"This is my favorite movie of all time, and the only one that I watch on an annual schedule (Thanksgiving) other than A Muppet Christmas Carol (Christmas). I first saw it on that holiday, and the experience was so meaningful that I suppose I’m always trying to recapture it. Coincidentally, on Thanksgiving my family used to travel to West Virginia, where the novel’s author, Davis Grubb, was from, and where the book is set. Grubb arguably doesn’t get enough credit for the look and feel of the film: I can’t really think of a movie that is more faithful to the tone and even letter of its source, and Grubb also essentially storyboarded the film. It’s such a rich parable of good and evil, and a boundlessly profound exploration of intangibles like innocence, loss, deceit, and the yearning to be loved. Although terror is a central theme, it’s ultimately a very comforting film."

"“Free Solo” is the rock climbing documentary du jour, and for very just cause. But Alex Honnold’s climbing partner Tommy Caldwell is also the subject of his own documentary, about a different historic ascent of El Capitan. It was directed by Josh Lowell and Peter Mortimer, and was released almost simultaneously with “Free Solo,” and thus hasn’t gotten the attention it deserves. I saw it at its premiere at SXSW in March, at which the entire audience erupted into a standing ovation – during the movie! I couldn’t help but go back for an encore screening a few nights later, which I think is the first time I’ve ever seen a movie twice at a film festival. While Honnold’s achievement is certainly more historic, Caldwell’s unbelievable life story and his accent of the titular wall with Kevin Jorgensen makes for one of the most triumphant feel-great narratives I’ve seen in years. I would recommend watching both docs, back to back, and then joining a climbing gym."

"In terms of performances, I still watch that film and am stunned by Robert De Niro. It’s such a carefully studied performance and he’s extraordinary in that movie. I watch it just for the glee, even though it’s quite a dark film — I watch it and I love him in that film, it’s just like watching someone do an amazing guitar solo. But I also love Scorsese’s sort of sleight of hand in that movie; the way that the story is told, every performance in the film from Peter Boyle and Cybill Shepherd, and everyone in between –Scorcese himself in that awful, cokey, monstrous revenger in the back of that car. It’s like watching a very slow car crash and there is great value in that, I think."