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Darren (1599 KP) rated American Assassin (2017) in Movies
Jun 20, 2019
Story: American Assassin starts as normal American Mitch Rapp (O’Brien) sees his fiancée gunned down by terrorists and himself left for dead, 18 months later he has trained himself to eliminate the men responsible but little does he know that CIA agent Irene Kennedy (Lathan) has been watching his action.
When Kennedy arranges to save Mitch from a certain death, she recruits him for a special section of the CIA working under Stan Hurley (Keaton) who trains agents to go undercover but if caught or killed no one will come for them.
The first mission is to locate nuclear weapon components before former agent Ghost (Kitsch) can use or sell them giving somebody in the world a nuclear bomb that can wipe out millions.
Thoughts on American Assassin
Characters – Mitch Rapp is an American that loses everything at the hands of terrorists, he learns combat and language skills to go undercover in the terrorist cell for revenge, he gets recruited by the CIA where he must learn discipline but this is where he struggles because he always wants to go after the criminal. This character does feel like a young Jack Bauer because of his rule breaking attitude for the right reasons. Stan Hurley is the off the grid trainer who takes Mitch as part of his unit, he gets tired of the Mitch’s lack of discipline but knows he needs him to capture his former student. Irene Kennedy is the deputy director of the CIA, she sees the potential in Mitch forcing Hurley to take him on, but also falls into the standard CIA director figure that will risk their reputation to prove others wrong. Ghost is the former trainee of Hurley that is using all the skills gained to stay one step ahead of him while collecting the nuclear components.
Performances – Dylan O’Brien is an actor that got into the young adult films but this role showed an adult character, showing he could go onto action films without looking like the complete actions star. Michael Keaton looks like he did enjoy the mentoring role while also getting the action role he isn’t known for. Sanaa Lathan is good in her role even if the character is very generic. Taylor Kitsch does seem to be on the recovering his career tour showing everyone just how talented he is in the villainous role.
Story – The story does play out like an origin story for Mitch Rapp in the CIA, we see what motivated him to accept the offer, we see what makes him different from other potential agents. We have the standard level of threat, potential nuclear weapon and a story of needing to learn discipline to become a top agent while keeping his unique traits. This is an easy to watch but could easily be an over the top pilot for a television show.
Action/Thriller – The action starts out brutal with the terrorist attack, we also fall into the car chases, fights and shoot outs which are fun to watch, the final action sequences is just popcorn wow.
Settings – The settings take us on a tour of Europe which is fine and is giving us an iconic location moment, which is easy to locate for us.
Special Effects – The effects in the opening sequence are brutal but then it just becomes by the book stuff.
Scene of the Movie – Speed Boat fight.
That Moment That Annoyed Me – While it started with violent level, it did turn into Jack Bauer origin feeling.
Chances of Sequel: Easily could have one.
Post Credits Scene: No
Final Thoughts – This is an action film that is fun but not one of the greatest of the year.
Overall: Fun action packed blast.
https://moviesreview101.com/2017/09/17/american-assassin-2017/
When Kennedy arranges to save Mitch from a certain death, she recruits him for a special section of the CIA working under Stan Hurley (Keaton) who trains agents to go undercover but if caught or killed no one will come for them.
The first mission is to locate nuclear weapon components before former agent Ghost (Kitsch) can use or sell them giving somebody in the world a nuclear bomb that can wipe out millions.
Thoughts on American Assassin
Characters – Mitch Rapp is an American that loses everything at the hands of terrorists, he learns combat and language skills to go undercover in the terrorist cell for revenge, he gets recruited by the CIA where he must learn discipline but this is where he struggles because he always wants to go after the criminal. This character does feel like a young Jack Bauer because of his rule breaking attitude for the right reasons. Stan Hurley is the off the grid trainer who takes Mitch as part of his unit, he gets tired of the Mitch’s lack of discipline but knows he needs him to capture his former student. Irene Kennedy is the deputy director of the CIA, she sees the potential in Mitch forcing Hurley to take him on, but also falls into the standard CIA director figure that will risk their reputation to prove others wrong. Ghost is the former trainee of Hurley that is using all the skills gained to stay one step ahead of him while collecting the nuclear components.
Performances – Dylan O’Brien is an actor that got into the young adult films but this role showed an adult character, showing he could go onto action films without looking like the complete actions star. Michael Keaton looks like he did enjoy the mentoring role while also getting the action role he isn’t known for. Sanaa Lathan is good in her role even if the character is very generic. Taylor Kitsch does seem to be on the recovering his career tour showing everyone just how talented he is in the villainous role.
Story – The story does play out like an origin story for Mitch Rapp in the CIA, we see what motivated him to accept the offer, we see what makes him different from other potential agents. We have the standard level of threat, potential nuclear weapon and a story of needing to learn discipline to become a top agent while keeping his unique traits. This is an easy to watch but could easily be an over the top pilot for a television show.
Action/Thriller – The action starts out brutal with the terrorist attack, we also fall into the car chases, fights and shoot outs which are fun to watch, the final action sequences is just popcorn wow.
Settings – The settings take us on a tour of Europe which is fine and is giving us an iconic location moment, which is easy to locate for us.
Special Effects – The effects in the opening sequence are brutal but then it just becomes by the book stuff.
Scene of the Movie – Speed Boat fight.
That Moment That Annoyed Me – While it started with violent level, it did turn into Jack Bauer origin feeling.
Chances of Sequel: Easily could have one.
Post Credits Scene: No
Final Thoughts – This is an action film that is fun but not one of the greatest of the year.
Overall: Fun action packed blast.
https://moviesreview101.com/2017/09/17/american-assassin-2017/
BankofMarquis (1832 KP) rated The Lost Daughter (2021) in Movies
Feb 17, 2022
Strong Acting and Direction
The nice thing about being fanatical about catching all of the Oscar Nominated films in the “Major” categories is that it forces me to watch films that, normally, my interests would not gravitate towards - and, most of the time, I am rewarded and my mind and emotions are expanded because of this.
Such is the case with THE LOST DAUGHTER, Maggie Gyllenhaal’s film Directing debut (she is also Oscar nominated for Adapted Screenplay) that follows the emotional journey of a College Professor (the great Olivia Colman) on Holiday in Greece who is forced to confront her past decisions amidst the emotional toil that these decisions have created.
Normally, these introspective, “Art House” films are not my cup of tea and during the first half of this film, I did find myself wandering a bit. This is because Colman’s character of Leda arrives on-screen at the onset of this film heavy with emotional (almost crippling so) baggage and it is almost too much to bear…which is the point. The movie, then, peels the layers back slowly to reveal why.
It is, yet again, a tour-de-force performance by Colman - who just might win ANOTHER Oscar for this work - it is that strong without being show-offey (if that is a word). Colman becomes Leda and delves strongly into the introspection, guilt, hurt and confusion that this character has. She allows the character to breathe (sometimes in gulps of crying). It is the type of character (and performance) that film today rarely allows time for on screen.
Credit for this has to go to Directer/ScreenWriter Maggie Gyllenhaal who adapted Elana Ferrante’s novel into a quiet, retrospective film. The adaptation works well for someone who has no prior knowledge of the novel and the direction and camerawork of this film is unwavering in it’s look into a character that is flawed and at times unlikeable. It is a strong Directorial and Screenwriting debut for Gyllenhaal.
Jessie Buckley is also Oscar nominated (for Best Supporting Actress) for her role as the younger Leda - a character who’s actions strongly affect the older Leda. While this character is not as nuanced as Colman’s version of Leda, she still is strong and Buckley’s performance is just as confident, self-centered, and fierce showing the roots of the person that would become Colman’s character. This is only the 3rd time in Oscars history that 2 actresses have been nominated for Academy Awards for playing younger and older versions of the same person (Kate Winslet/Gloria Stewart playing Rose in TITANIC and Kate Winslet/Judi Dench playing Iris in IRIS).
Ed Harris shows up as the proprietor of the space that Leda is renting in Greece and is a welcome presence (as always). The surprises to me in this film were the performances of Dakota Johnson and Jack Farthing. Johnson is proving that she is more than just the “50 SHADES” girl and spars with Colman quite well, more than holding her own. Farthing, who played the cold and distant Prince Charles in SPENCER is the husband of the younger Leda and he is the polar opposite of Prince Charles - open, loving and emotional. It is fun to see 2 clearly differing performances by the same actor. Farthing is someone to keep an eye on.
As is Gyllenhaal, Colman and THE LOST DAUGHTER. It is a strong piece of film-making and not an easy watch. But, if you can click into the emotion of this flawed character - and stick with this film through the ugliness and mistakes that Leda selfishly makes, you will be rewarded with a character study, the likes of which is rare in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with THE LOST DAUGHTER, Maggie Gyllenhaal’s film Directing debut (she is also Oscar nominated for Adapted Screenplay) that follows the emotional journey of a College Professor (the great Olivia Colman) on Holiday in Greece who is forced to confront her past decisions amidst the emotional toil that these decisions have created.
Normally, these introspective, “Art House” films are not my cup of tea and during the first half of this film, I did find myself wandering a bit. This is because Colman’s character of Leda arrives on-screen at the onset of this film heavy with emotional (almost crippling so) baggage and it is almost too much to bear…which is the point. The movie, then, peels the layers back slowly to reveal why.
It is, yet again, a tour-de-force performance by Colman - who just might win ANOTHER Oscar for this work - it is that strong without being show-offey (if that is a word). Colman becomes Leda and delves strongly into the introspection, guilt, hurt and confusion that this character has. She allows the character to breathe (sometimes in gulps of crying). It is the type of character (and performance) that film today rarely allows time for on screen.
Credit for this has to go to Directer/ScreenWriter Maggie Gyllenhaal who adapted Elana Ferrante’s novel into a quiet, retrospective film. The adaptation works well for someone who has no prior knowledge of the novel and the direction and camerawork of this film is unwavering in it’s look into a character that is flawed and at times unlikeable. It is a strong Directorial and Screenwriting debut for Gyllenhaal.
Jessie Buckley is also Oscar nominated (for Best Supporting Actress) for her role as the younger Leda - a character who’s actions strongly affect the older Leda. While this character is not as nuanced as Colman’s version of Leda, she still is strong and Buckley’s performance is just as confident, self-centered, and fierce showing the roots of the person that would become Colman’s character. This is only the 3rd time in Oscars history that 2 actresses have been nominated for Academy Awards for playing younger and older versions of the same person (Kate Winslet/Gloria Stewart playing Rose in TITANIC and Kate Winslet/Judi Dench playing Iris in IRIS).
Ed Harris shows up as the proprietor of the space that Leda is renting in Greece and is a welcome presence (as always). The surprises to me in this film were the performances of Dakota Johnson and Jack Farthing. Johnson is proving that she is more than just the “50 SHADES” girl and spars with Colman quite well, more than holding her own. Farthing, who played the cold and distant Prince Charles in SPENCER is the husband of the younger Leda and he is the polar opposite of Prince Charles - open, loving and emotional. It is fun to see 2 clearly differing performances by the same actor. Farthing is someone to keep an eye on.
As is Gyllenhaal, Colman and THE LOST DAUGHTER. It is a strong piece of film-making and not an easy watch. But, if you can click into the emotion of this flawed character - and stick with this film through the ugliness and mistakes that Leda selfishly makes, you will be rewarded with a character study, the likes of which is rare in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
TheDefunctDiva (304 KP) rated Charlie and the Chocolate Factory (2005) in Movies
Sep 27, 2017
C is for Candy
Contains spoilers, click to show
And yes, I certainly mean eye candy. Johnny Depp is gorgeous despite the makeup artists’ attempts to make him seem pale and awkward. My brain isn’t working properly due to lack of sleep so I’ll just go ahead and warn you that this is more a regurgitation than a review. Read at your own risk, because I even give the entire ending of the movie away…
This is the story of Charlie Bucket, an impoverished but genuinely good-natured child. His dream is one of millions: to win a Golden Ticket, and tour Willy Wonka’s chocolate factory in the hopes of obtaining an even bigger prize. If this plot sounds familiar, it’s because you’ve seen Willy Wonka and the Chocolate Factory, or have read the book. I profess my ignorance, for I haven’t read the book Roald Dahl wrote, and therefore have no idea which movie version adheres more strictly to the original text.
Let’s move on by more closely examining Burton’s version. Despite some of the world’s most recalcitrant children winning the four other tickets, Charlie lucks out and becomes the recipient of the last Golden Ticket. This brings great joy to his family and even makes the bed-ridden Grandpa Joe ambulatory again. I love Charlie’s family, especially because his Dad works in a toothpaste factory but everyone in the family has nasty teeth.
The glorious day of the tour arrives and each child shows up with a parental or grandparental guardian. They are introduced first to Willy Wonka by means of a puppet show, which ends in a glorious and unintentional fire. With the smoldering puppets dying disturbingly in the background, Wonka appears with cue cards, giving the impression that the man has no idea how to socially interact. The group then enters the factory.
The first child to be eliminated from the contest is Augustus Gloop. The group has been given free reign of a room made entirely of candy. Augustus cannot resist the lake of chocolate, and he falls in. He is sucked up a tube that leads to the fudge room. Then the Oompa Loompas appear and perform a song engineered for this particular predictable tragedy.
The Oompa Loompas in Burton’s version are short, and they do not have orange hair, but they all have the same face and body. Deep Roy, the actor portraying the Oompa Loompas, deserved an Oscar for effort in my book, for the special features indicate how very involved he was with this production. The songs sung by the Oompa Loompas varied significantly from those in the older version. In fact, I enjoyed how each song of admonishment involved a specific genre of music.
Next Violet Beauregard, the competitive one, is turned into a blueberry by chewing gum. And then we have the case of the sad and supremely spoiled Veruca Salt, who ends up getting thrown down a garbage chute by some very judgmental and highly trained squirrels. After each young lady has been expelled from the contest, the Oompa Loompas say adieu with a musical number.
Throughout the film, Wonka has flashbacks about his father. It seems the elder Wonka was a dentist, and he forbade the young Willy to eat candy. Several scenes show Willy Wonka defying the will of his father, which ultimately led Willy to be a world-renowned chocolatier. Though it was nice to have this subplot as an explanation for some of Wonka’s erratic behavior, I found that I like Gene Wilder’s portrayal of Willy Wonka better. He was whimsical and strange, but the film and the actor seemed to offer no explanation as to how he got that way.
Mike Teavee, a young boy with the attention span of a gnat on amphetamines, is the last of the factory’s victims. He decides to teleport himself into a television screen, which I’m sure seemed like a good idea at the time. Teavee is shown in peril as an Oompa Loompa flips the channels. Now incredibly small, Wonka decides that the best remedy for Mike is the taffy pulling machine.
Charlie is the only child left, and Wonka ushers Charlie and Grandpa Joe into the glass elevator. According to the button, they are going up and out. Indeed, they do, eventually stopping when they crash through the roof of the Bucket house. The grand prize is revealed: Willy Wonka is giving Charlie the factory. This becomes impossible when Wonka forces Charlie to choose between factory and family. Eventually, Wonka reconciles his Daddy issues and allows Charlie’s family to stay at the factory.
The visual effects in this film were amazing. As mentioned previously, Deep Roy was incredible as the face of the many Oompa Loompas. I thought the child actors in this film were also impressive in how they perfectly captured their respective vices. Overall, this was a good film. And yet I still miss moments from the older film, especially the poem with “the grisly reaper mowing.” Call me sentimental…
This is the story of Charlie Bucket, an impoverished but genuinely good-natured child. His dream is one of millions: to win a Golden Ticket, and tour Willy Wonka’s chocolate factory in the hopes of obtaining an even bigger prize. If this plot sounds familiar, it’s because you’ve seen Willy Wonka and the Chocolate Factory, or have read the book. I profess my ignorance, for I haven’t read the book Roald Dahl wrote, and therefore have no idea which movie version adheres more strictly to the original text.
Let’s move on by more closely examining Burton’s version. Despite some of the world’s most recalcitrant children winning the four other tickets, Charlie lucks out and becomes the recipient of the last Golden Ticket. This brings great joy to his family and even makes the bed-ridden Grandpa Joe ambulatory again. I love Charlie’s family, especially because his Dad works in a toothpaste factory but everyone in the family has nasty teeth.
The glorious day of the tour arrives and each child shows up with a parental or grandparental guardian. They are introduced first to Willy Wonka by means of a puppet show, which ends in a glorious and unintentional fire. With the smoldering puppets dying disturbingly in the background, Wonka appears with cue cards, giving the impression that the man has no idea how to socially interact. The group then enters the factory.
The first child to be eliminated from the contest is Augustus Gloop. The group has been given free reign of a room made entirely of candy. Augustus cannot resist the lake of chocolate, and he falls in. He is sucked up a tube that leads to the fudge room. Then the Oompa Loompas appear and perform a song engineered for this particular predictable tragedy.
The Oompa Loompas in Burton’s version are short, and they do not have orange hair, but they all have the same face and body. Deep Roy, the actor portraying the Oompa Loompas, deserved an Oscar for effort in my book, for the special features indicate how very involved he was with this production. The songs sung by the Oompa Loompas varied significantly from those in the older version. In fact, I enjoyed how each song of admonishment involved a specific genre of music.
Next Violet Beauregard, the competitive one, is turned into a blueberry by chewing gum. And then we have the case of the sad and supremely spoiled Veruca Salt, who ends up getting thrown down a garbage chute by some very judgmental and highly trained squirrels. After each young lady has been expelled from the contest, the Oompa Loompas say adieu with a musical number.
Throughout the film, Wonka has flashbacks about his father. It seems the elder Wonka was a dentist, and he forbade the young Willy to eat candy. Several scenes show Willy Wonka defying the will of his father, which ultimately led Willy to be a world-renowned chocolatier. Though it was nice to have this subplot as an explanation for some of Wonka’s erratic behavior, I found that I like Gene Wilder’s portrayal of Willy Wonka better. He was whimsical and strange, but the film and the actor seemed to offer no explanation as to how he got that way.
Mike Teavee, a young boy with the attention span of a gnat on amphetamines, is the last of the factory’s victims. He decides to teleport himself into a television screen, which I’m sure seemed like a good idea at the time. Teavee is shown in peril as an Oompa Loompa flips the channels. Now incredibly small, Wonka decides that the best remedy for Mike is the taffy pulling machine.
Charlie is the only child left, and Wonka ushers Charlie and Grandpa Joe into the glass elevator. According to the button, they are going up and out. Indeed, they do, eventually stopping when they crash through the roof of the Bucket house. The grand prize is revealed: Willy Wonka is giving Charlie the factory. This becomes impossible when Wonka forces Charlie to choose between factory and family. Eventually, Wonka reconciles his Daddy issues and allows Charlie’s family to stay at the factory.
The visual effects in this film were amazing. As mentioned previously, Deep Roy was incredible as the face of the many Oompa Loompas. I thought the child actors in this film were also impressive in how they perfectly captured their respective vices. Overall, this was a good film. And yet I still miss moments from the older film, especially the poem with “the grisly reaper mowing.” Call me sentimental…
Emma @ The Movies (1786 KP) rated The Aeronauts (2019) in Movies
Oct 27, 2019
Firstly I'd like to address the accuracy of this film. As soon as I got out of the screening I looked up the story and it took the shine off a little. James Glaisher was indeed involved in these experiments but his companion was Henry Coxwell and not the fictional Amelia Wren. Wren is at least based on female aeronauts of the time, Sophie Blanchard and Margaret Graham, which is a slight comfort. I can of course understand why they did it, the film has a definite air of romance about it and the inclusion of a larger than life character and her backstory does give the film a boost that it might not have had on the original story.
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
Emma @ The Movies (1786 KP) rated Kim Possible (2019) in Movies
Nov 7, 2019
My name is Emma, and I still love Kim Possible. It's great fun and I will fight anyone who says it isn't. That is if we're talking about the animated series... that is gold, the live action film is not even tin foil.
I love Disney TV movies but I really wish they'd stick to originals or property that was already live action... stop remaking things that really don't need it.
Let's address the casting first.
Sean Giambrone as Ron was a solid bit of casting, the right amount of awkward and bumbling, the only thing is that for anyone who watches The Goldbergs he might just be a little too recognisable, but then I doubt many people will watch both of these things. Michael P. Northey as Mr Barkin, he was good, I was generally impressed... but in a world where we have Patrick Warburton why would we not cast Patrick Warburton? Patton Oswalt does evil genius voice fantastically and as Professor Demeantor he was a great pick. Getting a narrow pass, and it's the very finest of passess, Todd Stashwick. I enjoy him when he pops up in shows but he's no Drakken. He was also done wrong by the make-up department.
Everyone else? That's a no. Possibly the worst casting was on the Possible family themselves. I adore Alyson Hannigan but her Mrs. Dr. P. was no bueno. Same goes for Mr. Dr. P. After seeing them on screen I kind of assumed the story was going to revolve around them having been kidnapped and replaced by Bebes with extra nice programming. Jim and Tim were devoid of any of the character their cartoon counterparts had. And then there's Kim, I'm not sure there would have been anyone I'd have been happy with in this role but they've managed to create something very odd in this casting. Live action Kim acts physically like the cartoon does and yet somehow the personality didn't make the crossover with it.
The idea to take Kim down from the inside is one we've seen before with Eric the synthodrone who was used to further the Little Diablo world domination plan. It's a good narative and the twist we're given here isn't a bad one but the execution feels off.
The film turns the Kim Possible formula into a women kicking ass story but they do it really badly. Mrs. Dr. P. and Nana P. are brought on board and then just used as padding and left to be inept in a corner, it's a poor use of characters and a poor use of source material.
Of course the most important part is did they do Rufus right On the whole he wasn't bad and he certainly got his normal opportunity to come to the rescue so I'm going to say good job on that.
What you should do
Don't call her, don't beep her, if you want to watch Kim Possible then watch the series, this film needs to be forgotten in the depths of Disney+.
Movie thing you wish you could take home
The ability to fly through the air like I'm a cartoon character.
I love Disney TV movies but I really wish they'd stick to originals or property that was already live action... stop remaking things that really don't need it.
Let's address the casting first.
Sean Giambrone as Ron was a solid bit of casting, the right amount of awkward and bumbling, the only thing is that for anyone who watches The Goldbergs he might just be a little too recognisable, but then I doubt many people will watch both of these things. Michael P. Northey as Mr Barkin, he was good, I was generally impressed... but in a world where we have Patrick Warburton why would we not cast Patrick Warburton? Patton Oswalt does evil genius voice fantastically and as Professor Demeantor he was a great pick. Getting a narrow pass, and it's the very finest of passess, Todd Stashwick. I enjoy him when he pops up in shows but he's no Drakken. He was also done wrong by the make-up department.
Everyone else? That's a no. Possibly the worst casting was on the Possible family themselves. I adore Alyson Hannigan but her Mrs. Dr. P. was no bueno. Same goes for Mr. Dr. P. After seeing them on screen I kind of assumed the story was going to revolve around them having been kidnapped and replaced by Bebes with extra nice programming. Jim and Tim were devoid of any of the character their cartoon counterparts had. And then there's Kim, I'm not sure there would have been anyone I'd have been happy with in this role but they've managed to create something very odd in this casting. Live action Kim acts physically like the cartoon does and yet somehow the personality didn't make the crossover with it.
The idea to take Kim down from the inside is one we've seen before with Eric the synthodrone who was used to further the Little Diablo world domination plan. It's a good narative and the twist we're given here isn't a bad one but the execution feels off.
The film turns the Kim Possible formula into a women kicking ass story but they do it really badly. Mrs. Dr. P. and Nana P. are brought on board and then just used as padding and left to be inept in a corner, it's a poor use of characters and a poor use of source material.
Of course the most important part is did they do Rufus right On the whole he wasn't bad and he certainly got his normal opportunity to come to the rescue so I'm going to say good job on that.
What you should do
Don't call her, don't beep her, if you want to watch Kim Possible then watch the series, this film needs to be forgotten in the depths of Disney+.
Movie thing you wish you could take home
The ability to fly through the air like I'm a cartoon character.
LeftSideCut (3778 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Aug 1, 2019 (Updated Aug 3, 2019)
WBs second entry into the DCEU is a messy misstep.
Contains spoilers, click to show
It's the big one that comic fans have been waiting decades to see come to life on the big screen, the one that was infamously teased in I Am Legend, the one that was going to match The Dark Knight Returns, and it's just oh so dissapointing.
After Warner Bros. kicked off the DCEU franchise with Man of Steel, a film that I thought was actually pretty good, I was full of Hope, and couldn't wait to see what they did with all of these beloved characters from years of DC stories.
When it was announced that the sequel would feature Batman in a loose adaption of TDKR, I was even more excited. When it was announced that this film would introduce the core members of the Justice League, I started to become concerned. It just screamed that Warner were trying to catch up with the already established MCU with a single film. It turns out that my concerns were justified.
The absolute biggest problem with Batman V Superman is that it just tried to do too much. And in doing so, creates a messy and often silly narrative.
The set up is pretty good, the opening scene of Metropolis being levelled whilst Bruce Wayne desperately tries to save his colleagues is pretty thrilling. It gives Batman a good, solid reason to want to fight Superman and neutralise this alien threat.
The plot is needlessly complicated when Lex Luthor gets involved (not quite sure what Jessie Eisenberg was going for in his weird portrayal), forcing Superman into a confrontation with Batman by means of kidnapping his mother.
When the big beat down finally arrived, it lasts just a few minutes before they become great friends very suddenly (due to their mothers infamously having the same name).
Not long after this, Wonder Woman is thrown into the mix (because reasons) and then they all fight Doomsday (because why the hell not) effectively cramming six movies worth of material into one very underwhelming and silly movie.
The mind boggles.
The Justice League are introduced though a series of short videos such as CCTV footage etc, and you have to wonder why they even bothered.
It's not all bad though. Ben Affleck as Batman is pretty inspired casting and is actually great. He's older, jaded, and pretty stocky, and his action scenes are ripped straight from the beloved Arkham video games. It's almost like Zack Snyder actually wanted to make a Batman film or something....
Wonder Womans presence is wholly unessecary, but for what it's worth, she's pretty badass, looks the part, and Gal Gadot does a good job of bringing her to life.
I also enjoyed the Knightmare scene hinting at Darkseid further down the line.
Unfortunately, the good parts are wrapped up in shambles. The MCU has been so finely crafted over the years, and it really confuses me why WB didn't take a similar route with the DC universe - a universe that has arguably better characters.
After Warner Bros. kicked off the DCEU franchise with Man of Steel, a film that I thought was actually pretty good, I was full of Hope, and couldn't wait to see what they did with all of these beloved characters from years of DC stories.
When it was announced that the sequel would feature Batman in a loose adaption of TDKR, I was even more excited. When it was announced that this film would introduce the core members of the Justice League, I started to become concerned. It just screamed that Warner were trying to catch up with the already established MCU with a single film. It turns out that my concerns were justified.
The absolute biggest problem with Batman V Superman is that it just tried to do too much. And in doing so, creates a messy and often silly narrative.
The set up is pretty good, the opening scene of Metropolis being levelled whilst Bruce Wayne desperately tries to save his colleagues is pretty thrilling. It gives Batman a good, solid reason to want to fight Superman and neutralise this alien threat.
The plot is needlessly complicated when Lex Luthor gets involved (not quite sure what Jessie Eisenberg was going for in his weird portrayal), forcing Superman into a confrontation with Batman by means of kidnapping his mother.
When the big beat down finally arrived, it lasts just a few minutes before they become great friends very suddenly (due to their mothers infamously having the same name).
Not long after this, Wonder Woman is thrown into the mix (because reasons) and then they all fight Doomsday (because why the hell not) effectively cramming six movies worth of material into one very underwhelming and silly movie.
The mind boggles.
The Justice League are introduced though a series of short videos such as CCTV footage etc, and you have to wonder why they even bothered.
It's not all bad though. Ben Affleck as Batman is pretty inspired casting and is actually great. He's older, jaded, and pretty stocky, and his action scenes are ripped straight from the beloved Arkham video games. It's almost like Zack Snyder actually wanted to make a Batman film or something....
Wonder Womans presence is wholly unessecary, but for what it's worth, she's pretty badass, looks the part, and Gal Gadot does a good job of bringing her to life.
I also enjoyed the Knightmare scene hinting at Darkseid further down the line.
Unfortunately, the good parts are wrapped up in shambles. The MCU has been so finely crafted over the years, and it really confuses me why WB didn't take a similar route with the DC universe - a universe that has arguably better characters.
Emma @ The Movies (1786 KP) rated The Hummingbird Project (2018) in Movies
Jun 24, 2019 (Updated Sep 25, 2019)
The trailer for this offered a glimpse at something that looked intriguing but the final result wasn't quite as impactful as you might have imagined.
Vincent has the drive and cunning to launch a project that could make them millions, Anton is the brains to make it a success. In investment you have to be a step ahead of the competition, so the competition is where you'll get the best deal on the next big thing. When they both quit with immediate effect their boss is suspicious does everything to find out what they're up to. She eventually gets a break and is soon hot on their heels to come up with something bigger and better. The stakes are high and the game is dirty, but someone has to win.
The Hummingbird Project certainly didn't lack acting talent. While I've not seen much from Jesse Eisenberg apart from Lex Luthor in the DCEU I was impressed with what he gives in this, there are a lot of powerful moments as we get towards the end of the film and he treats them well. Alexander Skarsgård plays Anton, the awkward genius cousin who spends most of his time with his eyes glued to a computer screen. His role is heavy on physical acting rather than dialogue and it's very effective against the pushy characters around him.
The duo are pitted against their ex-boss, Eva Torres, beautifully brought to life as a ruthless villain by Salma Hayek. Hayek has the bitchy boss thing down and had she been talking at me with heavily threatening undertones I think I'd have just started crying.
I found the story easy to get along with, the script wasn't overly complicated which was nice considering it could have been with all the technical things going on. As the story overall is about them fulfilling their project it means that at several points we get reminders about what's going on, and that probably helps it because every so often they get out some plans and go "this is what we're doing and this is the problem" so you don't have to really remember much as we progress.
At points it seems like it's a little rushed, which is intriguing because it feels like it's longer than billed. I assumed that some scenes are included because they're a nod to the real-life story... but it isn't a real-life story... and that in itself should be the most confusing thing about this film. I genuinely went in thinking it was "history", but it's not history, so why did they bother making it? It's just not thrilling enough to hold up as a new story. If I'm honest, finding out it's fictional after thinking it was real has knocked off some star rating.
What you should do
There are much more thrilling tales out there for this sort of story, despite the good acting I would suggest seeing something else. Seeing something else would also preserve the beautiful image of Alexander Skarsgård from being tarnished.
Movie thing you wish you could take home
A multi-million dollar idea would be quite nice.
Vincent has the drive and cunning to launch a project that could make them millions, Anton is the brains to make it a success. In investment you have to be a step ahead of the competition, so the competition is where you'll get the best deal on the next big thing. When they both quit with immediate effect their boss is suspicious does everything to find out what they're up to. She eventually gets a break and is soon hot on their heels to come up with something bigger and better. The stakes are high and the game is dirty, but someone has to win.
The Hummingbird Project certainly didn't lack acting talent. While I've not seen much from Jesse Eisenberg apart from Lex Luthor in the DCEU I was impressed with what he gives in this, there are a lot of powerful moments as we get towards the end of the film and he treats them well. Alexander Skarsgård plays Anton, the awkward genius cousin who spends most of his time with his eyes glued to a computer screen. His role is heavy on physical acting rather than dialogue and it's very effective against the pushy characters around him.
The duo are pitted against their ex-boss, Eva Torres, beautifully brought to life as a ruthless villain by Salma Hayek. Hayek has the bitchy boss thing down and had she been talking at me with heavily threatening undertones I think I'd have just started crying.
I found the story easy to get along with, the script wasn't overly complicated which was nice considering it could have been with all the technical things going on. As the story overall is about them fulfilling their project it means that at several points we get reminders about what's going on, and that probably helps it because every so often they get out some plans and go "this is what we're doing and this is the problem" so you don't have to really remember much as we progress.
At points it seems like it's a little rushed, which is intriguing because it feels like it's longer than billed. I assumed that some scenes are included because they're a nod to the real-life story... but it isn't a real-life story... and that in itself should be the most confusing thing about this film. I genuinely went in thinking it was "history", but it's not history, so why did they bother making it? It's just not thrilling enough to hold up as a new story. If I'm honest, finding out it's fictional after thinking it was real has knocked off some star rating.
What you should do
There are much more thrilling tales out there for this sort of story, despite the good acting I would suggest seeing something else. Seeing something else would also preserve the beautiful image of Alexander Skarsgård from being tarnished.
Movie thing you wish you could take home
A multi-million dollar idea would be quite nice.
Gareth von Kallenbach (980 KP) rated Suburbicon (2017) in Movies
Jul 11, 2019
Suburbicon is a picturesque community built to free families from all the hustle and bustle of the big city but with all the amenities a community will need. For all intents in purposes Suburbicon is the ideal place to raise a family in the 1950s. That is exactly what the Lodge family is doing. That is until the night Nicky (Noah Jupe) is awoken by his father, Gardner (Matt Damon), and told that there are two men in the house. The two criminals, Sloan and Louis (Glenn Fleshler and Alex Hassell), move the family to the kitchen and tie Nicky, Gardner, Nicky’s mother Rose (Julianne Moore) and Rose’s sister Margaret (also Julianne Moore) to chairs and put them to sleep using chloroform. When Nicky awakens in the hospital his father and aunt are waiting for him but sadly his mother was overdosed with chloroform and died. After the funeral it is decided by Gardner that Aunt Margaret should come stay with them. When officer Hightower (Jack Conley) calls to let them know they have found two possible suspects Gardner rushes to the police station to look at a lineup. Gardner arrives and is surprised to find Margaret and Nicky there. He asks that Nicky be left outside to save him from the trauma. After a line of potential criminals are paraded in front of Gardner and Margaret both agree that the perpetrators are not there. When they turn around they are surprised to see Nicky with a shocked look on his face as he is staring directly at Sloan and Louis. Nicky now knows that something is going on with his mother’s death and he may be trapped in a house with the two people who are responsible. He is not the only one that thinks something is amiss an insurance investigator, Bud Cooper (Oscar Isaac), shows up with questions about the policy. Is the Suburbicon truly the sanctuary that it looks like from the outside or is there something sinister happening behind closed doors?
This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.
Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.
Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.
This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.
Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.
Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.
Purple Phoenix Games (2266 KP) rated Vendarla in Tabletop Games
Oct 6, 2020
The kobolds and dragons have taken over the mountain that once belonged to the noble dwarves in this land. The Queen has decided it’s time to take it back. She needs as many fine-crafted armory items as possible using the materials found in the mountain, but she will be pleased with the first craftsperson to finish three of them for her army. Are you prepared to brave the mountain’s dangers in order to secure the materials needed to craft her required items, or will the dragons and kobolds prove too difficult for you to overcome? This is Vendarla.
Vendarla is a press-your-luck, hand management, set collection card game where players are working against one another to collect the proper materials to craft three Queen’s Armory items while avoiding kobold warriors and thieves, as well as several dragons guarding the mountain.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components may be different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to back the game through the upcoming Kickstarter campaign, order from your FLGS, or purchase through any retailers stocking it after fulfillment. -T
To setup, follow the rulebook advice for your number of players, but generally Vendarla will be setup on the table in different areas: the Market, the Mountain, the Queen’s Armory, and the gold stash. Each player will receive five gold, and their choice of either two or three (depending on play count) Queen’s Armory items to begin working on during the game. Determine first player by giving the dragon token, shown below, to the player who most recently watched a dragon movie and the game is ready to begin!
On their turn a player will choose whether to visit the Market or the Mountain. When a player visits the Market, they may choose to purchase any previously sold materials, sell their own materials, purchase items for use in mountain runs, or exchange Queen’s Armory item cards.
Should the player instead wish to visit the Mountain, they will flip over a mountain card from the giant stack of mountain cards and decide how to continue. If a material card was flipped, the player may choose to take that card or continue flipping cards. This action can be replicated until up to 10 cards have been flipped. The active player will then need to choose a card (or two if they have a Backpack equipped) to place face-up in their play area. Each other player at the table, in player order, will then be allowed to take a material or gold card from the flipped offering by paying the active player one gold.
Should the active player flip over a second kobold warrior for the turn, they must stop flipping unless they had previously purchased from the market a kobold repellent or Ironsides (dwarven warrior) to combat it. If the kobold warrior, or the kobold thief for that matter, is overcome by ANY player then the active player may continue flipping cards from the mountain. Should the player flip a dragon card over, they may use a previously purchased Dragon Charm to charm the dragon back to sleep or taking the dragon card into their play area and suffering a negative 10 points at game end.
Play continues in this fashion of active player visiting the Market to take actions for themselves only, or visiting the Mountain to excavate materials to be used to craft their Queen’s Armory items and opponents also being able to follow the action using their flipped materials. Once a player has the proper materials to craft their Queen’s Armory items on their turn, they may, and the player who crafts their third item will trigger the end of the game. Players will finish the turn, count up their points and a winner will be declared!
Components. Again, this is a prototype copy of the game, so what we were provided may or may not be the same as the final version of the game. That said, this game is a ton of cards, and some gold coins. The card are fine quality, but I would probably want to sleeve them, as they are handled a bit and are a little thin. The gold coins are thick cardboard and look great. Speaking of looking great, the art in Vendarla is really really good. I love the art style used and the colors are vibrant and lovely. Though I had no problems with the iconography, my wife did a few times. Luckily, handy reference cards are included and that solved any questions we had with iconography. All in all the components are good, and the game looks great.
The “flip cards until you have to stop, choose to stop, or flip over something bad” is a mechanic that is used in many games, and in Vendarla I truly enjoy it because for every “bad” card another card may be able to neutralize it. And the best part about that is the neutralizing card can come from ANY player. Why would someone want to lull the dragon back to sleep on someone else’s turn? Well perhaps a material was flipped that they need to complete an item craft and they want to make sure they have a chance to get it for one measly coin. I love that. I also love games that include ways for other players to be involved in each turn taken. This isn’t a “multiplayer solitaire” game. Yeah you could go to the restroom during other players’ turns, but you may miss out on that elusive gem you need for your items.
I found that playing this I had to find a good balance between keeping my Market items stocked and going to the Mountain to grab materials. There may be several turns in a row, especially in the beginning of the game, where your turns are just flipping over a kobold warrior for which you are unprepared to handle and forfeiting your turn, but as the game progresses you will be hopefully be outfitting yourself appropriately.
While this game seems very involved and you may think there are many tiny rules when reading the rulebook, it plays really quickly. In my two-player games with my wife the games were 30 minutes or less, INCLUDING the teach the first time.
So even though I have a prototype copy of the game, I will certainly be holding onto this one and pulling it out quite a bit. When you can get a great play experience out of 30 minutes and feel like you did something interesting, I feel that’s a sign of a great game. If you are looking for a game that fills a hole in your collection (or even want to replace Port Royal, as I did), please check out the Kickstarter campaign for Vendarla launching October 27, 2020. If you like fantasy themed card games with press your luck and set collection, this one is for you!
Vendarla is a press-your-luck, hand management, set collection card game where players are working against one another to collect the proper materials to craft three Queen’s Armory items while avoiding kobold warriors and thieves, as well as several dragons guarding the mountain.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components may be different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to back the game through the upcoming Kickstarter campaign, order from your FLGS, or purchase through any retailers stocking it after fulfillment. -T
To setup, follow the rulebook advice for your number of players, but generally Vendarla will be setup on the table in different areas: the Market, the Mountain, the Queen’s Armory, and the gold stash. Each player will receive five gold, and their choice of either two or three (depending on play count) Queen’s Armory items to begin working on during the game. Determine first player by giving the dragon token, shown below, to the player who most recently watched a dragon movie and the game is ready to begin!
On their turn a player will choose whether to visit the Market or the Mountain. When a player visits the Market, they may choose to purchase any previously sold materials, sell their own materials, purchase items for use in mountain runs, or exchange Queen’s Armory item cards.
Should the player instead wish to visit the Mountain, they will flip over a mountain card from the giant stack of mountain cards and decide how to continue. If a material card was flipped, the player may choose to take that card or continue flipping cards. This action can be replicated until up to 10 cards have been flipped. The active player will then need to choose a card (or two if they have a Backpack equipped) to place face-up in their play area. Each other player at the table, in player order, will then be allowed to take a material or gold card from the flipped offering by paying the active player one gold.
Should the active player flip over a second kobold warrior for the turn, they must stop flipping unless they had previously purchased from the market a kobold repellent or Ironsides (dwarven warrior) to combat it. If the kobold warrior, or the kobold thief for that matter, is overcome by ANY player then the active player may continue flipping cards from the mountain. Should the player flip a dragon card over, they may use a previously purchased Dragon Charm to charm the dragon back to sleep or taking the dragon card into their play area and suffering a negative 10 points at game end.
Play continues in this fashion of active player visiting the Market to take actions for themselves only, or visiting the Mountain to excavate materials to be used to craft their Queen’s Armory items and opponents also being able to follow the action using their flipped materials. Once a player has the proper materials to craft their Queen’s Armory items on their turn, they may, and the player who crafts their third item will trigger the end of the game. Players will finish the turn, count up their points and a winner will be declared!
Components. Again, this is a prototype copy of the game, so what we were provided may or may not be the same as the final version of the game. That said, this game is a ton of cards, and some gold coins. The card are fine quality, but I would probably want to sleeve them, as they are handled a bit and are a little thin. The gold coins are thick cardboard and look great. Speaking of looking great, the art in Vendarla is really really good. I love the art style used and the colors are vibrant and lovely. Though I had no problems with the iconography, my wife did a few times. Luckily, handy reference cards are included and that solved any questions we had with iconography. All in all the components are good, and the game looks great.
The “flip cards until you have to stop, choose to stop, or flip over something bad” is a mechanic that is used in many games, and in Vendarla I truly enjoy it because for every “bad” card another card may be able to neutralize it. And the best part about that is the neutralizing card can come from ANY player. Why would someone want to lull the dragon back to sleep on someone else’s turn? Well perhaps a material was flipped that they need to complete an item craft and they want to make sure they have a chance to get it for one measly coin. I love that. I also love games that include ways for other players to be involved in each turn taken. This isn’t a “multiplayer solitaire” game. Yeah you could go to the restroom during other players’ turns, but you may miss out on that elusive gem you need for your items.
I found that playing this I had to find a good balance between keeping my Market items stocked and going to the Mountain to grab materials. There may be several turns in a row, especially in the beginning of the game, where your turns are just flipping over a kobold warrior for which you are unprepared to handle and forfeiting your turn, but as the game progresses you will be hopefully be outfitting yourself appropriately.
While this game seems very involved and you may think there are many tiny rules when reading the rulebook, it plays really quickly. In my two-player games with my wife the games were 30 minutes or less, INCLUDING the teach the first time.
So even though I have a prototype copy of the game, I will certainly be holding onto this one and pulling it out quite a bit. When you can get a great play experience out of 30 minutes and feel like you did something interesting, I feel that’s a sign of a great game. If you are looking for a game that fills a hole in your collection (or even want to replace Port Royal, as I did), please check out the Kickstarter campaign for Vendarla launching October 27, 2020. If you like fantasy themed card games with press your luck and set collection, this one is for you!
Bob Mann (459 KP) rated Solo: A Star Wars Story (2018) in Movies
Sep 29, 2021
Solo? So-so.
When the whole Disney “broaden out the Star Wars universe” thing was first mooted I was NOT enthusiastic about the prospect. Then, in Christmas 2016 “Rogue One” burst onto our screens as a breath of fresh air, and I thought “OK, I can be wrong!”. But even jolted by that pleasant surprise, I always thought that the second proposed diversion off the main hyperspace highway into “Radiator Springs” – a Han Solo back-story flick – might fall short. It just didn’t float my boat.
Add into that proposition the decision to give the film initially to “The Lego Movie” directors Phil Lord and Christopher Miller (why Disney? why?); them trying to forge it as a ‘comedy’; them falling horribly short and being fired by Disney; Disney bringing Ron Howard (“Inferno“, “Rush“) in to try to salvage the project; and Howard reportedly re-shooting 75% of the film and you have the makings of a turkey of galactic proportions.
With all that being said, I was surprised I enjoyed it as much as I did. But that’s off a very low base of expectation.
As you might guess, we go back to see Han… just Han… as a delinquent youth trying to keep his head above water under the thrall of the Fagin-like Lady Proxima (who – no pun intended – keeps her head under the water for most of the time). He is desperate to pull off a con that’s lucrative enough that it will get him and his girlfriend Qi’ra (Emilia Clarke, “Me Before You“; “Terminator: Genisys“; “Game of Thrones”) off-planet and into a free life. Things don’t go to plan though and Han – now Han Solo – finds himself a trooper of the Galactic Empire. He links up with fellow rogues Beckett (Woody Harrelson, “War for the Planet of the Apes“; “Three Billboards in Ebbing, Missouri“), Val (Thandie Newton, “Westworld”, “2012”), Rio (voiced by Jon Favreau, “Spider-Man: Homecoming“; “Iron Man Three“) and their assertive and rebellious droid L3-37 (voiced by Phoebe Waller-Bridge) in a get-rich-or-die mission for vicious gang-boss Dryden Vos (Paul Bettany, “Avengers: Infinity War“).
The film has its moments for sure:
There are some nice background touches: an army recruitment video plays to the sound of John William’s empire march (played I am assured by my more musical wife in a major key to sound more uplifting and positive!);
Han’s first meeting with that famous walking carpet (played by Joonas Suotamo) is memorable, as is the introduction to that “card player, gambler and scoundrel” Lando Calrissian (Donald Glover, “The Martian“, “Spider-Man: Homecoming“): all flamboyance, self-regard and well-dressed ego;
solo2
Never count your money while you’re sitting at the table. Lando Calrissian played by Donald Glover putting his ship (you probably haven’t heard of it) on the line. (Source: Lucasfilm).
the character of L3-37 is an excellent addition to the saga, forcefully demanding equality for droids: I would have liked to have seen much more of her;
there is a nice twist on the Greedo/Han “who shot first” debate;
production design and special effects are up to standard for a Star Wars film, and I enjoyed John Powell’s score, incorporating a new ‘young Han’ theme from John Williams himself;
and Erin Kellyman (in here movie debut) is just breathtaking and strikingly brilliant as the be-freckled renegade Enfys Nest.
But overall it’s all a bit disjointed and jumbled, probably as befits its growing pains. We are introduced to Solo within five seconds of the film’s opening….. BAM! No exquisite ‘reveal’ as we saw with River Phoenix in “Indiana Jones and the Last Crusade”. I found this disconcerting and it took me ten minutes to get into the film as a result.
When it gets going it rather tries too hard to join up more Star Wars dots than it needs to. “Rogue One” did that exceedingly well, but that was because it needed to as ‘Episode 3.5’. Here there are visual and verbal references everywhere as the screenwriters (Lawrence and Jonathan Kasdan) desperately try to knit their story into the canon. As an example, the action moves to the mines of Kessel at one point. Kessel? Kessel? Wasn’t that a throwaway C3PO line from the “A New Hope” about being “smashed to who knows what” in said mines?. So obviously, in the WHOLE GALAXY that’s where the story leads us, with the local lingo for the hyperspace fuel McGuffin at the heart of the plot being “spice”! It’s all a bit too trite for my liking.
And while a key protagonist appearing near the end of the film (no spoilers) is both a startling surprise and great fun, don’t get me started on the timeline implications…. (see the spoiler section below the trailer for more).
Alden Ehrenreich, who was just brilliant in “Hail Caesar” (“Was that it t’WERRRE so simple“) for me barely makes it past bland in the lead role. One of the defining characteristics of Harrison Ford’s Solo was his swagger and bravado and unfortunately Ehrenreich barely rates a three out of ten on the scale. I also found the chemistry with Emelia Clarke to be lukewarm. Clarke still seems to be struggling to make a significant breakthrough to the big screen…. “Me Before You” still seems to be her high water mark so far. Here she has a key and complex role, but comes over as just plain unconvincing and “meh”.
Ron Howard has clearly done a good job in buffing up a poisoned chalice so it can at least share space on the Star Wars shelf without being laughed out of the Cantina. Perhaps with a more coordinated and thought-through run-up to a Solo sequel (more Enfys Nest please!) this offshoot might have legs.
Add into that proposition the decision to give the film initially to “The Lego Movie” directors Phil Lord and Christopher Miller (why Disney? why?); them trying to forge it as a ‘comedy’; them falling horribly short and being fired by Disney; Disney bringing Ron Howard (“Inferno“, “Rush“) in to try to salvage the project; and Howard reportedly re-shooting 75% of the film and you have the makings of a turkey of galactic proportions.
With all that being said, I was surprised I enjoyed it as much as I did. But that’s off a very low base of expectation.
As you might guess, we go back to see Han… just Han… as a delinquent youth trying to keep his head above water under the thrall of the Fagin-like Lady Proxima (who – no pun intended – keeps her head under the water for most of the time). He is desperate to pull off a con that’s lucrative enough that it will get him and his girlfriend Qi’ra (Emilia Clarke, “Me Before You“; “Terminator: Genisys“; “Game of Thrones”) off-planet and into a free life. Things don’t go to plan though and Han – now Han Solo – finds himself a trooper of the Galactic Empire. He links up with fellow rogues Beckett (Woody Harrelson, “War for the Planet of the Apes“; “Three Billboards in Ebbing, Missouri“), Val (Thandie Newton, “Westworld”, “2012”), Rio (voiced by Jon Favreau, “Spider-Man: Homecoming“; “Iron Man Three“) and their assertive and rebellious droid L3-37 (voiced by Phoebe Waller-Bridge) in a get-rich-or-die mission for vicious gang-boss Dryden Vos (Paul Bettany, “Avengers: Infinity War“).
The film has its moments for sure:
There are some nice background touches: an army recruitment video plays to the sound of John William’s empire march (played I am assured by my more musical wife in a major key to sound more uplifting and positive!);
Han’s first meeting with that famous walking carpet (played by Joonas Suotamo) is memorable, as is the introduction to that “card player, gambler and scoundrel” Lando Calrissian (Donald Glover, “The Martian“, “Spider-Man: Homecoming“): all flamboyance, self-regard and well-dressed ego;
solo2
Never count your money while you’re sitting at the table. Lando Calrissian played by Donald Glover putting his ship (you probably haven’t heard of it) on the line. (Source: Lucasfilm).
the character of L3-37 is an excellent addition to the saga, forcefully demanding equality for droids: I would have liked to have seen much more of her;
there is a nice twist on the Greedo/Han “who shot first” debate;
production design and special effects are up to standard for a Star Wars film, and I enjoyed John Powell’s score, incorporating a new ‘young Han’ theme from John Williams himself;
and Erin Kellyman (in here movie debut) is just breathtaking and strikingly brilliant as the be-freckled renegade Enfys Nest.
But overall it’s all a bit disjointed and jumbled, probably as befits its growing pains. We are introduced to Solo within five seconds of the film’s opening….. BAM! No exquisite ‘reveal’ as we saw with River Phoenix in “Indiana Jones and the Last Crusade”. I found this disconcerting and it took me ten minutes to get into the film as a result.
When it gets going it rather tries too hard to join up more Star Wars dots than it needs to. “Rogue One” did that exceedingly well, but that was because it needed to as ‘Episode 3.5’. Here there are visual and verbal references everywhere as the screenwriters (Lawrence and Jonathan Kasdan) desperately try to knit their story into the canon. As an example, the action moves to the mines of Kessel at one point. Kessel? Kessel? Wasn’t that a throwaway C3PO line from the “A New Hope” about being “smashed to who knows what” in said mines?. So obviously, in the WHOLE GALAXY that’s where the story leads us, with the local lingo for the hyperspace fuel McGuffin at the heart of the plot being “spice”! It’s all a bit too trite for my liking.
And while a key protagonist appearing near the end of the film (no spoilers) is both a startling surprise and great fun, don’t get me started on the timeline implications…. (see the spoiler section below the trailer for more).
Alden Ehrenreich, who was just brilliant in “Hail Caesar” (“Was that it t’WERRRE so simple“) for me barely makes it past bland in the lead role. One of the defining characteristics of Harrison Ford’s Solo was his swagger and bravado and unfortunately Ehrenreich barely rates a three out of ten on the scale. I also found the chemistry with Emelia Clarke to be lukewarm. Clarke still seems to be struggling to make a significant breakthrough to the big screen…. “Me Before You” still seems to be her high water mark so far. Here she has a key and complex role, but comes over as just plain unconvincing and “meh”.
Ron Howard has clearly done a good job in buffing up a poisoned chalice so it can at least share space on the Star Wars shelf without being laughed out of the Cantina. Perhaps with a more coordinated and thought-through run-up to a Solo sequel (more Enfys Nest please!) this offshoot might have legs.