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Bob Mann (459 KP) rated Suicide Squad (2016) in Movies
Sep 29, 2021
The length of time it’s taken me to catch this one at the cinema belies my lukewarm interest in the material: I’m not a ‘fan boy’ for either Marvel or DC properties. As it turns out, writer/director David “Fury” Ayer’s Suicide Squad is just plain frustrating in cinematic terms.
The story concerns the efforts of Amanda Waller (Viola Davis) to assemble – for reasons that make almost zero sense! – the ‘worse of the worst’ out of US prisons to form a fighting force to combat the perceived threat of an “anti-Superman” villain that *might* appear in the future.
SUICIDE SQUAD
Viola Davis wondering Why? Just Why?
Among these super-villains are Deadshot (Will Smith) and Harley Quinn (Margot Robbie). Harley is the girlfriend of The Joker (Jared Leto) and they would be a great match on Match.com since both are several sandwiches short of a picnic.
Waller assembles her motley crew. Unfortunately, another of the super-villains is June Moon aka “The Enchantress” (Cara Delevingne, her of the scary eyebrows) – an ancient God-like being that has possessed June and who has her/its own agenda that threatens the whole world.
So why is this movie so frustrating? Because for all its inane silliness the film does have its fair share of scenes that stick in the mind. I’ve seen comment that Jared Leto’s much-vaunted Joker is peripheral: a cameo only on screen for a few minutes. But I didn’t find that… or at least his scenes were sufficiently memorable to seem much more substantial. The madness portrayed here is truly quite disturbing and threatening. Many of Leto’s scenes – such as the one with The Joker lying on the floor surrounded by weapons – are artfully done.
Margot Robbie’s Quinn although extremely sexualized – which will not be to the liking of some, but appeal to many male viewers – adds enormous charisma to her role. Will Smith also does his best with the material he has to inject some emotional heft into the father/daughter sub-plot.
Unfortunately this is all done against a fractured and frankly nonsensical story with inconsistencies and loose ends too numerous to list. (Oh, OK, I’ll do a few):
A super-being dispatches armies and nukes from hundred of miles away, yet can’t swat a couple of inconvenient humans at 10 paces?
A large early part of the film is filled with backstories (which I don’t necessarily object to for context) but here they are done in an extremely patchy manner: a number of the characters are sketched out so lightly that they might as well be wearing the red Star Trek shirts!
Waller’s motivations (and certainly her sociopathic actions at some points in the plot) are nebulous and don’t bear scrutiny. Why exactly does she thing a ‘bloke who can shoot well’ can do diddly-squat against a super-being spewing gravity defying electrical displays on the other side of the city?
Is this really a ‘Dirty Dozen’? Many of the super-villains seem to be not so bad after all… you know… with consciences and everything…. (I’m sure you could find ten times worse down behind Southampton docks on a Friday night).
And while some of the cinematography (Roman Vasyanov, “Fury”) and lighting is memorable, there are some cinema basics (like dark subtitles on a dark background) that seem just plain careless.
With a huge BvS quotient of 0.7 this should really have been much better. To put it another way, you could have made ten of last week’s 4-Fad film “The Shallows” for the cost of this (and stuck a better ending on it with the change).
Memorable visuals, but not a memorable film.
The story concerns the efforts of Amanda Waller (Viola Davis) to assemble – for reasons that make almost zero sense! – the ‘worse of the worst’ out of US prisons to form a fighting force to combat the perceived threat of an “anti-Superman” villain that *might* appear in the future.
SUICIDE SQUAD
Viola Davis wondering Why? Just Why?
Among these super-villains are Deadshot (Will Smith) and Harley Quinn (Margot Robbie). Harley is the girlfriend of The Joker (Jared Leto) and they would be a great match on Match.com since both are several sandwiches short of a picnic.
Waller assembles her motley crew. Unfortunately, another of the super-villains is June Moon aka “The Enchantress” (Cara Delevingne, her of the scary eyebrows) – an ancient God-like being that has possessed June and who has her/its own agenda that threatens the whole world.
So why is this movie so frustrating? Because for all its inane silliness the film does have its fair share of scenes that stick in the mind. I’ve seen comment that Jared Leto’s much-vaunted Joker is peripheral: a cameo only on screen for a few minutes. But I didn’t find that… or at least his scenes were sufficiently memorable to seem much more substantial. The madness portrayed here is truly quite disturbing and threatening. Many of Leto’s scenes – such as the one with The Joker lying on the floor surrounded by weapons – are artfully done.
Margot Robbie’s Quinn although extremely sexualized – which will not be to the liking of some, but appeal to many male viewers – adds enormous charisma to her role. Will Smith also does his best with the material he has to inject some emotional heft into the father/daughter sub-plot.
Unfortunately this is all done against a fractured and frankly nonsensical story with inconsistencies and loose ends too numerous to list. (Oh, OK, I’ll do a few):
A super-being dispatches armies and nukes from hundred of miles away, yet can’t swat a couple of inconvenient humans at 10 paces?
A large early part of the film is filled with backstories (which I don’t necessarily object to for context) but here they are done in an extremely patchy manner: a number of the characters are sketched out so lightly that they might as well be wearing the red Star Trek shirts!
Waller’s motivations (and certainly her sociopathic actions at some points in the plot) are nebulous and don’t bear scrutiny. Why exactly does she thing a ‘bloke who can shoot well’ can do diddly-squat against a super-being spewing gravity defying electrical displays on the other side of the city?
Is this really a ‘Dirty Dozen’? Many of the super-villains seem to be not so bad after all… you know… with consciences and everything…. (I’m sure you could find ten times worse down behind Southampton docks on a Friday night).
And while some of the cinematography (Roman Vasyanov, “Fury”) and lighting is memorable, there are some cinema basics (like dark subtitles on a dark background) that seem just plain careless.
With a huge BvS quotient of 0.7 this should really have been much better. To put it another way, you could have made ten of last week’s 4-Fad film “The Shallows” for the cost of this (and stuck a better ending on it with the change).
Memorable visuals, but not a memorable film.
Movie Metropolis (309 KP) rated Pirates of the Caribbean: Dead Men Tell No Tales (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Here we go again
I can’t be the only one surprised that the Pirates of the Caribbean franchise has managed to withstand five films. Created on a whim by Disney in 2003, the first film propelled Johnny Depp into the lives of movie fans like never before.
However, come 2017 and Depp’s star is sinking faster than the Black Pearl. After three pretty dreadful sequels, the cast reunites for Salazar’s Revenge. But does a change in directors herald a new and exciting path for the plucky pirates?
Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow (Depp) feels the winds of ill-fortune blowing strongly when ghost sailors led by his nemesis, evil Captain Salazar (Javier Bardem), escape from the Devil’s Triangle. Jack’s only hope lies in seeking out the legendary Trident of Poseidon, but to find it, he must forge an uneasy alliance with a brilliant and beautiful astronomer (Kaya Scodelario and a headstrong young man in the British navy (Brenton Thwaites).
Newcomer directors Joachim Rønning and Espen Sandberg craft a film that is magnificent to look at and stunning to listen to, but features all of the same problems as its predecessors. The time really is up on this franchise.
Of the cast, only Javier Bardem’s snarling Salazar makes any sort of lasting impact. In fact, he’s probably the best antagonist the series has ever had and makes for a menacing presence throughout. Depp looks like he’s on autopilot, almost as bored of Jack Sparrow’s drunken antics as we are, and the normally excellent Kaya Scodelario (Skins, Maze Runner) plays a particularly bland female lead during the films running time.
Speaking of which, at 142 minutes, this is one migraine inducing slog. All four previous films have suffered from being overstuffed, and with the extra abundance of characters this time around, it’s even more painful. There simply is no need to create a film that’s nearly two and a half hours long, especially considering the plot is as paint-by-numbers as you can get.
Nevertheless, to look at, Salazar’s Revenge really is breath-taking. The action is filmed confidently and the sets are fantastically detailed using some exceptional practical effects. There are ghost sharks, glistening islands and the motion capture used on Javier Bardem and his crew is seamless. Only the CGI-heavy finale lets the film down. The music is also sublime. Geoff Zanelli’s thunderous melody features the trademark theme-tune mixed with some really lovely orchestral music.
Overall, Pirates of the Caribbean: Salazar’s Revenge kicks off a summer season filled to the brim with sequels and after the previous film’s poor reception, expectation was almost as low as it is for Transformers: the Last Knight.
What we’ve ended up with is a bit of a double-edged sword then. It’s certainly better than the previous three sequels and almost up to the standard of the 2003 original; the problem is, that film wasn’t particularly good in the first place.
https://moviemetropolis.net/2017/05/26/here-we-go-again-pirates-of-the-caribbean-salazars-revenge-review/
However, come 2017 and Depp’s star is sinking faster than the Black Pearl. After three pretty dreadful sequels, the cast reunites for Salazar’s Revenge. But does a change in directors herald a new and exciting path for the plucky pirates?
Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow (Depp) feels the winds of ill-fortune blowing strongly when ghost sailors led by his nemesis, evil Captain Salazar (Javier Bardem), escape from the Devil’s Triangle. Jack’s only hope lies in seeking out the legendary Trident of Poseidon, but to find it, he must forge an uneasy alliance with a brilliant and beautiful astronomer (Kaya Scodelario and a headstrong young man in the British navy (Brenton Thwaites).
Newcomer directors Joachim Rønning and Espen Sandberg craft a film that is magnificent to look at and stunning to listen to, but features all of the same problems as its predecessors. The time really is up on this franchise.
Of the cast, only Javier Bardem’s snarling Salazar makes any sort of lasting impact. In fact, he’s probably the best antagonist the series has ever had and makes for a menacing presence throughout. Depp looks like he’s on autopilot, almost as bored of Jack Sparrow’s drunken antics as we are, and the normally excellent Kaya Scodelario (Skins, Maze Runner) plays a particularly bland female lead during the films running time.
Speaking of which, at 142 minutes, this is one migraine inducing slog. All four previous films have suffered from being overstuffed, and with the extra abundance of characters this time around, it’s even more painful. There simply is no need to create a film that’s nearly two and a half hours long, especially considering the plot is as paint-by-numbers as you can get.
Nevertheless, to look at, Salazar’s Revenge really is breath-taking. The action is filmed confidently and the sets are fantastically detailed using some exceptional practical effects. There are ghost sharks, glistening islands and the motion capture used on Javier Bardem and his crew is seamless. Only the CGI-heavy finale lets the film down. The music is also sublime. Geoff Zanelli’s thunderous melody features the trademark theme-tune mixed with some really lovely orchestral music.
Overall, Pirates of the Caribbean: Salazar’s Revenge kicks off a summer season filled to the brim with sequels and after the previous film’s poor reception, expectation was almost as low as it is for Transformers: the Last Knight.
What we’ve ended up with is a bit of a double-edged sword then. It’s certainly better than the previous three sequels and almost up to the standard of the 2003 original; the problem is, that film wasn’t particularly good in the first place.
https://moviemetropolis.net/2017/05/26/here-we-go-again-pirates-of-the-caribbean-salazars-revenge-review/
Gareth von Kallenbach (980 KP) rated The World's End (2013) in Movies
Aug 6, 2019
This summer’s movie lineup has been crammed full of sophisticated robots, vampires and even a recently passed billionaire genius. And then you have The World’s End (“TWE”), which might simply be the best and most creative of the bunch. Having a much smaller budget than these bigger movies, and being set in England, Edgar Wright shows that it’s not all about money and tropics in this hilarious romp.
I cannot honestly think of a better way to wrap up the Cornetto Trilogy then the story told in TWE. For those that don’t know there’s a joke behind the Cornetto name, in that a report brought up that a Cornetto ice cream wrapper was featured in each of the first two movies. Shaun of the Dead and Hot Fuzz make up the first two movies, and TWE rounds out what eventually became the Cornetto Trilogy. Ice cream Easter egg aside, all the films in the trilogy share the same cast and crew. They star Simon Pegg and Nick Frost, written by Pegg and Wright, and directed by Wright. The films are chock full of inside jokes that go back as far as this incredible groups humble beginnings with the TV show Spaced. Beyond these connections, though, each films stands on its own as a unique story.
While Shaun of the Dead was the group’s take on zombie films, and Hot Fuzz visited the buddy cop genre, TWE is a comedic riff on films like Invasion of the Body Snatchers. If you have somehow made it this far without having the full plot spoiled for you, do try and keep it that way. The key things you need to know is that there are robots, creepy “YOLO” kids, and the story centers on Gary King, a man who never quite grew up.
Gary (Pegg) is a disaster of an adult male. He’s wild, rambunctious, trying to constantly relive his youth, and irresponsible to boot. This demeanor has not done any good for him as an adult on the far side of 40, but he’s delusional and is not aware that he has not succeeded in life. This actually adds to his charm.
Gary gets a bug up his you know what, and wants to relive one of his last greatest days of his youth. A day when he and his four best friends decided to celebrate finishing school by tackling the town-famous golden mile. Newton Haven has 12 pubs spread along a mile path that Gary manages to convince his friends Steven (Paddy Considine), Oliver (Martin Freeman), Peter (Eddie Marsan) and former best friend Andrew (Frost) to attempt again just like they did all those years ago. The pub crawl concludes at the film’s namesake: The World’s End.
As the evening goes on, and the beers start going down, the five begin to discover that something is off. Between rounds and pubs, the group starts to discuss whether or not the town has changed, or they have. This leads to a fight with the creepy “YOLO” kids that is reminiscent of Chinese Kung Fu movies the likes of Jackie Chan would be found in. As the mates progress from pub to pub, more and more of the mystery of Newton Haven begins to unravel.
The film starts in a deceiving way and hides its true nature underneath a veil of middle-aged men trying to reconcile their present with their past. Gary very much represents the past as he still dresses the way he did when he was 18, still drives the same car, complete with the same cassette tape of music given to him more than 20 years ago by Steven. Gary is a loser, but thinks he is the hero of every story, which causes a love/hate relationship with the group of friends. Then it all changes! Wright and company manage to do a complete 180 and combine a very believable mid-life crisis film with a robot invasion. And it works!
Pegg absolutely nails the role of Gary, from his movements to his banter with the others in the film. There is an air of desperation hidden under his free spirit persona. But surprisingly, it is Frost that steals the movie this time around. Andrew is the most well-rounded character he has portrayed, even through his transformation from a stiff professional into the atomic elbow dropping fighter he needs to become.
As I mentioned earlier, the fight scenes are very reminiscent Chinese Kung Fu movies. The choreography is amazing and the actors have no problem keeping up with the action and bringing the air of humor that the Kung Fu films bring as well. It is impressive watching Frost, a small man by no means, nimbly dispatch several foes. Meanwhile, Pegg is constantly thwarted by enemies as he unsuccessfully attempt to enjoy a pint. For a film billed as comedy, the few fight scenes are among the best of the summer.
As good and Pegg and Frost are though, it all comes back to the man behind the camera… Wright. He has a style that is distinctive and unique. He has shown his range over the years with shows like Spaced and films like Scott Pilgrim vs. the World. And his attention to detail is bar-none. Nothing is included in a shot if it doesn’t have some sort of meaning. Wright is a master film maker in his own right.
TWE is steeped in originality and creativity, which is sorely lacking in many films that are released these days. Wright is a master of deconstructing a genre film to honor it and make fun of it at the same time. Pegg and Frost have an uncanny knack for translating Wright’s visions to the silver screen. The World’s End is another example of their shining chemistry, and also one of the best films of the summer.
I cannot honestly think of a better way to wrap up the Cornetto Trilogy then the story told in TWE. For those that don’t know there’s a joke behind the Cornetto name, in that a report brought up that a Cornetto ice cream wrapper was featured in each of the first two movies. Shaun of the Dead and Hot Fuzz make up the first two movies, and TWE rounds out what eventually became the Cornetto Trilogy. Ice cream Easter egg aside, all the films in the trilogy share the same cast and crew. They star Simon Pegg and Nick Frost, written by Pegg and Wright, and directed by Wright. The films are chock full of inside jokes that go back as far as this incredible groups humble beginnings with the TV show Spaced. Beyond these connections, though, each films stands on its own as a unique story.
While Shaun of the Dead was the group’s take on zombie films, and Hot Fuzz visited the buddy cop genre, TWE is a comedic riff on films like Invasion of the Body Snatchers. If you have somehow made it this far without having the full plot spoiled for you, do try and keep it that way. The key things you need to know is that there are robots, creepy “YOLO” kids, and the story centers on Gary King, a man who never quite grew up.
Gary (Pegg) is a disaster of an adult male. He’s wild, rambunctious, trying to constantly relive his youth, and irresponsible to boot. This demeanor has not done any good for him as an adult on the far side of 40, but he’s delusional and is not aware that he has not succeeded in life. This actually adds to his charm.
Gary gets a bug up his you know what, and wants to relive one of his last greatest days of his youth. A day when he and his four best friends decided to celebrate finishing school by tackling the town-famous golden mile. Newton Haven has 12 pubs spread along a mile path that Gary manages to convince his friends Steven (Paddy Considine), Oliver (Martin Freeman), Peter (Eddie Marsan) and former best friend Andrew (Frost) to attempt again just like they did all those years ago. The pub crawl concludes at the film’s namesake: The World’s End.
As the evening goes on, and the beers start going down, the five begin to discover that something is off. Between rounds and pubs, the group starts to discuss whether or not the town has changed, or they have. This leads to a fight with the creepy “YOLO” kids that is reminiscent of Chinese Kung Fu movies the likes of Jackie Chan would be found in. As the mates progress from pub to pub, more and more of the mystery of Newton Haven begins to unravel.
The film starts in a deceiving way and hides its true nature underneath a veil of middle-aged men trying to reconcile their present with their past. Gary very much represents the past as he still dresses the way he did when he was 18, still drives the same car, complete with the same cassette tape of music given to him more than 20 years ago by Steven. Gary is a loser, but thinks he is the hero of every story, which causes a love/hate relationship with the group of friends. Then it all changes! Wright and company manage to do a complete 180 and combine a very believable mid-life crisis film with a robot invasion. And it works!
Pegg absolutely nails the role of Gary, from his movements to his banter with the others in the film. There is an air of desperation hidden under his free spirit persona. But surprisingly, it is Frost that steals the movie this time around. Andrew is the most well-rounded character he has portrayed, even through his transformation from a stiff professional into the atomic elbow dropping fighter he needs to become.
As I mentioned earlier, the fight scenes are very reminiscent Chinese Kung Fu movies. The choreography is amazing and the actors have no problem keeping up with the action and bringing the air of humor that the Kung Fu films bring as well. It is impressive watching Frost, a small man by no means, nimbly dispatch several foes. Meanwhile, Pegg is constantly thwarted by enemies as he unsuccessfully attempt to enjoy a pint. For a film billed as comedy, the few fight scenes are among the best of the summer.
As good and Pegg and Frost are though, it all comes back to the man behind the camera… Wright. He has a style that is distinctive and unique. He has shown his range over the years with shows like Spaced and films like Scott Pilgrim vs. the World. And his attention to detail is bar-none. Nothing is included in a shot if it doesn’t have some sort of meaning. Wright is a master film maker in his own right.
TWE is steeped in originality and creativity, which is sorely lacking in many films that are released these days. Wright is a master of deconstructing a genre film to honor it and make fun of it at the same time. Pegg and Frost have an uncanny knack for translating Wright’s visions to the silver screen. The World’s End is another example of their shining chemistry, and also one of the best films of the summer.
Mothergamer (1613 KP) rated the PlayStation 4 version of Kingdom Hearts III in Video Games
Apr 3, 2019
It took so long to get here, but once Kingdom Hearts III was here I was ready to play and explore all the worlds. It felt incredible to be traveling with Sora, Goofy, and Donald again. The opening song was incredible and the introduction to the game starts off well, hooking you in immediately. There are a couple of familiar worlds such as Olympus and Twilight Town which act as tutorials for the battle controls and exploration aspects of the game.
Sora hangs out with Hercules.
The battle system for Kingdom Hearts III is great. Combat is fluid, easy to follow, and fun. You can easily swap between keyblades, use your magic abilities, and use your items. Level grinding is not a chore because the battles are so much fun and the worlds that you explore make them even more so. My personal favorite was Toy Story because Sora fit so well in that world and there some pretty fun battles there.
Having fun with battles in Toy Story.
Another fun aspect to battles that was added in the game are the attraction flow attacks. These are not just stylish and fun, they are also pretty powerful special attacks. You can take out many enemies with these attacks so there is no downside to using them at all. My personal favorite was the pirate ship because it was a blast spinning around taking out tons of Heartless.
Use attraction flow attacks to take out your enemies.
The user menu is easy to navigate and is quite user friendly. You can easily equip keyblades, items, and accessories as well as organize everything easily. The moogle shop is back too and you can synthesize and craft items that you need as well as upgrade your keyblades.
The inventory menu is nice and neat.
Another new addition to the game is the gummiphone. This is a cute little nod to social media things like Instagram. You can take photos with the gummiphone and there are even some photo quests where you need to take pictures of specific things in order to get various rewards such as items and munny. In between loading screens you get to see Instagram style posts from the gummiphone that reference the characters, story, and events. It's a nice touch to the game.
Instagram style posts from the gummiphone.
There are also mini games that you can play on your gummiphone. You have to find the code for them which are hidden in various worlds. When you do, you can play a variety of mini games that look like old school Nintendo gameboy games. They all feature Mickey and Sora with games like catching eggs or flying a plane to grab mail. They're silly fun and add that extra bit of whimsy to Kingdom Hearts III.
You can play all these mini games on your gummiphone.
If you're not in the mood for gummiphone games, there is also a cooking mini game that you can play. In order to play, you need to have ingredients for all the recipes. These are easily found in all the worlds you visit during your adventure. Once you have some ingredients you can bring them to Remy (the rat from the movie Rattatouille) and try your skills at the cooking mini game. The cooking mini game is fun, but there is definitely a learning curve to it. If you go too fast or too slow, you fail and you can lose all the ingredients you found. It takes a bit of practice, but once you get the hang of it you can make a ton of great dishes and Sora and friends can use them to up their stats.
Practice makes perfect with the cooking mini game.
The world map is pretty easy to see and you can swap between the maps fairly easily. Once you discover a location you can fast travel there which makes things easier. I do wish there had been a few more worlds, but I was pretty happy with the worlds the game had. Everything looked amazing and it was clear that they really wanted things to be done right.
The world map in Kingdom Hearts III.
There is one thing that I absolutely detested in the game however and that thing is the gummi ship. I have never liked the gummi ship in any of the Kingdom Hearts games. The controls for them in my opinion have always been terrible and I always dreaded gummi ship battles. That has not changed for me with Kingdom Hearts III. While the controls have improved quite a bit, I still found myself struggling with them. Having to fight the controls to fly the gummi ship is not a good time. I also didn't like the fact that I would be forced into gummi ship battles before I could land on worlds. I truly feel that the gummi ship should have been optional. This is the only thing I did not like about the game.
I am not a fan of the gummi ship.
I blazed through Kingdom Hearts III because the game itself was an amazing adventure and I couldn't wait to save the world with friendship. The story was great, the worlds were so much fun to explore, and there were so many heartbreaking and heartwarming emotions throughout this adventure. Kingdom Hearts III did a fantastic job of making me care about all of these characters and I was a little sad to say goodbye at the end. Having one thing I didn't like about the game and loving the rest of it speaks volumes about how fantastic I think the game is. It was definitely worth the wait. See you at the next adventure!
Sora hangs out with Hercules.
The battle system for Kingdom Hearts III is great. Combat is fluid, easy to follow, and fun. You can easily swap between keyblades, use your magic abilities, and use your items. Level grinding is not a chore because the battles are so much fun and the worlds that you explore make them even more so. My personal favorite was Toy Story because Sora fit so well in that world and there some pretty fun battles there.
Having fun with battles in Toy Story.
Another fun aspect to battles that was added in the game are the attraction flow attacks. These are not just stylish and fun, they are also pretty powerful special attacks. You can take out many enemies with these attacks so there is no downside to using them at all. My personal favorite was the pirate ship because it was a blast spinning around taking out tons of Heartless.
Use attraction flow attacks to take out your enemies.
The user menu is easy to navigate and is quite user friendly. You can easily equip keyblades, items, and accessories as well as organize everything easily. The moogle shop is back too and you can synthesize and craft items that you need as well as upgrade your keyblades.
The inventory menu is nice and neat.
Another new addition to the game is the gummiphone. This is a cute little nod to social media things like Instagram. You can take photos with the gummiphone and there are even some photo quests where you need to take pictures of specific things in order to get various rewards such as items and munny. In between loading screens you get to see Instagram style posts from the gummiphone that reference the characters, story, and events. It's a nice touch to the game.
Instagram style posts from the gummiphone.
There are also mini games that you can play on your gummiphone. You have to find the code for them which are hidden in various worlds. When you do, you can play a variety of mini games that look like old school Nintendo gameboy games. They all feature Mickey and Sora with games like catching eggs or flying a plane to grab mail. They're silly fun and add that extra bit of whimsy to Kingdom Hearts III.
You can play all these mini games on your gummiphone.
If you're not in the mood for gummiphone games, there is also a cooking mini game that you can play. In order to play, you need to have ingredients for all the recipes. These are easily found in all the worlds you visit during your adventure. Once you have some ingredients you can bring them to Remy (the rat from the movie Rattatouille) and try your skills at the cooking mini game. The cooking mini game is fun, but there is definitely a learning curve to it. If you go too fast or too slow, you fail and you can lose all the ingredients you found. It takes a bit of practice, but once you get the hang of it you can make a ton of great dishes and Sora and friends can use them to up their stats.
Practice makes perfect with the cooking mini game.
The world map is pretty easy to see and you can swap between the maps fairly easily. Once you discover a location you can fast travel there which makes things easier. I do wish there had been a few more worlds, but I was pretty happy with the worlds the game had. Everything looked amazing and it was clear that they really wanted things to be done right.
The world map in Kingdom Hearts III.
There is one thing that I absolutely detested in the game however and that thing is the gummi ship. I have never liked the gummi ship in any of the Kingdom Hearts games. The controls for them in my opinion have always been terrible and I always dreaded gummi ship battles. That has not changed for me with Kingdom Hearts III. While the controls have improved quite a bit, I still found myself struggling with them. Having to fight the controls to fly the gummi ship is not a good time. I also didn't like the fact that I would be forced into gummi ship battles before I could land on worlds. I truly feel that the gummi ship should have been optional. This is the only thing I did not like about the game.
I am not a fan of the gummi ship.
I blazed through Kingdom Hearts III because the game itself was an amazing adventure and I couldn't wait to save the world with friendship. The story was great, the worlds were so much fun to explore, and there were so many heartbreaking and heartwarming emotions throughout this adventure. Kingdom Hearts III did a fantastic job of making me care about all of these characters and I was a little sad to say goodbye at the end. Having one thing I didn't like about the game and loving the rest of it speaks volumes about how fantastic I think the game is. It was definitely worth the wait. See you at the next adventure!
Kirk Bage (1775 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Feb 25, 2021
There was some genuine surprise when I saw this had been made as an Amazon Original. I thought the character of Borat was old news, there certainly couldn’t be anyone left, in America or otherwise, that wasn’t wise to the joke by now, and aware of Sasha Baron Cohen’s desire to satirise the hell out of everything dumb folk may stand for. For it to work people have to believe 100% that he is a real person, this is what made the first film so incredible to watch – the opened mouthed awe at the pure audacity of the performer and the pure stupidity of the “victims”. But, I guess he figured a way around it, and also realised that no one but Borat could better lampoon the very worst aspects of the America the Trump era has created.
The point of difference and main gimmick here is introducing his daughter, played with wonderful awareness by Maria Bakalova, using her as a tentative hook for a story and also a sneaky way to fool those who would recognise Borat himself, but not his offspring. Just witness the most excruciating set piece of the film where ex mayor of New York and avid Trump supporting buffoon Rudy Giuliani all but incriminates himself as a rapist. A scene that matches anything the first film offered for maximum can’t-believe-what-I’m-seeing cringe value.
There are those that say they don’t like Borat or find him funny. I have never been sure that is the point, because everytime we do laugh, we immediately have to ask ourselves what we just laughed at and why we did? It is our own prejudices and preconceptions that are been highlighted – this is the “joke”, and it doesn’t require you to like the character or laugh at the more puerile moments – it is asking you to assess the judgements we all make on the values we live with in the world we have created. Liking it or finding it amusing is only necessary when looking at it as an entertainment, but its best aspects are so much more than that.
Myself, I agree, it often isn’t funny, and relies too often on crass elements such as bodily functions and teenage sexual innuendo. In many ways it is awful, but I also see that all of this is part of the cleverness. As a movie it has no peer to compare it to. Nothing else tries to do what these films attempt, so it is difficult to assess it as a work of entertainment or of… art (is it art?). Did I “enjoy” it? I mean, no not really, did I think it had artistic elements worthy of comment? I mean, no. But is it one of the most intelligent and genius commentaries on life in 2020? God damn right it is! There is so much relevance to worthy topics of social and political conversation here that you could spent 3 times the running time of the film talking about it. And more than being funny, that is the point of satire.
Both Baron Cohen and Bakalova are already doing well into award season with it, and good luck to them! They certainly deserve the triple nods they got from the Golden Globes, which is the biggest awards event to recognise comedy as a separate entity. I agree with some critics I have read that speculate this film is so of now that it won’t age well, and in fact come to make less and less sense as we move on and forget what the Trump era was like to live through. Longevity is something I know I look for when awarding high praise, so for that alone I have to knock it down a few points. In conclusion, I admire this acheivement more than I liked or enjoyed it. But I do recommend you see it as soon as possible if you haven’t already, because it is going to get wrinkly very quickly – just like Rudy G.
The point of difference and main gimmick here is introducing his daughter, played with wonderful awareness by Maria Bakalova, using her as a tentative hook for a story and also a sneaky way to fool those who would recognise Borat himself, but not his offspring. Just witness the most excruciating set piece of the film where ex mayor of New York and avid Trump supporting buffoon Rudy Giuliani all but incriminates himself as a rapist. A scene that matches anything the first film offered for maximum can’t-believe-what-I’m-seeing cringe value.
There are those that say they don’t like Borat or find him funny. I have never been sure that is the point, because everytime we do laugh, we immediately have to ask ourselves what we just laughed at and why we did? It is our own prejudices and preconceptions that are been highlighted – this is the “joke”, and it doesn’t require you to like the character or laugh at the more puerile moments – it is asking you to assess the judgements we all make on the values we live with in the world we have created. Liking it or finding it amusing is only necessary when looking at it as an entertainment, but its best aspects are so much more than that.
Myself, I agree, it often isn’t funny, and relies too often on crass elements such as bodily functions and teenage sexual innuendo. In many ways it is awful, but I also see that all of this is part of the cleverness. As a movie it has no peer to compare it to. Nothing else tries to do what these films attempt, so it is difficult to assess it as a work of entertainment or of… art (is it art?). Did I “enjoy” it? I mean, no not really, did I think it had artistic elements worthy of comment? I mean, no. But is it one of the most intelligent and genius commentaries on life in 2020? God damn right it is! There is so much relevance to worthy topics of social and political conversation here that you could spent 3 times the running time of the film talking about it. And more than being funny, that is the point of satire.
Both Baron Cohen and Bakalova are already doing well into award season with it, and good luck to them! They certainly deserve the triple nods they got from the Golden Globes, which is the biggest awards event to recognise comedy as a separate entity. I agree with some critics I have read that speculate this film is so of now that it won’t age well, and in fact come to make less and less sense as we move on and forget what the Trump era was like to live through. Longevity is something I know I look for when awarding high praise, so for that alone I have to knock it down a few points. In conclusion, I admire this acheivement more than I liked or enjoyed it. But I do recommend you see it as soon as possible if you haven’t already, because it is going to get wrinkly very quickly – just like Rudy G.
Matthew Krueger (10051 KP) rated Friday the 13th in Video Games
Feb 26, 2020
Why?????
Friday The 13th: The Video Game- is based off of the movie franchise. Most to all people know that this game is awful and hard as hell and well that is true. This game is both. So lets talk more about the game..
The plot:
"The game manual contains the following synopsis...
It's a pretty typical summer at Crystal Lake. There's a group of happy children staying in the Camp. You and your six Camp Counselor friends are watching over the kids while enjoying the lake and the wilderness. The days are bright and sunny.
The nights are cool and clear. And Jason is on a rampage. It's up to you to stop him, but it's not going to be easy. You must first fight your way through forests filled with man-eating wolves, caves covered with blood sucking bats and hordes of mindless zombies everywhere you turn. You must also help any friend who is in danger, or else you can just kiss them goodbye. And hiding in a cabin or staying adrift in a canoe won't keep you safe – Jason will find you anywhere. The only way to survive this summer is to challenge Jason face to face, and destroy him.".
Gameplay:
Players control one of six camp counselors (each with varying levels of speed, rowing and jumping ability) in a side-scrolling perspective. The counselors start with an arcing rock attack. The goal is to find and defeat Jason Voorhees three times. Along the paths, players will find cabins, a lake, caves and wooded areas with all but the cabins having enemies such as zombies, crows, and wolves attacking the player.
timed alarm appears at certain intervals, requiring players to find Jason before he kills one or more children or another counselor. Using the map, players must navigate their way to Jason's location or switch to the counselor being attacked and defeat him. If they do not make it there in time, Jason will kill the counselors or some of the children.
Upon nearing Jason's location, Jason may appear on the path or in the lake and attack the player. When inside a cabin Jason will attack the player in a way reminiscent of the video game Punch-Out!!
The objective of the game is to survive for three days and three nights while attempting to find and kill Jason. Players may battle Jason's mother who is in a hidden locked room in the cave. She is represented as a Medusa-like floating head that swoops down to attack the player. Navigating in the woods or cave can be confusing as they are set up to purposely disorient the player. They hide several locked rooms/cabins. If all counselors or children die, the game is over.
Time and time again, i play this game and overall i would rather watch the movies than play this game. The movies are 10x better than this game. Go watch the movies instead, you will have a better time.
The plot:
"The game manual contains the following synopsis...
It's a pretty typical summer at Crystal Lake. There's a group of happy children staying in the Camp. You and your six Camp Counselor friends are watching over the kids while enjoying the lake and the wilderness. The days are bright and sunny.
The nights are cool and clear. And Jason is on a rampage. It's up to you to stop him, but it's not going to be easy. You must first fight your way through forests filled with man-eating wolves, caves covered with blood sucking bats and hordes of mindless zombies everywhere you turn. You must also help any friend who is in danger, or else you can just kiss them goodbye. And hiding in a cabin or staying adrift in a canoe won't keep you safe – Jason will find you anywhere. The only way to survive this summer is to challenge Jason face to face, and destroy him.".
Gameplay:
Players control one of six camp counselors (each with varying levels of speed, rowing and jumping ability) in a side-scrolling perspective. The counselors start with an arcing rock attack. The goal is to find and defeat Jason Voorhees three times. Along the paths, players will find cabins, a lake, caves and wooded areas with all but the cabins having enemies such as zombies, crows, and wolves attacking the player.
timed alarm appears at certain intervals, requiring players to find Jason before he kills one or more children or another counselor. Using the map, players must navigate their way to Jason's location or switch to the counselor being attacked and defeat him. If they do not make it there in time, Jason will kill the counselors or some of the children.
Upon nearing Jason's location, Jason may appear on the path or in the lake and attack the player. When inside a cabin Jason will attack the player in a way reminiscent of the video game Punch-Out!!
The objective of the game is to survive for three days and three nights while attempting to find and kill Jason. Players may battle Jason's mother who is in a hidden locked room in the cave. She is represented as a Medusa-like floating head that swoops down to attack the player. Navigating in the woods or cave can be confusing as they are set up to purposely disorient the player. They hide several locked rooms/cabins. If all counselors or children die, the game is over.
Time and time again, i play this game and overall i would rather watch the movies than play this game. The movies are 10x better than this game. Go watch the movies instead, you will have a better time.
Gareth von Kallenbach (980 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 2, 2021
Racism has all too often reared its ugly head in recent years with the rise of extremist groups who felt emboldened by recent political climates. As violence leads to protests which can themselves become violent; the perpetual cycle seems unending.
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
Emma @ The Movies (1786 KP) rated The Mitchells vs The Machines (2021) in Movies
Aug 11, 2021
I was originally going to post a round up of films I'd seen a just give a quick overview of my thoughts. But as I started writing, this review got longer and longer as I realised that it was okay for me to bore you with me frothing at the mouth with excitement.
Having seen the Connected trailer, as it was previously called, I knew I wanted to see it, and I was fairly certain I was going to enjoy it. It looked funny with some great characters and a nice bit of family drama thrown in. I don't think I was really prepared for how much I was going to enjoy it though.
In a last ditch attempt to spend time with his daughter before she heads off to college, Rick cancels her travel plans in favour of a family road trip. The tensions run high in the car, but that's nothing compared with the robopocalypse that's about to erupt around them... and if the pressure of family bonding wasn't enough, just wait until you're humanities last hope.
The idea behind The Mitchells vs the Machines is really quite nice. Being constantly connected to their devices has meant the divide between tech-phobic dad and digital creative daughter is growing by the day, and all she wants to do is get away. It does make you think about the way you interact with devices, and how reliant on them we've become... but we're not quite at the robot uprising so far... just keep an eye on Alexa.
The Mitchell family voice cast worked great together. I adore Maya Rudolph, and combined with just the right amount of dad from Danny McBride, they made a well balanced parental unit. And Katie (voiced by Abbi Jacobson, who also voices Bean in Disenchantment) was the perfect balance of stubborn teen and living sister.
Of course the obvious MVP of the film is Monchi the dog, voiced by Doug the pug. I will hear no arguments on this point... admittedly, mum does make a last minute surge for the top spot, but Monchi was consistent throughout.
Sony have managed to create a very amusing apocalyptic world. The robot army is great, and the personalities they display are so amusing, but even the other machines within the film have wonderful quirky little characters. The design in the world is magnificent, and well thought out, particularly when we get to the climax of the film.
I genuinely don't have a bad word to say about this film, it was action packed with something for everyone. There's speculation about a second film I believe, but I hope that doesn't develop into anything. Mitchells vs the Machines was a great standalone film, and there's no real follow up potential as it is. Take the win, pick up another idea and run with it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-mitchells-vs-machines-movie-review.html
Having seen the Connected trailer, as it was previously called, I knew I wanted to see it, and I was fairly certain I was going to enjoy it. It looked funny with some great characters and a nice bit of family drama thrown in. I don't think I was really prepared for how much I was going to enjoy it though.
In a last ditch attempt to spend time with his daughter before she heads off to college, Rick cancels her travel plans in favour of a family road trip. The tensions run high in the car, but that's nothing compared with the robopocalypse that's about to erupt around them... and if the pressure of family bonding wasn't enough, just wait until you're humanities last hope.
The idea behind The Mitchells vs the Machines is really quite nice. Being constantly connected to their devices has meant the divide between tech-phobic dad and digital creative daughter is growing by the day, and all she wants to do is get away. It does make you think about the way you interact with devices, and how reliant on them we've become... but we're not quite at the robot uprising so far... just keep an eye on Alexa.
The Mitchell family voice cast worked great together. I adore Maya Rudolph, and combined with just the right amount of dad from Danny McBride, they made a well balanced parental unit. And Katie (voiced by Abbi Jacobson, who also voices Bean in Disenchantment) was the perfect balance of stubborn teen and living sister.
Of course the obvious MVP of the film is Monchi the dog, voiced by Doug the pug. I will hear no arguments on this point... admittedly, mum does make a last minute surge for the top spot, but Monchi was consistent throughout.
Sony have managed to create a very amusing apocalyptic world. The robot army is great, and the personalities they display are so amusing, but even the other machines within the film have wonderful quirky little characters. The design in the world is magnificent, and well thought out, particularly when we get to the climax of the film.
I genuinely don't have a bad word to say about this film, it was action packed with something for everyone. There's speculation about a second film I believe, but I hope that doesn't develop into anything. Mitchells vs the Machines was a great standalone film, and there's no real follow up potential as it is. Take the win, pick up another idea and run with it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-mitchells-vs-machines-movie-review.html
Gareth von Kallenbach (980 KP) rated Black Adam (2022) in Movies
Oct 21, 2022
Dwayne Johnson jumps into the DC Universe with “Black Adam” which sees the
star departs from his usual hero roles to play a part that has his
character walking the line between good and bad.
When he is awaked nearly 5,000 years after he helped defeat a tyrant and
free his people, the magically powered Black Adam returns to the modern
world to find his homeland under the occupation of mercenaries with a
shoot first mentality.
Naturally, this does not sit well with Black Adam and him easily and
brutally dispatches the enemies he faces and in doing so comes onto the
radar of Amanda Waller (Viola Davis) who dispatches members of the Justice
Society to bring him in.
Knowing that a 5,000-year-old with god-like powers are not going to go
easily, Waller dispatches Hackman (Aldis Hodge), Doctor Fate (Pierce
Brosnan), Atom Smasher (Noah Centineo), and Cyclone (Maxine Hunkel), to
convince him to say the word which will remove his powers and come along
to detainment.
Knowing this is a bad plan, the group pushes forward with their mission
and this results in some protracted combat with moments of attempting to
reason with Black Adam.
It is learned that the mercenaries are after an ancient crown which a
professor named Shirt (Odelya Halevi), has recovered and this has placed
her and her son in great danger from forces who will stop at nothing to
obtain in.
Fans of comics and adventure movies likely will see where this is heading
as characters must form uneasy alliances to save the day from those
looking to rule the world through chaos and evil and an extended FX-laden
finale follows.
While the film was better than it looked to be from the trailers, the movie dragged in several places and never really offered up much in the way of twists or standout content from the story.
The saving grace was cast which was solid and Johnson seems to be going
all-in on his performance and it was enjoyable to see despite the flaws
with the story and at times pacing of the film.
While it does not reach the heights of many of the MCU films, “Black Adam”
is an enjoyable adventure and a great introduction to the character. As
long as you are willing to work with the issues of the film and simply
enjoy the great cast and action, you will likely have a good time,
It was also refreshing to see a locale and supporting characters who were
not from a glittering urban city and it added a nice change and diversity
to the film.
There were reports that the film had to be edited from an R- rating and some scenes do imply darker and gorier sequences were originally planned.
Make sure to stay through the credits for a bonus scene and here is hoping
that we see Black Adam back soon.
star departs from his usual hero roles to play a part that has his
character walking the line between good and bad.
When he is awaked nearly 5,000 years after he helped defeat a tyrant and
free his people, the magically powered Black Adam returns to the modern
world to find his homeland under the occupation of mercenaries with a
shoot first mentality.
Naturally, this does not sit well with Black Adam and him easily and
brutally dispatches the enemies he faces and in doing so comes onto the
radar of Amanda Waller (Viola Davis) who dispatches members of the Justice
Society to bring him in.
Knowing that a 5,000-year-old with god-like powers are not going to go
easily, Waller dispatches Hackman (Aldis Hodge), Doctor Fate (Pierce
Brosnan), Atom Smasher (Noah Centineo), and Cyclone (Maxine Hunkel), to
convince him to say the word which will remove his powers and come along
to detainment.
Knowing this is a bad plan, the group pushes forward with their mission
and this results in some protracted combat with moments of attempting to
reason with Black Adam.
It is learned that the mercenaries are after an ancient crown which a
professor named Shirt (Odelya Halevi), has recovered and this has placed
her and her son in great danger from forces who will stop at nothing to
obtain in.
Fans of comics and adventure movies likely will see where this is heading
as characters must form uneasy alliances to save the day from those
looking to rule the world through chaos and evil and an extended FX-laden
finale follows.
While the film was better than it looked to be from the trailers, the movie dragged in several places and never really offered up much in the way of twists or standout content from the story.
The saving grace was cast which was solid and Johnson seems to be going
all-in on his performance and it was enjoyable to see despite the flaws
with the story and at times pacing of the film.
While it does not reach the heights of many of the MCU films, “Black Adam”
is an enjoyable adventure and a great introduction to the character. As
long as you are willing to work with the issues of the film and simply
enjoy the great cast and action, you will likely have a good time,
It was also refreshing to see a locale and supporting characters who were
not from a glittering urban city and it added a nice change and diversity
to the film.
There were reports that the film had to be edited from an R- rating and some scenes do imply darker and gorier sequences were originally planned.
Make sure to stay through the credits for a bonus scene and here is hoping
that we see Black Adam back soon.
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