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In 1907 Edward VII commissioned Peter Carl Faberge - court artist-jeweller to imperial Russia - to...
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Enjoying art is all about responding to what you are seeing. Parents often lack confidence about how...
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100 top artists share the tricks behind their textures! Have you ever stood fascinated before a...
Tales from Gombe
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Anup Shah and Fiona Rogers have spent much of the last decade in the company of the world-famous...
To be a Machine: Adventures Among Cyborgs, Utopians, Hackers, and the Futurists Solving the Modest Problem of Death
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Contemporary Central American Fiction: Gender, Subjectivity and Affect
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LeftSideCut (3778 KP) rated The Howling (1981) in Movies
Oct 30, 2020
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
Kirk Bage (1775 KP) rated Tiger King: Murder, Mayhem and Madness in TV
Apr 8, 2021
It focuses on rivalries that existed between exotic animal parks that seem to take pride in mistreating tigers and other wild animals that have no place being there at all. The “fun” of it is watching “crazy” people, mostly Joe rolling around as if they were tiny kittens, and holding your breathe waiting for the inevitable moment they rip him to shreds. As it turns out, there is so much filler and false promise in this show that I would have to put it at the bottom of the list. It may not even have got on there at all if it wasn’t for the fact Lockdown viewing made it a shared experience that became ubiquitous. Otherwise, it is a poor circus freak show, badly presented and entirely cheap.
Emma @ The Movies (1786 KP) rated American Animals (2018) in Movies
Sep 25, 2019
We all know that moment when you tell a story with a friend and there's that pause... wait... that's not how that happened, is it? The film even accounts for that. It deals with the slight uncertainties in a fun way by breaking the... well, I'm not sure what wall it's actually breaking when it's the real person talking to his fictional self.
Each part was played really well, and everyone worked in harmony throughout the whole film. I was really impressed with the way the actors handled the unravelling into the conclusion of the film.
While I don't have any particular quibbles with the whole thing I also don't have any urge to see it again. It was interesting, but didn't really capture my imagination to want to know more. It had the potential for intrigue, but it really didn't click into place.
What should you do?
It was a good watch, but maybe wait until it's streaming.
Movie thing you wish you could take home
That special collections room. Just imagine all the fascinating things in there.