Search
Search results
Ryan Hill (152 KP) rated Captain America: Civil War (2016) in Movies
May 11, 2019
Chris Evans as Steve Rogers/ Captain America
RDJ as Tony Stark/Iron man
Sebastian Stan as Bucky Barnes
Tom Holland as Peter Parker/Spider-man
Chadwick Boseman as Black panther/Tchalla (1 more)
The Airport fight scene
The climatic three-way battle
Zemo is a fantastic villian brilliantly played by Daniel Bruhl
Feels like a Captain America movie
Giant-Man is awesome,so is Paul Rudd
Mission Report, December 16, 1991
"Captain America: Civil War" is not only the best "Captain America" movie yet, but it may just be at the very top of the Marvel Cinematic Universe, due to it's emotionally satisfying themes. That may seem like extremely high praise, so I will explain why I believe that to be true, as well as why I think this is the most mature Marvel film to this point. Loosely following the events of both "Captain America: The Winter Solider" and "Avengers: Age of Ultron," while still harking back to previous films from this universe, this 13th installment in the ever growing Marvel Cinematic Universe, follows the team on different paths as they are once again pulled together.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Walt Disney: The Biography
8.0
Rate It
Book
His classic films illuminated everyone's childhood. The theme parks are on every tourist itinerary....
Mulholland Drive
Book
Beloved by film and art aficionados and fans of neo-noir cinema, Mulholland Drive is one of the most...
Phil Leader (619 KP) rated Chuck Steak in Books
Nov 11, 2019
Remember those action movies from the 80s and 90s? The ones where the chisel-jawed hero catches the bad guy via a convoluted and improbable plot, over the top action scenes and mass collateral damage? Chuck Steak doesn't just remember them. He IS them.
Maverick stop-at-nothing-even-if-it-causes-millions-of-dollars-of-damage-and-gets-me-suspended-again cop Chuck Steak (not the meat) has a new adversary. A bomb has been planted in his girlfriend and Chuck is being blackmailed into doing things he doesn't want to do, like be nice to his in-laws-to-be, become tolerant and accepting of minorities and work with a partner. He blunders through each increasingly ridiculous task, always managing it in unlikely ways, in the nick of time and causing maximum destruction in the process. But the mastermind behind the plan is always one step ahead. Has the apparently invincible Chuck Steak finally met his match?
First things first, this is in no way a serious book. As is fitting for the movie genre it is inspired by, everything is larger than life and twice as loud. There is however coherence to the plot (even though it does meander around for some gratuitous action scenes) and the twists, turns and red herrings thrown out in the final chapters as to who the villain is will certainly wrong foot many readers and in the end it does make some kind of sense.
There is also a subtext around acceptance of people who are different; Chuck and the police are portrayed very much as the intolerant knuckleheads of action movies, but his realisations that how he normally behaves could be grossly offensive provide some of the more striking moments of the book.
The prose is fast and loose, with flashbacks, changes of point of view and the occasional sub plot thrown in. The characterisation is bold, from the incredibly clichéd police captain to the more nuanced father in law. They bounce of each other in interesting ways and are each a key part of Chuck's journey. Some of the writing is a little cluttered and confused but that just adds to the feeling of this being a headlong rush to the final chapter.
80s and 90s action flicks were just 2 hours of pure escapist entertainment, never intended to be anything other than enormous fun. Chuck Steak captures the spirit of these well. An absolute riot to read.
Rated R for pretty much everything that makes things R rated
Maverick stop-at-nothing-even-if-it-causes-millions-of-dollars-of-damage-and-gets-me-suspended-again cop Chuck Steak (not the meat) has a new adversary. A bomb has been planted in his girlfriend and Chuck is being blackmailed into doing things he doesn't want to do, like be nice to his in-laws-to-be, become tolerant and accepting of minorities and work with a partner. He blunders through each increasingly ridiculous task, always managing it in unlikely ways, in the nick of time and causing maximum destruction in the process. But the mastermind behind the plan is always one step ahead. Has the apparently invincible Chuck Steak finally met his match?
First things first, this is in no way a serious book. As is fitting for the movie genre it is inspired by, everything is larger than life and twice as loud. There is however coherence to the plot (even though it does meander around for some gratuitous action scenes) and the twists, turns and red herrings thrown out in the final chapters as to who the villain is will certainly wrong foot many readers and in the end it does make some kind of sense.
There is also a subtext around acceptance of people who are different; Chuck and the police are portrayed very much as the intolerant knuckleheads of action movies, but his realisations that how he normally behaves could be grossly offensive provide some of the more striking moments of the book.
The prose is fast and loose, with flashbacks, changes of point of view and the occasional sub plot thrown in. The characterisation is bold, from the incredibly clichéd police captain to the more nuanced father in law. They bounce of each other in interesting ways and are each a key part of Chuck's journey. Some of the writing is a little cluttered and confused but that just adds to the feeling of this being a headlong rush to the final chapter.
80s and 90s action flicks were just 2 hours of pure escapist entertainment, never intended to be anything other than enormous fun. Chuck Steak captures the spirit of these well. An absolute riot to read.
Rated R for pretty much everything that makes things R rated
iYoga - Premium - iPhone
Health & Fitness and Medical
App
This app will not run on 3GS iPhones. This app is for users that are looking for the very best...
HM
Henry Mancini: Reinventing Film Music
Book
Henry Mancini, the first publicly successful and personally recognizable film composer in history,...
Meddling Kids: A Novel
8.1
Rate It
Book
With raucous humor and brilliantly orchestrated mayhem, Meddling Kids subverts teen detective...
Fiction Horror Humor Dark Fiction Mystery Paranormal
Darren (1599 KP) rated The Baylock Residence (2019) in Movies
Sep 26, 2019
Characters – Patricia Woodhouse left this house years ago, she is drawn back during the war after her sister’s death, she wants to start a new life here, because the war has taken nearly everything else from her, but the past she spent so long trying to forget has come back to haunt her, as she looks for the truth of her sister’s death. Annabel is the help around the house, she stays after Patricia requests for her to stay and help her with the transition, she does help fill in about the past, including what happened to Susanna. Susanna is the sister that has passed away, we are left to wonder what caused her death.
Performances – Kelly Goudie in the leading role isn’t the strongest leading lady, when it comes to the reaction or horror scenes, we don’t get anything bad, it’s the everyday moments which come off flatter than they should do. Sarah Wynne Kordas is the only other main cast member that does everything needed without getting the best scenes.
Story – The story here follows a woman that returns to her home after years away to deal with a family loss, only to learn that the house has a bigger secret that hasn’t been unlock just yet. This is story that plays into the idea that your past can hold answers no matter how hard you look to forget it, it does also play into the ideas that a family can have secrets which will only disturb. The pace of the story isn’t the most convincing, with large amounts of the film being stuff happening behind characters most notable Patricia, we also end up teasing an idea to what is happening, only it just gets forgotten which would have added extra dimension to an abuse victim. The war time theme doesn’t help because the same story could easily happen at any other era too.
Horror – The horror in this film comes from how Patricia is struggling with the visions that she is having, not being able to balance reality with supernatural.
Settings – The film is set within the one house, which doesn’t look time accurate from the outside, it does show how the family home can be reunited from tragedy.
Special Effects – The film does use effects sparely, when they are used they do add an element to horror in the film.
Scene of the Movie – The secret room.
That Moment That Annoyed Me – The non-horror moment conversations feel out of place.
Final Thoughts – This is a horror thriller that does have moments of strong tension, only it doesn’t keep this up for long enough to make us what to learn the truth.
Overall: Slow Burning Horror.
Performances – Kelly Goudie in the leading role isn’t the strongest leading lady, when it comes to the reaction or horror scenes, we don’t get anything bad, it’s the everyday moments which come off flatter than they should do. Sarah Wynne Kordas is the only other main cast member that does everything needed without getting the best scenes.
Story – The story here follows a woman that returns to her home after years away to deal with a family loss, only to learn that the house has a bigger secret that hasn’t been unlock just yet. This is story that plays into the idea that your past can hold answers no matter how hard you look to forget it, it does also play into the ideas that a family can have secrets which will only disturb. The pace of the story isn’t the most convincing, with large amounts of the film being stuff happening behind characters most notable Patricia, we also end up teasing an idea to what is happening, only it just gets forgotten which would have added extra dimension to an abuse victim. The war time theme doesn’t help because the same story could easily happen at any other era too.
Horror – The horror in this film comes from how Patricia is struggling with the visions that she is having, not being able to balance reality with supernatural.
Settings – The film is set within the one house, which doesn’t look time accurate from the outside, it does show how the family home can be reunited from tragedy.
Special Effects – The film does use effects sparely, when they are used they do add an element to horror in the film.
Scene of the Movie – The secret room.
That Moment That Annoyed Me – The non-horror moment conversations feel out of place.
Final Thoughts – This is a horror thriller that does have moments of strong tension, only it doesn’t keep this up for long enough to make us what to learn the truth.
Overall: Slow Burning Horror.
Gravie - Text on Video
Photo & Video and Productivity
App
Gravie is the fast and easy video making app that lets you make amazing videos at your fingertips. ...