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Purple Phoenix Games (2266 KP) rated Vendarla in Tabletop Games
Oct 6, 2020
The kobolds and dragons have taken over the mountain that once belonged to the noble dwarves in this land. The Queen has decided it’s time to take it back. She needs as many fine-crafted armory items as possible using the materials found in the mountain, but she will be pleased with the first craftsperson to finish three of them for her army. Are you prepared to brave the mountain’s dangers in order to secure the materials needed to craft her required items, or will the dragons and kobolds prove too difficult for you to overcome? This is Vendarla.
Vendarla is a press-your-luck, hand management, set collection card game where players are working against one another to collect the proper materials to craft three Queen’s Armory items while avoiding kobold warriors and thieves, as well as several dragons guarding the mountain.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components may be different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to back the game through the upcoming Kickstarter campaign, order from your FLGS, or purchase through any retailers stocking it after fulfillment. -T
To setup, follow the rulebook advice for your number of players, but generally Vendarla will be setup on the table in different areas: the Market, the Mountain, the Queen’s Armory, and the gold stash. Each player will receive five gold, and their choice of either two or three (depending on play count) Queen’s Armory items to begin working on during the game. Determine first player by giving the dragon token, shown below, to the player who most recently watched a dragon movie and the game is ready to begin!
On their turn a player will choose whether to visit the Market or the Mountain. When a player visits the Market, they may choose to purchase any previously sold materials, sell their own materials, purchase items for use in mountain runs, or exchange Queen’s Armory item cards.
Should the player instead wish to visit the Mountain, they will flip over a mountain card from the giant stack of mountain cards and decide how to continue. If a material card was flipped, the player may choose to take that card or continue flipping cards. This action can be replicated until up to 10 cards have been flipped. The active player will then need to choose a card (or two if they have a Backpack equipped) to place face-up in their play area. Each other player at the table, in player order, will then be allowed to take a material or gold card from the flipped offering by paying the active player one gold.
Should the active player flip over a second kobold warrior for the turn, they must stop flipping unless they had previously purchased from the market a kobold repellent or Ironsides (dwarven warrior) to combat it. If the kobold warrior, or the kobold thief for that matter, is overcome by ANY player then the active player may continue flipping cards from the mountain. Should the player flip a dragon card over, they may use a previously purchased Dragon Charm to charm the dragon back to sleep or taking the dragon card into their play area and suffering a negative 10 points at game end.
Play continues in this fashion of active player visiting the Market to take actions for themselves only, or visiting the Mountain to excavate materials to be used to craft their Queen’s Armory items and opponents also being able to follow the action using their flipped materials. Once a player has the proper materials to craft their Queen’s Armory items on their turn, they may, and the player who crafts their third item will trigger the end of the game. Players will finish the turn, count up their points and a winner will be declared!
Components. Again, this is a prototype copy of the game, so what we were provided may or may not be the same as the final version of the game. That said, this game is a ton of cards, and some gold coins. The card are fine quality, but I would probably want to sleeve them, as they are handled a bit and are a little thin. The gold coins are thick cardboard and look great. Speaking of looking great, the art in Vendarla is really really good. I love the art style used and the colors are vibrant and lovely. Though I had no problems with the iconography, my wife did a few times. Luckily, handy reference cards are included and that solved any questions we had with iconography. All in all the components are good, and the game looks great.
The “flip cards until you have to stop, choose to stop, or flip over something bad” is a mechanic that is used in many games, and in Vendarla I truly enjoy it because for every “bad” card another card may be able to neutralize it. And the best part about that is the neutralizing card can come from ANY player. Why would someone want to lull the dragon back to sleep on someone else’s turn? Well perhaps a material was flipped that they need to complete an item craft and they want to make sure they have a chance to get it for one measly coin. I love that. I also love games that include ways for other players to be involved in each turn taken. This isn’t a “multiplayer solitaire” game. Yeah you could go to the restroom during other players’ turns, but you may miss out on that elusive gem you need for your items.
I found that playing this I had to find a good balance between keeping my Market items stocked and going to the Mountain to grab materials. There may be several turns in a row, especially in the beginning of the game, where your turns are just flipping over a kobold warrior for which you are unprepared to handle and forfeiting your turn, but as the game progresses you will be hopefully be outfitting yourself appropriately.
While this game seems very involved and you may think there are many tiny rules when reading the rulebook, it plays really quickly. In my two-player games with my wife the games were 30 minutes or less, INCLUDING the teach the first time.
So even though I have a prototype copy of the game, I will certainly be holding onto this one and pulling it out quite a bit. When you can get a great play experience out of 30 minutes and feel like you did something interesting, I feel that’s a sign of a great game. If you are looking for a game that fills a hole in your collection (or even want to replace Port Royal, as I did), please check out the Kickstarter campaign for Vendarla launching October 27, 2020. If you like fantasy themed card games with press your luck and set collection, this one is for you!
Vendarla is a press-your-luck, hand management, set collection card game where players are working against one another to collect the proper materials to craft three Queen’s Armory items while avoiding kobold warriors and thieves, as well as several dragons guarding the mountain.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components may be different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to back the game through the upcoming Kickstarter campaign, order from your FLGS, or purchase through any retailers stocking it after fulfillment. -T
To setup, follow the rulebook advice for your number of players, but generally Vendarla will be setup on the table in different areas: the Market, the Mountain, the Queen’s Armory, and the gold stash. Each player will receive five gold, and their choice of either two or three (depending on play count) Queen’s Armory items to begin working on during the game. Determine first player by giving the dragon token, shown below, to the player who most recently watched a dragon movie and the game is ready to begin!
On their turn a player will choose whether to visit the Market or the Mountain. When a player visits the Market, they may choose to purchase any previously sold materials, sell their own materials, purchase items for use in mountain runs, or exchange Queen’s Armory item cards.
Should the player instead wish to visit the Mountain, they will flip over a mountain card from the giant stack of mountain cards and decide how to continue. If a material card was flipped, the player may choose to take that card or continue flipping cards. This action can be replicated until up to 10 cards have been flipped. The active player will then need to choose a card (or two if they have a Backpack equipped) to place face-up in their play area. Each other player at the table, in player order, will then be allowed to take a material or gold card from the flipped offering by paying the active player one gold.
Should the active player flip over a second kobold warrior for the turn, they must stop flipping unless they had previously purchased from the market a kobold repellent or Ironsides (dwarven warrior) to combat it. If the kobold warrior, or the kobold thief for that matter, is overcome by ANY player then the active player may continue flipping cards from the mountain. Should the player flip a dragon card over, they may use a previously purchased Dragon Charm to charm the dragon back to sleep or taking the dragon card into their play area and suffering a negative 10 points at game end.
Play continues in this fashion of active player visiting the Market to take actions for themselves only, or visiting the Mountain to excavate materials to be used to craft their Queen’s Armory items and opponents also being able to follow the action using their flipped materials. Once a player has the proper materials to craft their Queen’s Armory items on their turn, they may, and the player who crafts their third item will trigger the end of the game. Players will finish the turn, count up their points and a winner will be declared!
Components. Again, this is a prototype copy of the game, so what we were provided may or may not be the same as the final version of the game. That said, this game is a ton of cards, and some gold coins. The card are fine quality, but I would probably want to sleeve them, as they are handled a bit and are a little thin. The gold coins are thick cardboard and look great. Speaking of looking great, the art in Vendarla is really really good. I love the art style used and the colors are vibrant and lovely. Though I had no problems with the iconography, my wife did a few times. Luckily, handy reference cards are included and that solved any questions we had with iconography. All in all the components are good, and the game looks great.
The “flip cards until you have to stop, choose to stop, or flip over something bad” is a mechanic that is used in many games, and in Vendarla I truly enjoy it because for every “bad” card another card may be able to neutralize it. And the best part about that is the neutralizing card can come from ANY player. Why would someone want to lull the dragon back to sleep on someone else’s turn? Well perhaps a material was flipped that they need to complete an item craft and they want to make sure they have a chance to get it for one measly coin. I love that. I also love games that include ways for other players to be involved in each turn taken. This isn’t a “multiplayer solitaire” game. Yeah you could go to the restroom during other players’ turns, but you may miss out on that elusive gem you need for your items.
I found that playing this I had to find a good balance between keeping my Market items stocked and going to the Mountain to grab materials. There may be several turns in a row, especially in the beginning of the game, where your turns are just flipping over a kobold warrior for which you are unprepared to handle and forfeiting your turn, but as the game progresses you will be hopefully be outfitting yourself appropriately.
While this game seems very involved and you may think there are many tiny rules when reading the rulebook, it plays really quickly. In my two-player games with my wife the games were 30 minutes or less, INCLUDING the teach the first time.
So even though I have a prototype copy of the game, I will certainly be holding onto this one and pulling it out quite a bit. When you can get a great play experience out of 30 minutes and feel like you did something interesting, I feel that’s a sign of a great game. If you are looking for a game that fills a hole in your collection (or even want to replace Port Royal, as I did), please check out the Kickstarter campaign for Vendarla launching October 27, 2020. If you like fantasy themed card games with press your luck and set collection, this one is for you!
Bob Mann (459 KP) rated Solo: A Star Wars Story (2018) in Movies
Sep 29, 2021
Solo? So-so.
When the whole Disney “broaden out the Star Wars universe” thing was first mooted I was NOT enthusiastic about the prospect. Then, in Christmas 2016 “Rogue One” burst onto our screens as a breath of fresh air, and I thought “OK, I can be wrong!”. But even jolted by that pleasant surprise, I always thought that the second proposed diversion off the main hyperspace highway into “Radiator Springs” – a Han Solo back-story flick – might fall short. It just didn’t float my boat.
Add into that proposition the decision to give the film initially to “The Lego Movie” directors Phil Lord and Christopher Miller (why Disney? why?); them trying to forge it as a ‘comedy’; them falling horribly short and being fired by Disney; Disney bringing Ron Howard (“Inferno“, “Rush“) in to try to salvage the project; and Howard reportedly re-shooting 75% of the film and you have the makings of a turkey of galactic proportions.
With all that being said, I was surprised I enjoyed it as much as I did. But that’s off a very low base of expectation.
As you might guess, we go back to see Han… just Han… as a delinquent youth trying to keep his head above water under the thrall of the Fagin-like Lady Proxima (who – no pun intended – keeps her head under the water for most of the time). He is desperate to pull off a con that’s lucrative enough that it will get him and his girlfriend Qi’ra (Emilia Clarke, “Me Before You“; “Terminator: Genisys“; “Game of Thrones”) off-planet and into a free life. Things don’t go to plan though and Han – now Han Solo – finds himself a trooper of the Galactic Empire. He links up with fellow rogues Beckett (Woody Harrelson, “War for the Planet of the Apes“; “Three Billboards in Ebbing, Missouri“), Val (Thandie Newton, “Westworld”, “2012”), Rio (voiced by Jon Favreau, “Spider-Man: Homecoming“; “Iron Man Three“) and their assertive and rebellious droid L3-37 (voiced by Phoebe Waller-Bridge) in a get-rich-or-die mission for vicious gang-boss Dryden Vos (Paul Bettany, “Avengers: Infinity War“).
The film has its moments for sure:
There are some nice background touches: an army recruitment video plays to the sound of John William’s empire march (played I am assured by my more musical wife in a major key to sound more uplifting and positive!);
Han’s first meeting with that famous walking carpet (played by Joonas Suotamo) is memorable, as is the introduction to that “card player, gambler and scoundrel” Lando Calrissian (Donald Glover, “The Martian“, “Spider-Man: Homecoming“): all flamboyance, self-regard and well-dressed ego;
solo2
Never count your money while you’re sitting at the table. Lando Calrissian played by Donald Glover putting his ship (you probably haven’t heard of it) on the line. (Source: Lucasfilm).
the character of L3-37 is an excellent addition to the saga, forcefully demanding equality for droids: I would have liked to have seen much more of her;
there is a nice twist on the Greedo/Han “who shot first” debate;
production design and special effects are up to standard for a Star Wars film, and I enjoyed John Powell’s score, incorporating a new ‘young Han’ theme from John Williams himself;
and Erin Kellyman (in here movie debut) is just breathtaking and strikingly brilliant as the be-freckled renegade Enfys Nest.
But overall it’s all a bit disjointed and jumbled, probably as befits its growing pains. We are introduced to Solo within five seconds of the film’s opening….. BAM! No exquisite ‘reveal’ as we saw with River Phoenix in “Indiana Jones and the Last Crusade”. I found this disconcerting and it took me ten minutes to get into the film as a result.
When it gets going it rather tries too hard to join up more Star Wars dots than it needs to. “Rogue One” did that exceedingly well, but that was because it needed to as ‘Episode 3.5’. Here there are visual and verbal references everywhere as the screenwriters (Lawrence and Jonathan Kasdan) desperately try to knit their story into the canon. As an example, the action moves to the mines of Kessel at one point. Kessel? Kessel? Wasn’t that a throwaway C3PO line from the “A New Hope” about being “smashed to who knows what” in said mines?. So obviously, in the WHOLE GALAXY that’s where the story leads us, with the local lingo for the hyperspace fuel McGuffin at the heart of the plot being “spice”! It’s all a bit too trite for my liking.
And while a key protagonist appearing near the end of the film (no spoilers) is both a startling surprise and great fun, don’t get me started on the timeline implications…. (see the spoiler section below the trailer for more).
Alden Ehrenreich, who was just brilliant in “Hail Caesar” (“Was that it t’WERRRE so simple“) for me barely makes it past bland in the lead role. One of the defining characteristics of Harrison Ford’s Solo was his swagger and bravado and unfortunately Ehrenreich barely rates a three out of ten on the scale. I also found the chemistry with Emelia Clarke to be lukewarm. Clarke still seems to be struggling to make a significant breakthrough to the big screen…. “Me Before You” still seems to be her high water mark so far. Here she has a key and complex role, but comes over as just plain unconvincing and “meh”.
Ron Howard has clearly done a good job in buffing up a poisoned chalice so it can at least share space on the Star Wars shelf without being laughed out of the Cantina. Perhaps with a more coordinated and thought-through run-up to a Solo sequel (more Enfys Nest please!) this offshoot might have legs.
Add into that proposition the decision to give the film initially to “The Lego Movie” directors Phil Lord and Christopher Miller (why Disney? why?); them trying to forge it as a ‘comedy’; them falling horribly short and being fired by Disney; Disney bringing Ron Howard (“Inferno“, “Rush“) in to try to salvage the project; and Howard reportedly re-shooting 75% of the film and you have the makings of a turkey of galactic proportions.
With all that being said, I was surprised I enjoyed it as much as I did. But that’s off a very low base of expectation.
As you might guess, we go back to see Han… just Han… as a delinquent youth trying to keep his head above water under the thrall of the Fagin-like Lady Proxima (who – no pun intended – keeps her head under the water for most of the time). He is desperate to pull off a con that’s lucrative enough that it will get him and his girlfriend Qi’ra (Emilia Clarke, “Me Before You“; “Terminator: Genisys“; “Game of Thrones”) off-planet and into a free life. Things don’t go to plan though and Han – now Han Solo – finds himself a trooper of the Galactic Empire. He links up with fellow rogues Beckett (Woody Harrelson, “War for the Planet of the Apes“; “Three Billboards in Ebbing, Missouri“), Val (Thandie Newton, “Westworld”, “2012”), Rio (voiced by Jon Favreau, “Spider-Man: Homecoming“; “Iron Man Three“) and their assertive and rebellious droid L3-37 (voiced by Phoebe Waller-Bridge) in a get-rich-or-die mission for vicious gang-boss Dryden Vos (Paul Bettany, “Avengers: Infinity War“).
The film has its moments for sure:
There are some nice background touches: an army recruitment video plays to the sound of John William’s empire march (played I am assured by my more musical wife in a major key to sound more uplifting and positive!);
Han’s first meeting with that famous walking carpet (played by Joonas Suotamo) is memorable, as is the introduction to that “card player, gambler and scoundrel” Lando Calrissian (Donald Glover, “The Martian“, “Spider-Man: Homecoming“): all flamboyance, self-regard and well-dressed ego;
solo2
Never count your money while you’re sitting at the table. Lando Calrissian played by Donald Glover putting his ship (you probably haven’t heard of it) on the line. (Source: Lucasfilm).
the character of L3-37 is an excellent addition to the saga, forcefully demanding equality for droids: I would have liked to have seen much more of her;
there is a nice twist on the Greedo/Han “who shot first” debate;
production design and special effects are up to standard for a Star Wars film, and I enjoyed John Powell’s score, incorporating a new ‘young Han’ theme from John Williams himself;
and Erin Kellyman (in here movie debut) is just breathtaking and strikingly brilliant as the be-freckled renegade Enfys Nest.
But overall it’s all a bit disjointed and jumbled, probably as befits its growing pains. We are introduced to Solo within five seconds of the film’s opening….. BAM! No exquisite ‘reveal’ as we saw with River Phoenix in “Indiana Jones and the Last Crusade”. I found this disconcerting and it took me ten minutes to get into the film as a result.
When it gets going it rather tries too hard to join up more Star Wars dots than it needs to. “Rogue One” did that exceedingly well, but that was because it needed to as ‘Episode 3.5’. Here there are visual and verbal references everywhere as the screenwriters (Lawrence and Jonathan Kasdan) desperately try to knit their story into the canon. As an example, the action moves to the mines of Kessel at one point. Kessel? Kessel? Wasn’t that a throwaway C3PO line from the “A New Hope” about being “smashed to who knows what” in said mines?. So obviously, in the WHOLE GALAXY that’s where the story leads us, with the local lingo for the hyperspace fuel McGuffin at the heart of the plot being “spice”! It’s all a bit too trite for my liking.
And while a key protagonist appearing near the end of the film (no spoilers) is both a startling surprise and great fun, don’t get me started on the timeline implications…. (see the spoiler section below the trailer for more).
Alden Ehrenreich, who was just brilliant in “Hail Caesar” (“Was that it t’WERRRE so simple“) for me barely makes it past bland in the lead role. One of the defining characteristics of Harrison Ford’s Solo was his swagger and bravado and unfortunately Ehrenreich barely rates a three out of ten on the scale. I also found the chemistry with Emelia Clarke to be lukewarm. Clarke still seems to be struggling to make a significant breakthrough to the big screen…. “Me Before You” still seems to be her high water mark so far. Here she has a key and complex role, but comes over as just plain unconvincing and “meh”.
Ron Howard has clearly done a good job in buffing up a poisoned chalice so it can at least share space on the Star Wars shelf without being laughed out of the Cantina. Perhaps with a more coordinated and thought-through run-up to a Solo sequel (more Enfys Nest please!) this offshoot might have legs.
Rachel King (13 KP) rated Water for Elephants in Books
Feb 11, 2019
This is one of those books that I read because I loved the movie first. So, I was quite surprised when I read how the book begins - with the murder of one of the main characters. When I further realized that August does not own the Benzini Brothers, I began to see the movie as its own story separate from the book.
Jacob is by far the most interesting character of the book, especially since he tells the story as an old man in a nursing home - and has the wisdom and experience to go with his age. His emotions are infectious and I longed to sit down with him and listen to all of his stories in person way before I finished the book.
August is the kind of villain that is confusing in his evil deeds - he has schizophrenia - which makes it somewhat unfair to dislike him so much. His irrational behavior has been exploited for the almighty dollar by Uncle Al - but the real villain tends to fade into the background.
Marlena is beautiful to the point of angelic, very little of what she does can be considered wrong in any way, as she is a victim struggling for freedom for most of the book. She approaches August's mood swings with the same caution due a wild animal, and remains faithful to him despite her personal feelings, and does not leave until he first betrays her. Considering how women today will leave their husbands for any reason, I admire her strong morals.
The background is set during the Great Depression, which made for many intense situations as the circus struggled to profit, as well as the survival of the cast of characters. Though I studied this period in American history, the direct experience gave me a clearer idea of the desperation of people alive during this time - how easily morals could be put on hold for the sake of another mouthful of food or another coin in the pocket. So many men of the circus would work without pay for the promise of another meal and unending hope that life could still improve.
Rosie, the elephant, is also one of the most fascinating characters in the book. She proved to be only one example of how animals were exploited to the point of cruelty for profit. I could not help wondering where the animal activists were.
Needless to say, this book sparked many conversations and inspired many moments of personal contemplation for me. I loved this book, and I highly recommend it.
Jacob is by far the most interesting character of the book, especially since he tells the story as an old man in a nursing home - and has the wisdom and experience to go with his age. His emotions are infectious and I longed to sit down with him and listen to all of his stories in person way before I finished the book.
August is the kind of villain that is confusing in his evil deeds - he has schizophrenia - which makes it somewhat unfair to dislike him so much. His irrational behavior has been exploited for the almighty dollar by Uncle Al - but the real villain tends to fade into the background.
Marlena is beautiful to the point of angelic, very little of what she does can be considered wrong in any way, as she is a victim struggling for freedom for most of the book. She approaches August's mood swings with the same caution due a wild animal, and remains faithful to him despite her personal feelings, and does not leave until he first betrays her. Considering how women today will leave their husbands for any reason, I admire her strong morals.
The background is set during the Great Depression, which made for many intense situations as the circus struggled to profit, as well as the survival of the cast of characters. Though I studied this period in American history, the direct experience gave me a clearer idea of the desperation of people alive during this time - how easily morals could be put on hold for the sake of another mouthful of food or another coin in the pocket. So many men of the circus would work without pay for the promise of another meal and unending hope that life could still improve.
Rosie, the elephant, is also one of the most fascinating characters in the book. She proved to be only one example of how animals were exploited to the point of cruelty for profit. I could not help wondering where the animal activists were.
Needless to say, this book sparked many conversations and inspired many moments of personal contemplation for me. I loved this book, and I highly recommend it.
Darren (1599 KP) rated 3 Days To Kill (2014) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 3 Days to Kill starts as we meet CIA agent Ethan Renner (Costner) who along with his team is about to take down one of the biggest threats in the world The Wolf (Sammel) by eliminating his closest associate The Albino (Lemarquis) only the mission gets compromised when Ethan’s health catches up with him as he learns he only has 3 months to live.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
Movie Metropolis (309 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 11, 2019
A film that never needed to exist
Marc Webb’s first attempt at being behind the lens of a Marvel film was 2012’s The Amazing Spider-Man. Just five years after Sam Raimi concluded his trilogy with Tobey Maguire in the tight fitting suit, Andrew Garfield donned the iconic costume in a film that was good if a little unnecessary. Here, Webb returns just two years later with The Amazing Spider-Man 2, but can it prove its worth?
Thankfully yes. Amazing Spider-Man 2 is not only the best Spider-Man film to date, but one of Marvel’s greatest offerings despite some flaws in its production.
Andrew Garfield and Emma Stone return as Peter Parker and Gwen Stacey respectively as they battle a whole host of new foes in a movie that is loud, frequently violent and massively long.
Peter is still trying to piece together the fate of his parents as Aunt May, played excellently by Sally Field, continues to keep the truth from him. However, there’s no time for anguish as the villains come thick-and-fast.
Jamie Foxx, Paul Giamatti and a superb Dane DeHaan are all present to give Spider-Man, and his alter ego, a good kicking. A brilliantly unrestrained Foxx plays Max Dillon who inexplicably becomes one of the title characters best on-screen foes, Electro.
Much of the criticism of Raimi’s 2007 blockbuster Spider-Man 3 was given to the inclusion of too many plots, sub-plots and villains. Therefore many fans and critics thought the case would be similar here, especially considering Electro, Green Goblin and Rhino were all billed to appear.
The-Amazing-Spider-Man-2-New-Poster-spider-man-35222096-1024-1421
Mercifully, Webb restrains himself and leaves much of the film’s running time to Electro while Rhino (Giamatti) and Green Goblin (DeHaan) are merely given glorified cameos; setting the characters up for a larger part in the inevitable Amazing Spider-Man 3 and 4.
The special effects are on a whole new level to what we have seen previously. Apart from a few lapses towards the climatic finale, where things can begin to look like a video game, the film looks absolutely fantastic. The soaring shots of Spider-Man swinging his way across New York landmarks are exceptional and Webb’s use of slow-motion frames bring home the spider like senses Parker has been gifted with.
Acting performances are also sublime. Parker is a much better Spider-Man than Maguire was in the previous films. His geeky, timid persona is brilliantly juxtaposed with the superhero’s more arrogant attitude. Yet he never becomes irritating, a la Spider-Man 3. Emma Stone’s portrayal of love interest Gwen Stacey is wonderful and she does a cracking job of making the pair have real chemistry despite how difficult it is for this to create – though it must always help when you are partnered in real life.
The real joy here though is Dane DeHaan as Harry Osborn/Green Goblin. His performance is the complete opposite of James Franco’s take, he makes Harry a more vulnerable young man, clearly damaged by previous events in his life, as well as the ones which will no doubt occur in the future.
Unfortunately, the film’s running time is a real headache. At 142 minutes, you begin to check your watch as there are numerous points where you believe it could end – though it never does. Thankfully, this is a minor issue in a film which rarely lets up in its riveting pace.
Overall, The Amazing Spider-Man 2 is a film which never really needed to exist, certainly not for another ten years or so. It is clear in some respects that its production has been rushed to capitalise on the ever-popular Marvel series, but in others it makes perfect sense to release it when the story is still fresh in people’s minds.
Despite some clunky special effects in the finale and its gargantuan length, Amazing Spider-Man 2 boasts excellent performances and a humorous and exciting story, and as such is one of Marvel’s best offerings to date, only beaten by Avengers Assemble. The only question is, was it all necessary?
https://moviemetropolis.net/2014/04/19/the-amazing-spider-man-2-review/
Thankfully yes. Amazing Spider-Man 2 is not only the best Spider-Man film to date, but one of Marvel’s greatest offerings despite some flaws in its production.
Andrew Garfield and Emma Stone return as Peter Parker and Gwen Stacey respectively as they battle a whole host of new foes in a movie that is loud, frequently violent and massively long.
Peter is still trying to piece together the fate of his parents as Aunt May, played excellently by Sally Field, continues to keep the truth from him. However, there’s no time for anguish as the villains come thick-and-fast.
Jamie Foxx, Paul Giamatti and a superb Dane DeHaan are all present to give Spider-Man, and his alter ego, a good kicking. A brilliantly unrestrained Foxx plays Max Dillon who inexplicably becomes one of the title characters best on-screen foes, Electro.
Much of the criticism of Raimi’s 2007 blockbuster Spider-Man 3 was given to the inclusion of too many plots, sub-plots and villains. Therefore many fans and critics thought the case would be similar here, especially considering Electro, Green Goblin and Rhino were all billed to appear.
The-Amazing-Spider-Man-2-New-Poster-spider-man-35222096-1024-1421
Mercifully, Webb restrains himself and leaves much of the film’s running time to Electro while Rhino (Giamatti) and Green Goblin (DeHaan) are merely given glorified cameos; setting the characters up for a larger part in the inevitable Amazing Spider-Man 3 and 4.
The special effects are on a whole new level to what we have seen previously. Apart from a few lapses towards the climatic finale, where things can begin to look like a video game, the film looks absolutely fantastic. The soaring shots of Spider-Man swinging his way across New York landmarks are exceptional and Webb’s use of slow-motion frames bring home the spider like senses Parker has been gifted with.
Acting performances are also sublime. Parker is a much better Spider-Man than Maguire was in the previous films. His geeky, timid persona is brilliantly juxtaposed with the superhero’s more arrogant attitude. Yet he never becomes irritating, a la Spider-Man 3. Emma Stone’s portrayal of love interest Gwen Stacey is wonderful and she does a cracking job of making the pair have real chemistry despite how difficult it is for this to create – though it must always help when you are partnered in real life.
The real joy here though is Dane DeHaan as Harry Osborn/Green Goblin. His performance is the complete opposite of James Franco’s take, he makes Harry a more vulnerable young man, clearly damaged by previous events in his life, as well as the ones which will no doubt occur in the future.
Unfortunately, the film’s running time is a real headache. At 142 minutes, you begin to check your watch as there are numerous points where you believe it could end – though it never does. Thankfully, this is a minor issue in a film which rarely lets up in its riveting pace.
Overall, The Amazing Spider-Man 2 is a film which never really needed to exist, certainly not for another ten years or so. It is clear in some respects that its production has been rushed to capitalise on the ever-popular Marvel series, but in others it makes perfect sense to release it when the story is still fresh in people’s minds.
Despite some clunky special effects in the finale and its gargantuan length, Amazing Spider-Man 2 boasts excellent performances and a humorous and exciting story, and as such is one of Marvel’s best offerings to date, only beaten by Avengers Assemble. The only question is, was it all necessary?
https://moviemetropolis.net/2014/04/19/the-amazing-spider-man-2-review/
Bob Mann (459 KP) rated Venom (2018) in Movies
Sep 28, 2021
A film that leaves you in two minds.
After all the terrible reviews of this movie (“The Times” reviewer described it as “excreble” which is harsh indeed) I was steeling myself to reach for my 1* rating. I was happy to find that it wasn’t quite as bad as I was expecting it to be. Indeed parts of it were positively good fun.
The plot
Tom Hardy plays Eddie Brock, a San Franciscan investigative reporter who is engaged to hot-shot lawyer Anne Weying (Michelle WIlliams). Brock is a bit of a maverick and always tends to push things a bit far, both at work and at home. Brock targets for his latest investigation Carlton Drake (Riz Ahmed): a billionaire space pioneer (I hope the producers got WELL lawyered up!) Drake is a Bond-style megalomaniac who is intend on saving mankind by merging humans with aliens to create a symbiotic organism. Not wishing to go through all the nampy-pamby clinical trials stuff, he is doing live research on vagrants and others who “won’t be missed”… with generally negative results. Infected accidently with the symbiont called Venom Brock’s future hangs in the balance: the meld will either kill him or else a new superhero will be born. (No guessing which!)
Review
For anyone with one foot already in the Spiderverse, Eddie Brock and his alter-ego Venom have appeared before, in the convoluted and pretty poor Tobey Maguire sequel “Spider-Man 3”. In that film Eddie (played by Topher Grace) was the boyfriend of Gwen Stacey (then played by Bryce Dallas-Howard) who was similarly infected by an alien symbiote and was transformed into Venom.
This new Venom incarnation is a Sony Pictures production “with” Marvel Studios, and although featuring a Stan Lee cameo it never quite feels like a Marvel picture. Posher critics have described it as “tonally inconsistent”…. which is posh-critic language for “it’s fecking all over the place”! And they are right. It veers suddenly from high drama and sci-fi action to plodding dialogue and Deadpool-style wisecracks with clutch-smoking rapidity. As such, the film never feels like it’s decided whether it wants to be at the po-faced Captain America end of the Marvel specturn or at the wise-cracking Deadpool/GotG end.
The Turns
Tom Hardy actually gets to spend a lot of this film without a mask over his face, which is certainly a novelty! And he gives it his all acting wise which will please his army of fans. But his pairing with the Oscar-winning Michelle Williams never feels comfortable: there seems little chemistry between the pair given that they are an “item”. None of this is helped by the grindingly turgid script which gives the pair, plus Reid Scott (“Dan” from “Veep”) as the third corner in the love triangle, some truly dire dialogue to spout at each other.
An act I did like in the film was Riz Ahmed as the “really bad guy” Drake. I found Ahmed extremely annoying in “Rogue One”, but here he slides into the smarmy evil role perfectly. A better script, like a future Bond film, would have benefitted from the turn!
Woody Harrelson also turns up in a mid-credit “monkey” as the supervillain Cletus Kasady, which meant nothing to me but certainly does to comic-book fans. (By the way, there is no “monkey” at the end of the film, but there is a 6 minute clip from the upcoming “Into the Spider Verse” cartoon feature tacked onto the end – at least of this Cineworld showing – which may or may not interest you).
A technical shout-out should go to Swedish composer Ludwig Göransson (who’s previously done “Black Panther” and “Creed”): an unusual soundtrack with odd electronica, eerie electric-guitar riffs for Eddie’s theme interspersed with exciting fast-paced action beats.
Final Thoughts
I must admit that from starting with a cynical “don’t want to know” approach to the Marvel Universe, the damn thing is slowly wearing me down into being kind of intrigued with what they are going to do next. This is not a classic Marvel flick, but for me it wasn’t nearly as bad as some of the critical reviews have made it out to be. I saw this alone: and we were quite entertained.
The plot
Tom Hardy plays Eddie Brock, a San Franciscan investigative reporter who is engaged to hot-shot lawyer Anne Weying (Michelle WIlliams). Brock is a bit of a maverick and always tends to push things a bit far, both at work and at home. Brock targets for his latest investigation Carlton Drake (Riz Ahmed): a billionaire space pioneer (I hope the producers got WELL lawyered up!) Drake is a Bond-style megalomaniac who is intend on saving mankind by merging humans with aliens to create a symbiotic organism. Not wishing to go through all the nampy-pamby clinical trials stuff, he is doing live research on vagrants and others who “won’t be missed”… with generally negative results. Infected accidently with the symbiont called Venom Brock’s future hangs in the balance: the meld will either kill him or else a new superhero will be born. (No guessing which!)
Review
For anyone with one foot already in the Spiderverse, Eddie Brock and his alter-ego Venom have appeared before, in the convoluted and pretty poor Tobey Maguire sequel “Spider-Man 3”. In that film Eddie (played by Topher Grace) was the boyfriend of Gwen Stacey (then played by Bryce Dallas-Howard) who was similarly infected by an alien symbiote and was transformed into Venom.
This new Venom incarnation is a Sony Pictures production “with” Marvel Studios, and although featuring a Stan Lee cameo it never quite feels like a Marvel picture. Posher critics have described it as “tonally inconsistent”…. which is posh-critic language for “it’s fecking all over the place”! And they are right. It veers suddenly from high drama and sci-fi action to plodding dialogue and Deadpool-style wisecracks with clutch-smoking rapidity. As such, the film never feels like it’s decided whether it wants to be at the po-faced Captain America end of the Marvel specturn or at the wise-cracking Deadpool/GotG end.
The Turns
Tom Hardy actually gets to spend a lot of this film without a mask over his face, which is certainly a novelty! And he gives it his all acting wise which will please his army of fans. But his pairing with the Oscar-winning Michelle Williams never feels comfortable: there seems little chemistry between the pair given that they are an “item”. None of this is helped by the grindingly turgid script which gives the pair, plus Reid Scott (“Dan” from “Veep”) as the third corner in the love triangle, some truly dire dialogue to spout at each other.
An act I did like in the film was Riz Ahmed as the “really bad guy” Drake. I found Ahmed extremely annoying in “Rogue One”, but here he slides into the smarmy evil role perfectly. A better script, like a future Bond film, would have benefitted from the turn!
Woody Harrelson also turns up in a mid-credit “monkey” as the supervillain Cletus Kasady, which meant nothing to me but certainly does to comic-book fans. (By the way, there is no “monkey” at the end of the film, but there is a 6 minute clip from the upcoming “Into the Spider Verse” cartoon feature tacked onto the end – at least of this Cineworld showing – which may or may not interest you).
A technical shout-out should go to Swedish composer Ludwig Göransson (who’s previously done “Black Panther” and “Creed”): an unusual soundtrack with odd electronica, eerie electric-guitar riffs for Eddie’s theme interspersed with exciting fast-paced action beats.
Final Thoughts
I must admit that from starting with a cynical “don’t want to know” approach to the Marvel Universe, the damn thing is slowly wearing me down into being kind of intrigued with what they are going to do next. This is not a classic Marvel flick, but for me it wasn’t nearly as bad as some of the critical reviews have made it out to be. I saw this alone: and we were quite entertained.
Gareth von Kallenbach (980 KP) rated The Interview (2014) in Movies
Aug 6, 2019
Thanks to the negative attention that “The Interview” received, it will be viewed by many more people than it would have without the controversy. The film, which was almost never released due to a cyberattack on Sony, is now the most widely accessible of this season.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
Emma @ The Movies (1786 KP) rated Once Upon A Deadpool (Deadpool 2 PG-13 Version) (2018) in Movies
Sep 25, 2019
So you want to see a family friendly version of Deadpool 2? Well you're out of luck because after all their editing it didn't make it past the 12A certificate criteria and had to be released as a 15 again. It still deserved that 15, it wasn't exactly hiding it's sweary side very well, and the violence is still there, you just don't get splattered with as much blood.
The editing unfortunately leaves you with some obvious continuity errors. The one that bugged me the most was the scene where DP is shot through the hand. They've left out the CGI for the gaping hole but it appears later in the film.
But lets look at the extra content you get.
Fred Savage and DP cut into the film in a homage to The Princess Bride. It's an amusing addition and I really did enjoy the Matt Damon skit.
They also edited the Stan Lee mural to say RIP, it definitely made it stick out more as I completely missed it the first time I saw DP2 at the cinema.
We also got an extra three credit scenes. One before the existing ones and two after. I nearly left... I was convinced that the fourth one was the end and I stood up to leave just as the fifth one started, and someone shouted at me to sit down. I'm not even mad, I was shouting internally at myself too. I was so glad to have seen it. The end Stan Lee montage brought a tear to my eye and was horribly poignant footage.
Is it in any way an improvement on the original? Absolutely not. Was it worth watching at the cinema? Definitely, yes. The screen was packed with people who knew what they were getting and were just there to have fun. (Apart from the two people who left after about ten minutes... spoil-sports.) We laughed together like it was the first time we'd seen the film and it was a great experience. With tickets in our cinema currently £5 of free with your Unlimited card it was well worth seeing on the big screen for the experience.
I'm left actively annoyed now though because it'll probably be another DVD I have to buy. Really there is no way to make Deadpool family friendly without taking everything away that makes him so fun. The ideal scenario would have been to have the Fred Savage bits edited together with the relevant snippets of the film and had it as a 20 minutes extra when they released it to buy. That or create a MST3K style commentary track for the film where you just see DP silently miming actions to Savage while he's telling him the story and we're watching the film, then having DP physically pause the film when Savage asks him questions so that they can do the scenes. Okay, I'm calm again now.
What you should do
I don't know if they're going to release it to buy or stream, and it was a one hit wonder at the cinema so I'm not really sure what you'll be able to do about seeing it. Ultimately though it's probably just worth watching the original again in all it's sweary and bloody glory.
Movie thing you wish you could take home
From this adaptation I think I'd like to have the bleeping buzzer that Deadpool uses in the added scenes. That would really come in handy on a day to day basis.
The editing unfortunately leaves you with some obvious continuity errors. The one that bugged me the most was the scene where DP is shot through the hand. They've left out the CGI for the gaping hole but it appears later in the film.
But lets look at the extra content you get.
Fred Savage and DP cut into the film in a homage to The Princess Bride. It's an amusing addition and I really did enjoy the Matt Damon skit.
They also edited the Stan Lee mural to say RIP, it definitely made it stick out more as I completely missed it the first time I saw DP2 at the cinema.
We also got an extra three credit scenes. One before the existing ones and two after. I nearly left... I was convinced that the fourth one was the end and I stood up to leave just as the fifth one started, and someone shouted at me to sit down. I'm not even mad, I was shouting internally at myself too. I was so glad to have seen it. The end Stan Lee montage brought a tear to my eye and was horribly poignant footage.
Is it in any way an improvement on the original? Absolutely not. Was it worth watching at the cinema? Definitely, yes. The screen was packed with people who knew what they were getting and were just there to have fun. (Apart from the two people who left after about ten minutes... spoil-sports.) We laughed together like it was the first time we'd seen the film and it was a great experience. With tickets in our cinema currently £5 of free with your Unlimited card it was well worth seeing on the big screen for the experience.
I'm left actively annoyed now though because it'll probably be another DVD I have to buy. Really there is no way to make Deadpool family friendly without taking everything away that makes him so fun. The ideal scenario would have been to have the Fred Savage bits edited together with the relevant snippets of the film and had it as a 20 minutes extra when they released it to buy. That or create a MST3K style commentary track for the film where you just see DP silently miming actions to Savage while he's telling him the story and we're watching the film, then having DP physically pause the film when Savage asks him questions so that they can do the scenes. Okay, I'm calm again now.
What you should do
I don't know if they're going to release it to buy or stream, and it was a one hit wonder at the cinema so I'm not really sure what you'll be able to do about seeing it. Ultimately though it's probably just worth watching the original again in all it's sweary and bloody glory.
Movie thing you wish you could take home
From this adaptation I think I'd like to have the bleeping buzzer that Deadpool uses in the added scenes. That would really come in handy on a day to day basis.
Gareth von Kallenbach (980 KP) rated Super 8 (2011) in Movies
Aug 7, 2019
Writer/Director/Producer JJ Abramas is one of film and televisions hottest talents. With credits that include Lost, Fringe, Alias, “Mission Impossible 3“, “Cloverfield“, and “Star Trek” on his resume and several projects in the works, Abrams is one of the shining young talents in Hollywood.
For his new film “Super 8” Abrams uses a small Ohio town in the summer of 1979 to set the stage for his tale about a group of friends who while shooting a zombie film project make a discovery that will shake the foundation of their rural community.
Following the tragic death of his mother in a mill accident, Joe Lamb (Joel Courtney), is deep in dispair over his loss. His father deputy Lamb (Kyle Chandler), is focused on his work and with this own grieving that he has no time to bond with his son.
When summer break arrives deputy Lamb thinks that Joe would be better off spedning a few weeks at a baseball camp instead of associating with his friends and making what he believes is a stupid zombie film.
Wishing to stay with his friends, Joe works to help his friend Charles (Riley Griffiths), finish his Super 8 film for a contest by providing the makeup for the film. When the group of friends sneak out one evening to film scenes at a train platform they are thrilled to have a local girl named Alice (Elle Fanning), on board the production. Joe has long had interest in Alice and the fact that she has borrowed her fathers car to drive them despite having her license is a big plus.
The filming is going well when they notice a truck driving into the path of an oncoming train and setting off a spectacular derailment and series of explosions.
When the smoke clears the friends learn that the truck was driven by their high school biology teacher who warns them not to say a word as their lives as well as their families lives will be in danger .
The friends return to town and keep quiet about what they have seen even when the military shows up and is clearly hiding something from the local population. When a series of bizzare events start to unfold it becomes clear that something has escaped from the train wreckage, and it is something that the military will go to any lengths to recover and are not about to let anyone stand in their way.
Caught between the military and a creature on the loose, Joe and his friends must find a way to get to the truth and save their town and friends before its to late.
The film moves at a very steady pace that does not lend itself to an action film. The movie is a character driven film about the youngsters and their coming of age relationships with one another as they are faced with a situation beyond their comprehension.
There is a good amount of humor in the film and the youngcast does very well with one another. I especially liked the character of Cary (Ryan Lee), who is obsesses with explosives and blowing things up. He provided plenety of light moments in the film as did other cast members who brought humanity to their parts with their foibles like having a weak stomach in times of stress.
My biggest issue with the film was that as good as the cast was the pacing was to slow as there was not enough action and suspense to sustain the films premise. The reveal of the creature was fairly matter of fact and lacked any real tension or surprise.
The film also suffered from having the adults in the film for the most part come across as incompetant individuals which forced the children to take action.
While this can be overlooked, I think the film could have used some more action and suspense as well as a tighter transition and pacing to the films final act as it came across as all to familiar with very little in the way of suspense or thrills.
“Super 8” played out as JJ Abrams nostalgic homage to the Steven Spielberg (who produced the film) movies of his childhood which so clearly influenced him. I saw many elements of Spielberg directed or produced classic such as the shadowy authority figures, child heroes, and the sense of wonder and growing up that made such fims as “E.T”, “Close Encounters of the Third Kind”, “Gremlins” and “The Goonies” such beloved films.
That being said, “Super 8” is a fun and entertaining summer film that is enjoyable if not original. The nostalgic soundtrack and look of the era is captured well and provides for a pleasant summer distraction.
For his new film “Super 8” Abrams uses a small Ohio town in the summer of 1979 to set the stage for his tale about a group of friends who while shooting a zombie film project make a discovery that will shake the foundation of their rural community.
Following the tragic death of his mother in a mill accident, Joe Lamb (Joel Courtney), is deep in dispair over his loss. His father deputy Lamb (Kyle Chandler), is focused on his work and with this own grieving that he has no time to bond with his son.
When summer break arrives deputy Lamb thinks that Joe would be better off spedning a few weeks at a baseball camp instead of associating with his friends and making what he believes is a stupid zombie film.
Wishing to stay with his friends, Joe works to help his friend Charles (Riley Griffiths), finish his Super 8 film for a contest by providing the makeup for the film. When the group of friends sneak out one evening to film scenes at a train platform they are thrilled to have a local girl named Alice (Elle Fanning), on board the production. Joe has long had interest in Alice and the fact that she has borrowed her fathers car to drive them despite having her license is a big plus.
The filming is going well when they notice a truck driving into the path of an oncoming train and setting off a spectacular derailment and series of explosions.
When the smoke clears the friends learn that the truck was driven by their high school biology teacher who warns them not to say a word as their lives as well as their families lives will be in danger .
The friends return to town and keep quiet about what they have seen even when the military shows up and is clearly hiding something from the local population. When a series of bizzare events start to unfold it becomes clear that something has escaped from the train wreckage, and it is something that the military will go to any lengths to recover and are not about to let anyone stand in their way.
Caught between the military and a creature on the loose, Joe and his friends must find a way to get to the truth and save their town and friends before its to late.
The film moves at a very steady pace that does not lend itself to an action film. The movie is a character driven film about the youngsters and their coming of age relationships with one another as they are faced with a situation beyond their comprehension.
There is a good amount of humor in the film and the youngcast does very well with one another. I especially liked the character of Cary (Ryan Lee), who is obsesses with explosives and blowing things up. He provided plenety of light moments in the film as did other cast members who brought humanity to their parts with their foibles like having a weak stomach in times of stress.
My biggest issue with the film was that as good as the cast was the pacing was to slow as there was not enough action and suspense to sustain the films premise. The reveal of the creature was fairly matter of fact and lacked any real tension or surprise.
The film also suffered from having the adults in the film for the most part come across as incompetant individuals which forced the children to take action.
While this can be overlooked, I think the film could have used some more action and suspense as well as a tighter transition and pacing to the films final act as it came across as all to familiar with very little in the way of suspense or thrills.
“Super 8” played out as JJ Abrams nostalgic homage to the Steven Spielberg (who produced the film) movies of his childhood which so clearly influenced him. I saw many elements of Spielberg directed or produced classic such as the shadowy authority figures, child heroes, and the sense of wonder and growing up that made such fims as “E.T”, “Close Encounters of the Third Kind”, “Gremlins” and “The Goonies” such beloved films.
That being said, “Super 8” is a fun and entertaining summer film that is enjoyable if not original. The nostalgic soundtrack and look of the era is captured well and provides for a pleasant summer distraction.
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