumed you might enjoy them more if you explore them yourself while reading the book, as they come - as I could never be able to do that as well as Ransom Riggs did.
For the ones you watched the movie first - the movie is not at all the same as the book. So lower your expectations, otherwise you will be disappointed. The movie seemed to have put three books into one, and swapped people’s abilities, and made up some scenes and places.
The book, however, had parts that you wouldn’t see in the movie, and its own magic of detailed descriptions to your favorite stories and characters.
I hated Jacob. Not just at the beginning, but all the way through. Mister ‘’I-am-too-good-for-everything’’ , Mister ‘’My-family-is-so-rich-I-will-try-my-best-to-get-fired-from-work-because-my-uncle-owns-the-shop’’. No - Just no. As much as I enjoyed his story, his character is very egocentric and unlikeable. I actually liked Grandpa Abe so much more, even though he was only partially and ghostly present in the book.
Miss Peregrine didn’t reveal much of her character as she does in the movie. We don’t get to read a lot about her to be honest, and she was the one person I expected to see more of.
We get to hang around with the children a lot though, and meet Emma, the girl that has fire powers, and that used to be Grandpa Abe’s lover and now Jacob - which is more than weird, but oh well…
‘’She moved to pinch me again but I blocked her hand. I’m no expert on girls, but when one tries to pinch you four times, I’m pretty sure that’s flirting.’’
We get to meet Millard, the invisible boy, Olive, the girl that can float without her iron boots, Fiona, who can make plants and trees grow in seconds and many other lovely children with even lovelier abilities.
This is an amazing story about extraordinary people, children who will amuse you with how cute they can be, a bit of (well, a lot of) time travel and a great valuable lesson that everyone in this world is peculiar and extraordinary in their own way! A must-read to all of you that love some fantasy stories and different worlds.
‘’I had just come to accept that my life would be ordinary when extraordinary things began to happen.’’
Jacob was raised by his grandfather, who told him stories about the amazing house he used to live in, and all the children that lived with him, that had amazing abilities and were different than ordinary people. Grandpa Portman would even show Jacob pictures of the children and their peculiarities - he would tell him stories about the invisible boy, the girl that could float if she didn’t have iron boots, the girl that could breath out fire and the children that could easily lift the heaviest rocks. He would also talk about the danger and the big monsters that the children were so scared of.
And Jacob believed and loved these stories - he shared an amazing bond with his grandpa. Until, of course, he grew up. Suddenly, he was old enough to know this isn’t true, and stopped believing. His grandpa would try to convince him, and warn him that the monsters are coming, but the only conclusion he had is that his grandpa lost his marbles.
But then his grandpa dies, and Jacob sees the monsters himself. Despite everyone believing that he is crazy, just like his grandpa, Jacob now has no choice but to find these strange children - and get answers to all his questions.
The book moves quite slow, and it is not until half of the book that we actually get to meet the children. As a person that watched the movie, this was extremely frustrating, as I kept waiting and waiting, and nothing special happened for 90 pages.
The author puts photographs in the book, and they are perfectly put in the book to explain how a character looks, and to describe the scene better. This was the strawberry to my cake in this book. I immensely enjoyed the beautiful photographs and how perfectly well they fitted with the book and detailed the characters. The only character that I couldn’t imagine was Miss Peregrine - her picture is not at all what I expected. At first, I thought about sharing some of those pictures here - but then, I assumed you might enjoy them more if you explore them yourself while reading the book, as they come - as I could never be able to do that as well as Ransom Riggs did.
For the ones you watched the movie first - the movie is not at all the same as the book. So lower your expectations, otherwise you will be disappointed. The movie seemed to have put three books into one, and swapped people’s abilities, and made up some scenes and places.
The book, however, had parts that you wouldn’t see in the movie, and its own magic of detailed descriptions to your favorite stories and characters.
I hated Jacob. Not just at the beginning, but all the way through. Mister ‘’I-am-too-good-for-everything’’ , Mister ‘’My-family-is-so-rich-I-will-try-my-best-to-get-fired-from-work-because-my-uncle-owns-the-shop’’. No - Just no. As much as I enjoyed his story, his character is very egocentric and unlikeable. I actually liked Grandpa Abe so much more, even though he was only partially and ghostly present in the book.
Miss Peregrine didn’t reveal much of her character as she does in the movie. We don’t get to read a lot about her to be honest, and she was the one person I expected to see more of.
We get to hang around with the children a lot though, and meet Emma, the girl that has fire powers, and that used to be Grandpa Abe’s lover and now Jacob - which is more than weird, but oh well…
‘’She moved to pinch me again but I blocked her hand. I’m no expert on girls, but when one tries to pinch you four times, I’m pretty sure that’s flirting.’’
We get to meet Millard, the invisible boy, Olive, the girl that can float without her iron boots, Fiona, who can make plants and trees grow in seconds and many other lovely children with even lovelier abilities.
This is an amazing story about extraordinary people, children who will amuse you with how cute they can be, a bit of (well, a lot of) time travel and a great valuable lesson that everyone in this world is peculiar and extraordinary in their own way! A must-read to all of you that love some fantasy stories and different worlds.
A film with dodgy voices.
Catching up here with a review of a film I saw a couple of weeks ago.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
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Lee (2222 KP) rated Fighting with My Family (2019) in Movies
Mar 1, 2019
It's been many years since I last watched any wrestling, and I certainly haven't seen anything of the WWE Divas, or more specifically Paige - the wrestling name of the young British girl whose story is featured in Fighting With My Family. I first got into WWE wrestling, or WWF as it was known back then, sometime during 1986 - just in time for Wrestlemania 3 and the classic main event of Hulk Hogan Vs André the Giant in front of a crowd of over 93,000. It was like nothing I'd ever seen before, and I was hooked. Following that, I used to have to wake up my younger brothers at around midnight whenever there was a major wrestling event on TV, so that we would be able to watch it live from the US. And then eventually, in 1992, they brought Summerslam to Wembley Stadium, and we were able to finally attend an event a little bit closer to home.
Fighting With My Family begins with a young Paige, real name Saraya-Jade, enjoying the WWF wrestling on TV with brother Zak and trying out some of the moves and holds on each other, similar to how I managed to perfect the figure four leglock on my younger brother.... But, that's where the similarities end as Saraya-Jade and Zak are positively encouraged by their parents to beat the crap out of each other, whereas I would probably have been grounded for making my brother cry or something. Their parents, Patrick ‘Rowdy Ricky Knight’ and Julia ‘Sweet Saraya’ are former wrestlers themselves who now run World Association of Wrestling (WAW), where grown up Saraya-Jade (Florence Pugh) and Zak (Jack Lowden) now fight each other for money in regular evening shows. Each day they head out in their WAW van to pick up a bunch of local kids, who would otherwise be headed down a path of criminality, and head to the gym to train them in the ring. Elder brother Roy was also a wrestler, but is currently in prison. It's a simple, close-knit working class family - all looking out for each other, highly passionate about wrestling and each having (or had at one point) a dream to one day make it big in the WWE.
One day that dream has a chance of becoming reality when tryouts for the WWE come to The O2 in London and Zak and Raya are selected to come along. WWE Coach Hutch (Vince Vaughn) puts them through their paces but only Raya is selected to move onto the next stage in Florida. While she heads out to continue her dream, a rejected Zak resigns himself to the fact that he's only ever going to be a small time wrestler. Raya becomes Paige and sets about trying to prove herself as the ordinary Brit girl in among all the dancers, models and cheerleaders who are also with her at boot camp. She's resentful of the others, as they were 'only selected for their tits and ass' and are without any kind of wrestling background. She's lonely, angry and lacking the self confidence she needs to really make it happen. Meanwhile, Zak is struggling with missing out on heading to Florida - disinterested in his new born baby, undertaking grueling matches in front of small crowds, and picking fights in bars just for the hell of it.
Fighting With My Family boasts some real laugh out loud moments, but there is also a lot of relatable family drama and emotion. The cast are all incredible, particularly Florence Pugh as Raya/Paige. Vince Vaughn is a lot of fun as the coach and The Rock also brings a lot of comedy to the few scenes he's in. I absolutely loved everything about this movie and couldn't really fault it at all. Despite knowing beforehand the outcome for Paige, the whole movie just has you wondering throughout if she's going to make it or if she's going to quit, which makes the ending all the more enjoyable. And when you see clips during the credits of her real life family, you appreciate just how spot on some of the casting and acting is too!
Fighting With My Family begins with a young Paige, real name Saraya-Jade, enjoying the WWF wrestling on TV with brother Zak and trying out some of the moves and holds on each other, similar to how I managed to perfect the figure four leglock on my younger brother.... But, that's where the similarities end as Saraya-Jade and Zak are positively encouraged by their parents to beat the crap out of each other, whereas I would probably have been grounded for making my brother cry or something. Their parents, Patrick ‘Rowdy Ricky Knight’ and Julia ‘Sweet Saraya’ are former wrestlers themselves who now run World Association of Wrestling (WAW), where grown up Saraya-Jade (Florence Pugh) and Zak (Jack Lowden) now fight each other for money in regular evening shows. Each day they head out in their WAW van to pick up a bunch of local kids, who would otherwise be headed down a path of criminality, and head to the gym to train them in the ring. Elder brother Roy was also a wrestler, but is currently in prison. It's a simple, close-knit working class family - all looking out for each other, highly passionate about wrestling and each having (or had at one point) a dream to one day make it big in the WWE.
One day that dream has a chance of becoming reality when tryouts for the WWE come to The O2 in London and Zak and Raya are selected to come along. WWE Coach Hutch (Vince Vaughn) puts them through their paces but only Raya is selected to move onto the next stage in Florida. While she heads out to continue her dream, a rejected Zak resigns himself to the fact that he's only ever going to be a small time wrestler. Raya becomes Paige and sets about trying to prove herself as the ordinary Brit girl in among all the dancers, models and cheerleaders who are also with her at boot camp. She's resentful of the others, as they were 'only selected for their tits and ass' and are without any kind of wrestling background. She's lonely, angry and lacking the self confidence she needs to really make it happen. Meanwhile, Zak is struggling with missing out on heading to Florida - disinterested in his new born baby, undertaking grueling matches in front of small crowds, and picking fights in bars just for the hell of it.
Fighting With My Family boasts some real laugh out loud moments, but there is also a lot of relatable family drama and emotion. The cast are all incredible, particularly Florence Pugh as Raya/Paige. Vince Vaughn is a lot of fun as the coach and The Rock also brings a lot of comedy to the few scenes he's in. I absolutely loved everything about this movie and couldn't really fault it at all. Despite knowing beforehand the outcome for Paige, the whole movie just has you wondering throughout if she's going to make it or if she's going to quit, which makes the ending all the more enjoyable. And when you see clips during the credits of her real life family, you appreciate just how spot on some of the casting and acting is too!
Whatchareadin (174 KP) rated Thanks for the Memories in Books
May 10, 2018
Justin Hancock is a guest lecturer at Trinity College in Dublin, Ireland. He is also a curator for a museum in London which is his new home. Recently divorced and uprooted from Chicago to be closer to his daughter who is studying ballet.
Joyce wakes up in the hospital to discover that she has just lost her baby and she now knows a lot of things she didn't know before. Especially Latin and about European architecture. How could she just know these things?
Then when Joyce leaves the hospital and as Justin is leaving Dublin to return to London, a chance encounter. When they see each other there is an instant connection. One that neither of them can explain, but both of them feel. When they 'run' into each other throughout London and Dublin, but never get the chance to officially meet the connection is stronger. But what is it that is drawing these two closer together?
Thanks for the Memories reminds me a lot of the movie Return to Me with Minnie Driver. Joyce has somehow 'inherited' all of Justin's memories, thoughts, and intelligence, from one simple act of kindness. Can you imagine waking up in the hospital one day and suddenly you are fluent in another language that just a few days earlier you wouldn't even know existed. Seeing people you have never met, but feeling as if you are old friends.
This was a cute story that makes you think about the connections people can have without ever realizing it. This book made me laugh out loud a few times and it definitely made me think about what goes into our bodies at the hospital. This is a great chick-lit book.
Joyce wakes up in the hospital to discover that she has just lost her baby and she now knows a lot of things she didn't know before. Especially Latin and about European architecture. How could she just know these things?
Then when Joyce leaves the hospital and as Justin is leaving Dublin to return to London, a chance encounter. When they see each other there is an instant connection. One that neither of them can explain, but both of them feel. When they 'run' into each other throughout London and Dublin, but never get the chance to officially meet the connection is stronger. But what is it that is drawing these two closer together?
Thanks for the Memories reminds me a lot of the movie Return to Me with Minnie Driver. Joyce has somehow 'inherited' all of Justin's memories, thoughts, and intelligence, from one simple act of kindness. Can you imagine waking up in the hospital one day and suddenly you are fluent in another language that just a few days earlier you wouldn't even know existed. Seeing people you have never met, but feeling as if you are old friends.
This was a cute story that makes you think about the connections people can have without ever realizing it. This book made me laugh out loud a few times and it definitely made me think about what goes into our bodies at the hospital. This is a great chick-lit book.