Search

Search only in certain items:

47 Meters Down: Uncaged (2019)
47 Meters Down: Uncaged (2019)
2019 | Adventure, Drama, Horror
Contains spoilers, click to show
I love shark movies as much as the next guy. But this is poor by anyones anyones standard. It's slow to start with little to nothing happening and uninteresting characters. By the time they get to the "suspense" I'm already bored, I'm waiting for an oversized tooth fest of glorious sharkness. But what is delivered is sub par, new character shows up to immediately be taken out. Also the amount these 4 girls scream and heavy breather youd think they would be out of oxygen in 5 minutes. But carrying on they engage more drama being trapped under water with less oxygen than they started, exciting. So to provide suspense they find a safe pocket of air and one girl goes off to find help. Classic of course, so she finds a new character, who is immediately taken out. Seems the movie has a theme going here. Moving on they try to escape the cave systems and eventually find the dad character and they're gonna escape. But wait, pointless selfishness overcomes the group as the one individual who started the problems then costs them their chance to escape and the only saving grace is she dies as a result. After that there are some more unbelievable deaths, I suppose they're meant to shock you but honestly they're so daft it's just confusing an pointless. The ending is the best part they're saved no they're not they're saved etc and she fights a shark with a shark tooth. Otherwise its dull drawn out and predictable. Would not recommend.
  
Jumanji: The Game
Jumanji: The Game
2018 | Adventure, Dice Game, Entertainment, Fantasy
Easy to play (1 more)
Good art work
Great family friendly game
This game is great and really fun to play as a family. Simple enough concept combining numbered dice, action cards and picture dice. Draw an action card at the end of moving your counter, the card has a short rhyme about the danger you are facing along with some nice art work, it also shows what picture you need to roll on the picture dice to stop you from filling up the danger zone. You have 6 seconds to roll the picture to match the card.

The game says for people aged 8 to adult but have to say my 4 and 6 year old have been able to play this and really enjoy it fully. We can normally finish the game in about 30 minutes so is a great little time killer and the replay ability is good.

I would have liked the counters to have been shaped to match the game pieces from the movie instead of the plain coloured cones that are supplied but it is a minor gripe.

All in all if you are after an enjoyable board game you really can't go wrong with this game. It is well priced at below £15 from most retailers and is worth every penny.
  
Pokémon the Movie: I Choose You! (2017)
Pokémon the Movie: I Choose You! (2017)
2017 |
6
6.0 (1 Ratings)
Movie Rating
20th Birthday Tribute
For the uninitiated, let’s start with some key facts: Pokémon has been entertaining kids and the young at heart for 20 years. A phenomenon like no other in the 90s, Nintendo’s award-winning franchise has been a worldwide smash, and despite a dip in the late 00s, it shows no signs of slowing down.

With 19 movies under its belt, dozens of video games including the ridiculously popular Pokémon Go, and countless TV series, Pokémon is an occurrence that doesn’t come around too often. Now, to celebrate the brand’s 20th anniversary, Nintendo has released this; Pokémon the Movie: I Choose You! But does being the 20th film in the franchise mean it’s not worth a watch?

Acting as a soft reboot of sorts, Pokémon: I Choose You! follows franchise hero, Ash Ketchum from Pallet Town, as he starts out on his journey to catch as many Pocket Monsters as he can. For fans of the brand, what follows next needs no introduction; he meets Pikachu and the rest as they say, is history.

Or is it? Well, in this case, not so much. The basic story that delighted kids in the 90s has been slightly reset as we are taken through the pairs journey, meeting people and Pokémon that weren’t in the original 1st television series. This has both positive and negative results on the finished product.

The plot is as simple as you would expect from a children’s film and it’s clear that Nintendo are out to make as much money from this as possible. Pre-film adverts were all Pokémon related and the cost of a ticket for this particular showing was double the normal price.

Why? Well, this is the first Pokémon film to be released in the UK in 15 years. That’s not a milestone to be sniffed at, and it’s clear the producers, animators and orchestras have gone all out for this instalment.

The film itself is beautiful to look at. Pokémon has always been criticised for its rather lacklustre animation compared to other Anime features like Spirited Away, but I Choose You is right up there with the very best. It’s colourful and drips with detail. From gorgeous sunsets to damp caves, the animation comes alive.

Elsewhere, the score is nicely integrated into the film with a single, haunting piano playing through much of the succinct 98-minute runtime. The familiar theme tune that kids and adults have come to know and love over the years is given a lovely instrumental upgrade and this is when the flutters of nostalgia start to kick in.

Unfortunately, the removal of Ash’s companions, Brock and Misty, from the film undoes some of the hard work for this 20th anniversary as they were such an integral role in the first films and television show. However, newcomers Sorell and Verity each provide the story with a couple of different layers.

I Choose You also tugs at the heartstrings more than previous instalments. As the title suggests, this is about Ash’s journey with Pikachu and that doesn’t just include the happy times. Younger viewers may find some of the imagery on screen a little disturbing as we’re taken through an at times, dark and menacing backstory.

Overall, Pokémon the Movie: I Choose You! is a film that absolutely represents 20 years of the beloved series. With gorgeous animation and an intriguing change to the story that kids and adults have come to know, it’s definitely the best Pokémon movie out there. Let’s be frank, each of the films has been made to sell Pokémon toys and games, but never has it been done so beautifully.

https://moviemetropolis.net/2017/11/05/pokemon-the-movie-i-choose-you-review/
  
40x40

LeftSideCut (3776 KP) rated Cult Of Chucky (2017) in Movies

Jan 7, 2020 (Updated Jan 22, 2020)  
Cult Of Chucky (2017)
Cult Of Chucky (2017)
2017 | Horror
Honestly - I genuinely enjoyed Cult of Chucky. Is it a guilty pleasure? Perhaps, but not as much as some of the other films in the franchise.

There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.

The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.

If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.
  
Halloween II (1981)
Halloween II (1981)
1981 | Horror
6
7.4 (23 Ratings)
Movie Rating
There's a fair amount to love about Halloween II, a sequel set on the same night as the original, immediately following that films ending.
For instance, I can admire the style that director Rick Rosenthal was going for, attempting to make his sequel feel as much like the first film as possible, the idea being that you could watch both back to back.
There a few creepy shots here and there. One that really sticks is the shot of Michael in the darkness just before the poor nurse get killed with a syringe. Another is Michael on the CCTV when he first enters the hospital. Another is when Laurie see Michael across the parking lot underneath a red light. and then there's Michael with blood running out of the eye holes in his mask, followed by him walking out of that one room completely ablaze. It's all to do with Michael then! Once again, this movie showcases how his straightforward design is striking and rightly iconic.
It's nice to see Jamie Lee Curtis back as Laurie, and Donald Pleasance back as Loomis. All in all, it does truly feel like a sequel, but there's something missing.

The original is one of my favourite horrors ever made, and Halloween II, despite its positives, just fails to capture the same essence. This is partly to do with the script. It feels like a lot of the actors were just told to ad lib all their lines or something. The tension building scenes go on for a little too long also, ironically voiding a few scenes of said tension. It's feels like the first film in everything but execution pretty much.

It's a heavily flawed sequel, but it's still a decent watch, and is certainly one of the better sequels in this long running series. It deserves credit for the bit near the beginning where Loomis shouts "you don't know what death is!" before the synth heavy version of the theme tune kicks in, that was badass.
  
Cube Zero (2004)
Cube Zero (2004)
2004 | Horror, Sci-Fi
5
6.4 (9 Ratings)
Movie Rating
Somewhere between the competent tightness of Cube and the rancid excrement of Cube 2: Hypercube, lies the average but relatively entertaining Cube Zero. Cube.

I was honestly expecting some flaming garbage at this point, but this prequel to the series improves on Cube 2 in every way. Its characters are either more compelling or more schlocky, the design of the rooms and traps are much better and less bland, the godawful CGI has been switched out for a mostly practical effort, and it's gory again! Like the first one, the gore is fairly seldom, but it's pretty grim when it hits. The opening kill (again, like the first movie) is a doozy.

It doesn't just ape the first film however, as Cube Zero actually attempts to do something different with the narrative. Whilst a chunk of the plot follows a group of people once again stuck in the trap filled maze, trying to figure out how to leave, the other half takes place outside of the Cube, more specifically, in a place where engineers work, and monitor the test subjects progress. It holds back on telling us too much, which is a wise move, and changes up what has already become a stale formula. However, this is also a big negative as it's just a bit boring.... When the film kept cutting back to the people inside the Cube, I found myself engaged way more, before swiftly being back to watching some dude playing chess... It just drags.
The last third is a bit more interesting, and kind of links back to the first film (I think? The last scene was really confusing) and overall, doesn't over complicate things to the point of extreme boredom like the second film.

Overall, Cube Zero is a perfectly watchable bit of fluff. Its never going to set anyone's world on fire but it's serviceable in what it does, and is entertaining enough to warrant one last dip into this series before an inevitable remake surfaces at somepoint.
  
Pickup on South Street (1953)
Pickup on South Street (1953)
1953 | Classics, Drama, Mystery
(0 Ratings)
Movie Favorite

"I remember being baffled by the first Sam Fuller film I saw when I was in my late teens or early twenties, a revival at the old St. Mark’s theater on Second Avenue in New York. The audience was guffawing and cheering and I thought it was really stupid: some kind of condescending intellectual slumming, about a movie that looked to me like plain harmless, and pretty much sincere, if inept, cheap melodramatic exposé. It was Shock Corridor. The movie was bad, but the audience was worse. I can’t remember which film turned me around. The Naked Kiss? That’s a great one, as is Shock Corridor. Eventually I also learned how highly Fuller is rated by the most intellectual film analysts. I think what makes Fuller so popular with them is Fuller’s unpretentiousness, not because it’s naive, but because it makes him a purer example of filmmaking talent: since there’s no subtlety, no subtext, no self-consciousness, it means that to enjoy it you’ve got to enjoy it for the pure, abstract methods of film as film. Famously, his roots are in two realms, tabloid journalism and World War II (where he saw a lot of action with the infantry). In a scene at a party in Godard’s Pierrot le fou, when he’s asked what cinema is, he says, “Film is like a battleground: love, hate, action, violence, death. In one word: emotion.” And that’s the way his films feel: like they’re emotion, the way music is. They’re not about ideas except on the most basic level, like a tabloid. They’re “hard-boiled,” and there’s tabloid/sensationalist fury and irony. His fight scenes are thrilling and like no one else’s; you can recognize them in a second. His style altogether is distinctive. Everything is in your face. Lots of close-ups, lots of tracking in for close-ups, long takes with plenty of camera movement. It is like pulp journalism, like a fluid Weegee. Emotion. As corny and cartoony as she is, Thelma Ritter’s last scene in this is really moving. She actually got an Academy Award nomination for supporting actress for the role. The close-up smooching of Richard Widmark and Jean Peters can leave you breathless too, even though the sessions usually end with him mocking or slapping her. In 1974, when I was first singing my song “Love Comes in Spurts” at CBGB, I sometimes used to introduce it with the line that comes when Widmark’s kissed an eager Peters and she’s told him she really likes him and he sneers, “Everybody likes everybody when they’re kissing.”

Source
  
40x40

Bookapotamus (289 KP) rated Painless in Books

Jul 2, 2018  
Painless
Painless
Marty Thornley | 2018 | Fiction & Poetry, Horror, Thriller
8
9.0 (2 Ratings)
Book Rating
Very unique thriller-horror - Super Gory! (0 more)
Too short! (0 more)
Very Cool Book!
Excuse me for a second, while I go barf. OMG this book. Holy heck the gruesome descriptions of blood and gore and guts was SO RAD. I found myself cringing and fidgeting and yes, even feeling a bit nauseous in some spots - but totally in a GOOD WAY! Painless was exactly what I wanted in a super-unique, creepy, shocking horror-thriller.

Greg Owens is in pain. A LOT of pain. He fell off a ladder on a construction job, injuring his back, and his entire life has gone to shit. He lost his wife, his kid, he can't work, he's addicted to pills. He's desperate, and can't find anything that will help him get relief, so he can return to construction, or any job he doesn't need "Pills to pay the Bills" in order to to work. His addiction is keeping him from his little girl and he's resorted to getting pills illegally from dealers, just to make it though the day.

Dr. Dante Menta is running an exclusive clinical trial. He's been working on a pain relief technique for years, and promises a complete cure of all physical pain. Sign me up, right? We meet all the patients involved in the trial who have arrived before Greg. There are even animal patients. Some of them are seeking relief from back pain, or car accident injuries, others from auto-immune things like Lupus - and even chronic migraine headaches.

The patients are taken in one by one to get the procedure and at first, it's exactly as promised and the results are impressive! But soon, shit starts hitting the fan. Patients are starting to act really strange, obsessive, destructive. Things start to go horribly, horribly wrong. And it's incredible awesome to watch!

I thought this story was really different and the premise was immediately intriguing - it was a quick read, but written really well, and explores a dark side of both how people deal with pain management and also Dr. Mentas obsession with his life's work to find a cure. I would love to see this translated to a horror movie, and I'd be first in line to buy a ticket!