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Taco Cleanse

Wes Allison, Stephanie Bogdanich, Molly R. Frisinger and Jessica Morris

(0 Ratings) Rate It

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Tired of the same old cleanse? Instead of feeling rejuvenated are you feeling depleted, anxious, and...

LeftSideCut (3776 KP) rated The Howling (1981) in Movies

Oct 30, 2020

The Howling (1981)

1981 | Horror

7.6

(9 Ratings)

Movie Rating

A fair few werewolf horror movies came out during the 80s, but whilst American Werewolf in London is generally considered to be the best of the bunch, The Howling definitely deserves a look in for that honour.

The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.

The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.

A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.

Kudos

Kirk Bage (1775 KP) rated Tiger King: Murder, Mayhem and Madness in TV

Apr 8, 2021

And so, this is the one you are probably most familiar with, even if you have never watched a True Crime Doc before. Essentially a 7 part mini series with a making of extra program tagged on at the end that definitely does not need to be watched. Does any of it? It certainly showcases the nuttier side of America and some of the more eccentric characters that exist, not Least the compelling car crash human that is Joe Exotic – at times likeable, often very unlikable and almost certainly criminally insane. But it isn’t really about murder. The title is misleading in that sense. Mayhem and madness, oh for sure, but the murder part is an almost incidental detail of the show, as if to give it more gravitas.

It focuses on rivalries that existed between exotic animal parks that seem to take pride in mistreating tigers and other wild animals that have no place being there at all. The “fun” of it is watching “crazy” people, mostly Joe rolling around as if they were tiny kittens, and holding your breathe waiting for the inevitable moment they rip him to shreds. As it turns out, there is so much filler and false promise in this show that I would have to put it at the bottom of the list. It may not even have got on there at all if it wasn’t for the fact Lockdown viewing made it a shared experience that became ubiquitous. Otherwise, it is a poor circus freak show, badly presented and entirely cheap.

Kudos

Emma @ The Movies (1786 KP) rated American Animals (2018) in Movies

Sep 25, 2019

American Animals (2018)

2018 | Crime, Drama

7.2

(10 Ratings)

Movie Rating

I'm always a little worried when you get documentary with motion picture, it gives me flashes of terrible Crime Watch style recreations. But watching the blend between the real and the fictional in American Animals was a pleasure. I felt like it drew just the right balance. You got less real life as the film progressed until the conclusion and that then brings back the reality of what happened.

We all know that moment when you tell a story with a friend and there's that pause... wait... that's not how that happened, is it? The film even accounts for that. It deals with the slight uncertainties in a fun way by breaking the... well, I'm not sure what wall it's actually breaking when it's the real person talking to his fictional self.

Each part was played really well, and everyone worked in harmony throughout the whole film. I was really impressed with the way the actors handled the unravelling into the conclusion of the film.

While I don't have any particular quibbles with the whole thing I also don't have any urge to see it again. It was interesting, but didn't really capture my imagination to want to know more. It had the potential for intrigue, but it really didn't click into place.

What should you do?

It was a good watch, but maybe wait until it's streaming.

Movie thing you wish you could take home

That special collections room. Just imagine all the fascinating things in there.