ClareR (5721 KP) rated The Four Winds in Books
Feb 28, 2021
It’s a period of history that I know little about. I mean, I’ve watched films set in this period where people live on ramshackle farms, or in shanty-type towns, and I knew that it was something to do with the Great Depression. This book describes the side of the story of a family of farmers who lived in the Dust Bowl of Texas.
Elsa lives with her husband, children and his parents on a farm in Texas. Two children later and with the farm failing, Elsa’s husband leaves them to pursue a better life - on his own. Elsa struggles on with her in-laws and children, determined to give Loreda and Ant (her children) a home where they feel loved. But when Ant nearly dies from dust pneumonia, and the farm fails completely, they make plans to leave for California. Elsa reluctantly leaves her in-laws behind (they refuse to leave their farm), because it’s the only way to save Ant.
California isn’t the promised land of milk and honey. They arrive with little money, nowhere to stay, and Californians don’t want to help them. In fact they believe ‘Okeys’ are feckless, lazy, dirty; they refuse to house or employ them. Elsa’s only choice is to live in a tent in an encampment where poverty and typhoid are rife.
I admired Elsa’s tenacity - she works tirelessly for little money to feed her children. It’s a story of one woman’s survival and her need to protect her family.
I didn’t know anything about the Dust Bowl before I read this. I’d heard the term, but I didn’t know about the dust storms, animals dying after being filled up with dust, and people dying from dust pneumonia. This sounds like an exaggerated story, doesn’t it? But it’s not. None of this was unusual.
The Four Winds is a hard, yet compelling read. This is only the third Kristin Hannah book I’ve read, and it won’t be my last!
Many thanks to St Martin’s Press for my e-copy.
Erika (17788 KP) rated Peter Rabbit 2: The Runaway (2021) in Movies
Jun 15, 2021
I typically don’t watch straight-up kid movies anymore, because they’re not funny, and they are as annoying as the kids in the audience. This movie completely reminded me of that.
The film begins with the wedding of Bea and Thomas, the rabbits and other members of McGregor’s Garden are all present. The animals are mixed in with the humans, and it looked very odd. I can’t figure out why. Bea and Thomas enter married bliss (?), running a shop in town, and tending the garden. Bea’s first Peter Rabbit book has been published by Thomas himself. Bea receives an offer from a publisher, Nigel Basil-Jones, played by David Oyelowo, to have her book republished so it can reach a wider audience. Bea begins to compromise her integrity to please Nigel and make the rabbits hipper to boost sales. Meanwhile, Peter embraces his bad boy/ mischievous image and makes friends with this super creepy rabbit from the city, participating in food heists.
The two main plotlines really didn’t make sense together and seemed to only be related because they were both about family. Yawn.
James Corden, who I can tolerate most of the time, was so completely annoying. His performance killed any motivation I had to see a possible third movie. This movie was just dumb, but I guess it probably entertained children.
There were a few positives. Oyelowo was hilarious, and one of the best parts of the film. He is the only reason I’m giving this film two-stars His comedy skills are on point and his interactions with Domhnall Gleeson were the best source of adult laughs. I also loved the voice acting of Flopsy, Mopsy, and Cottontail. Though, I was a little bummed that Daisy Ridley did not return as Cottontail.
The recent marketing stated, “In Theaters. Finally”. I’m not sure this film should have been released in theaters, they should have released it on VOD at Easter-time either in 2020, or 2021.
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Matthew Krueger (10051 KP) rated The Brood (1979) in Movies
Sep 4, 2020 (Updated Sep 4, 2020)
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
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