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Sherlock, Jr.  (1924)
Sherlock, Jr. (1924)
1924 | Classics, Comedy
7
8.7 (3 Ratings)
Movie Rating
I have seen and very much enjoyed the work of Buster Keaton in the past, most notably The General, which knocked me sideways by how inventive and genuinely funny it was. My main movie love for the silent era is Charlie Chaplin, and much like it is possible to like The Beatles and The Rolling Stones but only truly love one, Keaton will always be second best for me. But what a second best. Genius is an overused word, of course, but pioneer says it better anyway. The sheer volume of invention per minute is magnificent – from the technical editing techniques that were created just for this film, to the forms of visual comedy that broke the mould and raised the bar in every scene.

Most memorable is the cinema scene where Keaton’s love sick amateur sleuth tries to hide by actually entering the screen – a trick paid homage to in many movies since, including Woody Allen’s The Purple Rose of Cairo. It is astonishing to think he not only thought of doing this in 1924, but also pulled it off with jaw-dropping special effects for the time. It’s also really funny. You don’t have to force a laugh because you feel you should, it is still clever and amusing almost 100 years later. In fact, the entire 46 minute print still looks so good it is hard to believe it is that old in any way. Surely one of a handful of half length films from the period that will always be watched for what they are and not just museum pieces.
  
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Heather Cranmer (2721 KP) created a post

May 20, 2022  
Sneak a peek at the culinary cozy mystery novel IT'S A MAD, MAD MURDER by Cindy Vincent on my blog, and enter the giveaway for a chance to win a signed copy of the book, a sweetheart-neckline apron, a set of multicolored, Farberware measuring cups, and a set of stainless steel, oblong measuring spoons!

https://alltheupsandowns.blogspot.com/2022/05/book-blitz-and-giveaway-its-mad-mad.html

**BOOK SYNOPSIS**
Things are a little too hot to handle for famous culinary-mystery author, Maddie Montgomery, in her normally quiet neighborhood set in the Houston suburb of Abbott Cove. Especially after her neighbor, Randall Rathburn, has a heart attack and rams his vintage car into a light pole. Though his death is ruled an accident, another of Maddie’s neighbors insists that Randall was murdered, and he implores her to investigate. But Maddie isn’t on board with the half-baked idea, not until she attends the over-the-top funeral where she develops some suspicions of her own. That’s when she decides to take the leap from crime writing to crime solving. After all, she doesn’t exactly want a killer running around her cul-de-sac . . .

But the murder of her neighbor isn’t the only mystery she’s got cooking. When her publisher goes belly-up and her agent happily dumps her in favor of younger, dystopian authors, Maddie boils over into a full-blown career crisis. And while she tries to simmer down, her new role as amateur sleuth only stirs the pot even more. Then from car chases to stakeouts, and from a neighbor who owns a suspicious amount of spy gadgetry to a widow who seems a little too merry, Maddie’s first case has her head spinning like the beaters on her handheld mixer. And soon Maddie finds that solving a crime in “real life” is a lot more difficult . . . and a lot more dangerous . . .