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Kristy H (1252 KP) rated Small Great Things in Books
Feb 1, 2018
Ruth Jefferson is a successful labor and delivery nurse with over twenty years of experience. She has a nice home and a college-bound seventeen-year-old son, Edison. She also happens to be African American. When Ruth takes over for a colleague at shift change, she is simply doing a checkup on newborn baby boy Davis. But after his checkup, she's told Davis' parents don't want her touching their child. A post-it note in his file states that no African American staff should be touching the patient. Ruth is shocked-- and angry. The next day, when Davis has a medical emergency, Ruth is faced with a choice. Does she help the baby--defying the order of the parents and her supervisor? Ruth's decision leads her on a path that involves the police and being charged with a serious crime. Police come into her home, handcuffing her and her son. Her public defender, Kennedy McQuarrie, recommends that Ruth's defense not involve race: a lightning rod for juries, she says. But Ruth is angry and humiliated and wants to clear her name, at whatever the cost.
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
Darren (1599 KP) rated 96 Minutes (2012) in Movies
Jun 20, 2019
Story: 96 Minutes starts by introducing us to all the characters involved, we have Lena (Serratos) a young woman questioning her relationship choice, Raymond (Martin) working hard at school and a job for Duane (Oyelowo), Kevin (Trautmann) an angry young man who doesn’t enjoy his life where his mother has caused problems, Dre (Ross) a young man that is finally achieving his grades but won’t leave his past behind him and Carley (Snow) a student that is studying law. All of this is leads to a carjacking gone wrong.
The carjacking includes an injured Lena being cared for by Carley after Kevin gets into the mind-set of trying to impress the local gang that Dre gets dragged into supporting his friend.
96 Minutes is a drama thriller that shows the effects of one wrong moment in life, we see how these four people are trying to start something in their lives but when they clash each person’s life will be changed. The film shows how the four characters are average everyday people that shows us how easily anyone could fall into the events. The story does bounce between showing us the normal lives of our characters and the carjacking which shows the character’s mind-sets are through each situation. This is a very powerful drama that is very good to watch.
Actor Review
Brittany Snow: Carley is the law student that is about to graduate but without her father seeing the important part of her life. She finds herself on the wrong end of a carjacking where she must tend to the wounds Lena has received. Brittany showed she can pull off a serious role to go against her more commercial roles.carley
Christian Serratos: Lena is a fellow student that is having an awful day when she discovers her boyfriend is seeing someone else, she then wrecks her car and just wanting to go home she finds herself injured during a carjacking. Christian is great in this role even with half of the film she finds herself injured.
J Michael Trautmann: Kevin is an angry young man who lives with his constantly abused mother while trying to impress the local gang. He is good friends with Dre who tries to calm him down but this only leads to him jacking Carley’s car putting Dre’s future at risk too. J is also great in this role showing how easily young men can be pushed into committing crimes.
Evan Ross: Dre is a young man from the wrong neighbourhood who has achieved something by graduating and wants to show Kevin the future he could one day have. He ends up being the driver in the carjacking but wants to do the right thing. Evan gives us a great performance where he shines through.dre
Support Cast: 96 Minutes has a supporting cast that really works well with our main four characters.
Director Review: Aimee Lagos – Aimee gives us a powerful drama that keeps us on edge wondering what is happens next.
Thriller: 96 Minutes keeps us wondering what will happen to our characters next as the story unfolds.
Settings: 96 Minutes shows the two worlds clashing with two boys coming from the wrong side of town trying to make their own future while the girls show where the next stage will be.
Suggestion: 96 Minutes is one I think everyone should watch at least once. (Watch)
Best Part: Performances are brilliant.
Worst Part: Jumping between the two sometimes comes off confusing.
Believability: Inspired by true events.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 33 Minutes
Tagline: Out of options. Out of control. Out of time.
Overall: Brilliant drama that really sucks you in to see one life changing events.
https://moviesreview101.com/2016/05/31/96-minutes-2011/
The carjacking includes an injured Lena being cared for by Carley after Kevin gets into the mind-set of trying to impress the local gang that Dre gets dragged into supporting his friend.
96 Minutes is a drama thriller that shows the effects of one wrong moment in life, we see how these four people are trying to start something in their lives but when they clash each person’s life will be changed. The film shows how the four characters are average everyday people that shows us how easily anyone could fall into the events. The story does bounce between showing us the normal lives of our characters and the carjacking which shows the character’s mind-sets are through each situation. This is a very powerful drama that is very good to watch.
Actor Review
Brittany Snow: Carley is the law student that is about to graduate but without her father seeing the important part of her life. She finds herself on the wrong end of a carjacking where she must tend to the wounds Lena has received. Brittany showed she can pull off a serious role to go against her more commercial roles.carley
Christian Serratos: Lena is a fellow student that is having an awful day when she discovers her boyfriend is seeing someone else, she then wrecks her car and just wanting to go home she finds herself injured during a carjacking. Christian is great in this role even with half of the film she finds herself injured.
J Michael Trautmann: Kevin is an angry young man who lives with his constantly abused mother while trying to impress the local gang. He is good friends with Dre who tries to calm him down but this only leads to him jacking Carley’s car putting Dre’s future at risk too. J is also great in this role showing how easily young men can be pushed into committing crimes.
Evan Ross: Dre is a young man from the wrong neighbourhood who has achieved something by graduating and wants to show Kevin the future he could one day have. He ends up being the driver in the carjacking but wants to do the right thing. Evan gives us a great performance where he shines through.dre
Support Cast: 96 Minutes has a supporting cast that really works well with our main four characters.
Director Review: Aimee Lagos – Aimee gives us a powerful drama that keeps us on edge wondering what is happens next.
Thriller: 96 Minutes keeps us wondering what will happen to our characters next as the story unfolds.
Settings: 96 Minutes shows the two worlds clashing with two boys coming from the wrong side of town trying to make their own future while the girls show where the next stage will be.
Suggestion: 96 Minutes is one I think everyone should watch at least once. (Watch)
Best Part: Performances are brilliant.
Worst Part: Jumping between the two sometimes comes off confusing.
Believability: Inspired by true events.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 33 Minutes
Tagline: Out of options. Out of control. Out of time.
Overall: Brilliant drama that really sucks you in to see one life changing events.
https://moviesreview101.com/2016/05/31/96-minutes-2011/
Ivana A. | Diary of Difference (1171 KP) rated The Furies in Books
Feb 3, 2020
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<b><i>A high-school mystery full of suspense. A murder, a questionable friendship and witchcraft. The Furies is a modern take of all witchcraft legends and curses!</i></b>
When a teenage girl is found dead, sitting on a swing, with no clues of how the death occurred, we are set up to trust no one from the very beginning. The story begins with Violet, who start the story from the very beginning, until finally leading us to how and why this murder happened. She comes to the new school and she becomes friends with an elite group of girls and a secret advanced study group, that focuses on witchcraft and influential witches connected to the school.
From the fist to the last chapter, you can feel the suspense. The story is unique and it certainly kept me on my toes. I had trouble with who the narrator is, and in each chapter it’s Violet, but because it was written in first person and her tone changed, I kept looking for clues as to whether the narrator has changed or not. The names are also not mentioned often, which added a bit of agitation at times.
I loved every part of the book that included witchcraft. There were awful lot of scenes about this, so trust me, I was more than satisfied. From witchcraft history, to a secret society, to performing rituals, The Furies will teleport you in that world.
I liked how the friendships were developed, but I didn’t cheer for them. I could perfectly understand how all girls felt and why they all made certain choices, and that is due to the excellent writing skills Katie has. I felt different emotions for them all, loved them, hated them and pitied them.
I couldn’t help but be annoyed with Violet, for never saying no, for settling, for being so naive and so needy to be accepted. I couldn’t help but be angry at her for knowing things and choosing to do nothing about it. I felt so angry at the girls, for all the drama caused and for discouraging people around them. I can’t help but feel conflicted with Violet though, because despite everything, she belonged in that group, and with those friends. As wrong as it may sound, she did fit. But with time, she did change and she did find her true self. And her development was the gem that made me really fall in love with this book.
<b>And then it struck me…</b>
I wasn’t mad at Violet. I was mad at all of us that have been in such position and chose the wrong things. I felt upset at all of us, who have changed themselves to fit in a group and forgot who they really are. To all of us, who were too afraid to say no to the popular girls in high-school.
I highly recommend it to all girls in high-school, to all mums and to everyone that loves witchcraft and mystery. You will definitely love this book!
Thank you to Katie Lowe, and the publisher, HarperCollins, for sending me a free hardcover copy in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/05/Book-Review-Banner-2.png?resize=1024%2C576&ssl=1"/>;
<b><i>A high-school mystery full of suspense. A murder, a questionable friendship and witchcraft. The Furies is a modern take of all witchcraft legends and curses!</i></b>
When a teenage girl is found dead, sitting on a swing, with no clues of how the death occurred, we are set up to trust no one from the very beginning. The story begins with Violet, who start the story from the very beginning, until finally leading us to how and why this murder happened. She comes to the new school and she becomes friends with an elite group of girls and a secret advanced study group, that focuses on witchcraft and influential witches connected to the school.
From the fist to the last chapter, you can feel the suspense. The story is unique and it certainly kept me on my toes. I had trouble with who the narrator is, and in each chapter it’s Violet, but because it was written in first person and her tone changed, I kept looking for clues as to whether the narrator has changed or not. The names are also not mentioned often, which added a bit of agitation at times.
I loved every part of the book that included witchcraft. There were awful lot of scenes about this, so trust me, I was more than satisfied. From witchcraft history, to a secret society, to performing rituals, The Furies will teleport you in that world.
I liked how the friendships were developed, but I didn’t cheer for them. I could perfectly understand how all girls felt and why they all made certain choices, and that is due to the excellent writing skills Katie has. I felt different emotions for them all, loved them, hated them and pitied them.
I couldn’t help but be annoyed with Violet, for never saying no, for settling, for being so naive and so needy to be accepted. I couldn’t help but be angry at her for knowing things and choosing to do nothing about it. I felt so angry at the girls, for all the drama caused and for discouraging people around them. I can’t help but feel conflicted with Violet though, because despite everything, she belonged in that group, and with those friends. As wrong as it may sound, she did fit. But with time, she did change and she did find her true self. And her development was the gem that made me really fall in love with this book.
<b>And then it struck me…</b>
I wasn’t mad at Violet. I was mad at all of us that have been in such position and chose the wrong things. I felt upset at all of us, who have changed themselves to fit in a group and forgot who they really are. To all of us, who were too afraid to say no to the popular girls in high-school.
I highly recommend it to all girls in high-school, to all mums and to everyone that loves witchcraft and mystery. You will definitely love this book!
Thank you to Katie Lowe, and the publisher, HarperCollins, for sending me a free hardcover copy in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Neil Goddard (3 KP) rated Godzilla: King of the Monsters (2019) in Movies
Feb 27, 2020
No Actors Required
Contains spoilers, click to show
I have a theory about movies that are 100% CGI; when someone isn’t a great actor and they are required only to supply a voice and they still aren’t very good, it really stands out.
Now, imagine you’re watching a film. I don’t know, maybe a bit creature epic, larger than life with whole cities being destroyed. The creature’s look amazing and the carnage they are wreaking is fabulous; buildings, helicopters, cars, all flying around the screen with a swish of a mighty reptilian tale. Now imagine that the actors, real people, not CGI, are, at best, bland and in some instances just outright terrible.
Annoying isn’t it?
It would lead one to believe that the film makers didn’t really put any stock in the human interactions, rather just gave a huge wad of cash to an SFX company and said, “Fill your boots, the more the merrier, make everything f---ing enormous!”
Godzilla (2014) was the second time Hollywood has attempted to make a film featuring Japan’s kaiju supremo and it was the first successful attempt from Hollywood, given that the 1998 Roland Emmerich attempt was basically Lost World: Jurassic Park (1997) but with added daddy issues (Roland Emmerich’s trademark).
Gareth Edwards 2014 first entry in the MonsterVerse was a huge success, financially and artistically. We saw a Godzilla that was of a scale we’d always wanted, towering over buildings, a reptilian God and we’re just the ants trying to not get squished.
Godzilla: King of Monsters attempts to up the ante by throwing a dozen or so monsters at the story. “Godzilla fought two MUTO’s did he, well… hold my beer!” Yeah, we’ll hold your beer while you get Millie Bobby Brown to stand there teary eyed for most of the film (a waste), Vera Farmiga to go from bereaved workaholic, to eco-terrorist to pointless self-sacrifice (unfathomable), and for Kyle Chandler to… well, Christ knows what Kyle Chandler was doing, apart from spitting terrible dialogue badly and then standing/sitting/walking looking angry but unconvincingly. Bradley Whitford provided some nice comic relief, he does droll sarcasm immensely well, Charles Dance is underused (and then forgotten about) and Zhang Ziyi tries to out-Kyle-Chandler Kyle Chandler in the bland, borderline useless stakes.
Worse than any failing on the human emotion side of the story are the huge liberties they take with global travel, like, one of side of the world to the other in a very short space of time. I mean Godzilla can do it because of some tunnels under the sea that he uses, possible the ones used in the science-denying sci-fi car crash abomination The Core (2003), but for the humans to just pop to Venezuela or the Antarctic is unforgivable.
This kind of leaps of reality always leads me to lose interest in the events in a film and start thinking around the script. In a film where everything everyone says is of dire emergency or import and then we see them in another part of the world some time later, what have they been talking about for all that time. Have they been napping? If so, it’s hasn’t eased any of the pointless angry posturing. Have they been chatting about boring everyday stuff? There is no hint of a relationship between any of these people who are spending potentially their last moments on earth together with alarming regularity. The world is possible about to get destroyed and you are in direct harm’s way! Shut up and nut up.
Now, imagine you’re watching a film. I don’t know, maybe a bit creature epic, larger than life with whole cities being destroyed. The creature’s look amazing and the carnage they are wreaking is fabulous; buildings, helicopters, cars, all flying around the screen with a swish of a mighty reptilian tale. Now imagine that the actors, real people, not CGI, are, at best, bland and in some instances just outright terrible.
Annoying isn’t it?
It would lead one to believe that the film makers didn’t really put any stock in the human interactions, rather just gave a huge wad of cash to an SFX company and said, “Fill your boots, the more the merrier, make everything f---ing enormous!”
Godzilla (2014) was the second time Hollywood has attempted to make a film featuring Japan’s kaiju supremo and it was the first successful attempt from Hollywood, given that the 1998 Roland Emmerich attempt was basically Lost World: Jurassic Park (1997) but with added daddy issues (Roland Emmerich’s trademark).
Gareth Edwards 2014 first entry in the MonsterVerse was a huge success, financially and artistically. We saw a Godzilla that was of a scale we’d always wanted, towering over buildings, a reptilian God and we’re just the ants trying to not get squished.
Godzilla: King of Monsters attempts to up the ante by throwing a dozen or so monsters at the story. “Godzilla fought two MUTO’s did he, well… hold my beer!” Yeah, we’ll hold your beer while you get Millie Bobby Brown to stand there teary eyed for most of the film (a waste), Vera Farmiga to go from bereaved workaholic, to eco-terrorist to pointless self-sacrifice (unfathomable), and for Kyle Chandler to… well, Christ knows what Kyle Chandler was doing, apart from spitting terrible dialogue badly and then standing/sitting/walking looking angry but unconvincingly. Bradley Whitford provided some nice comic relief, he does droll sarcasm immensely well, Charles Dance is underused (and then forgotten about) and Zhang Ziyi tries to out-Kyle-Chandler Kyle Chandler in the bland, borderline useless stakes.
Worse than any failing on the human emotion side of the story are the huge liberties they take with global travel, like, one of side of the world to the other in a very short space of time. I mean Godzilla can do it because of some tunnels under the sea that he uses, possible the ones used in the science-denying sci-fi car crash abomination The Core (2003), but for the humans to just pop to Venezuela or the Antarctic is unforgivable.
This kind of leaps of reality always leads me to lose interest in the events in a film and start thinking around the script. In a film where everything everyone says is of dire emergency or import and then we see them in another part of the world some time later, what have they been talking about for all that time. Have they been napping? If so, it’s hasn’t eased any of the pointless angry posturing. Have they been chatting about boring everyday stuff? There is no hint of a relationship between any of these people who are spending potentially their last moments on earth together with alarming regularity. The world is possible about to get destroyed and you are in direct harm’s way! Shut up and nut up.
Lorey L. (3 KP) rated The Hazel Wood in Books
Mar 7, 2018
Loved! Would recommend for fans of chilling fairytales.
Immediately after finishing Albert's dark tale, I took to Goodread's knowing other's had been left with the same tingly sensation of bloody good wrongness. Unfortunately, I found for many this was not the case. The story was dark, creepy and had all the good bad things that make you listen too closely at bumps and stare too intensely at shadows.
First, the writing is completely breathtaking. The imagery in Albert's style is superb. It made me want to wrap up in a blanket with a hot cup of tea and a roaring fire and wish for her words to never end.
With that being said, I did find that at times it could get a little thick and hard to sludge through, but for me, that was infrequent enough to not give me too much of a bother. I felt there was a lot of backstory that could have been told in a more fluid manner, but nevertheless, it was (mostly) needed backstory.
The world Albert created in Hinterland... I need more. If more/most of the story had taken place in the Hinterland, I feel it would have been closer to 5 stars. But, being mostly set in New York it did still leave the storyline curious and mysterious enough to lure you in if given half a chance.
Secondly, the characters are... horrible and good and missing things. Personally, once I figured out who Alice was, I understood why she was written the way she was (more on that in a bit). Unfortunately, I felt most characters, outside of Alice, were mostly one-dimensional. More fully fleshed out and I may have found myself falling a little in love Finch, desperately wanting to know Ella, or even more curious about the mysterious Althea. They just needed a little... more.
Thirdly, the artwork. Oh good Lord in Heaven, I am in love with the cover art of this book. Dark and shiny and filled with images that beg to be understood. Jim Tierney should be praised almost as much as the author for lending the right mindset for this dark story.
Further, my favorite parts of this book were by far the snippets of Althea's Hinterland Stories. Even if you don't like the book- you will LOVE these stories. They are the perfect amounts of creepy, mysterious, weird, and wonderful.
Finally, a more in-depth look. I'd like to begin with Alice. I feel it's not that her character is "misunderstood" but that she is almost too understood. Mean, angry, violent. With little too no explanation for her outbursts... Except for the simple fact that many readers seem not to care about (and understandably, to a degree. She's not the most likable person). She was spun that way. With an icy core she is unable to control, a darkness she fears.
**"I'd let myself drift too close to the dark continent at the core of me, a lawless place I tried never to visit."**
*SPOILER* Alice Three Times is basically the villain of a dark fairytale. She is made up of rage and ice and blackness. The fact Ella helps her control it even a little is amazing. Understanding this allowed me to view Alice in a different way than I had other heroines. She was, in the end, simply trying to become an ex-Story. To try and be the normal girl she never had the chance of being. *END SPOILER* This made her annoying, unexplained, angry outbursts easier to understand and accept,
for me.
Finch, the only character we know to be a person of color (note: many characters within the book, as previously mentioned, are far from being fully-fleshed out. For most, ethnicity isn't even mentioned), is nerdy and verging-on-fierce, but kind-of, off-putting in some instances. For example, because he is such a "fan" there are several times he ignores the fact that he is making Alice uncomfortable, and especially *SPOILER* when he basically sells her to the Hinterland Stories for entry to their land*END SPOILER*
*SPOILER*I also wanted to quickly talk about the confrontation with the police that leads Finch to try and explain why he's mad, which in turn leads to Alice acting very Story-ish. I felt for Finch in a big way here. I was angry with her stupid, selfish reaction as well. I applauded him for standing up for her and got annoyed that she acted so irrationally and privileged. But, I realized after reading the section through again, Alice is not a person. She is a Story. And although she was raised a human, her "ice core" sometimes ruled her actions more than her mind- which seemed to agree with Finch, even though her actions, words, and anger said otherwise:
**"...You think rich matters in this situation? You think a cop looks at me and sees <i>rich?</i> You're pretending you don't get it, but you do."
<b>I did get it, I did. And the shame of it boiled into something darker.</b> Before my brain could catch up, I jerked the wheel and turned the car off the road, sending us rattling toward the trees."** *END SPOILER*
This isn't a book for everyone. I enjoy reading both the positive and negative reviews, as they shed new light on different aspects of the story! I loved it and I can't wait for Melissa Albert's book of Hinterland Stories- and maybe even a second Hazel Wood! If you do choose to give this book a try, go in with an open mind... and maybe a light on.
First, the writing is completely breathtaking. The imagery in Albert's style is superb. It made me want to wrap up in a blanket with a hot cup of tea and a roaring fire and wish for her words to never end.
With that being said, I did find that at times it could get a little thick and hard to sludge through, but for me, that was infrequent enough to not give me too much of a bother. I felt there was a lot of backstory that could have been told in a more fluid manner, but nevertheless, it was (mostly) needed backstory.
The world Albert created in Hinterland... I need more. If more/most of the story had taken place in the Hinterland, I feel it would have been closer to 5 stars. But, being mostly set in New York it did still leave the storyline curious and mysterious enough to lure you in if given half a chance.
Secondly, the characters are... horrible and good and missing things. Personally, once I figured out who Alice was, I understood why she was written the way she was (more on that in a bit). Unfortunately, I felt most characters, outside of Alice, were mostly one-dimensional. More fully fleshed out and I may have found myself falling a little in love Finch, desperately wanting to know Ella, or even more curious about the mysterious Althea. They just needed a little... more.
Thirdly, the artwork. Oh good Lord in Heaven, I am in love with the cover art of this book. Dark and shiny and filled with images that beg to be understood. Jim Tierney should be praised almost as much as the author for lending the right mindset for this dark story.
Further, my favorite parts of this book were by far the snippets of Althea's Hinterland Stories. Even if you don't like the book- you will LOVE these stories. They are the perfect amounts of creepy, mysterious, weird, and wonderful.
Finally, a more in-depth look. I'd like to begin with Alice. I feel it's not that her character is "misunderstood" but that she is almost too understood. Mean, angry, violent. With little too no explanation for her outbursts... Except for the simple fact that many readers seem not to care about (and understandably, to a degree. She's not the most likable person). She was spun that way. With an icy core she is unable to control, a darkness she fears.
**"I'd let myself drift too close to the dark continent at the core of me, a lawless place I tried never to visit."**
*SPOILER* Alice Three Times is basically the villain of a dark fairytale. She is made up of rage and ice and blackness. The fact Ella helps her control it even a little is amazing. Understanding this allowed me to view Alice in a different way than I had other heroines. She was, in the end, simply trying to become an ex-Story. To try and be the normal girl she never had the chance of being. *END SPOILER* This made her annoying, unexplained, angry outbursts easier to understand and accept,
for me.
Finch, the only character we know to be a person of color (note: many characters within the book, as previously mentioned, are far from being fully-fleshed out. For most, ethnicity isn't even mentioned), is nerdy and verging-on-fierce, but kind-of, off-putting in some instances. For example, because he is such a "fan" there are several times he ignores the fact that he is making Alice uncomfortable, and especially *SPOILER* when he basically sells her to the Hinterland Stories for entry to their land*END SPOILER*
*SPOILER*I also wanted to quickly talk about the confrontation with the police that leads Finch to try and explain why he's mad, which in turn leads to Alice acting very Story-ish. I felt for Finch in a big way here. I was angry with her stupid, selfish reaction as well. I applauded him for standing up for her and got annoyed that she acted so irrationally and privileged. But, I realized after reading the section through again, Alice is not a person. She is a Story. And although she was raised a human, her "ice core" sometimes ruled her actions more than her mind- which seemed to agree with Finch, even though her actions, words, and anger said otherwise:
**"...You think rich matters in this situation? You think a cop looks at me and sees <i>rich?</i> You're pretending you don't get it, but you do."
<b>I did get it, I did. And the shame of it boiled into something darker.</b> Before my brain could catch up, I jerked the wheel and turned the car off the road, sending us rattling toward the trees."** *END SPOILER*
This isn't a book for everyone. I enjoy reading both the positive and negative reviews, as they shed new light on different aspects of the story! I loved it and I can't wait for Melissa Albert's book of Hinterland Stories- and maybe even a second Hazel Wood! If you do choose to give this book a try, go in with an open mind... and maybe a light on.
Connor Sheffield (293 KP) rated The Wolf Man (1941) in Movies
May 25, 2017
A classic Universal Monster Movie (2 more)
Lon Chaney Jr
Claude Rains
Even a Man who is pure of heart....
Even a man who is pure of heart, and says his prayers by night, may become a wolf when the wolfsbane blooms, and the Autumn moon is bright.
Heard that before in other werewolf movies, well this was it's origin. Created purely for the film, this poem even had some people believing it was an original folklore saying. If you have watched a handful of werewolf movies, then you will have noticed a lot of similarities;
- Silver bullets
- Wolfsbane
- Full Moon
- Not being able to retreat their acts from their loved ones
- Pentagrams
- Gypsies
- Gypsy Curses
- A Bite or scratch from the werewolf turns you
Some of these were originally created by the writers working on this film, and have become stereotypes that inspire many other werewolf films, TV Shows, Books, and Games etc.
The portrayal of Lawrence Talbot, by Lon Chaney Jr. is one that makes the classic Universal Monsters so special. Just like Frankenstein's Monster, the audiences of the 40's would have been frightened and horrified by these creatures, enough so that they wouldn't realise that they are in actual fact, suppose to sympathize with them, because when you watch the creatures being chased and hunted,the angry mobs fail to understand that these creatures never wanted this. Frankenstein's Monster never asked to be created, or to have the brain of a criminal mistakenly placed into his head instead of that of a civilized man. Larry Talbot never asked for the Wolf Man's curse, which he encountered whilst trying to save the life of a young female friend of his love interest.
With a great story and, at the time, revolutionary stop motion effects for the wolf man transformation, but of course the most important aspect, the beautifully crafted practical effects, the makeup that brings the creature to life, is incredible. My favourite of the classic Universal Monster Movies and one of my favourite movies of all time.
Heard that before in other werewolf movies, well this was it's origin. Created purely for the film, this poem even had some people believing it was an original folklore saying. If you have watched a handful of werewolf movies, then you will have noticed a lot of similarities;
- Silver bullets
- Wolfsbane
- Full Moon
- Not being able to retreat their acts from their loved ones
- Pentagrams
- Gypsies
- Gypsy Curses
- A Bite or scratch from the werewolf turns you
Some of these were originally created by the writers working on this film, and have become stereotypes that inspire many other werewolf films, TV Shows, Books, and Games etc.
The portrayal of Lawrence Talbot, by Lon Chaney Jr. is one that makes the classic Universal Monsters so special. Just like Frankenstein's Monster, the audiences of the 40's would have been frightened and horrified by these creatures, enough so that they wouldn't realise that they are in actual fact, suppose to sympathize with them, because when you watch the creatures being chased and hunted,the angry mobs fail to understand that these creatures never wanted this. Frankenstein's Monster never asked to be created, or to have the brain of a criminal mistakenly placed into his head instead of that of a civilized man. Larry Talbot never asked for the Wolf Man's curse, which he encountered whilst trying to save the life of a young female friend of his love interest.
With a great story and, at the time, revolutionary stop motion effects for the wolf man transformation, but of course the most important aspect, the beautifully crafted practical effects, the makeup that brings the creature to life, is incredible. My favourite of the classic Universal Monster Movies and one of my favourite movies of all time.
LucyB (47 KP) rated Red Sister in Books
Jul 23, 2017
Novel idea, plus a fabulous main character
Killer nuns, hidden powers and secrets aplenty - a fascinating read.
If ever there was a book which I'm not quite sure what to make of, it's this one. I saw all the rave reviews on Goodreads for it, and whilst I think they are well-deserved (the guy can write!), I'm not sure I actually loved this book as much as everyone else. Enjoyed? Yes. Respected? Hugely. But something didn't quite resonate with me on a personal level.
However, as far as storylines go, this book's got it going on. Nona, a tiny, angry-looking girl, finds herself rescued from a hanging and taken to a nunnery, where she learns the fine arts of how to be a bad-ass. So far, so perfect. Indeed, Nona is very much the strength of this story. Fierce, reserved, downright ruthless at times - she's a compelling protagonist, and one you cannot help wanting to know more about. The supporting cast are likewise strong - the untrustworthy Clera, the faithful Hessa, rich-girl Ara - they were all beautifully realised.
There were moments in the book were I was hooked. I needed to know what was going to happen (love that feeling!) and raced through the pages, hungry to find out more. But then, there were sections where I felt my interest wane, though wasn't quite sure why. It ebbed and flowed for me, and that was why I personally found it a little difficult to totally commit to. It's also why it took me a little longer to read.
But, make no mistake - I'm glad I persevered. I like the prevalence of strong female characters (hurrah - note to other authors - more of this, please!), and the world-building was superb. I'll be looking forward to the next one.
If ever there was a book which I'm not quite sure what to make of, it's this one. I saw all the rave reviews on Goodreads for it, and whilst I think they are well-deserved (the guy can write!), I'm not sure I actually loved this book as much as everyone else. Enjoyed? Yes. Respected? Hugely. But something didn't quite resonate with me on a personal level.
However, as far as storylines go, this book's got it going on. Nona, a tiny, angry-looking girl, finds herself rescued from a hanging and taken to a nunnery, where she learns the fine arts of how to be a bad-ass. So far, so perfect. Indeed, Nona is very much the strength of this story. Fierce, reserved, downright ruthless at times - she's a compelling protagonist, and one you cannot help wanting to know more about. The supporting cast are likewise strong - the untrustworthy Clera, the faithful Hessa, rich-girl Ara - they were all beautifully realised.
There were moments in the book were I was hooked. I needed to know what was going to happen (love that feeling!) and raced through the pages, hungry to find out more. But then, there were sections where I felt my interest wane, though wasn't quite sure why. It ebbed and flowed for me, and that was why I personally found it a little difficult to totally commit to. It's also why it took me a little longer to read.
But, make no mistake - I'm glad I persevered. I like the prevalence of strong female characters (hurrah - note to other authors - more of this, please!), and the world-building was superb. I'll be looking forward to the next one.
Acanthea Grimscythe (300 KP) rated King's Cage in Books
May 16, 2018
The third installment in Victoria Aveyard’s Red Queen series, King’s Cage, is probably my favorite so far. Once again, Aveyard proves she is more focused on telling a story than describing a romance – something my readers know I really like. Especially when it comes to young adult fantasy. In fact, I feel labeling this series as “romance” is a stretch – especially given how little Aveyard focuses on actual material meant to draw in readers of that genre.
King’s Cage begins where Glass Sword left off: Mare’s deal with Maven. While she spends her time in prison, we finally get to learn more about other characters in the story – namely Cameron and (later) Evangeline. Though the latter takes place more toward when the action begins to kick up. Naturally, the story is more focused on Mare even from these perspectives, but it provides a refreshing look at the rebellion.
Surprisingly, there are several turns in King’s Cage that caught me entirely off guard. This is a good thing: I hate when books and stories become predictable. I won’t divulge more than that, for fear of spoilers, but I will say this: so far, this book is my favorite in the series and though I am so angry at the ending I could burn it, part of me wants to open it back up to page one and start again. I don’t imagine the library will like it much if I burn their book.
Until the fourth book hits shelves, I guess I’ll have to satisfy my hunger for more by reading the two novellas that Aveyard wrote for her post-apocalypse universe. Oh, and as a side note? This is the first one I read physically so I finally got to see a map of the lands. As I suspected, it takes place in the ruins of what was once the United States.
King’s Cage begins where Glass Sword left off: Mare’s deal with Maven. While she spends her time in prison, we finally get to learn more about other characters in the story – namely Cameron and (later) Evangeline. Though the latter takes place more toward when the action begins to kick up. Naturally, the story is more focused on Mare even from these perspectives, but it provides a refreshing look at the rebellion.
Surprisingly, there are several turns in King’s Cage that caught me entirely off guard. This is a good thing: I hate when books and stories become predictable. I won’t divulge more than that, for fear of spoilers, but I will say this: so far, this book is my favorite in the series and though I am so angry at the ending I could burn it, part of me wants to open it back up to page one and start again. I don’t imagine the library will like it much if I burn their book.
Until the fourth book hits shelves, I guess I’ll have to satisfy my hunger for more by reading the two novellas that Aveyard wrote for her post-apocalypse universe. Oh, and as a side note? This is the first one I read physically so I finally got to see a map of the lands. As I suspected, it takes place in the ruins of what was once the United States.
Merissa (12330 KP) rated The Vessel (Semiramis #3) in Books
Feb 14, 2019
The Vessel (Semiramis, #3) by Maya Daniels
The Vessel is the third book in the Semiramis series, and once again, we continue where we left off. Alexia and her sisters (plus others) are reunited; they still have the tablets to find; and now Alexia is dealing with Lucifer too.
This series has completely enthralled me. I dropped what I was reading, to read this. Trust me, that NEVER happens. I am a monogamist reader!!! Except... I NEEDED to know what happened. Now, I'm not saying this book was perfect (although it came damn near close). Did I have questions at the end? Yes, I did. Did it matter or impact my enjoyment of this book? Absolutely not.
The wit, banter, and love is full throttle in this book, and one of the bits I loved most was when everyone thought Alexia was angry, and instead she was grief stricken. Her explanation was perfect! There are surprises aplenty in this book, and I will admit to crying throughout what felt like three-quarters of the book!!! The characters have drawn me in over the three books - becoming real in my mind. I laughed with them, and so therefore I cried with them too. ?
Now, this is the last book in this trilogy, but it can't be the end. It simply can't. I refuse to admit it. I NEED more, like at least another three book set! I won't say anymore as I don't want to give out any spoilers, but read it for yourself, and you'll see what I mean.
I have loved this #Fantasy #Romance series, and I have absolutely no hesitation in recommending either this book, or the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This series has completely enthralled me. I dropped what I was reading, to read this. Trust me, that NEVER happens. I am a monogamist reader!!! Except... I NEEDED to know what happened. Now, I'm not saying this book was perfect (although it came damn near close). Did I have questions at the end? Yes, I did. Did it matter or impact my enjoyment of this book? Absolutely not.
The wit, banter, and love is full throttle in this book, and one of the bits I loved most was when everyone thought Alexia was angry, and instead she was grief stricken. Her explanation was perfect! There are surprises aplenty in this book, and I will admit to crying throughout what felt like three-quarters of the book!!! The characters have drawn me in over the three books - becoming real in my mind. I laughed with them, and so therefore I cried with them too. ?
Now, this is the last book in this trilogy, but it can't be the end. It simply can't. I refuse to admit it. I NEED more, like at least another three book set! I won't say anymore as I don't want to give out any spoilers, but read it for yourself, and you'll see what I mean.
I have loved this #Fantasy #Romance series, and I have absolutely no hesitation in recommending either this book, or the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kristy H (1252 KP) rated The Lost Man in Books
Apr 4, 2019
I love Jane Harper and this book was certainly no exception. This is her first standalone novel (no Aaron Falk this time), and it is another beautifully written, captivating book that leaves you guessing until the very end. The characters are as scant as the landscape: the three brothers; their mother; Cameron's wife, Isle; Nathan's teenage son, Xander; a few workers from Cameron's property; and a couple of townsfolk. Yet somehow Harper weaves an excellent story that casts doubt from the beginning on what happened to Cameron. Did he purposely wander into the outback to his death? Or was something more nefarious going on?
While we're trying to figure out what happened, we're learning that something happened with Nathan in this isolated community, leaving him angry and alone. Bub seems bitter himself. Harper inserts tales of the family's past along with the present, giving us more details about our characters. And, at the same time, we start to see how no one's stories really add up. There's no real detective in this one, per se--at least no Aaron Falk, even if there is someone investigating Cameron's death--so things unravel mainly from Nathan's perspective.
And, of course, the unforgiving outback landscape is its own character: vast, stark, and dividing the brothers in more ways than one. Harper describes it so beautifully, just as she has done in her previous works. She so expertly captures the complicated family drama occurring as well as the small town dynamics happening in this often dangerous, isolated environment. The result, especially with these tense, well-drawn characters is a taunt, dramatic story that kept me reading and wondering until the very end.
I will easily read anything Jane Harper writes; her books simply do not disappoint. This one was different, in many ways, than the first two Aaron Falk novels, yet had many similarities, including her beautiful writing, nuanced plot, and wonderful characters. 4+ stars.
While we're trying to figure out what happened, we're learning that something happened with Nathan in this isolated community, leaving him angry and alone. Bub seems bitter himself. Harper inserts tales of the family's past along with the present, giving us more details about our characters. And, at the same time, we start to see how no one's stories really add up. There's no real detective in this one, per se--at least no Aaron Falk, even if there is someone investigating Cameron's death--so things unravel mainly from Nathan's perspective.
And, of course, the unforgiving outback landscape is its own character: vast, stark, and dividing the brothers in more ways than one. Harper describes it so beautifully, just as she has done in her previous works. She so expertly captures the complicated family drama occurring as well as the small town dynamics happening in this often dangerous, isolated environment. The result, especially with these tense, well-drawn characters is a taunt, dramatic story that kept me reading and wondering until the very end.
I will easily read anything Jane Harper writes; her books simply do not disappoint. This one was different, in many ways, than the first two Aaron Falk novels, yet had many similarities, including her beautiful writing, nuanced plot, and wonderful characters. 4+ stars.