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Erika (17788 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 8, 2019 (Updated Jun 8, 2019)
Better than Last Stand
Last Stand didn't exactly set a high bar for the Dark Phoenix story line, and luckily, this film surpassed it. To be honest, the only reason they got my butt in a seat was for Michael Fassbender and James McAvoy.
The story goes the way you expect it to go. I'm not completely convinced Sophie Turner is a good actress. I'm also glad that they killed Raven (not a spoiler, it's common knowledge), though it wasn't quick enough in my opinion.
I'm unsure as to why Jessica Chastain was cast (or why she's ever cast in ANYTHING); her 'villain' was completely useless. The movie didn't even need that subplot, they would have had a better movie without it and her. Pro-tip: don't introduce new characters in the last film of a saga because no one will care enough about them. Seriously, I felt like my time was wasted having to watch her.
I will say, this film FINALLY gave us good scenes with the X-Men kicking some ass, all using their unique powers. They really gave Nicholas Hoult something to do, and he was great!
Finally, the reason I was there, McFassy. This was one of McAvoy's best Professor X performances, he wasn't black or white, he was more gray and it really worked. They didn't give Magneto much to do, but I loved that they introduced Genosha. This will be below the 'see more' line, so, the best flexing his power scene was when he lifted the subway through the concrete, it was almost on par with the submarine being lifted out of the sea in First Class, and pulling up the Auschwitz gate in Apocalypse.
The last scene shows the entire new saga go first circle. Of course, it's very Dark Knight Rises, but it was perfect. I'm only rating it a 6 because of that.
The story goes the way you expect it to go. I'm not completely convinced Sophie Turner is a good actress. I'm also glad that they killed Raven (not a spoiler, it's common knowledge), though it wasn't quick enough in my opinion.
I'm unsure as to why Jessica Chastain was cast (or why she's ever cast in ANYTHING); her 'villain' was completely useless. The movie didn't even need that subplot, they would have had a better movie without it and her. Pro-tip: don't introduce new characters in the last film of a saga because no one will care enough about them. Seriously, I felt like my time was wasted having to watch her.
I will say, this film FINALLY gave us good scenes with the X-Men kicking some ass, all using their unique powers. They really gave Nicholas Hoult something to do, and he was great!
Finally, the reason I was there, McFassy. This was one of McAvoy's best Professor X performances, he wasn't black or white, he was more gray and it really worked. They didn't give Magneto much to do, but I loved that they introduced Genosha. This will be below the 'see more' line, so, the best flexing his power scene was when he lifted the subway through the concrete, it was almost on par with the submarine being lifted out of the sea in First Class, and pulling up the Auschwitz gate in Apocalypse.
The last scene shows the entire new saga go first circle. Of course, it's very Dark Knight Rises, but it was perfect. I'm only rating it a 6 because of that.
Rikki Hammond (33 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 9, 2019
Dull plot (3 more)
Contrived tropes
Extremely poor ending to the franchise
Villains aren't threatening in the slightest
Blame Game: The Movie
Contains spoilers, click to show
I've just come back from watching Dark Phoenix, and boy, was I let down! This certainly wasn't the way X-Men should end!
After the brilliant Days of Future Past and Apocalypse, Dark Phoenix falls very short of the mark in terms of plot, character development, and action.
The plot revolves around the X-Men going to space to rescue some astronauts, and Jean Grey getting caught in what we are led to believe is a solar flare, giving her unimaginable power. What follows is basically a gigantic blame game, where Jean blames Charles Xavier for hiding her past, Beast blaming Charles for Raven's death (due to Jean losing control, accidently killing Raven, who blames herself for it,) Magneto blaming Jean for the same thing, etc etc, all the while, Jean gets angry sometimes and destroys stuff.
Then some random aliens (the D'Bari) show up who want to use Jean for her powers, and these guys are supposed to be the villains of the film, however, they are the least threatening villains to come out in a long time, and there's no big finale to their demise at the end, they are literally disintegrated by Jean/Phoenix.
The biggest problem with Dark Phoenix is that there really isn't much in the way of story here, and it certainly doesn't add to the X-Men universe much at all. Even after Jean 'dies' no one grieves or mourns for her, we simply see Charles and Magneto playing chess, then the film ends.
The only positives I can really give are that the acting was decent enough, especially from James McAvoy, and there were a couple of good action scenes, but overall, this will end up being another highly forgettable film, and a very disappointing end to the X-Men franchise.
After the brilliant Days of Future Past and Apocalypse, Dark Phoenix falls very short of the mark in terms of plot, character development, and action.
The plot revolves around the X-Men going to space to rescue some astronauts, and Jean Grey getting caught in what we are led to believe is a solar flare, giving her unimaginable power. What follows is basically a gigantic blame game, where Jean blames Charles Xavier for hiding her past, Beast blaming Charles for Raven's death (due to Jean losing control, accidently killing Raven, who blames herself for it,) Magneto blaming Jean for the same thing, etc etc, all the while, Jean gets angry sometimes and destroys stuff.
Then some random aliens (the D'Bari) show up who want to use Jean for her powers, and these guys are supposed to be the villains of the film, however, they are the least threatening villains to come out in a long time, and there's no big finale to their demise at the end, they are literally disintegrated by Jean/Phoenix.
The biggest problem with Dark Phoenix is that there really isn't much in the way of story here, and it certainly doesn't add to the X-Men universe much at all. Even after Jean 'dies' no one grieves or mourns for her, we simply see Charles and Magneto playing chess, then the film ends.
The only positives I can really give are that the acting was decent enough, especially from James McAvoy, and there were a couple of good action scenes, but overall, this will end up being another highly forgettable film, and a very disappointing end to the X-Men franchise.
Sarah (7798 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 12, 2019
Completely unnecessary and forgettable
I had little hope for this film. After the brilliance that was Days of Future Past, we were faced with the truly poor Apocalypse and I’m afraid to say that Dark Phoenix really follows in Apocalypse’s footsteps. Whilst it isn’t any worse, it isn’t any better either.
For starters, did we really need them to redo the Dark Phoenix storyline? Admittedly it has at least been done better than The Last Stand, but it’s still a very predictable and dull storyline. Even more so because we’ve seen it all before. And it isn’t helped by a terrible script and a very pointless villain that made the plot even worse. Writing Jessica Chastain’s character and that entire plot line out of the film would actually have made it slightly better. Only slightly mind.
I’m not convinced about Sophie Turner either. Like the film itself, she isn’t terrible but I don’t think she’s particularly good either. I liked the scenes with Jean showcasing her new powers, but it’s obvious that the majority of the CGI budget has gone on this and the rest of the scenes look a little poor in comparison. For me what this film is missing is the camaraderie of the X-Men being together and fighting together. Whilst this is featured in the final part (and by far one of the best scenes), it comes far too late. They’ve also relegated some of the more light hearted and funny characters like Quiksilver to bit parts, when this film is in dire need of some humour. And even Magneto is rather sidelined and the pairing of Fassbender and McAvoy was by far the best thing about these X-Men films. Yes we get a great scene with them towards the end which was marvellous, but it was too little too late.
Quite honestly I think they should’ve called it a day with the X-Men films and ended on a high with Days of Future Past. I just really hope they don’t make any more!
For starters, did we really need them to redo the Dark Phoenix storyline? Admittedly it has at least been done better than The Last Stand, but it’s still a very predictable and dull storyline. Even more so because we’ve seen it all before. And it isn’t helped by a terrible script and a very pointless villain that made the plot even worse. Writing Jessica Chastain’s character and that entire plot line out of the film would actually have made it slightly better. Only slightly mind.
I’m not convinced about Sophie Turner either. Like the film itself, she isn’t terrible but I don’t think she’s particularly good either. I liked the scenes with Jean showcasing her new powers, but it’s obvious that the majority of the CGI budget has gone on this and the rest of the scenes look a little poor in comparison. For me what this film is missing is the camaraderie of the X-Men being together and fighting together. Whilst this is featured in the final part (and by far one of the best scenes), it comes far too late. They’ve also relegated some of the more light hearted and funny characters like Quiksilver to bit parts, when this film is in dire need of some humour. And even Magneto is rather sidelined and the pairing of Fassbender and McAvoy was by far the best thing about these X-Men films. Yes we get a great scene with them towards the end which was marvellous, but it was too little too late.
Quite honestly I think they should’ve called it a day with the X-Men films and ended on a high with Days of Future Past. I just really hope they don’t make any more!
Ross (3282 KP) rated Black Mirror - Season 3 in TV
Feb 8, 2018
The third series of Black Mirror (the first made for Netflix) sees another 6 standalone episodes offering a frightening glimpse at the future use of technology.
Nosedive looks at people's obsession with likes and ratings and that each interaction becomes either tooth-achingly sweet to secure that rating, or a desperate attempt to get that good rating from someone higher than you. While I liked the premise, I thought this episode was a little too long.
Playtest sees Pokémon Go type AR go wild, as a young American backpacker desperate for money agrees to test a new brain implant that allows people to experience horror games as if they were real. A well executed thriller of an episode.
Shut Up & Dance looks at blackmailing/revenge porn and shows the lengths people will go to to avoid their secrets being revealed, as a young boy afraid that footage of his one-handed solo adventures being shown to his friends and family ends up on something of a treasure hunt with Jerome off of Robson & Jerome (who has lost that loving feeling and started seeing an escort). The story is very gripping and well shot.
San Junipero was a surprisingly uplifting, heartwarming episode. I won't spoil the reveal too much but it is the rare occasion where Black Mirror shows the good side of technology taken to extremes. Absolutely beautiful.
Men Against Fire was a clever episode looking at the uses of brain augmentations in the armed forces and how they can be used and abused in warfare. An apparent zombie apocalypse scenario is turned on its head and shows the Black Mirror take on such technology.
The final episode, Hated in the Nation is a look at online trolling and bullying and how this can be taken to extremes. it shows that even when people know there are real consequences for the victims, because it is largely anonymous they will carry on doing it. Quite a long episode but gripping and keeps the viewer guessing throughout.
Nosedive looks at people's obsession with likes and ratings and that each interaction becomes either tooth-achingly sweet to secure that rating, or a desperate attempt to get that good rating from someone higher than you. While I liked the premise, I thought this episode was a little too long.
Playtest sees Pokémon Go type AR go wild, as a young American backpacker desperate for money agrees to test a new brain implant that allows people to experience horror games as if they were real. A well executed thriller of an episode.
Shut Up & Dance looks at blackmailing/revenge porn and shows the lengths people will go to to avoid their secrets being revealed, as a young boy afraid that footage of his one-handed solo adventures being shown to his friends and family ends up on something of a treasure hunt with Jerome off of Robson & Jerome (who has lost that loving feeling and started seeing an escort). The story is very gripping and well shot.
San Junipero was a surprisingly uplifting, heartwarming episode. I won't spoil the reveal too much but it is the rare occasion where Black Mirror shows the good side of technology taken to extremes. Absolutely beautiful.
Men Against Fire was a clever episode looking at the uses of brain augmentations in the armed forces and how they can be used and abused in warfare. An apparent zombie apocalypse scenario is turned on its head and shows the Black Mirror take on such technology.
The final episode, Hated in the Nation is a look at online trolling and bullying and how this can be taken to extremes. it shows that even when people know there are real consequences for the victims, because it is largely anonymous they will carry on doing it. Quite a long episode but gripping and keeps the viewer guessing throughout.
Dakota Morrill (17 KP) rated Horizon Zero Dawn in Video Games
Mar 4, 2018
Post Apocalypse without zombies and gangs
Where do I start on this game?
When I first saw it was announced, I was hyped. Then my hype died upon seeing gameplay and as time went by. I eventually decided I was going to take a risk and play it upon release. The next 3 days I was nowhere to be found as I put 50 hours into the game. Its so easy to fall in love with the characters and become invested in the story while still getting happily lost in the vast open world of post-apocalyptic Utah.
Even when you finish the main game, there are very likely plenty of side missions (many of which are unique in their own right) to complete. I first discovered an enemy AFTER I'd beaten the main game and had to figure out which method of attack would be best to tackle the beast. There is so much variety in your attacks from tying enemies down and running at them with your spear to tearblasting their armor off and hitting some carefully placed precision arrows. My favorite takedown is shooting the blaze canisters on enemies' bodies with fire arrows and watching as they detonate with a big kaboom.
I had to really think about what would keep this game from being a 10/10 and I realized that there are some enemies that just got on the nerves. Oftentimes Glinthawks would never come near the group and would constantly be moving, shooting ice at you. I had to learn through a mission a good way into the game that Glinthawks are susceptible to fire which will knock them down pretty quickly for some spear attacks. Also, the wonderful Ashley Burch's voice would often sound much differently than it would if they went by the mouth movements that Aloy made.
When I first saw it was announced, I was hyped. Then my hype died upon seeing gameplay and as time went by. I eventually decided I was going to take a risk and play it upon release. The next 3 days I was nowhere to be found as I put 50 hours into the game. Its so easy to fall in love with the characters and become invested in the story while still getting happily lost in the vast open world of post-apocalyptic Utah.
Even when you finish the main game, there are very likely plenty of side missions (many of which are unique in their own right) to complete. I first discovered an enemy AFTER I'd beaten the main game and had to figure out which method of attack would be best to tackle the beast. There is so much variety in your attacks from tying enemies down and running at them with your spear to tearblasting their armor off and hitting some carefully placed precision arrows. My favorite takedown is shooting the blaze canisters on enemies' bodies with fire arrows and watching as they detonate with a big kaboom.
I had to really think about what would keep this game from being a 10/10 and I realized that there are some enemies that just got on the nerves. Oftentimes Glinthawks would never come near the group and would constantly be moving, shooting ice at you. I had to learn through a mission a good way into the game that Glinthawks are susceptible to fire which will knock them down pretty quickly for some spear attacks. Also, the wonderful Ashley Burch's voice would often sound much differently than it would if they went by the mouth movements that Aloy made.
Gareth von Kallenbach (971 KP) rated the PC version of Mutant Year Zero: Road to Eden in Video Games
Jun 19, 2019
Fans of turn based combat will likely enjoy the latest game in the genre Mutant Year Zero: Road to Eden. The game has a Post-Apocalypse setting where players take control of two mutants, a Duck and a Boar, as they explore, battle, and salvage in a hostile environment.
There is a base of operations which is fairly safe for players to enjoy as they can not only gain new missions; but they can upgrade their loadout to better survive the tasks ahead.
The early missions were fairly routine as using my allotted number of moves per turn I was able to move, take cover, heal, reload, fire, and even throw a grenade.
The problem comes when the enemy has numbers as an early mission involved taking on 5 enemies of the same or higher skill level.
The enemies were able to flank players and call in help which only increased their superior advantage.
Hiding and waiting for them to pass, hit and run, and direct assaults did no good and added to the frustrations.
Considering players would have to take a turn to reload and enemies did not, plus the sheer numbers made it a frustrating undertaking.
In many ways it is a microcosm of the game itself as there are challenges and then there are challenges which are a bit too much for gamers who are not hardcore and are looking for a simple escape.
Casual players are likely to enjoy the premise and some of the gameplay but will become frustrated with the excessive challenge and combat mechanics required on some of the missions.
The game has decent graphics and sound and the characters are engaging and likeable but in the end the game becomes a tedious series of turn based battles that can grow old and frustrating after a while.
http://sknr.net/2018/12/27/mutant-year-zero-road-to-eden/
There is a base of operations which is fairly safe for players to enjoy as they can not only gain new missions; but they can upgrade their loadout to better survive the tasks ahead.
The early missions were fairly routine as using my allotted number of moves per turn I was able to move, take cover, heal, reload, fire, and even throw a grenade.
The problem comes when the enemy has numbers as an early mission involved taking on 5 enemies of the same or higher skill level.
The enemies were able to flank players and call in help which only increased their superior advantage.
Hiding and waiting for them to pass, hit and run, and direct assaults did no good and added to the frustrations.
Considering players would have to take a turn to reload and enemies did not, plus the sheer numbers made it a frustrating undertaking.
In many ways it is a microcosm of the game itself as there are challenges and then there are challenges which are a bit too much for gamers who are not hardcore and are looking for a simple escape.
Casual players are likely to enjoy the premise and some of the gameplay but will become frustrated with the excessive challenge and combat mechanics required on some of the missions.
The game has decent graphics and sound and the characters are engaging and likeable but in the end the game becomes a tedious series of turn based battles that can grow old and frustrating after a while.
http://sknr.net/2018/12/27/mutant-year-zero-road-to-eden/
Kirk Bage (1775 KP) rated Waltz With Bashir (2008) in Movies
Mar 11, 2021
This is the fifth in the series of films I would recommend to an alien to explain humanity. Not, as posted on the Instagram account, #6 – sorry for the confusion, I think I skipped #4 on there when posting for Schindler’s List a few weeks ago. Anyway… today’s choice is Ari Folman’s extraordinary antiwar film from 2008, which combines several forms of animation and live action footage to create a dreamlike landscape of the 1982 invasion of Lebanon, and one man’s journey to reconstruct his own lost memories of events.
I saw this when working at The Cameo Cinema in Edinburgh on release. It was the kind of thing I loved to discover that I wouldn’t normally have paid to see. Its impact on me was immediate, and I went back to see it 3 more times. When it was released on DVD in 2009, it became my go to movie to gift to people who I knew would love it but may not have even heard of it, due to its low profile arthouse origins. It was nominated in the Best Foreign Language Film category at the Oscars, but otherwise went under the radar in many ways. I still doubt it has been seen by a quarter of the people who would immediately say it was one of the most amazing films they had ever seen.
The animation may seem gimmicky at first, but once you identify its utility in this context and understand this is not a film for children, it becomes a transcendent trip of vibrant colour, emotion and… humanity. I would call it as indispensable an antiwar movie as Apocalypse Now, and in many ways so much more moving than that classic. If you have yet to see it, do yourself a favour, pick a time you can reflect and allow the dreamlike quality to carry you away.
I saw this when working at The Cameo Cinema in Edinburgh on release. It was the kind of thing I loved to discover that I wouldn’t normally have paid to see. Its impact on me was immediate, and I went back to see it 3 more times. When it was released on DVD in 2009, it became my go to movie to gift to people who I knew would love it but may not have even heard of it, due to its low profile arthouse origins. It was nominated in the Best Foreign Language Film category at the Oscars, but otherwise went under the radar in many ways. I still doubt it has been seen by a quarter of the people who would immediately say it was one of the most amazing films they had ever seen.
The animation may seem gimmicky at first, but once you identify its utility in this context and understand this is not a film for children, it becomes a transcendent trip of vibrant colour, emotion and… humanity. I would call it as indispensable an antiwar movie as Apocalypse Now, and in many ways so much more moving than that classic. If you have yet to see it, do yourself a favour, pick a time you can reflect and allow the dreamlike quality to carry you away.
ClareR (5608 KP) rated Last One at the Party in Books
Mar 14, 2021
I started reading this after dinner one evening, so reasonably late in the day, and then carried on reading until I went to bed. I really should have left an hour of non-reading time before attempting to sleep, because every time I closed my eyes I could see corpses and people dying horrible deaths. Which is strange, because books with this kind of content don’t usually bother me. I think it was the humour that made it seem more normal, more believable. And I can’t deny that reading it whilst we’re actually living through a pandemic might have added that extra bit of “Oh my god - could this actually happen??!!”
I liked that there weren’t zombies or something reminiscent of Mad Max - I think I’ve seen loads of those kinds of books before, and whilst I’ve been known to enjoy them as well, it was nice to have something a bit different. This is a breath of fresh air. Or at least as fresh as it can be with the imagined stink of millions of decaying Britons on the streets and in their homes (I’m not even exaggerating) 🤢
I liked that the main character didn’t have the answer to everything - or in fact, to anything - but she muddles along, making mistakes and learning from them.
This book isn’t wildly exciting, in that the zombie hordes are absent, and no one is being strapped to the front of a 4X4, and I loved that about it. The main character is a ‘normal’ woman, trying her best to stay alive at the end of the world. She’s a great character, she seems so approachable, and even though she probably wouldn’t agree, someone I’d be happy to spend time with. Even though I’d probably be a rotting corpse. Nice.
I’d really recommend this book, it’s definitely not your run-of-the-mill apocalypse story!!
I liked that there weren’t zombies or something reminiscent of Mad Max - I think I’ve seen loads of those kinds of books before, and whilst I’ve been known to enjoy them as well, it was nice to have something a bit different. This is a breath of fresh air. Or at least as fresh as it can be with the imagined stink of millions of decaying Britons on the streets and in their homes (I’m not even exaggerating) 🤢
I liked that the main character didn’t have the answer to everything - or in fact, to anything - but she muddles along, making mistakes and learning from them.
This book isn’t wildly exciting, in that the zombie hordes are absent, and no one is being strapped to the front of a 4X4, and I loved that about it. The main character is a ‘normal’ woman, trying her best to stay alive at the end of the world. She’s a great character, she seems so approachable, and even though she probably wouldn’t agree, someone I’d be happy to spend time with. Even though I’d probably be a rotting corpse. Nice.
I’d really recommend this book, it’s definitely not your run-of-the-mill apocalypse story!!
What scares you the most? Ghouls, vampires, slime-fanged aliens ...or something terrible that truly could happen? For me it's definitely the latter.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Hazel (2934 KP) rated Ravage (Ravaged World Trilogy #2) in Books
Sep 28, 2019
I just love a good horror book every now and then as it enables me to put all believability aside and just go along for the ride ... this one did the job and is another great story from Iain Rob Wright. Despite it being the second in the series ("Sea Sick" being the first), it can easily be read as a standalone.
I don't read an awful lot of zombie apocalypse books so don't have anything to compare this one with which, I think, is probably a good thing as I had no expectations but I was a lover of The Walking Dead and I do think this is similar in it's plot, i.e. a band of survivors coming up against hordes of the living dead and various miscreants in society where no one is safe and anyone can meet their end at any time regardless of their importance.
There is your usual set of characters in this book from the nice to the downright nasty some of which are more developed than others which I think is out of necessity as there are many of them. The various settings are perfect and "normal", the writing is set at a good pace and is easy to read. There are, as you would expect, many scenes of peril and death with a good smattering of blood and gore (not always due to the zombies) but also more tender moments that provided some relief and softness in what would otherwise be a bleak read.
I felt the addition of "The Path of Infection" at the end was excellent and provided an explanation as to how the virus spread from when it came ashore to reaching one of the main characters, Nick, and it makes you think just how easily this could happen in the real world with any virus or infection such as flu, Ebola, etc.
Overall, a thoroughly enjoyable read and now I'm off to read "Savage", the last in the series.
I don't read an awful lot of zombie apocalypse books so don't have anything to compare this one with which, I think, is probably a good thing as I had no expectations but I was a lover of The Walking Dead and I do think this is similar in it's plot, i.e. a band of survivors coming up against hordes of the living dead and various miscreants in society where no one is safe and anyone can meet their end at any time regardless of their importance.
There is your usual set of characters in this book from the nice to the downright nasty some of which are more developed than others which I think is out of necessity as there are many of them. The various settings are perfect and "normal", the writing is set at a good pace and is easy to read. There are, as you would expect, many scenes of peril and death with a good smattering of blood and gore (not always due to the zombies) but also more tender moments that provided some relief and softness in what would otherwise be a bleak read.
I felt the addition of "The Path of Infection" at the end was excellent and provided an explanation as to how the virus spread from when it came ashore to reaching one of the main characters, Nick, and it makes you think just how easily this could happen in the real world with any virus or infection such as flu, Ebola, etc.
Overall, a thoroughly enjoyable read and now I'm off to read "Savage", the last in the series.