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Emma @ The Movies (1786 KP) rated Colette (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Colette has left me bemused. The performances are amazing, the costumes and sets are beautiful, the story is interesting and well told, and yet at 1 hour 51 minutes in length if felt too long. I wasn't bored at any point, I was just really surprised that I was still sitting there watching.
There was an amazing cast. Up until this point I've never particularly enjoyed Keira Knightley roles, after The Nutcracker And The Four Realms I was very close to giving up hope. As Colette she shone. It's absolutely the best piece of acting I've seen from her. Dominic West playing Willy her fame seeking husband was a great bit of casting too. The pair had such chemistry in everything from love to rage. It was also lovely to see Fiona Shaw pop up as Sido, a small role but by no means forgettable.
It's certainly an interesting story of gender norms in history and the literary world of Paris. But beyond the acting, costumes and sets it's not... Exciting? Moving? It's a very good film but just lacks that little something extra to push it to the top. It's difficult to say much more about the film really, I hardly took any notes during the screening. In fact, the only note I made that wasn't related to things I've already mentioned was this: "Four films this year, 50% lesbians."
What you should do
It's a well made film and certainly enjoyable to watch. If you fancy watching a period drama then it's well worth a trip to the cinema for.
Movie thing you wish you could take home
A beautiful second home in the country would be lovely.
There was an amazing cast. Up until this point I've never particularly enjoyed Keira Knightley roles, after The Nutcracker And The Four Realms I was very close to giving up hope. As Colette she shone. It's absolutely the best piece of acting I've seen from her. Dominic West playing Willy her fame seeking husband was a great bit of casting too. The pair had such chemistry in everything from love to rage. It was also lovely to see Fiona Shaw pop up as Sido, a small role but by no means forgettable.
It's certainly an interesting story of gender norms in history and the literary world of Paris. But beyond the acting, costumes and sets it's not... Exciting? Moving? It's a very good film but just lacks that little something extra to push it to the top. It's difficult to say much more about the film really, I hardly took any notes during the screening. In fact, the only note I made that wasn't related to things I've already mentioned was this: "Four films this year, 50% lesbians."
What you should do
It's a well made film and certainly enjoyable to watch. If you fancy watching a period drama then it's well worth a trip to the cinema for.
Movie thing you wish you could take home
A beautiful second home in the country would be lovely.
Learning to Fly
Book
Discover the truth behind the headlines in Victoria Beckham's fascinating memoir, Learning to Fly....
Invisible Influence: The Hidden Forces That Shape Behaviour
10.0
Rate It
Book
If you're like most people, you think that your choices and behaviors are driven by your individual,...
The League of Regrettable Superheroes: Half-Baked Heroes from Comic Book History
8.0
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Book
A fun, funny, and affectionate look at the strangest superheroes to ever appear in comics, some so...
Lee (2222 KP) rated Rent-A-Pal (2020) in Movies
Nov 2, 2020
If by any chance you’re feeling nostalgic for the days of VHS videotapes, then Rent-A-Pal is here to satisfy that craving. Set in Denver during 1990, VHS video features rather heavily throughout Rent-A-Pal, from the retro font used in the opening titles to the closeups of videotapes being inserted into a VCR, the internal mechanism engaging with the tape as it prepares to play.
The person responsible for firing up the VCR is David (Brian Landis Folkins), who is settling down to view the latest set of video profiles he’s received from dating agency Video Rendezvous, of which he is a member. David lives in the basement flat of his mum’s house, who has dementia. His father died ten years ago, meaning David is now the sole carer for his mother. And David is lonely, painfully lonely. When he calls Video Rendezvous for an update on any profile matches, he’s told that he has still not received any interest from potential partners who have viewed his profile. He is however urged to come into their office and record a new video profile, as his current one is now 6 months old.
When David sits down in front of the camera to record his new profile, he comes across well, showing just how much of a nice guy he is – a caregiver who simply wants the chance to care for a soulmate, sharing life within a loving relationship. You really do feel for him, certain that the genuine sincerity in his video will finally land him the date he so desperately needs and deserves. That is until the cameraman informs him that he has completely overrun the thirty-second limit allocated to male video profiles and that he is going to have to do it again. The shortened version David then delivers under pressure is rushed, with David now coming across as awkward and creepy, and your heart drops, knowing that he’s likely to remain single for a while longer yet. But then, as he’s having his credit card swiped by the dating agency yet again, David notices an interesting VHS sitting in the nearby bargain bin, titled Rent A Pal, and decides to buy it.
Back in his basement, David puts the Rent-A-Pal video into his VCR and presses play. He’s greeted by Andy (Will Wheaton), a cheery-looking man in a colourful knitted tank top. Andy talks of becoming best friends with David, asking him questions and leaving a pause to allow David to answer. Those pauses aren’t always long enough though, resulting in David being cut off mid-sentence, and the responses from Andy don’t always match the answers that David has given him either. But, desperate for a friend, David persists with this strange form of interaction.
We see that after repeat viewings of the tape David has managed to perfect his responses so that the conversation flows between him and Andy as if it were a real-life conversation. There are parts of the video where Andy plays cards with the viewer, takes a selfie with his back to the camera so that the viewer can be in it, and he and David are able to have the kind of deep and meaningful conversations that only two very good friends would have. It’s a rather lengthy and elaborate videotape, with certain sections earning a revisit should David ever feel the need to have a specific conversation about a certain aspect of his life. Eventually, we as the audience begin to wonder how much of this ‘relationship’ is real or imagined, with some of the questions or replies from Andy beginning to sound eerily close to being very specific and personal to David.
In his real life, David finally gets a lucky break with the dating agency, landing a date with Lisa (Amy Rutledge). Lisa also works in the care sector, and she comes across as a very nice person too. Once again you find yourself willing David to do well and thankfully, they do hit it off. But from the moment David brings Lisa down to his basement and you see that somebody is likely to sit on the VCR remote, you just know things are due to take a dark turn.
Watching David as he interacts with Andy for hours on end, day after day is surprisingly riveting. I was completely engrossed in him and his life as I waited and hoped he might catch a break. For much of the movie, I was just mesmerised by the wonderful performances from the entire cast, thoroughly enjoying the believable, likeable characters they portrayed. But, Rent-A-Pal is billed as a horror movie, so when things do eventually take a turn right at the end, we get a fast-paced, gory ending which felt somewhat disappointing, proving to be the weakest aspect of a movie which really did impress me overall.
The person responsible for firing up the VCR is David (Brian Landis Folkins), who is settling down to view the latest set of video profiles he’s received from dating agency Video Rendezvous, of which he is a member. David lives in the basement flat of his mum’s house, who has dementia. His father died ten years ago, meaning David is now the sole carer for his mother. And David is lonely, painfully lonely. When he calls Video Rendezvous for an update on any profile matches, he’s told that he has still not received any interest from potential partners who have viewed his profile. He is however urged to come into their office and record a new video profile, as his current one is now 6 months old.
When David sits down in front of the camera to record his new profile, he comes across well, showing just how much of a nice guy he is – a caregiver who simply wants the chance to care for a soulmate, sharing life within a loving relationship. You really do feel for him, certain that the genuine sincerity in his video will finally land him the date he so desperately needs and deserves. That is until the cameraman informs him that he has completely overrun the thirty-second limit allocated to male video profiles and that he is going to have to do it again. The shortened version David then delivers under pressure is rushed, with David now coming across as awkward and creepy, and your heart drops, knowing that he’s likely to remain single for a while longer yet. But then, as he’s having his credit card swiped by the dating agency yet again, David notices an interesting VHS sitting in the nearby bargain bin, titled Rent A Pal, and decides to buy it.
Back in his basement, David puts the Rent-A-Pal video into his VCR and presses play. He’s greeted by Andy (Will Wheaton), a cheery-looking man in a colourful knitted tank top. Andy talks of becoming best friends with David, asking him questions and leaving a pause to allow David to answer. Those pauses aren’t always long enough though, resulting in David being cut off mid-sentence, and the responses from Andy don’t always match the answers that David has given him either. But, desperate for a friend, David persists with this strange form of interaction.
We see that after repeat viewings of the tape David has managed to perfect his responses so that the conversation flows between him and Andy as if it were a real-life conversation. There are parts of the video where Andy plays cards with the viewer, takes a selfie with his back to the camera so that the viewer can be in it, and he and David are able to have the kind of deep and meaningful conversations that only two very good friends would have. It’s a rather lengthy and elaborate videotape, with certain sections earning a revisit should David ever feel the need to have a specific conversation about a certain aspect of his life. Eventually, we as the audience begin to wonder how much of this ‘relationship’ is real or imagined, with some of the questions or replies from Andy beginning to sound eerily close to being very specific and personal to David.
In his real life, David finally gets a lucky break with the dating agency, landing a date with Lisa (Amy Rutledge). Lisa also works in the care sector, and she comes across as a very nice person too. Once again you find yourself willing David to do well and thankfully, they do hit it off. But from the moment David brings Lisa down to his basement and you see that somebody is likely to sit on the VCR remote, you just know things are due to take a dark turn.
Watching David as he interacts with Andy for hours on end, day after day is surprisingly riveting. I was completely engrossed in him and his life as I waited and hoped he might catch a break. For much of the movie, I was just mesmerised by the wonderful performances from the entire cast, thoroughly enjoying the believable, likeable characters they portrayed. But, Rent-A-Pal is billed as a horror movie, so when things do eventually take a turn right at the end, we get a fast-paced, gory ending which felt somewhat disappointing, proving to be the weakest aspect of a movie which really did impress me overall.
Chris Sawin (602 KP) rated Transformers (2007) in Movies
Jun 19, 2019 (Updated Jun 22, 2019)
Transformers being made into a live action film sounds like every fan's dream come true on paper, but throw Michael Bay into the equation and you lose a good portion of that audience. Bay is a director who tends to rely solely on action sequences. He's known for creating superb and intense scenes in his films, but they always rely on heavy explosions or pure destruction. That's not to say that's a bad thing, but it's hard to name a memorable scene in a Michael Bay film that doesn't include those elements. Everything else in his films (the story, the dialogue, the initial scenes that bridge the gap between each action sequence, etc) all seem to be lacking that extra spark his action sequences have. So those doubts carried over to Transformers and Bay's version seems to be more enjoyable for people who aren't rabid fans of the franchise.
The film revolves around the Autobots fighting off the Decepticons from gaining possession of the Allspark, which has the power to save them from extinction or grant them ultimate power. Optimus Prime, the leader of the Autobots, is trying to save Cybertron (their home planet) while Megatron, the leader of the Decepticons, wants to conquer the universe and will do whatever it takes to accomplish that goal. In 1935, Megatron had found the Allspark on Earth in the Arctic Ocean, but was eventually frozen in his quest to capture it. Megatron used the last of his energy to embed the location of the Allspark in the glasses of a captain who accidentally found Megatron buried deep beneath the ice. That captain was the great, great grandfather of Sam Witwicky who is now in possession of said glasses. In the present day, Sam's father buys Sam his first car; a yellow Camaro which turns out to be Autobot, Bumblebee. As the Transformers arrive on Earth, their first objectives are to find Sam Witwicky, acquire possession of the glasses, and hopefully attain an advantage over their enemy.
The movie relies solely on giant robots fighting each other to be the selling point of the film, so if you're expecting much else story-wise then you'll probably walk away from the film disappointed. The special effects are top notch as the Transformers themselves look incredibly realistic. Scenes in other films that rely heavily on characters that are purely computer generated have a sense of being unrealistic since it's usually noticeable that the actors on screen are reacting to something that isn't really there. CGI characters don't usually look this good though. Most of the time, when the actors interact with the computer generated characters, those actors also become computer generated. Like when Doctor Octopus carries Mary Jane up a skyscraper after kidnapping her from the coffee shop in Spider-Man 2 is a great example. They're both noticeably computer generated. While in Transformers, the actors either weren't CGI or the effect was achieved to a greater degree because it looked phenomenal and believable the entire time. As believable as transforming robots can be anyway. The fight scenes between the Autobots and the Decepticons are where the movie hooks its audience though. There is so much going on that the movie requires multiple viewings just to see everything that's going on.
While Transformers is an incredibly fun ride, it does have its down side. The humor of the film is often on the cheesy side and not really funny at all ("I NEED A CREDIT CARD," the entire Glen Whitmann character, Jazz's dialogue, "This is easily 100 times cooler than Armageddon," etc). A trait that seems to carry over into Revenge of the Fallen as the same sense of humor is in the trailer footage. Another issue is the action scenes. While they are intriguing, they're also incredibly confusing most of the time. The camera is almost always too close during those sequences and telling the difference between an Autobot and a Decepticon while they're rolling around in the air is near impossible. The camera looks like it's pulled out a bit in Revenge of the Fallen, so hopefully that problem has been addressed and taken care of. Looks like we'll find out June 24th.
Despite hardcore Transformers fans being displeased (to say the least) with the film, it can't be denied that the 2007 film was one of the biggest blockbuster films at the box office that year. Transformers is exciting and action packed from beginning to end. It is basically a two and a half hour adrenaline rush. So, bottom line, see Transformers if you're looking for an action packed adventure that'll make your heart race and put you on the edge of your seat.
The film revolves around the Autobots fighting off the Decepticons from gaining possession of the Allspark, which has the power to save them from extinction or grant them ultimate power. Optimus Prime, the leader of the Autobots, is trying to save Cybertron (their home planet) while Megatron, the leader of the Decepticons, wants to conquer the universe and will do whatever it takes to accomplish that goal. In 1935, Megatron had found the Allspark on Earth in the Arctic Ocean, but was eventually frozen in his quest to capture it. Megatron used the last of his energy to embed the location of the Allspark in the glasses of a captain who accidentally found Megatron buried deep beneath the ice. That captain was the great, great grandfather of Sam Witwicky who is now in possession of said glasses. In the present day, Sam's father buys Sam his first car; a yellow Camaro which turns out to be Autobot, Bumblebee. As the Transformers arrive on Earth, their first objectives are to find Sam Witwicky, acquire possession of the glasses, and hopefully attain an advantage over their enemy.
The movie relies solely on giant robots fighting each other to be the selling point of the film, so if you're expecting much else story-wise then you'll probably walk away from the film disappointed. The special effects are top notch as the Transformers themselves look incredibly realistic. Scenes in other films that rely heavily on characters that are purely computer generated have a sense of being unrealistic since it's usually noticeable that the actors on screen are reacting to something that isn't really there. CGI characters don't usually look this good though. Most of the time, when the actors interact with the computer generated characters, those actors also become computer generated. Like when Doctor Octopus carries Mary Jane up a skyscraper after kidnapping her from the coffee shop in Spider-Man 2 is a great example. They're both noticeably computer generated. While in Transformers, the actors either weren't CGI or the effect was achieved to a greater degree because it looked phenomenal and believable the entire time. As believable as transforming robots can be anyway. The fight scenes between the Autobots and the Decepticons are where the movie hooks its audience though. There is so much going on that the movie requires multiple viewings just to see everything that's going on.
While Transformers is an incredibly fun ride, it does have its down side. The humor of the film is often on the cheesy side and not really funny at all ("I NEED A CREDIT CARD," the entire Glen Whitmann character, Jazz's dialogue, "This is easily 100 times cooler than Armageddon," etc). A trait that seems to carry over into Revenge of the Fallen as the same sense of humor is in the trailer footage. Another issue is the action scenes. While they are intriguing, they're also incredibly confusing most of the time. The camera is almost always too close during those sequences and telling the difference between an Autobot and a Decepticon while they're rolling around in the air is near impossible. The camera looks like it's pulled out a bit in Revenge of the Fallen, so hopefully that problem has been addressed and taken care of. Looks like we'll find out June 24th.
Despite hardcore Transformers fans being displeased (to say the least) with the film, it can't be denied that the 2007 film was one of the biggest blockbuster films at the box office that year. Transformers is exciting and action packed from beginning to end. It is basically a two and a half hour adrenaline rush. So, bottom line, see Transformers if you're looking for an action packed adventure that'll make your heart race and put you on the edge of your seat.
Sarah (7800 KP) rated The Meg (2018) in Movies
May 10, 2019
Isn’t even entertainingly bad
You know to have low expectations when watching a Jason Statham film, especially one about giant sharks. I had hoped for something similar to Sharknado, a proper cheesy laughingly bad B movie, but sadly The Meg can’t even live up to these very low standards.
For starters, I don’t think this film has any idea what it’s meant to be. Is it serious, is it silly? It ends up being a bizarre mixture of the two which just doesn’t work as both aspects just seem out of place. Whilst I absolutely love the Thai version of Mickey that plays over the end credits, again it kind of seems a bit confused. The script is awful, and the acting for the most part is horrendous. I wanted it to be entertainingly bad, but sadly it was just cringeworthy to the point I was almost embarrassed for them. The only person who comes out of this relatively unscathed is Cliff Curtis as Mac, who is at least pretty funny although sadly underused. Also, what on earth was going on with Jason Statham’s accent? Was it English or American?! And then there’s the plot. It’s very predictable, the first hour is ridiculously dull and then changes into completely farce and unbelievability at the end, with stupid characters doing silly things that just don’t make any sense. Even the CGI was average and nothing exceptional.
I really wanted to like this, at least in a “it’s so bad it’s good” way, but sadly this is just plain old bad.
For starters, I don’t think this film has any idea what it’s meant to be. Is it serious, is it silly? It ends up being a bizarre mixture of the two which just doesn’t work as both aspects just seem out of place. Whilst I absolutely love the Thai version of Mickey that plays over the end credits, again it kind of seems a bit confused. The script is awful, and the acting for the most part is horrendous. I wanted it to be entertainingly bad, but sadly it was just cringeworthy to the point I was almost embarrassed for them. The only person who comes out of this relatively unscathed is Cliff Curtis as Mac, who is at least pretty funny although sadly underused. Also, what on earth was going on with Jason Statham’s accent? Was it English or American?! And then there’s the plot. It’s very predictable, the first hour is ridiculously dull and then changes into completely farce and unbelievability at the end, with stupid characters doing silly things that just don’t make any sense. Even the CGI was average and nothing exceptional.
I really wanted to like this, at least in a “it’s so bad it’s good” way, but sadly this is just plain old bad.
LeftSideCut (3776 KP) rated Avengers: Infinity War (2018) in Movies
May 24, 2019 (Updated May 24, 2019)
Comic book perfection
It's a moment all comic movie fans have been waiting for - all these beloved characters in one film - and Infinity War delivers on so many levels.
With such a huge roster of well established characters, being played by so many A-List actors, it's an absolute marvel (excuse the pun) how the Russo Brothers manage to pull it off with such aplomb, with every hero being on screen for the right amount of time - it's quite incredible.
On top of all of the reliable heroes throughout, IW also properly introduces us to Thanos, who has been teased several times in the past, and he is a incredibly well realised big villain - you see where he's coming from, he's relatable, and still utterly terrifying and ruthless in how he relentlessly chases what he wants, no matter how much he loses in the process.
The CGI and motion capture used to create him is pretty flawless, and Josh Brolins booming voice completes the package.
The battle scenes are slick and tight and flow smoothly with the rest of the film - the humour is on point throughout - the scenes shared between members of the Avengers and Guardians of the Galaxy are so so great - it's hard to think of anything I didn't love about IW.
And just to top it all off, IW delivers an absolute gut punch of an ending, delivering the single biggest disaster to happen so far in the MCU.
As far as comic book movies go, I can't think how this will ever be beaten. A true epic.
With such a huge roster of well established characters, being played by so many A-List actors, it's an absolute marvel (excuse the pun) how the Russo Brothers manage to pull it off with such aplomb, with every hero being on screen for the right amount of time - it's quite incredible.
On top of all of the reliable heroes throughout, IW also properly introduces us to Thanos, who has been teased several times in the past, and he is a incredibly well realised big villain - you see where he's coming from, he's relatable, and still utterly terrifying and ruthless in how he relentlessly chases what he wants, no matter how much he loses in the process.
The CGI and motion capture used to create him is pretty flawless, and Josh Brolins booming voice completes the package.
The battle scenes are slick and tight and flow smoothly with the rest of the film - the humour is on point throughout - the scenes shared between members of the Avengers and Guardians of the Galaxy are so so great - it's hard to think of anything I didn't love about IW.
And just to top it all off, IW delivers an absolute gut punch of an ending, delivering the single biggest disaster to happen so far in the MCU.
As far as comic book movies go, I can't think how this will ever be beaten. A true epic.
The nerdy birdie (67 KP) rated Loot Time Podcast in Podcasts
Oct 17, 2018 (Updated Oct 17, 2018)
Listened to episode 27
I listened to episode 27 all about curses, which I thought was a perfect theme for October and Halloween! For some reason when it comes to anything scary I am all ears, any time of the year ! I try to attend any haunted attraction that I can. The two guys Steven and Kevin discuss two highly popular movies Evil Dead and Gremlins. First and foremost, they mention Stephen King which is my main man when it comes to authors! I can’t wait until the second part of the movie “It”is released. Thriller and horror books are my jam! Secondly, they bring up Beetlejuice which is another fave. Beetlejuice, Gremlins and evil dead are all similar types of the genre comedy meets horror. I have heard of loot crate before because of all of my booktuber friends that subscribe to the box. I love watching the unboxings and would really appreciate the opportunity to receive one and review it! I plan on being a booktuber in 2019. I would put the different themed Items in the box with my beetlejuice and gremlins funko pops because that was the episode that helped me win!! I even have gizmo on my keychain ! I also like how the guys bring in a brother , Rob, to interview as well. Makes me wonder what future guests they will have. A third opinion brings a whole new element to the podcast. Great job! Ps-loved Idle Hands too!
Bong Mines Entertainment (15 KP) rated Progression by Ray J in Music
Jun 21, 2019
Ray J is a is a singer-songwriter, rapper, and actor based in Los Angeles, California. Not too long ago, he released a music video for his “Rewind” single.
“Baby, cancel all your plans tonight. I got the chauffeur waiting right outside. Don’t worry babe you’ll be here soon. So go on take a shot get in the mood. I grab on your waist. You’re making it shake. I swear that you never get tired. Your body is hot, we’re keeping it lit, we’re setting the roof on fire. She moves her hips like Shakira, she got that swag like Rihanna, she holding it down like Beyoncé. She tryna be my baby mama so back it up for me one time. Make it clap for me two times. Roll it back baby three times. Don’t stop baby rewind.” – lyrics
‘Rewind’ features label mates, and UK pioneering artist Ironik, British producer act Designer Doubt, and Ray J’s artist and best friend Truth. The likable tune follows Ray J’s “Right On Time” single featuring Flo Rida, Brandy, and Designer Doubt.
It will be featured on Ray J’s upcoming album, entitled, “Raydemption”. The project already features the likes of Chris Brown, The Game, and Snoop Dogg with more records in the works.
Also, it’s coming in visual album format, not dissimilar to Beyoncé’s “Lemonade”. Basically, a 45-minute mini-movie that’s already exciting Grammy’s buzz.
However, preceding its release is Jay J’s London exclusive EP, entitled, “Progression”, which includes his “Rewind” single.
“Baby, cancel all your plans tonight. I got the chauffeur waiting right outside. Don’t worry babe you’ll be here soon. So go on take a shot get in the mood. I grab on your waist. You’re making it shake. I swear that you never get tired. Your body is hot, we’re keeping it lit, we’re setting the roof on fire. She moves her hips like Shakira, she got that swag like Rihanna, she holding it down like Beyoncé. She tryna be my baby mama so back it up for me one time. Make it clap for me two times. Roll it back baby three times. Don’t stop baby rewind.” – lyrics
‘Rewind’ features label mates, and UK pioneering artist Ironik, British producer act Designer Doubt, and Ray J’s artist and best friend Truth. The likable tune follows Ray J’s “Right On Time” single featuring Flo Rida, Brandy, and Designer Doubt.
It will be featured on Ray J’s upcoming album, entitled, “Raydemption”. The project already features the likes of Chris Brown, The Game, and Snoop Dogg with more records in the works.
Also, it’s coming in visual album format, not dissimilar to Beyoncé’s “Lemonade”. Basically, a 45-minute mini-movie that’s already exciting Grammy’s buzz.
However, preceding its release is Jay J’s London exclusive EP, entitled, “Progression”, which includes his “Rewind” single.