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Awix (3310 KP) rated Anon (2018) in Movies

May 14, 2018 (Updated May 14, 2018)  
Anon (2018)
Anon (2018)
2018 | Sci-Fi, Thriller
Anon Starter
Well-styled but ultimately sluggish, laborious and derivative sci-fi thriller. Clive Owen plays a troubled cop in a somewhat dystopian future where (basically) attaching everyone's audio-visual sensory centres to the internet has eliminated crime. Or has it? Someone has come up with a way of editing themselves out of the system, allowing them to kill with impunity.

A decent idea, I suppose, but rather implausible and also not nearly as original as everyone seems to think; the thriller plotline is largely neglected in favour of ruminations on the nature of fact and truth, secrecy and privacy, guilt and memory: none of these produce any insights or anything really memorable, and the film's pretensions to being a serious movie are kind of undermined by the gratuitous nudity required of many of the female cast. Looks okay, and Owen is always watchable, of course, but I was waiting impatiently for it to end well before it actually did. I'll choose an interesting bad film over a boring one any day of the week, and Anon's worst crime is that it's simply really dull.
  
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Sarah (7800 KP) rated Anon (2018) in Movies

Jul 18, 2018  
Anon (2018)
Anon (2018)
2018 | Sci-Fi, Thriller
Plot doesn't live up to the technology
I don't want to be judgemental, but when a film gets released on Sky Movies the same day it apparently comes out at the cinema, it isn't a good sign. Whilst Anon isn't terrible, it isn't particularly good or memorable either.

The technology ideas in this film are fantastic. They're so relevant with today's society and obviously relate to all of the current issues around data and privacy. I think GDPR would have a field day with it all! The problem is that the rest of the film and story is just so dull in comparison with the technological ideas. The effects are okay but a little rough around the edges, but the plot itself isn't much of a thriller. It was trying to be stylish and insightful but instead it was boring and I was just waiting for it to end. Gattaca it isn't. It was good to see Clive Owen back as he isn't in much nowadays, but the rest of the cast were mostly immemorable. Except Amanda Seyfried - what on earth were they thinking with that damn awful wig?!
  
Siege and Sacrifice
Siege and Sacrifice
Charlie N. Holmberg | 2019 | Science Fiction/Fantasy, Young Adult (YA)
7
7.5 (2 Ratings)
Book Rating
A good conclusion
Contains spoilers, click to show
The final part of this trilogy starts with what should be an almighty conflict. The (somewhat damp squib of a) second book in the series ended with the much-feared monster being summoned into the body of the presumed-dead Anon, Sandis' brother. Sadly, this opening scene is short-lived as the heroes scarper and live to fight another day (though admittedly it was always going to be that way!).
That opening anti-climax out of the way, this book is a more intelligent and thoughtful one that the previous two. Finally we have some answers and insight into the world we are in, and where the ancient mystical race went, as well as where the summoned demons come from. While I didn't feel this was missing from the first two books, it is good to have some answers and extra world-building to get stuck into.
The first third of the book rattles along quite well, the humans trying to track down the host of the demon and hence stop its daily attacks. The middle third was a bit of a slog, with much less happening, quite heavy on the exposition and endless narrative descriptions. The final was much more pacey, though I was starting to tire of the book by then and skimmed some chapters.
All in all a good conclusion to an enjoyable series.
  
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