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Illeana Douglas recommended Wild Strawberries (1957) in Movies (curated)
Jesters_folly (230 KP) rated Killer Klowns from Outer Space (1988) in Movies
Sep 10, 2019
Contains spoilers, click to show
A shooting star passes over a small American town, when a couple of teens go to investigate they find a big top circus tent that is not from this planet. When the occupants of the tent, a group of extra-terrestrial clowns (or Klowns if you will) start running amok and killing people it’s up to a group of young adults to stop them.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
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Darren (1599 KP) rated Starship Troopers (1997) in Movies
Jul 7, 2019 (Updated Nov 25, 2019)
Verdict: Instant Classic
Story: Starship Troopers starts in a world where humans are not at war with a bug planet across the galaxy, students and young people are expected to join the federal service to become citizens. Johnny Rico (Can Dien), Dizzy (Meyer), Carl (Harris) and Carmen (Richards) all have their sights set on enlisting, Johnny and Dizzy are mobile infantry, while Carmen has bigger sights of being a pilot and Carl has his sights set on military intelligence, with his mind reading ability.
While Rico is going through his training and constant battles with the flashy Ace (Busey) battling for squad leader, Carmen is flourishing in the flight academy, but this is just training, now they must go into combat against the giant deadly bugs.
Thoughts on Starship Troopers
Characters – Johnny Rico comes from a wealthy family that want to send him to Harvard, but he has other plans, he wants to become a citizen, which means he must join the military, here he excels in training until a mistakes sees him disgraced. He loses his family and will remaining fighting under a new squad leader, proving himself as one of the best soldiers in the infantry. Dizzy has spent her school life crushing over Rico, she follows him to mobile infantry, proving herself as one of the best soldiers. Carmen is the girlfriend of Johnny’s through school, she has set her sights on becoming a pilot in the Starfleet, something her grades could make easy for her, she proves an asset to the fleet rising up the ranks with ease. Ace is the rival of Rico’s in training, they both want squad leader and with the rivalry they become brothers in arms.
Performances – Casper Van Dien in the leading role makes himself remember forever with his character, this will define his career without question. Dina Meyer shines too, while this cast is fantastic and understands just what movie they are in. Denise Richard has been criticised before, but here she works in the modern future world and Jake Busey add more comedy as times to his role.
Story – The story here takes us to the future where humans are waged in a war with bugs from across the galaxy, we see how the soldiers and pilots are dealing with the increasing threat they are going to be facing. This story does present itself in a satirical look at the military behaviour and how it can become a propaganda machine forcing young people into joining under false promises, it also shows how humans will always look to conquer another area no matter how outnumbered or out of place they are in their invasion behaviour. Plenty of this story over accentuates the idea of what is going on, which will add moments of comedy.
Action/Sci-Fi – The action in the film is war style military attacks with laser bullets flying literally everywhere and the bugs ripping bodies apart. The sci-fi side of the film shows us just how far the human race has come with transportation across the galaxy, despite not giving them the brains when it comes to war.
Settings – The world created is fantastic with Earth looking futuristic without being all that different, while the bug planet feels like a battleground.
Special Effects – The effects in the film are also flawless, with a mix of practical and CGI which barely look like they have dated even after being over 20 years old.
Scene of the Movie – The first battle shows the scale of the war.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is one of the best sci-fi films you will see, it is wildly over the top and doesn’t miss a beat with style that knows just what the film is meant to be.
Overall: Fun, Brilliant and Entertaining.
Story: Starship Troopers starts in a world where humans are not at war with a bug planet across the galaxy, students and young people are expected to join the federal service to become citizens. Johnny Rico (Can Dien), Dizzy (Meyer), Carl (Harris) and Carmen (Richards) all have their sights set on enlisting, Johnny and Dizzy are mobile infantry, while Carmen has bigger sights of being a pilot and Carl has his sights set on military intelligence, with his mind reading ability.
While Rico is going through his training and constant battles with the flashy Ace (Busey) battling for squad leader, Carmen is flourishing in the flight academy, but this is just training, now they must go into combat against the giant deadly bugs.
Thoughts on Starship Troopers
Characters – Johnny Rico comes from a wealthy family that want to send him to Harvard, but he has other plans, he wants to become a citizen, which means he must join the military, here he excels in training until a mistakes sees him disgraced. He loses his family and will remaining fighting under a new squad leader, proving himself as one of the best soldiers in the infantry. Dizzy has spent her school life crushing over Rico, she follows him to mobile infantry, proving herself as one of the best soldiers. Carmen is the girlfriend of Johnny’s through school, she has set her sights on becoming a pilot in the Starfleet, something her grades could make easy for her, she proves an asset to the fleet rising up the ranks with ease. Ace is the rival of Rico’s in training, they both want squad leader and with the rivalry they become brothers in arms.
Performances – Casper Van Dien in the leading role makes himself remember forever with his character, this will define his career without question. Dina Meyer shines too, while this cast is fantastic and understands just what movie they are in. Denise Richard has been criticised before, but here she works in the modern future world and Jake Busey add more comedy as times to his role.
Story – The story here takes us to the future where humans are waged in a war with bugs from across the galaxy, we see how the soldiers and pilots are dealing with the increasing threat they are going to be facing. This story does present itself in a satirical look at the military behaviour and how it can become a propaganda machine forcing young people into joining under false promises, it also shows how humans will always look to conquer another area no matter how outnumbered or out of place they are in their invasion behaviour. Plenty of this story over accentuates the idea of what is going on, which will add moments of comedy.
Action/Sci-Fi – The action in the film is war style military attacks with laser bullets flying literally everywhere and the bugs ripping bodies apart. The sci-fi side of the film shows us just how far the human race has come with transportation across the galaxy, despite not giving them the brains when it comes to war.
Settings – The world created is fantastic with Earth looking futuristic without being all that different, while the bug planet feels like a battleground.
Special Effects – The effects in the film are also flawless, with a mix of practical and CGI which barely look like they have dated even after being over 20 years old.
Scene of the Movie – The first battle shows the scale of the war.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is one of the best sci-fi films you will see, it is wildly over the top and doesn’t miss a beat with style that knows just what the film is meant to be.
Overall: Fun, Brilliant and Entertaining.
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Bob Mann (459 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Sep 28, 2021
Good popcorn nonsense.
“Remember who we are. The Shaw family. We never, never, never give up.”
(That title is especially for my friends the Shaw family!).
Well, the patchy British summer’s just about up, and autumn’s chilly fingers are touching up the UK. And yet I still hadn’t seen the summer hit “Hobbs and Shaw”! Until last night.
It’s utter nonsense of course, like most of the “Fast and Furious” films, but I have to admit it’s done with some tongue in cheek style.
The plot
A vicious cyber-soldier, Brixton (Idris Elba) tries to steal a deadly virus but is thwarted by brave MI6 agent Hattie (Vanessa Kirby). To help recover the virus, Deckard Shaw (Jason Statham) is recruited in London by CIA agent Loeb (Rob Delaney, the “non-super” hero Peter in “Deadpool 2“). In an interesting piece of related casting, the Eteon Director (Champ Nightengale – LoL, a cameo for someone far more famous) recruits Luke Hobbs (Dwayne Johnson) in LA as a part of the team.
Both agents know they are heading for trouble… but do they really appreciate how much the pair hate each other’s guts?
The trail leads from London to the Ukraine to (a very picturesque) Samoa in a race against time to both defeat the undefeatable Brixton and save Hattie: now a ticking time bomb of global destruction. And Hattie has relations!
Absurd stunts.
As a “Fast and Furious” film there are of course some truly absurd car stunts involved and – unlike the Mission Impossible films – you are never quite sure what is “real” and what is CGI generated. Which is a shame.
For me, the gold standard for chases remains Tom Cruise‘s chase through Paris in “Mission Impossible: Fallout“. Here, the car chase through London – whilst impressive – never quite reaches the seat clenching tension of MI6.
And a final stunt with a helicopter is – I’m sorry – just plain ridiculous. If a chopper can partially lift 5 x load then why can’t it completely lift 1 x load. Give me a break!
To round things off, there is one of the most unbelievable “100% survival of a car crashing off a cliff” scenes in movie history!
Acting
The acting is largely from the Arnie Swartzenegger school, with Johnson and Statham giving it the old shtick. Dwayne Johnson may be one of Hollywood’s most bankable stars (the boy has done REAL good for himself), but he can’t do serious acting. His “pathos” scenes with his daughter (a vibrant Eliana Sua) are excruciating.
Dropping in as class acts are Helen Mirren as the elder Shaw and the excellent Vanessa Kirby as Hattie. Kirby gets a lot more to get her teeth into than in the last Mission Impossible movie, and is really very good. Mirren is rather too posh to be the incarcerated East End con, but is a fun turn nevertheless.
Also excellent, as always, is Eddie Marsan as the key scientist. Marsan really turns in a splendid performance in every film he’s in. He’s top of “Division 2” in my books. Never the star, but always starring.
Mexican actress Eiza González (from “Baby Driver“) also crops up as an unfeasibly good-looking Russian femme fatale.
“I hate you”. “No, I hate you”. Blah, blah, blah.
Writers Chris Morgan and Drew Pearce do a good job at keeping the script light and fluffy. The animosity between Hobbs and Shaw is played to 110%, and for me the interplay frankly became a bit tiresome. But it’s a fun-enough film to entertain, although it’s bladder-testing running time of 2 hours 17 minutes is at least 30 minutes too long. There is a natural Ukraine-based finale, but it’s not taken, and the film goes on… and on… and on…. and on. Enough already.
I’ve said many times before that comedies shouldn’t last more than 90 minutes, and although an “action film” this is fundamentally a comedy and the rule should apply. It would have been a much better film if it was compacted.
Sexism diverted.
I did criticize “Fast and Furious 8” for scenes that brazenly objectified women. And there was a moment – just one, fortunately – with a gyrating bikini-clad beauty – where I thought “uh, oh” – this franchise has not moved with the times.
But actually, this was the only scene where I thought that. Cinema has moved along massively in the last two years, driven by the “Times Up” movement. Here the women are all given pretty leading “kick-ass” roles, and they generally show the muscle-bound morons up, often saving their arses.
Final Thoughts.
It’s summer popcorn nonsense, but its well done popcorn nonsense. Probably not a film high on my list of films I want to see again, but as an entertainment vehicle it was not too shabby.
(That title is especially for my friends the Shaw family!).
Well, the patchy British summer’s just about up, and autumn’s chilly fingers are touching up the UK. And yet I still hadn’t seen the summer hit “Hobbs and Shaw”! Until last night.
It’s utter nonsense of course, like most of the “Fast and Furious” films, but I have to admit it’s done with some tongue in cheek style.
The plot
A vicious cyber-soldier, Brixton (Idris Elba) tries to steal a deadly virus but is thwarted by brave MI6 agent Hattie (Vanessa Kirby). To help recover the virus, Deckard Shaw (Jason Statham) is recruited in London by CIA agent Loeb (Rob Delaney, the “non-super” hero Peter in “Deadpool 2“). In an interesting piece of related casting, the Eteon Director (Champ Nightengale – LoL, a cameo for someone far more famous) recruits Luke Hobbs (Dwayne Johnson) in LA as a part of the team.
Both agents know they are heading for trouble… but do they really appreciate how much the pair hate each other’s guts?
The trail leads from London to the Ukraine to (a very picturesque) Samoa in a race against time to both defeat the undefeatable Brixton and save Hattie: now a ticking time bomb of global destruction. And Hattie has relations!
Absurd stunts.
As a “Fast and Furious” film there are of course some truly absurd car stunts involved and – unlike the Mission Impossible films – you are never quite sure what is “real” and what is CGI generated. Which is a shame.
For me, the gold standard for chases remains Tom Cruise‘s chase through Paris in “Mission Impossible: Fallout“. Here, the car chase through London – whilst impressive – never quite reaches the seat clenching tension of MI6.
And a final stunt with a helicopter is – I’m sorry – just plain ridiculous. If a chopper can partially lift 5 x load then why can’t it completely lift 1 x load. Give me a break!
To round things off, there is one of the most unbelievable “100% survival of a car crashing off a cliff” scenes in movie history!
Acting
The acting is largely from the Arnie Swartzenegger school, with Johnson and Statham giving it the old shtick. Dwayne Johnson may be one of Hollywood’s most bankable stars (the boy has done REAL good for himself), but he can’t do serious acting. His “pathos” scenes with his daughter (a vibrant Eliana Sua) are excruciating.
Dropping in as class acts are Helen Mirren as the elder Shaw and the excellent Vanessa Kirby as Hattie. Kirby gets a lot more to get her teeth into than in the last Mission Impossible movie, and is really very good. Mirren is rather too posh to be the incarcerated East End con, but is a fun turn nevertheless.
Also excellent, as always, is Eddie Marsan as the key scientist. Marsan really turns in a splendid performance in every film he’s in. He’s top of “Division 2” in my books. Never the star, but always starring.
Mexican actress Eiza González (from “Baby Driver“) also crops up as an unfeasibly good-looking Russian femme fatale.
“I hate you”. “No, I hate you”. Blah, blah, blah.
Writers Chris Morgan and Drew Pearce do a good job at keeping the script light and fluffy. The animosity between Hobbs and Shaw is played to 110%, and for me the interplay frankly became a bit tiresome. But it’s a fun-enough film to entertain, although it’s bladder-testing running time of 2 hours 17 minutes is at least 30 minutes too long. There is a natural Ukraine-based finale, but it’s not taken, and the film goes on… and on… and on…. and on. Enough already.
I’ve said many times before that comedies shouldn’t last more than 90 minutes, and although an “action film” this is fundamentally a comedy and the rule should apply. It would have been a much better film if it was compacted.
Sexism diverted.
I did criticize “Fast and Furious 8” for scenes that brazenly objectified women. And there was a moment – just one, fortunately – with a gyrating bikini-clad beauty – where I thought “uh, oh” – this franchise has not moved with the times.
But actually, this was the only scene where I thought that. Cinema has moved along massively in the last two years, driven by the “Times Up” movement. Here the women are all given pretty leading “kick-ass” roles, and they generally show the muscle-bound morons up, often saving their arses.
Final Thoughts.
It’s summer popcorn nonsense, but its well done popcorn nonsense. Probably not a film high on my list of films I want to see again, but as an entertainment vehicle it was not too shabby.
Gareth von Kallenbach (980 KP) rated Loveless (2017) in Movies
Jul 8, 2019
Speaking as someone who grew up in the United States, prides themselves on having a vast and diverse movie library, and only leaves the confines of the greater Seattle-area on very rare occasions .. I’m the first to admit that there are times when I don’t fully appreciate the films produced in other countries. It’s amazing how different they can be based on even differences in other cultures. Take films made in Russia for example. Perhaps it’s the cold and bleakness of the country but Russian filmmakers are amongst the best when it comes to tragedies. I imagine it’s a ‘carry over’ in part from the great literary masterpieces to come out of that country. Not to give it all away right from the beginning but if you’re like me, you need to prepare yourself for a good tragedy and that’s exactly what the film is that is up for your consideration.
‘Loveless’ is a 2017 Russian tragedy from noted director Andrey Zvyaginstev and co-written by Zvyaginstev and Oleg Negin. As with Zvyaginstev’s 2014 tragedy ‘Leviathan’, ‘Loveless’ has quickly risen to critical acclaim and already won several accolades including the Jury Prize at 2017 Cannes Film Festival and was nominated for Best Foreign Language Film at the 90th Academy Awards.
‘Loveless’ stars Maryana Spivak, Aleksey Rozin, and Matvey Novikov. It’s the end of the day for 12 year-old Alexey (Novikov). He says farewell to the few friends he has at school and takes the long way home through the woods following a river on the outskirts of Moscow. It’s a cold, dreary afternoon yet it’s preferable to what awaits him at home. His parents Zhenya (Spivak) and Boris (Rozin) are separated and engaged in bitter divorce proceedings but to both, the marriage was over long ago. The only difference is now are that they are living separately and they’re also trying to shrug parental responsibilities off on one another. They seem to have no issue vocalizing their mutual belief that having Alexey was a mistake. Their only real concerns seem to be getting their son out of their lives so they can move on with their new spouses and each begin a whole new family obliterating any connection they ever had or made. All this in a country that that is engaged in a war against its own people and against the Ukraine. The destruction of a family with parents at war with one another leaving the child as the innocent victim.
Zhenya returns to her apartment after spending time with her new lover to find Alexey gone and messages from his school stating he had not been there in two days. She calls Boris in an attempt to locate Alexey and after another argument over the phone finally decides to call in the police. After starting to show the smallest amount of concern for Alexey and disgust over the low priority that the police are assigning their son’s case, Zhenya and Boris call in a special volunteer unit specializing in searching for missing persons. While the parents actively participate in searching for their son, they continue to fight and engage in hostilities towards one another showing such selfishness and a blatant disregard for their son’s well being that you begin to wonder how far they can take it.
Although the film isn’t my ‘normal cup of tea’, i’m going to give it 4 out of 5 stars Zvyaginstev has crafted another tragic masterpiece putting ‘Loveless’ almost on par with ‘Leviathan’. The film highlights the lack of empathy displayed by families in modern society. Although the film has a ‘predictability’ given Zvyaginstev’s past work it is beautifully shot and well written. Watching the downward spiral of the family in this film is almost like reading a piece sheet music. It’s ominous. It’s not just name calling and insults … it’s as though it’s being disassembled piece by piece which although dark and bleak is still quite intriguing. I’d personally recommend you catch it in an independent movie theater or a small art house theater. It’s a 2 hour movie so I’d recommend catching it at a small theater.
‘Loveless’ is a 2017 Russian tragedy from noted director Andrey Zvyaginstev and co-written by Zvyaginstev and Oleg Negin. As with Zvyaginstev’s 2014 tragedy ‘Leviathan’, ‘Loveless’ has quickly risen to critical acclaim and already won several accolades including the Jury Prize at 2017 Cannes Film Festival and was nominated for Best Foreign Language Film at the 90th Academy Awards.
‘Loveless’ stars Maryana Spivak, Aleksey Rozin, and Matvey Novikov. It’s the end of the day for 12 year-old Alexey (Novikov). He says farewell to the few friends he has at school and takes the long way home through the woods following a river on the outskirts of Moscow. It’s a cold, dreary afternoon yet it’s preferable to what awaits him at home. His parents Zhenya (Spivak) and Boris (Rozin) are separated and engaged in bitter divorce proceedings but to both, the marriage was over long ago. The only difference is now are that they are living separately and they’re also trying to shrug parental responsibilities off on one another. They seem to have no issue vocalizing their mutual belief that having Alexey was a mistake. Their only real concerns seem to be getting their son out of their lives so they can move on with their new spouses and each begin a whole new family obliterating any connection they ever had or made. All this in a country that that is engaged in a war against its own people and against the Ukraine. The destruction of a family with parents at war with one another leaving the child as the innocent victim.
Zhenya returns to her apartment after spending time with her new lover to find Alexey gone and messages from his school stating he had not been there in two days. She calls Boris in an attempt to locate Alexey and after another argument over the phone finally decides to call in the police. After starting to show the smallest amount of concern for Alexey and disgust over the low priority that the police are assigning their son’s case, Zhenya and Boris call in a special volunteer unit specializing in searching for missing persons. While the parents actively participate in searching for their son, they continue to fight and engage in hostilities towards one another showing such selfishness and a blatant disregard for their son’s well being that you begin to wonder how far they can take it.
Although the film isn’t my ‘normal cup of tea’, i’m going to give it 4 out of 5 stars Zvyaginstev has crafted another tragic masterpiece putting ‘Loveless’ almost on par with ‘Leviathan’. The film highlights the lack of empathy displayed by families in modern society. Although the film has a ‘predictability’ given Zvyaginstev’s past work it is beautifully shot and well written. Watching the downward spiral of the family in this film is almost like reading a piece sheet music. It’s ominous. It’s not just name calling and insults … it’s as though it’s being disassembled piece by piece which although dark and bleak is still quite intriguing. I’d personally recommend you catch it in an independent movie theater or a small art house theater. It’s a 2 hour movie so I’d recommend catching it at a small theater.
Gareth von Kallenbach (980 KP) rated The End Of The Tour (2015) in Movies
Aug 6, 2019
The End of the Tour tells the story of the five-day interview between Rolling Stone reporter and novelist David Lipsky (Jesse Eisenberg) and acclaimed novelist David Foster Wallace (Jason Segel), which took place right after the 1996 publication of Wallace’s groundbreaking epic novel, Infinite Jest. The film is based on Lipsky’s critically acclaimed memoir about this unforgettable encounter, written following Wallace’s 2008 suicide.
So there is the summary. And it tells you what this movie is about. However what that summary does not tell you is the depth of emotion to which both Jason Segel and Jesse Eisenberg deliver in their performances.
Jesse Eisenberg gives a performance that we come to expect from the Oscar nominated actor. Not only can you feel, but you can also and understand his curiosity and jealousy towards Segel’s success. A less successful writer, he wants the notoriety that Segel has. So much so, that he is constantly trying to find the holes in Segel’s persona under the guise of an interview and yet is forced to ponder the things that Segel is saying to him.
Jason Segel’s portrayal of David Foster Wallace is not understated by the word phenomenal. I was skeptical that Segel would not be able to deliver a dramatic performance of this caliber, but I am glad to say I was wrong. He steals every scene he is in and his performance is so deep and thoughtful that Jason Segel himself disappears and we are instead left with a performance of what I will always believe David Foster Wallace was like in real life. This performance is one of the best I have seen this year and I believe he will receive an Oscar nomination for this role. I was fascinated with Segel’s performance that I actually downloaded David Foster Wallace’s book Infinite Jest on my drive home.
Performances aside, this movie is not for everyone. If you are looking for an inactive cinematic experience then this film is not for you. This film makes you think. It is like being a part of a deep conversation with friends trying to make sense of the world. It brings perspective to the society we live in and the loneliness we find ourselves trying to avoid while clinging to meaningless things that bring us simple pleasure. A simple way of living where we go from A to B to C to find meaning, only to obtain those things and then not knowing what we do next. But for those who are looking to escape the mundane summer blockbusters and want to see stellar performances, be sure to check this one out.
So there is the summary. And it tells you what this movie is about. However what that summary does not tell you is the depth of emotion to which both Jason Segel and Jesse Eisenberg deliver in their performances.
Jesse Eisenberg gives a performance that we come to expect from the Oscar nominated actor. Not only can you feel, but you can also and understand his curiosity and jealousy towards Segel’s success. A less successful writer, he wants the notoriety that Segel has. So much so, that he is constantly trying to find the holes in Segel’s persona under the guise of an interview and yet is forced to ponder the things that Segel is saying to him.
Jason Segel’s portrayal of David Foster Wallace is not understated by the word phenomenal. I was skeptical that Segel would not be able to deliver a dramatic performance of this caliber, but I am glad to say I was wrong. He steals every scene he is in and his performance is so deep and thoughtful that Jason Segel himself disappears and we are instead left with a performance of what I will always believe David Foster Wallace was like in real life. This performance is one of the best I have seen this year and I believe he will receive an Oscar nomination for this role. I was fascinated with Segel’s performance that I actually downloaded David Foster Wallace’s book Infinite Jest on my drive home.
Performances aside, this movie is not for everyone. If you are looking for an inactive cinematic experience then this film is not for you. This film makes you think. It is like being a part of a deep conversation with friends trying to make sense of the world. It brings perspective to the society we live in and the loneliness we find ourselves trying to avoid while clinging to meaningless things that bring us simple pleasure. A simple way of living where we go from A to B to C to find meaning, only to obtain those things and then not knowing what we do next. But for those who are looking to escape the mundane summer blockbusters and want to see stellar performances, be sure to check this one out.
Jesters_folly (230 KP) rated The Fast and the Furious: Tokyo Drift (2006) in Movies
Jun 6, 2021
I've been told that 'The Fast and the Furious: Tokyo Drift' is the worst of the franchise and, so far, I'd have to agree. For what it is it's not terrible but it's not great either.
In my review for the the first 'The Fast and the Furious' I mentioned that parts of it felt like one of those movies set in a high school, well, 'Tokyo Drift' takes that and runs (Rides?) with it. The opening scenes are exactly that, a high school movie, we have the jocks being, well, jocks, as portraited in most 80's & 90's movies, bulling and making life miserable for those that aren't there own. But don't worry the film soon shifts from an American high school to a Japanese one and, lets face it we knew it would have to happen, the clues in the title after all. To be fair, from this point on most of the action is on the roads and not the school but as a lot of the plot revolves around Sean and Neela, a girl he met in his new school the high school film feel remains.
One good thing that 'Tokyo Drift' manages is to continue the idea of 'Family' that is present in the previous films with Sean finding his new family in Tokyo and his relationship with his, first his mother and then his farther and also with Neela having to choose which side side (or which family) she belongs to as well as the surprise cameo at the end (it's an old film but I didn't know about it so I'm probably not the only one).
One thing missing from 'Tokyo Drift' was the crime aspect (except, of course the street racing), the first movie had touched on it with the truck robbery's and the second was almost all about finding and moving the drug money. The Yakuza are mentioned and there are underground clubs but the yakuza are there more as another symbol of family and the clubs just are, there is no one investigating them and they are more just an excuse to have lots of scantily clad women wondering around.
If you just want a film that you can turn your brain off to then 'The Fast and the Furious: Tokyo Drift' is ok, it has action in the form of car chases, plenty of 'eye candy' and a bit of a story. Just don't expect anything to taxing.
In my review for the the first 'The Fast and the Furious' I mentioned that parts of it felt like one of those movies set in a high school, well, 'Tokyo Drift' takes that and runs (Rides?) with it. The opening scenes are exactly that, a high school movie, we have the jocks being, well, jocks, as portraited in most 80's & 90's movies, bulling and making life miserable for those that aren't there own. But don't worry the film soon shifts from an American high school to a Japanese one and, lets face it we knew it would have to happen, the clues in the title after all. To be fair, from this point on most of the action is on the roads and not the school but as a lot of the plot revolves around Sean and Neela, a girl he met in his new school the high school film feel remains.
One good thing that 'Tokyo Drift' manages is to continue the idea of 'Family' that is present in the previous films with Sean finding his new family in Tokyo and his relationship with his, first his mother and then his farther and also with Neela having to choose which side side (or which family) she belongs to as well as the surprise cameo at the end (it's an old film but I didn't know about it so I'm probably not the only one).
One thing missing from 'Tokyo Drift' was the crime aspect (except, of course the street racing), the first movie had touched on it with the truck robbery's and the second was almost all about finding and moving the drug money. The Yakuza are mentioned and there are underground clubs but the yakuza are there more as another symbol of family and the clubs just are, there is no one investigating them and they are more just an excuse to have lots of scantily clad women wondering around.
If you just want a film that you can turn your brain off to then 'The Fast and the Furious: Tokyo Drift' is ok, it has action in the form of car chases, plenty of 'eye candy' and a bit of a story. Just don't expect anything to taxing.
Darren (1599 KP) rated Scooby Doo: Return to Zombie Island (2019) in Movies
Sep 16, 2019
Characters – Scooby-Doo and Shaggy have both become tired of solving mysteries, they want the team to stop and get their way, they win the holiday for the gang which sees them going to an old location needing to decide whether to let the group solve the mystery on the island. Fred has sold the Mystery Machine, he is having daytime dreams of it returning to him, where he judges most other vehicles for not being on the same level as his beloved. Daphne is here, though we don’t see anything we haven’t seen before from her, while Velma has a blog showing us just how the character has evolved for the time, which does show the frustration here character has when she can’t solve the mysteries anymore. Most of the new characters are left to feel just here with only Alan the hotel manager and Seaver being properly introduced.
Story – The story here follows the mystery inc gang who get invited back to an old location to solve the mystery from their past, only to find themselves needing to fight cat people once again. The story tries to be self-aware of many of the previous films, which has worked before, but for some reason doesn’t quite click this time. The fact we have seen the evolution of Velma and not the rest of the characters disappoints, which also seems to play along the idea of being a film within a film, that just again puts too much wink, wink, nudge, nudge to the audience. If you are a Scooby Doo fan, this story is everything you need, even if it does have a couple of flaws along the way.
Adventure/Comedy – The adventure does see the gang return to one of their most famous locations, which is different to much of what we have seen before, while the comedy does land in a couple of places very well.
Settings – The film does take the gang back to Moonscar island to face a new host of enemies in one of the most famous locations.
Animation – This does have the typical animation you are used to seeing for the Scooby Doo movies, it never lets down and works for the slapstick side of things.
Scene of the Movie – The big jump.
That Moment That Annoyed Me – Daphne is almost just painted background character.
Final Thoughts – This isn’t the best Scooby Doo animated movie, it disappoints in a lot of places with how it handles certain decisions in the story and too many wink wink nudge nudge moments.
Overall: Basic Scooby Doo.
Story – The story here follows the mystery inc gang who get invited back to an old location to solve the mystery from their past, only to find themselves needing to fight cat people once again. The story tries to be self-aware of many of the previous films, which has worked before, but for some reason doesn’t quite click this time. The fact we have seen the evolution of Velma and not the rest of the characters disappoints, which also seems to play along the idea of being a film within a film, that just again puts too much wink, wink, nudge, nudge to the audience. If you are a Scooby Doo fan, this story is everything you need, even if it does have a couple of flaws along the way.
Adventure/Comedy – The adventure does see the gang return to one of their most famous locations, which is different to much of what we have seen before, while the comedy does land in a couple of places very well.
Settings – The film does take the gang back to Moonscar island to face a new host of enemies in one of the most famous locations.
Animation – This does have the typical animation you are used to seeing for the Scooby Doo movies, it never lets down and works for the slapstick side of things.
Scene of the Movie – The big jump.
That Moment That Annoyed Me – Daphne is almost just painted background character.
Final Thoughts – This isn’t the best Scooby Doo animated movie, it disappoints in a lot of places with how it handles certain decisions in the story and too many wink wink nudge nudge moments.
Overall: Basic Scooby Doo.