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Kristy H (1252 KP) rated River Road in Books
Feb 8, 2018
Nan Lewis is a creative writing professor at a state school in upstate New York. She lives alone after the tragic death of her young daughter, Emmy--an incident which her marriage could not survive. She's recently been denied tenure by her school and is upset and agitated the university's holiday party. On her way home, she hits a deer, but cannot find the animal when she goes to check on it. Nan eventually makes it back home in a snowstorm, leaving her car at the bottom of her icy, unplowed driveway. But when she wakes in the morning, she learns that one of her prized students, Leia, was killed in a hit-and-run the night before on River Road: the exact road where Nan hit the deer. Because her car was damaged from hitting the deer, Nan is the prime suspect, and she quickly loses the support of her colleagues, who point out that she has become a functioning alcoholic since her daughter's death. Even worse, Nan starts seeing signs that remind her of Emmy's death. Are Emmy and Leia's deaths related? How much did Nan have to drink the night she hit the deer? Will she clear her name before her entire life is destroyed?
I'm honestly not sure why I enjoyed this book as much as I did. It had several things working against it: 1) an unlikable narrator who drinks heavily; 2) a storyline that heavily involved dead children and pets (why?!); and 3) an easily guessed villain. Still, I found this one compulsively readable and stayed up far past my bedtime to finish the second half of the book. Nan grew on me, and I found myself almost protective of her. The lead policeman in the novel, Joe, was a favorite of mine. While I figured out the villain fairly early, I didn't understand the motives, so the plot kept me guessing until the end. Goodman weaves several storylines together--which intersect, but loosely--and somehow they all work. There are several supporting characters, including the woman who killed Nan's daughter and a young single mother from one of Nan's classes, who give the novel a surprising depth.
Anyway, despite some of the craziness, I found myself enjoying the book and racing to finish it. I first fell in love with Goodman due to her novel [b:The Lake of Dead Languages|120274|The Lake of Dead Languages|Carol Goodman|https://d.gr-assets.com/books/1320554718s/120274.jpg|3159707]. That book was impressive and still sits on my bookshelf to this day. If you haven't read it, I certainly recommend it. However, [b:River Road|25111007|River Road|Carol Goodman|https://d.gr-assets.com/books/1454544060s/25111007.jpg|44804735] is a fun thriller and a worthy diversion.
I'm honestly not sure why I enjoyed this book as much as I did. It had several things working against it: 1) an unlikable narrator who drinks heavily; 2) a storyline that heavily involved dead children and pets (why?!); and 3) an easily guessed villain. Still, I found this one compulsively readable and stayed up far past my bedtime to finish the second half of the book. Nan grew on me, and I found myself almost protective of her. The lead policeman in the novel, Joe, was a favorite of mine. While I figured out the villain fairly early, I didn't understand the motives, so the plot kept me guessing until the end. Goodman weaves several storylines together--which intersect, but loosely--and somehow they all work. There are several supporting characters, including the woman who killed Nan's daughter and a young single mother from one of Nan's classes, who give the novel a surprising depth.
Anyway, despite some of the craziness, I found myself enjoying the book and racing to finish it. I first fell in love with Goodman due to her novel [b:The Lake of Dead Languages|120274|The Lake of Dead Languages|Carol Goodman|https://d.gr-assets.com/books/1320554718s/120274.jpg|3159707]. That book was impressive and still sits on my bookshelf to this day. If you haven't read it, I certainly recommend it. However, [b:River Road|25111007|River Road|Carol Goodman|https://d.gr-assets.com/books/1454544060s/25111007.jpg|44804735] is a fun thriller and a worthy diversion.
Alice (12 KP) rated The Dead Seekers (Dead Seekers, #1) in Books
Jul 3, 2018
<i>I received a copy of this book from the publisher in exchange for an honest review </i>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Jk">here</a href>
<i>The Dead Seekers</i> is the first in a new series from Barb & J.C. Hendee which follows in the same vein as their Noble Dead series with strong characters and a good storyline. The Dead Seekers follows Tris - or as he is known throughout the book The Dead’s Man – a ghost hunter with the ability to see, interact with and control the dead after he was stillborn; and Mari, a shape-changing gypsy/traveller (known as a <i>Mondyalitko</i>) whose parents were killed when Tris was a child outside of his ancestral home who is convinced that The Dead’s Man is responsible.
The story begins with the birth/death of Tris and subsequent miracle of his rebirth and with the slaughter of Mari’s family a few years later. It then follows Tris as he performs his job as a ghost hunter and banisher of nasty spirits; Mari manages to track him down after a prolonged period of hunting him herself and follows him to his next job which involves the banishing of a spirit who has been kept on this plane against her will by her mother.
Mari saves Tris’ life the first night they are together as no one else can kill her prey and then continues to save his life on many occasions throughout the remainder of the book which is at odds with her nature to kill him as she believes he is the one responsible for murdering her family when she was a child – in a way, he is which is explained really well later on in the book at the end when their investigations into the spirit of the town take them further afield to a city barracks where several people are dying in odd manners.
The depiction of the ghosts were in themselves quite good, particularly how they weren’t depicted as what I refer to as basic ghosts but instead each one had a description of how they actually died – for example head wounds or missing limbs etc. which I quite liked. I also liked the tension between Tris and Mari which was eventually eased towards the end of the book once Mari realised who and what Tris actually was. The description of Mari as her other side was also written exceedingly well with a more animal personality at the forefront rather than the human side of her as with most shape-changers.
In all, it was an interesting concept with a couple of nifty little bits here and there that I liked. I look forward to the next installment.
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Jk">here</a href>
<i>The Dead Seekers</i> is the first in a new series from Barb & J.C. Hendee which follows in the same vein as their Noble Dead series with strong characters and a good storyline. The Dead Seekers follows Tris - or as he is known throughout the book The Dead’s Man – a ghost hunter with the ability to see, interact with and control the dead after he was stillborn; and Mari, a shape-changing gypsy/traveller (known as a <i>Mondyalitko</i>) whose parents were killed when Tris was a child outside of his ancestral home who is convinced that The Dead’s Man is responsible.
The story begins with the birth/death of Tris and subsequent miracle of his rebirth and with the slaughter of Mari’s family a few years later. It then follows Tris as he performs his job as a ghost hunter and banisher of nasty spirits; Mari manages to track him down after a prolonged period of hunting him herself and follows him to his next job which involves the banishing of a spirit who has been kept on this plane against her will by her mother.
Mari saves Tris’ life the first night they are together as no one else can kill her prey and then continues to save his life on many occasions throughout the remainder of the book which is at odds with her nature to kill him as she believes he is the one responsible for murdering her family when she was a child – in a way, he is which is explained really well later on in the book at the end when their investigations into the spirit of the town take them further afield to a city barracks where several people are dying in odd manners.
The depiction of the ghosts were in themselves quite good, particularly how they weren’t depicted as what I refer to as basic ghosts but instead each one had a description of how they actually died – for example head wounds or missing limbs etc. which I quite liked. I also liked the tension between Tris and Mari which was eventually eased towards the end of the book once Mari realised who and what Tris actually was. The description of Mari as her other side was also written exceedingly well with a more animal personality at the forefront rather than the human side of her as with most shape-changers.
In all, it was an interesting concept with a couple of nifty little bits here and there that I liked. I look forward to the next installment.
Fred (860 KP) rated Dumbo (2019) in Movies
Jun 19, 2019
This is how you ruin a classic
Dumbo is one of my favorite Disney films. The original, not this crap. When told that his film was not long enough to be considered a full-length movie & that he would have to add 10 more minutes or so, Disney said "No. It's perfect the way it is." And he was right. The people who made this live-action remake apparently never heard that story. It's almost 2 hours long. The original story of the first film is done in about the first 20 minutes of this film, then it's an original sequel, basically.
The first & main problem of the film is the most obvious. The focus on the human characters over the animal characters. There are no talking animals in this one. Sure, Dumbo didn't talk, but he had Timothy mouse with him to speak for him. There's no stork, the bully elephants are gone, even the racist, but very entertaining crows are completely gone.
Second problem: Some of the music from the original film is here, but instrumental versions. Only "Baby Mine" is sung. We hear a clip of "Casey Jr." at the beginning. At the very end of the credits, we hear a bit of "When I See a Elephant Fly", but no "Look Out For Mr. Stork". But the biggest mistake was what they did with "Pink Elephants on Parade" In the original film, Dumbo accidentally drinks some champagne & gets drunk. He then blows bubbles & the bubbles take shape & thus begins one of the greatest scenes in Disney history. The bubbles take the shape of dancing, skating & tromping elephants. The scene is a nightmare & probably scared some kids in the day. The song itself is both fun & creepy. This should be perfect Tim Burton stuff, but in this film, it is not. In this film, circus performers are creating giant bubbles & somehow they are taking the shape of the elephants. In fact, they're copies of the elephants (and camel) from the original film. The song plays, but again, no lyrics. It's also not very well directed. Instead of looking like a nightmare, they keep cutting to Dumbo, watching the performers, with a smile.
And that brings me to another problem. Tim Burton. Like most Tim Burton movies, it looks fantastic, but it's just boring. The story is boring & unoriginal (Free Willy anyone?) I didn't get to like any of the human characters to care. They kind of just go through the motions. Dumbo himself lacks character & I never really felt for him.
I know Disney is set on remaking their classics & I haven't seen any before (and probably will not see anymore after this one). It breaks my heart to see Disney reduced to this sort of thing. I'll stick with the originals, thank you.
The first & main problem of the film is the most obvious. The focus on the human characters over the animal characters. There are no talking animals in this one. Sure, Dumbo didn't talk, but he had Timothy mouse with him to speak for him. There's no stork, the bully elephants are gone, even the racist, but very entertaining crows are completely gone.
Second problem: Some of the music from the original film is here, but instrumental versions. Only "Baby Mine" is sung. We hear a clip of "Casey Jr." at the beginning. At the very end of the credits, we hear a bit of "When I See a Elephant Fly", but no "Look Out For Mr. Stork". But the biggest mistake was what they did with "Pink Elephants on Parade" In the original film, Dumbo accidentally drinks some champagne & gets drunk. He then blows bubbles & the bubbles take shape & thus begins one of the greatest scenes in Disney history. The bubbles take the shape of dancing, skating & tromping elephants. The scene is a nightmare & probably scared some kids in the day. The song itself is both fun & creepy. This should be perfect Tim Burton stuff, but in this film, it is not. In this film, circus performers are creating giant bubbles & somehow they are taking the shape of the elephants. In fact, they're copies of the elephants (and camel) from the original film. The song plays, but again, no lyrics. It's also not very well directed. Instead of looking like a nightmare, they keep cutting to Dumbo, watching the performers, with a smile.
And that brings me to another problem. Tim Burton. Like most Tim Burton movies, it looks fantastic, but it's just boring. The story is boring & unoriginal (Free Willy anyone?) I didn't get to like any of the human characters to care. They kind of just go through the motions. Dumbo himself lacks character & I never really felt for him.
I know Disney is set on remaking their classics & I haven't seen any before (and probably will not see anymore after this one). It breaks my heart to see Disney reduced to this sort of thing. I'll stick with the originals, thank you.